Works: 1965-1995 (Compilation)
- Music for 18 Musicians: Pulses (von Steve Reich and Musicians)
- Music for 18 Musicians: Section I (von Steve Reich and Musicians)
- Music for 18 Musicians: Section II (von Steve Reich and Musicians)
- Music for 18 Musicians: Section IIIA (von Steve Reich and Musicians)
- Music for 18 Musicians: Section IIIB (von Steve Reich and Musicians)
- Music for 18 Musicians: Section IV (von Steve Reich and Musicians)
- Music for 18 Musicians: Section V (von Steve Reich and Musicians)
- Music for 18 Musicians: Section VI (von Steve Reich and Musicians)
- Music for 18 Musicians: Section VII (von Steve Reich and Musicians)
- Music for 18 Musicians: Section VIII (von Steve Reich and Musicians)
- Music for 18 Musicians: Section IX (von Steve Reich and Musicians)
- Music for 18 Musicians: Section X (von Steve Reich and Musicians)
- Music for 18 Musicians: Section XI (von Steve Reich and Musicians)
- Music for 18 Musicians: Pulses (von Steve Reich and Musicians)
- The Desert Music: I. Fast
- The Desert Music: II. Moderate
- The Desert Music: III. Part One: Slow
- The Desert Music: III. Part Two: Moderate
- The Desert Music: III. Part Three: Slow
- The Desert Music: IV. Moderate
- The Desert Music: V. Fast
- New York Counterpoint: I. Fast
- New York Counterpoint: II. Slow
- New York Counterpoint: III. Fast
- Sextet: I.
- Sextet: II.
- Sextet: III.
- Sextet: IV.
- Sextet: V.
- The Four Sections: I. Strings (with Winds and Brass) (von London Symphony Orchestra, Michael Tilson Thomas)
- The Four Sections: II. Percussion (von London Symphony Orchestra, Michael Tilson Thomas)
- The Four Sections: III. Winds and Brass (with Strings) (von London Symphony Orchestra, Michael Tilson Thomas)
- The Four Sections: IV. Full Orchestra (von London Symphony Orchestra, Michael Tilson Thomas)
- Different Trains: I. America - Before the War (von Kronos Quartet)
- Different Trains: II. Europe - During the War (von Kronos Quartet)
- Different Trains: III. After the War (von Kronos Quartet)
- Electric Counterpoint: I. Fast (von Pat Metheny)
- Electric Counterpoint: II. Slow (von Pat Metheny)
- Electric Counterpoint: III. Fast
- Three Movements: Movement I
- Three Movements: Movement II
- Three Movements: Movement III
- The Cave, Act 1: I. Typing Music (Genesis XVI)
- The Cave, Act 1: II. Who is Abraham?
- The Cave, Act 1: VII. Who is Ishmael?
- The Cave, Act 1: VIII. Genesis XVIII
- The Cave, Act 1: X. Genesis XXI
- The Cave, Act 1: XI. The Casting Out of Ishmael and Hagar
- The Cave, Act 1: XII. Machpelah Commentary
- The Cave, Act 1: XIII. Genesis XXV
- The Cave, Act 1: XIV. Interior of the Cave
- The Cave, Act 2: I. Surah 3
- The Cave, Act 2: V. El Khalil Commentary
- The Cave, Act 3: I. Who is Abraham?
- The Cave, Act 3: II. Who is Sarah?
- The Cave, Act 3: III. Who is Hagar?
- The Cave, Act 3: IV. Who is Ishmael?
- The Cave, Act 3: V. The Binding of Isaac
- The Cave, Act 3: VI. The Cave of Machpelah
WTC 9/11 / Mallet Quartet / Dance Patterns
You Are (variations) / Cello Counterpoint
- You Are (Variations): I. You Are Wherever Your Thoughts Are (von Los Angeles Master Chorale, Grant Gershon)
- You Are (Variations): II. Shiviti hashem l'negdi (I Place the Eternal Before Me) (von Los Angeles Master Chorale, Grant Gershon)
- You Are (Variations): III. Explanations Come to an End Somewhere (von Los Angeles Master Chorale, Grant Gershon)
- You Are (Variations): IV. Ehmor m'aht, v'ahsay harbay (Say Little and Do Much) (von Los Angeles Master Chorale, Grant Gershon)
- Cello Counterpoint (von Maya Beiser)
Mehr Songtexte
- Pulse - Sections I - IV
- Sections V - X - Pulse
- The Four Sections, Part I: Strings (with Winds and Brass)
- The Four Sections, Part II: Percussion
- The Four Sections, Part III: Winds and Brass (with Strings)
- The Four Sections, Part IV: Full Orchestra
- Music for 18 Musicians: Section I
- Music for 18 Musicians: Section II
- Music for 18 Musicians: Section IIIa
- Music for 18 Musicians: Section IIIb
- Music for 18 Musicians: Section IV
- Music for 18 Musicians: Section V
- Music for 18 Musicians: Section VI
- Music for 18 Musicians: Section VII
- Music for 18 Musicians: Section VIII
- Music for 18 Musicians: Section IX
- Music for 18 Musicians: Section X
- Music for 18 Musicians: Section XI
- Sextet: I
- Sextet: II
- Sextet: III
- Sextet: IV
- Sextet: V
- Different Trains: I. America - Before the War
- Different Trains: II. Europe - During the War
- Different Trains: III. After the War
- Triple Quartet: I.
- Triple Quartet: II.
- Triple Quartet: III.
- The Four Sections: I. Strings (with Winds and Brass)
- The Four Sections: II. Percussion
- The Four Sections: III. Winds and Brass (with Strings)
- The Four Sections: IV. Full Orchestra
- Pendulum Music I
- Pendulum Music II
- Pendulum Music III
- Tehillim: I. Fast
- Tehillim: II. Fast
- Tehillim: III. Slow
- Electric Counterpoint: I. Fast
- Electric Counterpoint: II. Slow
- You Are (Variations): III. Explanations Come to an End Somewhere
- Different Trains: 1. America - Before the War
- Different Trains: 2. Europe - During the War
- Different Trains: 3. After the War
- Electric Counterpoint: 1. Fast
- Electric Counterpoint: 2. Slow
- Electric Counterpoint: 3. Fast
- Triple Quartet: 1. First Movement
- Triple Quartet: 2. Second Movement
- The Desert Music: Second Movement (Moderate)
- The Desert Music: Third Movement, Part One (Slow)
- The Desert Music: Third Movement, Part Two (Moderate)
- The Desert Music: Third Movement, Part Three (Slow)
- The Desert Music: Fourth Movement (Moderate)
- The Desert Music: Fifth Movement (Fast)
- Drumming: Part I
- Drumming: Part II
- Drumming: Part III
- Triple Quartet: I
- Triple Quartet: II
- Triple Quartet: III
- Duet
- Different Trains: I. America: Before the War
- Different Trains: II. Europe: Before the War
- Drumming, Part One
- Drumming, Part Two
- Drumming, Part Three
- The Four Sections
- Megamix
- Drumming (Mantronik Maximum Drum Formula)
- City Life (DJ Spooky That Subliminal Kid Open Circuit)
- The Desert Music
- Daniel Variations: IV. I Sure Hope Gabriel Like My Music, When the Day Is Done
- Triple Quartet: First Movement
- Triple Quartet: Second Movement
- Triple Quartet: Third Movement
- Electric Guitar Phase
- Tokyo/Vermont Counterpoint
- Tehillim: I. Psalms 19:2-5
- Tehillim: II. Psalms 34:13-15
- Tehillim: III. Psalms 18:26-27
- Tehillim: IV. Psalms 150:4-6
- The Desert Music: III. Part 1: Slow
- The Desert Music: III. Part 2: Moderate
- The Desert Music: III. Part 3: Slow
- Variations for Winds, Strings and Keyboards (San Francisco Symphony feat. conductor: Edo de Waart)
- Pulse - Sections I-X - Pulse
- Electric Counterpoint
- America - Before the War
- Different Trains: Europe - During the War
- Different Trains: After the War
- City Life: II. Pile driver / alarms
- City Life: III. "It's been a honeymoon - Can't take no mo"
- City Life: IV. Heartbeats / Boats & Buoys
- New York Counterpoint: IIII. Fast
- Eight Lines (Octet): I. Number 1
- Eight Lines (Octet): II. Number 16
- Eight Lines (Octet): III. Number 31
- Eight Lines (Octet): IV. Number 46
- Eight Lines (Octet): V. Number 61
- Pulses
- Section I
- Section II
- Section IIIA
- Section IIIB
- Section IV
- Section V
- Section VI
- Section VII
- Section VIII
- Section IX
- Section X
- Section XI
- You Are (Variations): II. Shiviti hashem l'negdi (I Place the Eternal Before Me)
- New York Counterpoint: I.Fast
- You Are (Variations): IV. Ehmor m'aht, v'ahsay harbay (Say Little and Do Much)
- You Are (Variations): I. You Are Wherever Your Thoughts Are
- 2x5: Fast (performed by Bang on a Can)
- Double Sextet: Fast (performed by eighth blackbird)
- 2x5: Slow (performed by Bang on a Can)
- Double Sextet: Slow (performed by eighth blackbird)
- 2x5: III. Fast
- Double Sextet: III. Fast
- Double Sextet: I. Fast
- Double Sextet: II. Slow
- 2x5: I. Fast
- 2x5: II. Slow
- Reed Phase
- Electronic Counterpoint
- Music for 18 Musicians: Section VI.
- Mouvement IV (moderate)
- 2x5
- It's Gonna Rain (1965)
- Clapping Music (1972)
- New York Counterpoint: I. Fast / II. Slow / III. Fast
- The Desert Music: V
- Music for 18 Musicians: Section V.
- Mouvement III (slow-moderate-slow)
- Music for 18 Musicians: Section IV.
- Part II (Beginning)
- Piano Phase (1967)
- Music for 18 Musicians: Section VIII.
- Three Movements: I
- Triple Quartet: I. Fast
- It's Gonna Rain, Parts I & II
- Mouvement II (moderate)
- The Desert Music: IV
- Triple Quartet: III. Fast
- The Desert Music: II
- Three Movements: II
- Music for 18 Musicians: Section IIIB.
- Mouvement V (fast)
- Music for 18 Musicians: Section VII.
- Triple Quartet: II. Slow
- Come Out (1966)
- Mouvement I (fast)
- Three Movements: III
- Music for 18 Musicians: Section I.
- The Desert Music: III
- Music for 18 Musicians: Section IIIA.
- The Desert Music: I
- Part II (Conclusion)
- Music for 18 Musicians: Section IX.
- Music for 18 Musicians: Section II.
- Music for 18 Musicians: Section X / Pulses
- Clapping Music / Electric Counterpoint / Music for 18 Musicians
- Tehillim, section 4
- Tehillim, IV, Part 5
- Tehillim, IV, Part 2
- Tehillim, IV, Part 1
- Tehillim, IV, Part 4
- Tehillim, IV, Part 3
- New York Counterpoint (Version for Saxophone Quartet)
- Escortic Joynt (remix: Trio Escort)
- Electric Counterpoint: Slow
- New York Counterpoint
- New York Counterpoint for 11 clarinets: III.
- New York Counterpoint for 11 clarinets: I.
- New York Counterpoint for 11 clarinets: II.
- Electric Counterpoint (Fast - Movement 3)
- Duet for Two Violins & Strings
- New York Counterpoint: III.
- New York Counterpoint: I.
- New York Counterpoint: II.
- Duet for two violins and strings
- 2x5 III. Fast
- Pulse — Sections I–X — Pulse
- Drumming part III
- New York Counterpoint (Slow)
- Music for 18 Musicians, for Ensemble: VIII.
- Triple Quartet for Amplified String Quartet (with Prerecorded Tape), or Three String Quartets, or String Orchestra: III.
- Music for 18 Musicians, for Ensemble: VII.
- Music for 18 Musicians, for Ensemble: VI.
- Three Movements for Orchestra: III
- Music for 18 Musicians, for Ensemble: V.
- Drumming 2
- Drumming 1
- Triple Quartet for Amplified String Quartet (with Prerecorded Tape), or Three String Quartets, or String Orchestra: I.
- Triple Quartet, per quartetto d'archi
- Electric Counterpoint for 13 Guitars
- Music for 18 Musicians, for Ensemble: III.
- Drumming I / Piano Phase, arranged for 2 Marimbas
- Music for 18 Musicians, for Ensemble: XI.
- Music for 18 Musicians, for Ensemble: X.
- City Life for Amplified Ensemble: III. It's Been a Honeymoon - Can't Take No Mo'
- City Life for Amplified Ensemble: II. Pile Driver / Alarms
- Music for 18 Musicians, for Ensemble: XII.
- City Life for Amplified Ensemble: V. Heavy Smoke
- City Life, per ensemble amplificato
- Music for Eighteen Musicians
- Double Sextet for Ensemble
- [broadcast presentation]
- Clapping Music for 2 Musicians
- City Life for Amplified Ensemble: I. Check It Out
- Music for 18 Musicians, for Ensemble: II.
- Music for 18 Musicians, for Ensemble: IV.
- Music for 18 Musicians, for Ensemble: IX.
- Music for 18 Musicians, for Ensemble: I.
- 2x5 for 5 Musicians and Tape
- Triple Quartet for Amplified String Quartet (with Prerecorded Tape), or Three String Quartets, or String Orchestra: II.
- Three Movements for Orchestra: I
- City Life for Amplified Ensemble: IV. Heartbeats / Boats & Buoys
- Music for 18 Musicians: Pulse — Sections I–X — Pulse
- Radio Rewrite for Ensemble
- Three Movements for Orchestra: II
- Proverb: Nobukazu Takemura Remix
- Megamix: Tranquility Bass Remix
- Come Out: Ken Ishii Remix
- Drumming: Four Tet Remix
- The Desert Music: freQ.Nasty + B.L.I.M. Remix
- Piano Phase: D*Note's Phased + Konfused Mix
- Music for 18 Musicians: Coldcut Remix
- untitled (Come Out)
- Music For 18 Musicians: Ruoho Ruotsi's Pulse Section Dub Remix
- Drumming: Mantronik Maximum Drum Formula
- The Four Sections: Andrea Parker Remix
- City Life: DJ Spooky That Subliminal Kid Remix
- Proverb: Alex Smoke Remix
- Eight Lines: Howie B Remix
- Drumming: Two
- Drumming: One
- Electric Counterpoint I ~ II ~ III
- Opening
- Patterns & Scales
- Cross Fades
- Ending
- Bikini: On The Ships – 2
- Bikini: On The Ships – 1
- Bikini: On The Ships – 3
- Bikini: Atoll – 2
- Bikini: Atoll – 3
- Hindenburg: It Could Not Have Been a Technical Matter
- Bikini: In The Air – 3
- Bikini: In the Air – 1
- Bikini: In The Air – 2
- Bikini: The Atoll – 1
- Vermont Counterpoint (1982)
- Electric Counterpoint: 3rd Movement
- New York Counterpoint: Movement I
- Electric Counterpoint: Movement II
- New York Counterpoint: Movement III
- New York Counterpoint: Movement II
- Electric Counterpoint: Movement III
- Cello Counterpoint: Movement II
- Cello Counterpoint: Movement III
- Cello Counterpoint: Movement I
- Triple Quartet: Movement III
- Triple Quartet: Movement II
- Electric Counterpoint: Movement I
- Triple Quartet: Movement I
- Vermont Counterpoint