United States Marine Band Songtexte
Johan Wichers: Mars der Medici
Austrian Army March
Washington Post March
Gründung am 11. Juli 1798
Mitglieder
Sousa's Greatest Hits (Compilation)
The Bicentennial Collection: Celebrating the 200th Anniversary of “The President’s Own” United States Marine Band (Compilation)
Early Acoustic Recordings 1899–1914
- Farewell to Dresden
- Hornpipe Polka
- National Fencibles
- Yorktown Centennial
- Wedding March from A Midsummer Night’s Dream
- Washington Post
- The Liberty Bell
- The Thunderer
- Belle of New York
- The Red, White and Blue
- Selections from Erminie
- Old Hickory
- Manhattan Beach
- Smoky Mokes
- Old Club March
- Admiral Dewey March
- The Picadore
- The Merry War March
- Semper Fidelis
- The Coquette
- Lola Waltz
- Kaiser Friedrich
- Salute to Washington
- Southern Ideal
- Maple Leaf Rag
- Marsovia Waltzes
- Lincoln Centennial
- Gate City
- National Emblem
- German Fidelity
Early Acoustic Recordings 1914–1923
- Good Night Harvard
- Krupp March
- Grand Duke of Baden
- National Capital Centennial
- Marine Corps Institute
- The Rifle Regiment
- Anchors Aweigh
- Marche Turque Patrol
- The Messenger
- Old Comrades
- Polonaise Militaire
- True to the Flag
- Joyce’s 71st New York Regiment
- 74th Regiment
- The Father of Victory
- Marche Militaire
- Washington Post
- Brooke’s Triumphal
- Under the Star of the Guard
- Pomp and Circumstance March no. 1
Historic Soloists
- Night Soliloquy
- Flight of the Bumblebee
- Fantasie on Themes from Verdi’s Rigoletto
- Beautiful Colorado
- Serenade
- Cornet Duet, “Short and Sweet” Polka
- Premier Polka
- My Heart at Thy Sweet Voice from Samson et Dalila
- Fantasia Capriccioso
- La Joya
- Stars in a Velvety Sky
- Somewhere a Voice Is Calling
- Hungarian Melodies
- Carnival of Venice
- All Those Endearing Young Charms
- Starlight
- Thoughts of Love
- Piece Concertante
- Annie Laurie
Historic Soloists (continued), Taylor Branson, William F. Santelmann
- Andante and Scherzo
- Zigeunerweisen
- Largo al factotum from The Barber of Seville
- Drum Major’s Aria from Le Caïd
- Second Regiment Connecticut
- Stephen Foster Melodies
- March of the Women Marines
- The Marines’ Hymn
- Overture to Russlan and Ludmilla
- The Directorate
- Polonaise from Eugene Onegin
- Marche Militaire Française
- On the Quarterdeck
- Ride of the Valkyries from Die Walküre
- Semper Fidelis
Albert F. Schoepper, Dale L. Harpham
- Prelude to Act 3 and Bridal Chorus from Lohengrin
- Chorale and Alleluia
- Bugler’s Holiday
- Commando March
- The Stars and Stripes Forever
- The Chimes of Liberty
- March of the Steelmen
- Man of the Hour
- Fanfare and Allegro
- Purple Pageant
- Athletic Festival March, op. 69, no. 1
- Overture to La forza del destino
- Molly On The Shore
- Symphony in B-flat for Concert Band: Moderately fast, with vigor
- Symphony in B-flat for Concert Band: Andantino grazioso; Fast and gay
- Symphony in B-flat for Concert Band: Fugue
- Hail to the Spirit of Liberty
- Washington Grays
Jack T. Kline, John R. Bourgeois
- March from Symphonic Metamorphosis
- Overture to Le Corsaire
- The Glory of the Yankee Navy
- Festive Overture, op. 96
- The Pride of the Wolverines
- La Fiesta Mexicana: Prelude and Aztec Dance
- La Fiesta Mexicana: Mass
- La Fiesta Mexicana: Carnival
- Entry March of the Boyares
- The Liberty Bell
- Florentiner
- Apothéose from Symphonie funèbre et triomphale
Timothy W. Foley
- Lincolnshire Posy: “Lisbon” (Sailor’s Song)
- Lincolnshire Posy: “Horkstow Grange” (The Miser and His Man: A Local Tragedy)
- Lincolnshire Posy: “Rufford Park Poachers” (Poaching Song)
- Lincolnshire Posy: “The Brisk Young Sailor” (Returned to Wed His True Love)
- Lincolnshire Posy: “Lord Melbourne” (War Song)
- Lincolnshire Posy: “The Lost Lady Found” (Dance Song)
- Derivations for Clarinet and Winds: Warm Up
- Derivations for Clarinet and Winds: Contrapuntal Blues
- Derivations for Clarinet and Winds: Rag
- Derivations for Clarinet and Winds: Ride Out
- Symphony for Band, West Point: Epitaphs
- Symphony for Band, West Point: Marches
- Circus Polka
- Fugue in C
- Chorale Prelude, “Wir Glauben all’ an einen Gott”
- Finale From Symphony no. 1
- Dance of the Jesters from The Snow Maiden
Composers Conduct: Husa, Colgrass, Benson
- Concerto for Wind Ensemble: Drum Ceremony
- Concerto for Wind Ensemble: Elegy
- Concerto for Wind Ensemble: Perpetual Motion
- Winds of Nagual: The Desert
- Winds of Nagual: Carlos Stares at the Water
- Winds of Nagual: Gait of Power
- Winds of Nagual: Asking Twilight for Calmness and Power
- Winds of Nagual: Juan Clowns for Carlos
- Winds of Nagual: Last Conversation and Farewell
- Symphony II: “Lost Songs”
Composers Conduct and Guest Conductors
- Wings
- Three City Blocks: Fervent & resolute
- Three City Blocks: Tough, driving
- Three City Blocks: With relentless energy
- Passacaglia (Homage on B-A-C-H)
- ... And the Mountains Rising Nowhere
- Emblems
- George Washington Bridge
- Country Band March
- Coronation March, “Crown Imperial”
Guest Conductors
- Hammersmith, Prelude and Scherzo, op. 52
- Suite no. 1 in E-flat: Chaconne
- Suite no. 1 in E-flat: Intermezzo
- Suite no. 1 in E-flat: March
- Toccata Marziale
- The Black Horse Troop
- Theme and Variations, op. 43a
- Colonial Song
- Music Festival
- The Boys of the Old Brigade
- H.M. Jollies
- Music for a Festival: Intrada
- Music for a Festival: Overture
- Music for a Festival: Round of Seven Parts
- Music for a Festival: Air
- Music for a Festival: Finale