Thomas Adès Songtexte
Arcadiana, Op. 12: II. Das klinget so herrlich, das klinget so schön
Geboren am 01. März 1971
Life Story
- Catch, op. 4
- Darknesse Visible
- Still Sorrowing, op. 7
- Under Hamelin Hill, op. 6: I. Preambulum (von David Goode)
- Under Hamelin Hill, op. 6: II. Fuga a tre voci con alcune licenze
- Under Hamelin Hill, op. 6: III. Arietta
- Five Eliot Landscapes, op. 1: I. New Hampshire
- Five Eliot Landscapes, op. 1: II. Virginia
- Five Eliot Landscapes, op. 1: III. Usk
- Five Eliot Landscapes, op. 1: IV. Rannoch, by Glencoe
- Five Eliot Landscapes, op. 1: V. Cape Ann
- Traced Overhead, op. 15: I. Sursum
- Traced Overhead, op. 15: II. Aetheria
- Traced Overhead, op. 15: III. Chori
- Life Story, op. 8b
Living Toys
- Living Toys, op. 9: I. Angels (von London Sinfonietta, Markus Stenz)
- Living Toys, op. 9: II. Aurochs (von London Sinfonietta, Markus Stenz)
- Living Toys, op. 9: II. BALETT (von London Sinfonietta, Markus Stenz)
- Living Toys, op. 9: III. Militiamen (von London Sinfonietta, Markus Stenz)
- Living Toys, op. 9: IV. H.A.L.'s Death (von London Sinfonietta, Markus Stenz)
- Living Toys, op. 9: IV. BATTLE (von London Sinfonietta, Markus Stenz)
- Living Toys, op. 9: V. Playing Funerals (von London Sinfonietta, Markus Stenz)
- Living Toys, op. 9: V. TABLET (von London Sinfonietta, Markus Stenz)
- Arcadiana, op. 12: I. Venezia notturna (von Endellion Quartet)
- Arcadiana, op. 12: II. Das klinget so herrlich, das klinget so schön (von Endellion Quartet)
- Arcadiana, op. 12: III. Auf dem Wasser zu singen (von Endellion Quartet)
- Arcadiana, op. 12: IV. Et... (tango mortale) (von Endellion Quartet)
- Arcadiana, op. 12: V. L'Embarquement (von Endellion Quartet)
- Arcadiana, op. 12: VI. O Albion (von Endellion Quartet)
- Arcadiana, op. 12: VII. Lethe (von Endellion Quartet)
- Sonata da caccia, op. 11: I. Gravement
- Sonata da caccia, op. 11: II. Gayëment
- Sonata da caccia, op. 11: III. Naïvement
- Sonata da caccia, op. 11: IV. Galament
- The Origin of the Harp, op. 13: I. Dolcissimo ed espressivo
- The Origin of the Harp, op. 13: II. Largo con moto
- The Origin of the Harp, op. 13: III. Spettrale
- The Origin of the Harp, op. 13: IV. [untitled]
- Gefriolsae Me, op. 3b
Piano (Compilation)
- Come io passo l'estate: I. Arrivo a Tires
- Come io passo l'estate: II. La fossa del Lupo
- Come io passo l'estate: III. Andiamo al rifugio Bergamo
- Come io passo l'estate: IV. La valle del Ciamin
- Come io passo l'estate: V. Il buco dell'orso
- Come io passo l'estate: VI. La fontanella di Ganna
- Come io passo l'estate: VII. Ghiaccio sul Rosengarten
- Come io passo l'estate: VIII. Antonio Ballista dorme in casa dei carabinieri
- Come io passo l'estate: IX. Il fantasma del castello di Presule
- Come io passo l'estate: X. Canzone per il mio compleanno
- Norwegian Peasant Dances, op. 72: No. 14. Tussebruruferda på Vossevangen
- Norwegian Peasant Dances, op. 72: No. 15. Skuldalsbrura
- Norwegian Peasant Dances, op. 72: No. 10. Knut Luråsens halling I
- Canon a 4 voci
- Játékok: Les Adieux in Janáčeks Manier
- Játékok: A megvadult lenhajó láng
- Játékok: Keringő
- Játékok: Hommage à Nancy Sinatra
- Játékok: Hommage à Csajkovszkij
- Piano Sonata no. 2 in G major: I. Fuga: Lento espressivo
- Piano Sonata no. 2 in G major: II. Presto
- Intimate Sketches: No. 8. Čekám Tě!
- Játékok: Tears
- Játékok: Egy igaz ember emlékére
- Játékok: Preludium
- Játékok: Korál
- Sonatina no. 3 "Ad usum infantis": I. Molto tranquillo
- Sonatina no. 3 "Ad usum infantis": II. Andantino melancolico
- Sonatina no. 3 "Ad usum infantis": III. Vivace (alla Marcia)
- Sonatina no. 3 "Ad usum infantis": IV. Molto tranquillo
- Sonatina no. 3 "Ad usum infantis": V. Polonaise: Un poco cerimonioso
- Souvenir d'une marche boche
- Valse pour les enfants
- Piano-Rag-music
- Three Canons for Ursula: No. 1. Canon 5/7
- Three Canons for Ursula: No. 2. Canon 6/9/10/15
- Three Canons for Ursula: No. 3. Canon 2/3
Tevot / Violin Concerto / Three Studies From Couperin / Dances From Powder Her Face
- Tevot (von Berliner Philharmoniker, Simon Rattle)
- Violin Concerto 'Concentric Paths': I. Rings
- Violin Concerto 'Concentric Paths': II. Paths
- Violin Concerto 'Concentric Paths': III. Rounds
- Three Studies from Couperin: I. Les Amusemens
- Three Studies from Couperin: II. Les Tours de passe-passe
- Three Studies from Couperin: III. L'Âme-en-peine
- Overture, Waltz and Finale from Powder Her Face: I. Overture (von National Youth Orchestra of Great Britain, Paul Daniel)
- Overture, Waltz and Finale from Powder Her Face: II. Waltz (von National Youth Orchestra of Great Britain, Paul Daniel)
- Overture, Waltz and Finale from Powder Her Face: III. Finale (von National Youth Orchestra of Great Britain, Paul Daniel)
Mehr Songtexte
- The Tempest, Act 1, Scene V: Sir? Have You Recovered Them?
- The Tempest, Act 3, Scene III: Murder This Man
- The Tempest, Act 1: Scene IV: Sorcerer Die
- Act I, Scene 2, Nineteen thirty-four: Of course she's done well
- Arcadiana, Op. 12: VI. O Albion
- Act II, Scene 6, Nineteen fifty-five: Did you hear - What he said? (Rubberneckers)
- The Tempest, Act 3, Scene II: Murder!
- Act I, Scene 4, Nineteen fifty-three: Come here (Duchess/Waiter)
- Act II, Scene 6, Nineteen fifty-five: So that is all (Duchess/Rubberneckers)
- Concerto Conciso, Op. 18: I (Birmingham Contemporary Music Group, feat. conductor/piano: Thomas Adès)
- The Tempest, Act 1, Scene V: Five Fathoms Deep
- Chamber Symphony, Op. 2: II (Birmingham Contemporary Music Group, feat. conductor: Thomas Adès)
- The Tempest, Act 1, Scene II: What You Have Told Me
- Living Toys, op. 9: II. BALETT
- Overture, Waltz and Finale from Powder Her Face: III. Finale
- Asyla, Op. 17: I (City of Birmingham Symphony Orchestra, feat. conductor: Sir Simon Rattle)
- The Tempest, Act 1: Scene I: Hell Is Empty
- Act I, Scene 3, Nineteen thirty-six: Fancy, fancy being rich (Waitress)
- Sonata da Caccia op.11: IV. Galament
- Act II, Scene 6, Nineteen fifty-five: Did she?...Of course she did (Rubberneckers)
- The Tempest, Act 1, Scene II: Oh Father
- Five Eliot Landscapes, Op.1: IV. Rannoch, by Glencoe
- The Tempest, Act 3, Scene III: Father
- Under Hamelin Hill, Op.6: III. Arietta
- Asyla, Op. 17: III. Ecstasio (City of Birmingham Symphony Orchestra, feat. conductor: Sir Simon Rattle)
- Concerto Conciso, Op. 18: II - (Birmingham Contemporary Music Group, feat. conductor/piano: Thomas Adès)
- Living Toys, op. 9: II. Aurochs
- Five Eliot Landscapes, Op.1: II. Virginia
- Under Hamelin Hill, Op.6: II. Fuga a tre voci con alcune licenze
- Act I, Scene 1, Nineteen ninety: Take it from me (Duchess/Electrician/Maid)
- The Tempest, Act 3, Scene I: This Way
- The Tempest, Act 3, Scene II: Help Us!
- Living Toys, op. 9: I. Angels
- The Tempest, Act 2, Scene I: I Had the Notion I Flew
- The Tempest, Act 3, Scene I (orchestral)
- Act II, Scene 7, Nineteen seventy: Interlude - Fifty-eight, seventy-nine (Duchess)
- Act I, Scene 5, Nineteen fifty-three: Are you saying the Duchess is a whore?
- Chamber Symphony, Op. 2: IV (Birmingham Contemporary Music Group, feat. conductor: Thomas Adès)
- Living Toys, op. 9: V. TABLET
- Act I: Overture
- Act II, Scene 7, Nineteen seventy: Ah! None left (Duchess/Society Journalist/Delivery Boy)
- Act I, Scene 1, Nineteen ninety: I see. This is what is has come to
- Chamber Symphony, Op. 2: I (Birmingham Contemporary Music Group, feat. conductor: Thomas Adès)
- Arcadiana, Op. 12: V. L'Embarquement
- Act I, Scene 5, Nineteen fifty-three: Ha ha ha ha... (Paper chase) (Mistress/Duke)
- Overture, Waltz and Finale from Powder Her Face: I. Overture
- Arcadiana, Op. 12: VII. Lethe
- The Tempest, Act 2: Scene IV: What Was Before
- Still Sorrowing, Op.7
- Act II, Scene 6, Nineteen fifty-five: But now I have heard something new (Judge)
- Act I, Scene 4, Nineteen fifty-three: Interlude (Orchestra)
- Asyla, Op. 17: II (City of Birmingham Symphony Orchestra, feat. conductor: Sir Simon Rattle)
- Ghost Epilogue: Enough...Or too much! (Maid/Electrician)
- The Tempest, Act 3, Scene II: Spirit Must I Right
- Act I, Scene 5, Nineteen fifty-three: Is Daddy squiffy?
- The Tempest, Act 2, Scene II: A Monster!
- Act II, Scene 6, Nineteen fifty-five: Interlude (Orchestra)
- The Tempest, Act 3: Scene V: Who Was Here
- The Tempest, Act 2: Scene III: They Won't Find Him
- The Tempest, Act 1: Scene VI: As I Sat Weeping
- Catch, Op.4
- Arcadiana, Op. 12: II. Das klinget so herrlich, das klinget so schön
- Tevot
- Five Eliot Landscapes, Op.1: I. New Hampshire
- ...but all shall be well, Op. 10 (City of Birmingham Symphony Orchestra, feat. conductor: Thomas Adès)
- Five Eliot Landscapes, Op.1: III. Usk
- The Tempest, Act 1: Scene III: Fear. Fear to the Sinner
- Act I, Scene 2, Nineteen thirty-four: I hear him coming (Pantomime) (Duchess/Confidante/Lounge Lizard/Duke)
- Chamber Symphony, Op. 2: III (Birmingham Contemporary Music Group, feat. conductor: Thomas Adès)
- These Premises Are Alarmed, Op. 16 (City of Birmingham Symphony Orchestra, feat. conductor: Thomas Adès)
- The Tempest, Act 2, Scene II: We'll Find the Prince
- Act I, Scene 2, Nineteen thirty-four: Interlude (Orchestra)
- Arcadiana, Op. 12: III. Auf dem Wasser zu singen
- Under Hamelin Hill, Op.6: I. Preambulum
- The Tempest, Act 2, Scene II: Friends Don't Fear...
- Five Eliot Landscapes, Op.1: V. Cape Ann
- Overture, Waltz and Finale from Powder Her Face: II. Waltz
- Act II, Scene 7, Nineteen seventy: I'd like to make one thing entirely clear
- Act II, Scene 6, Nineteen fifty-five: Order, Silence
- Act I, Scene 1, Nineteen ninety: Oo aa! ha ha ha ha ha (Maid/Electrician)
- The Tempest, Act 1, Scene II: Miranda - You Are My Care
- Act II, Scene 8, Nineteen ninety: Agh - Who are you? (Duchess/Hotel Manager)
- Act I, Scene 4, Nineteen fifty-three: What have you got there?
- Living Toys, op. 9: IV. BATTLE
- Living Toys, op. 9: III. Militiamen
- Act II, Scene 8, Nineteen ninety: Broken. It's broken (Duchess/Hotel Manager)
- The Tempest, Act 3, Scene IV: How These Things
- Act I, Scene 4, Nineteen fifty-three: ...mm...ah!...How may I help you? (Duchess/Laundryman/Other Guest)
- The Tempest, Act 3, Scene IV: Quietness
- Act I, Scene 4, Nineteen fifty-three: ...mm...ah!...Room service?
- Asyla, Op. 17: IV (City of Birmingham Symphony Orchestra, feat. conductor: Sir Simon Rattle)
- Concerto Conciso, Op. 18: [dotted crotchet = 116] (Birmingham Contemporary Music Group, feat. conductor/piano: Thomas Adès)
- Act I, Scene 2, Nineteen thirty-four: I could never grow bored of dukedoms (Confidante/Lounge Lizard/Duchess)
- Arcadiana, Op. 12: IV. Et... (tango mortale)
- Living Toys, op. 9: IV. H.A.L.'s Death
- The Tempest, Act 3, Scene II: Fool. You've Tired Us Out
- The Tempest, Act 2, Scene I: Alive, Awake
- Arcadiana, Op. 12: I. Venezia notturna
- Act II, Scene 8, Nineteen ninety: That will do, you may go (Duchess)
- Living Toys, op. 9: V. Playing Funerals
- The Tempest, Act 3, Scene IV: How Good They Are
- Act I, Scene 1, Nineteen ninety: Interlude (Orchestra)
- Asyla: IV
- Catch for clarinet, violin, cello, and piano
- ...but all shall be well, Op. 10
- Concerto Conciso, Op. 18: [dotted crotchet = 116]
- Concerto Conciso, Op. 18: I
- Asyla, Op. 17: II
- Asyla, Op. 17: IV
- Asyla: I.
- Concerto Conciso, Op. 18: II
- Asyla, Op. 17: III. Ecstasio
- Under Hamelin Hill, op. 6: I. Preambulum
- Asyla, op. 17: I
- Arcadiana for string quartet, Op. 12: VI. O Albion
- Arcadiana for string quartet, Op. 12: IV. Et... (tango mortale)
- Arcadiana for string quartet, Op. 12: V. L'Embarquement
- Arcadiana for string quartet, Op. 12: II. Das klinget so herrlich, das klinget so schön
- Arcadiana for string quartet, Op. 12: I. Venezia notturna
- Arcadiana for string quartet, Op. 12: VII. Lethe
- Arcadiana for string quartet, Op. 12: III. Auf dem Wasser zu singen
- Asyla, op. 17: III: Ecstasio