Sir Neville Marriner Songtexte
Hungarian Dance No. 5 in G minor
Geboren am 15. April 1924, Gestorben am 02. Oktober 2016
Gruppen
Pachelbel: Canon - Albinoni: Adagio - Bach: Air on G String - Mozart: Eine kleine Nachtmusik - Fauré: Pavane - Handel: Hallelujah from the Messiah & Other Classical Hits (Compilation)
- Canon and Gigue in D major: Canon (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Solomon, HWV 67: Act 3: Sinfonia “The Arrival of the Queen of Sheba”
- Symphony no. 25 in G minor, K. 183: I. Allegro con brio (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Adagio in G minor (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Gloria in D major, RV 589: I. Gloria in excelsis Deo (von Academy of St Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Symphony no. 40 in G minor, K. 550: I. Molto allegro (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Water Music, Suite no. 2 in D major, HWV 349: II. Alla Hornpipe (von Academy of St. Martin‐in‐the‐Fields, Neville Marriner)
- String Quintet in E major, op. 11 no. 5, G. 275: III. Minuetto - Trio (version for string orchestra) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Was mir behagt, ist nur die muntre Jagd, BWV 208 “Jagdkantate”: IX. Aria. “Schafe können sicher weiden” (von Ian Watson, Academy of St Martin in the Fields, Sir Neville Marriner)
- Te Deum, H. 146: Prélude (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto for Two Trumpets in C major, RV 537: II. Largo (von Maurice André, Bernard Soustrot, Academy of St Martin in the Fields, Sir Neville Marriner)
- Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Pavane, op. 50 (Instrumental Version) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- String Quartet no. 1 in D major, op. 11: II. Andante cantabile (version for string orchestra) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Le nozze di Figaro, K. 492: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Die Entführung aus dem Serail, K. 384: Ouvertüre (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Symphony no. 41 in C major, K. 551 “Jupiter”: I. Allegro vivace (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Sinfonia concertante for Violin and Viola in E‐flat major, K. 364: I. Allegro maestoso
- Violin Concerto no. 1 in B‐flat major, K. 207: II. Adagio (von Anne‐Sophie Mutter, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 2 in E‐flat major, K. 417: II. Andante (von Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 2 in E‐flat major, K. 417: III. Rondo (von Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 4 in E‐flat major, K. 495: III. Rondo. Allegro vivace (von Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Herz und Mund und Tat und Leben, BWV 147: No. 10, Choral. “Jesus bleibet meine Freude” (instrumental version) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Holberg Suite, op. 40: I. Praeludium (von Academy of St Martin in the Fields, Sir Neville Marriner)
- 3 German Dances, K. 605: No. 3 in C major “Die Schlittenfahrt” (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto no. 5 in F minor, BWV 1056: II. Largo (von Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner)
- Der Messias, HWV 56: Pt. 2: Chor. “Hallelujah” (von Südfunk-Chor Stuttgart, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Don Giovanni, K. 527: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto in A minor, op. 16: II. Adagio (von Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner)
Sir Neville Marriner: Jubilee Edition (Compilation)
- Symphony no. 5 in D major: I. Allegro ma non troppo – Adagio – Allegro assai (von Sir Neville Marriner, Academy of St Martin in the Fields)
- Symphony no. 5 in D major: II. Tempo di Gavotta (von Sir Neville Marriner, Academy of St Martin in the Fields)
- Symphony no. 5 in D major: III. Tempo di Menuetto (von Sir Neville Marriner, Academy of St Martin in the Fields)
- The Indian Queen: Symphony Act II, Scene 2 (von Sir Neville Marriner, Academy of St Martin in the Fields)
- Concerto for Trumpet and Orchestra in D major: I. Andante (von Sir Neville Marriner, Academy of St Martin in the Fields)
- Concerto for Trumpet and Orchestra in D major: II. Allegro moderato (von Sir Neville Marriner, Academy of St Martin in the Fields)
- Coriolan Ouverture, op. 62 (von Sir Neville Marriner, Radio-Sinfonieorchester Stuttgart)
- Introduction, Theme and Variations for Oboe and Orchestra, op. 102 (von Sir Neville Marriner, Radio-Sinfonieorchester Stuttgart)
- Giselle: Grand pas de deux (Act 2) (von Sir Neville Marriner, Academy of St Martin in the Fields)
- Ouverture Solonelle “1812”, op. 49 (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Carnival Ouverture, op. 92 (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Concert Overture “Zum Märchen von der schönen Melusine” in F major, op. 32 (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Le Cid – Ballet Suite: I. Castillane (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Le Cid – Ballet Suite: III. Aragonaise (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Le Cid – Ballet Suite: V. Catalane (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Le Cid – Ballet Suite: VII. Navarraise (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Don Juan, op. 20 (von Sir Neville Marriner, Radio-Sinfonieorchester Stuttgart)
- Vocalise, op. 34 no. 14 (von Sir Neville Marriner, Radio-Sinfonieorchester Stuttgart)
- The Wand of Youth – Suite no. 2: I. March (von Sir Neville Marriner, Academy of St Martin in the Fields)
- The Wand of Youth – Suite no. 2: II. The Little Bells (Scherzino) (von Sir Neville Marriner, Academy of St Martin in the Fields)
- The Wand of Youth – Suite no. 2: III. Moths and Butterflies (Dance) (von Sir Neville Marriner, Academy of St Martin in the Fields)
- The Wand of Youth – Suite no. 2: IV. Fountain Dance (von Sir Neville Marriner, Academy of St Martin in the Fields)
- The Wand of Youth – Suite no. 2: V. The Tame Bear (von Sir Neville Marriner, Academy of St Martin in the Fields)
- The Wand of Youth – Suite no. 2: VI. The Wild Bears (von Sir Neville Marriner, Academy of St Martin in the Fields)
The Complete Warner Classics Recordings (Compilation)
Charpentier: Te Deum / Magnificat
- Te Deum, H. 146: Prélude (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Te Deum, H. 146: Après le prélude. Te Deum (von Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Te Deum, H. 146: Après le prélude. Te aeternum Patrem (von Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Te Deum, H. 146: Après le prélude. Pleni sunt coeli et terra (von Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Te Deum, H. 146: Après le prélude. Te per orbem terrarum sancta confitetur (von Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Te Deum, H. 146: Ecclesia. Tu devicto mortis aculeo (von Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Te Deum, H. 146: Ecclesia. Judex crederis esse venturus (von Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Te Deum, H. 146: Ecclesia. Te ergo quaesumus (von Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Te Deum, H. 146: Ecclesia. Aeterna fac cum sanctis tuis (von Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Te Deum, H. 146: Ecclesia. Dignare, Domine (von Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Te Deum, H. 146: Ecclesia. Fiat misericordia (von Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Te Deum, H. 146: Ecclesia. In te Domini speravi (von Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Magnificat, H. 74: Sinfonia (von Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Magnificat, H. 74: Magnificat anima mea (von Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Magnificat, H. 74: Quia fecit mihi magna (von Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Magnificat, H. 74: Et misericordia (von Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Magnificat, H. 74: Fecit potentiam (von Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Magnificat, H. 74: Esurientes (von Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Magnificat, H. 74: Suscepit Israel (von Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Magnificat, H. 74: Sicut locutus est (von Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Magnificat, H. 74: Gloria Patri (von Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
Bach: Cantatas BWV 202 & 209 (Ameling)
- Cantata “Weichet nur, betrübte Schatten”, BWV 202 “Wedding Cantata”: No. 1 Aria. “Weichet nur, betrübte Schatten” (von Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner)
- Cantata “Weichet nur, betrübte Schatten”, BWV 202 “Wedding Cantata”: No. 2 Recitative. “Die Welt wird wieder neu” (von Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner)
- Cantata “Weichet nur, betrübte Schatten”, BWV 202 “Wedding Cantata”: No. 3 Aria. “Phoebus eilt mit schnellen Pferden” (von Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner)
- Cantata “Weichet nur, betrübte Schatten”, BWV 202 “Wedding Cantata”: No. 4 Recitative. “Drum sucht auch Amor sein Vergnügen” (von Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner)
- Cantata “Weichet nur, betrübte Schatten”, BWV 202 “Wedding Cantata”: No. 5 Aria. “Wenn die Frühlingslufte streichen” (von Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner)
- Cantata “Weichet nur, betrübte Schatten”, BWV 202 “Wedding Cantata”: No. 6 Recitative. “Und dieses ist das Glücke” (von Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner)
- Cantata “Weichet nur, betrübte Schatten”, BWV 202 “Wedding Cantata”: No. 7 Aria. “Sich üben im Lieben, in Scherzen sich herzen” (von Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner)
- Cantata “Weichet nur, betrübte Schatten”, BWV 202 “Wedding Cantata”: No. 8 Recitative. “So sei das Band der keuschen Liebe” (von Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner)
- Cantata “Weichet nur, betrübte Schatten”, BWV 202 “Wedding Cantata”: No. 9 Aria & Gavotte. “Schet in Zufriedenheit” (von Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner)
- Cantata “Non sa che sia dolore”, BWV 209: No. 1 Sinfonia
- Cantata “Non sa che sia dolore”, BWV 209: No. 2 Recitative. “Non sa che sia dolore”
- Cantata “Non sa che sia dolore”, BWV 209: No. 3 Aria. “Parti pur, e con dolore”
- Cantata “Non sa che sia dolore”, BWV 209: No. 4 Recitative. “Tuo saver al tempo e l'eta contrasta”
- Cantata “Non sa che sia dolore”, BWV 209: No. 5 Aria. “Ricetti gramezza e pavento”
Bach: Magnificat / Vivaldi: Gloria
- Magnificat in D major, BWV 243: I. Chorus. “Magnificat” (von Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Magnificat in D major, BWV 243: II. Aria. “Et exultavit spiritus meus in Deo” (Mezzo-soprano) (von Ann Murray, Academy of St Martin in the Fields, Sir Neville Marriner)
- Magnificat in D major, BWV 243: III. Aria. “Quia respexit humilitatem” (Soprano) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Magnificat in D major, BWV 243: IV. Chorus. “Omnes generationes” (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Magnificat in D major, BWV 243: V. Aria. “Quia fecit mihi magna” (Bass) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Magnificat in D major, BWV 243: VI. Duet. “Et misericordia” (Alto, Tenor) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Magnificat in D major, BWV 243: VII. Chorus. “Fecit potentiam in brachio suo” (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Magnificat in D major, BWV 243: VIII. Aria. “Deposuit potentes de sede” (Tenor)
- Magnificat in D major, BWV 243: IX. Aria. “Esurientes implevit bonis” (Alto) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Magnificat in D major, BWV 243: X. Trio. “Suscepit Israel puerem suum” (Soprano, Mezzo-soprano, Alto) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Magnificat in D major, BWV 243: XI. Chorus. “Sicut locutus est ad patres nostros” (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Magnificat in D major, BWV 243: XII. Chorus. “Gloria Patri, gloria filio” (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Gloria in D major, RV 589: I. Gloria in excelsis (Chorus) (von Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Gloria in D major, RV 589: II. Et in terra pax (Chorus) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Gloria in D major, RV 589: III. Laudamus te (Soprano, Mezzo-soprano) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Gloria in D major, RV 589: IV. Gratias agimus tibi (Chorus) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Gloria in D major, RV 589: V. Propter magnam gloriam (Chorus) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Gloria in D major, RV 589: VI. Domine Deus (Soprano) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Gloria in D major, RV 589: VII. Domine Fili unigenite (Chorus) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Gloria in D major, RV 589: VIII. Domine Deus, Agnus Dei (Alto, Chorus) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Gloria in D major, RV 589: IX. Qui tollis peccata mundi (Chorus) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Gloria in D major, RV 589: X. Qui sedes ad dexteram Patris (Alto) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Gloria in D major, RV 589: XI. Quoniam tu solus Sanctus (Chorus) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Gloria in D major, RV 589: XII. Cum sancto Spiritu (Chorus) (von Academy of St Martin in the Fields, Sir Neville Marriner)
Bach: Arias (Baker)
- Weihnachtsoratorium, BWV 248: Pt. 1. No. 4, Aria. “Bereite dich, Zion, mit zärtlichen Trieben”
- Cantata “Singet dem Herrn ein neus Lied”, BWV 190: No. 3, Aria. “Lobe, Zion, deinen Gott” (von Janet Baker, Academy of St. Martin in the Fields, Sir Neville Marriner)
- Cantata “Gelobet sei der Herr, mein Gott”, BWV 129: No. 4, Aria. “Gelobet sei der Herr, mein Gott, der ewig lebet” (von Janet Baker, Academy of St. Martin in the Fields, Sir Neville Marriner)
- Cantata “O ewiges Feuer, o Ursprung der Liebe”, BWV 34: No. 3, Aria. “Wohl euch, ihr auserwählten Seelen” (von Janet Baker, Academy of St. Martin in the Fields, Sir Neville Marriner)
- Johannes-Passion, BWV 245: Pt. 2. No. 30, Aria. “Es ist vollbracht” (von Janet Baker, Academy of St. Martin in the Fields, Sir Neville Marriner)
- Bist du bei mir , BWV 508, aria for voice and continuo (from “Diomedes oder die triumphierende Unschuld” by Gottfried Heinrich Stölzel) (von Janet Baker, Academy of St. Martin in the Fields, Sir Neville Marriner)
- Cantata “Bleib bei uns, denn es will Abend werden”, BWV 6: No. 2, Aria. “Hochgelobter Gottessohn” (von Janet Baker, Academy of St. Martin in the Fields, Sir Neville Marriner)
- Cantata “Komm, du süße Todesstunde”, BWV 6: No. 2, Aria. “Komm, du süße Todesstunde” (von Janet Baker, Academy of St. Martin in the Fields, Sir Neville Marriner)
- Easter Oratorio, BWV 249: No. 9, Aria. “Saget, saget mir geschwinde” (von Janet Baker, Academy of St. Martin in the Fields, Sir Neville Marriner)
- Cantata “Lobet Gott in seinen Reichen”, BWV 11 “Himmelfahrtsoratorium”: No. 4, Aria. “Ach, bleibe doch, mein liebstes Leben”
- Magnificat in D major, BWV 243: II. Aria. “Et exsultavit spiritus in Deo”
Bach: Brandenburg Concertos nos. 1-4
- Brandenburg Concerto no. 1 in F major, BWV 1046: I. (Allegro) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Brandenburg Concerto no. 1 in F major, BWV 1046: II. Adagio (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Brandenburg Concerto no. 1 in F major, BWV 1046: III. Allegro (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Brandenburg Concerto no. 1 in F major, BWV 1046: IV. Menuet I - Trio I - Menuet II - Polonaise - Menuet III - Trio II - Menuet IV (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Brandenburg Concerto no. 2 in F major, BWV 1047: I. (Allegro) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Brandenburg Concerto no. 2 in F major, BWV 1047: II. Andante (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Brandenburg Concerto no. 3 in G major, BWV 1048: III. Allegro (von George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner)
- Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Brandenburg Concerto no. 4 in G major, BWV 1049: II. Andante (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Brandenburg Concerto no. 4 in G major, BWV 1049: III. Presto (von Academy of St Martin in the Fields, Sir Neville Marriner)
Bach: Brandenburg Concertos nos. 5-6 / Orchestral Suite no. 1
- Brandenburg Concerto no. 5 in D major, BWV 1050: I. Allegro (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Brandenburg Concerto no. 5 in D major, BWV 1050: II. Affettuoso (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Brandenburg Concerto no. 5 in D major, BWV 1050: III. Allegro
- Brandenburg Concerto no. 6 in B-flat major, BWV 1051: I. Allegro (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Brandenburg Concerto no. 6 in B-flat major, BWV 1051: II. Adagio ma non tanto (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Brandenburg Concerto no. 6 in B-flat major, BWV 1051: III. Allegro (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Orchestral Suite no. 1 in C major, BWV 1066: I. Ouverture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Orchestral Suite no. 1 in C major, BWV 1066: II. Courante (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Orchestral Suite no. 1 in C major, BWV 1066: III. Gavotte I & II (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Orchestral Suite no. 1 in C major, BWV 1066: IV. Forlane (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Orchestral Suite no. 1 in C major, BWV 1066: V. Menuet I & II (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Orchestral Suite no. 1 in C major, BWV 1066: VI. Bourrée I & II (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Orchestral Suite no. 1 in C major, BWV 1066: VII Passepied I & II (von Academy of St Martin in the Fields, Sir Neville Marriner)
Bach: Orchestral Suites nos. 2-4
- Orchestral Suite no. 2 in B minor, BWV 1067: I. Ouverture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Orchestral Suite no. 2 in B minor, BWV 1067: II. Rondeau (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Orchestral Suite no. 2 in B minor, BWV 1067: III. Sarabande (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Orchestral Suite no. 2 in B minor, BWV 1067: IV. Bourrée I & II (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Orchestral Suite no. 2 in B minor, BWV 1067: V. Polonaise (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet (von William Bennett, Academy of St Martin in the Fields, Sir Neville Marriner)
- Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie
- Orchestral Suite no. 3 in D major, BWV 1068: I. Ouverture
- Orchestral Suite no. 4 in D major, BWV 1069: I. Ouverture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Orchestral Suite no. 4 in D major, BWV 1069: II. Bourrée I & II (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Orchestral Suite no. 4 in D major, BWV 1069: III. Gavotte (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Orchestral Suite no. 4 in D major, BWV 1069: IV. Menuet I & II (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Orchestral Suite no. 4 in D major, BWV 1069: V. Réjouissance (von Academy of St Martin in the Fields, Sir Neville Marriner)
Bach: Piano Concertos nos. 1-3 (Gavrilov)
- Piano Concerto no. 1 in D minor, BWV 1052: I. Allegro (von Andred Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto no. 1 in D minor, BWV 1052: II. Adagio (von Andred Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto no. 1 in D minor, BWV 1052: III. Allegro (von Andred Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto no. 2 in E major, BWV 1053: I. - (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto no. 2 in E major, BWV 1053: II. Siciliano (von Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto no. 2 in E major, BWV 1053: III. Allegro (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto no. 3 in D major, BWV 1054: I. -
- Piano Concerto no. 3 in D major, BWV 1054: II. Adagio e piano sempre
- Piano Concerto no. 3 in D major, BWV 1054: III. Allegro
Bach: Piano Concertos no. 4-7 (Gavrilov)
- Piano Concerto no. 4 in A major, BWV 1055: I. Allegro (von Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto no. 4 in A major, BWV 1055: II. Larghetto (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto no. 4 in A major, BWV 1055: III. Allegro ma non tanto (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto no. 5 in F minor, BWV 1056: I. - (von Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto no. 5 in F minor, BWV 1056: II. Largo (von Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto no. 5 in F minor, BWV 1056: III. Presto (von Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto no. 6 in F major, BWV 1057: I. -
- Piano Concerto no. 6 in F major, BWV 1057: II. Andante
- Piano Concerto no. 6 in F major, BWV 1057: III. Allegro assai
- Piano Concerto no. 7 in G minor, BWV 1058: I. -
- Piano Concerto no. 7 in G minor, BWV 1058: II. Andante
- Piano Concerto no. 7 in G minor, BWV 1058: III. Allegro assai
Handel: Messiah (beginning)
- Messiah, HWV 56: First Part. No. 1 Sinfonia (von Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: First Part. No. 2 “Tröste dich, tröste dich, mein Volk” (Tenor) / No. 3 “Alle Tale macht hoch erhaben” (Tenor) (von Robert Gambill, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: First Part. No. 4 Chorus. “Denn die Herrlichkeit Gottes, des Herrn” (von Südfunk-Chor Stuttgart, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: First Part. No. 5 “So spricht der Herr” (Bass) (von Robert Holl, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: First Part. No. 6 “Doch wer wird ertragen den Tag seiner Ankunft” (Alto)
- Messiah, HWV 56: First Part. No. 7 Chorus. “Und er wird reinigen und läutern seine Kinder” (von Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: First Part. Recitative. “Denn sich', eine Jungfrau wird empfangen” (Alto)
- Messiah, HWV 56: First Part. No. 8 Aria & Chorus. “O du, der Wonne verkünder in Zion” (Alto, Chorus)
- Messiah, HWV 56: First Part. No. 9 “Blicke auf, Dunkel bedecket die Welt” (Bass) (von Robert Holl, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: First Part. No. 10 “Das Volk, das da wandelt im Dunkel” (Bass) (von Robert Holl, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: First Part. No. 11 Chorus. “Denn es ist uns ein Kind geboren” (von Südfunk-Chor Stuttgart, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: First Part. No. 12 Pifa/Pastoral Symphony (von Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: First Part. “Es waren Hirten beisammen” (Soprano) / No. 13 “Und siche, der Engel des Herrn trat zu ihnen” (Soprano) 1.03 / “Und der Engel sprach zu ihnen” (Soprano) (von Lucia Popp, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: First Part. No. 14 “Und alsbald war da bei dem Engel” (Soprano) (von Lucia Popp, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: First Part. No. 15 Chorus. “Ehre sei Gott in der Höhe” (von Südfunk-Chor Stuttgart, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: First Part. No. 16 “Wohlan, frohlocke, du Tochter Zion” (Soprano) (von Lucia Popp, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: First Part. “Dann wird sich auftun das Auge des Blinden” (Alto)
- Messiah, HWV 56: First Part. No. 17 “Er weidet seine Herde” (Alto, Soprano)
- Messiah, HWV 56: First Part. No. 18 Chorus. “Sein Joch ist sanft” (von Südfunk-Chor Stuttgart, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: Second Part. No. 19 Chorus. “Seht an das Gotteslamm” (von Südfunk-Chor Stuttgart, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: Second Part. No. 20 “Er ward verschmähet und verachtet” (Alto)
Handel: Messiah (conclusion)
- Messiah, HWV 56: Second Part. No. 21 Chorus. “Wahrlich, wahrlich er litt uns're Qual” (von Südfunk-Chor Stuttgart, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: Second Part. No. 22 Chorus. “Durch seine Wunden sind wir geheilt” (von Südfunk-Chor Stuttgart, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: Second Part. No. 23 Chorus. “Der Herde gleich, so irrten wir zerstreut” (von Südfunk-Chor Stuttgart, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: Second Part. No. 24 “Alle die, die ihn sehen” (Tenor) (von Robert Gambill, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: Second Part. No. 25 Chorus. “Er traute auf Gott” (von Südfunk-Chor Stuttgart, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: Second Part. No. 26 “Diese Schmach zerbrach ihm das Herz” (Tenor) (von Robert Gambill, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: Second Part. No. 27 “Schau hin und sich” (Tenor) (von Robert Gambill, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: Second Part. No. 28 “Er ist dahin, aus dem Land der Lebendigen” (Tenor) (von Robert Gambill, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: Second Part. No. 29 “Doch du ließest ihn dem Tode nicht” (Tenor) (von Robert Gambill, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: Second Part. No. 30 Chorus. “Hoch tut euch auf” (von Südfunk-Chor Stuttgart, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: Second Part. “Denn zu welchem der Engel hat jemals er gasgt” (Tenor) (von Robert Gambill, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: Second Part. No. 31 Chorus. “Lasst alle Engel des Herrn preisen ihn” (von Südfunk-Chor Stuttgart, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: Second Part. No. 32 “Du fuhrst zum Himmel auf” (Bass) (von Robert Holl, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: Second Part. No. 33 Chorus. “Der Herr gab das Wort” (von Südfunk-Chor Stuttgart, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: Second Part. No. 34 “Wie lieblich ist der Boten Schritt” (Soprano) (von Lucia Popp, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: Second Part. No. 35 “Ihr Schall gehet aus in jedes Land” (Tenor) (von Robert Gambill, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: Second Part. No. 36 “Warum denn rasen und toben die Heiden im Zorne” (Bass) (von Robert Holl, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: Second Part. No. 37 Chorus. “Auf, zerreißet ihre Bande” (von Südfunk-Chor Stuttgart, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: Second Part. “Der da thronet im Himmel” (Tenor) (von Robert Gambill, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: Second Part. No. 38 “Du zerschläget sie mit dem eisernen Zepter” (Tenor) (von Robert Gambill, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: Second Part. No. 39 Chorus. “Hallelujah!” (von Südfunk-Chor Stuttgart, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: Third Part. No. 40 “Ich weié, dass mein Erlöser lebet” (Soprano) (von Lucia Popp, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: Third Part. No. 41 Chorus. “Kam durch einen Tod” (von Südfunk-Chor Stuttgart, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: Third Part. No. 42 “Vernehmt, ich kind' ein Geheimnis an” (Bass) (von Robert Holl, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: Third Part. No. 43 “Die Tromba erschallt” (Bass) (von Robert Holl, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: Third Part. “Dann wird erfüllt das Wort” (Alto)
- Messiah, HWV 56: Third Part. No. 44 “O Tod, wo ist dein Stachel?” (Alto, Tenor) / No. 45 Chorus. “Drum Dank sei dir, Gott”
- Messiah, HWV 56: Third Part. No. 46 “Ist Gott mit uns, wer sollte uns schaden?” (Soprano) (von Lucia Popp, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: Third Part. No. 47 Chorus. “Würdig ist das Lamm” (von Südfunk-Chor Stuttgart, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
Handel: Arias (Battle)
- Acis and Galatea, HWV 49: Act I. Recitative. “Oh! Didst thou know the pains” - Aria. “As when the dove” (Galatea) (von Kathleen Battle, Academy of St Martin in the Fields, Sir Neville Marriner)
- Giulio Cesare in Egitto, HWV 17: Act 3, Scene 1. Recitative. “E pur così in un giorno” - Aria. “Piangerò la sorte mia” (Cleopatra) (von Kathleen Battle, Academy of St Martin in the Fields, Sir Neville Marriner)
- Joshua, HWV 64: Act 3. Aria. “Oh! had I Jubal's lyre” (Achsah) (von Kathleen Battle, Academy of St Martin in the Fields, Sir Neville Marriner)
- L'Allegro, il Penseroso ed il Moderato, HWV 55: Pt. I. Recitative and Aria. “First, and chief, on golden wing” - “Sweet bird” (von Kathleen Battle, Academy of St Martin in the Fields, Sir Neville Marriner)
- Messiah, HWV 56: Pt. 1, Scene 5. Aria. “Rejoice Greatly, O Daughter of Zion” (von Kathleen Battle, Academy of St Martin in the Fields, Sir Neville Marriner)
- Solomon, HWV 67: Act 3. Aria. “Ev'ry sight these eyes behold” (Queen of Sheba) (von Kathleen Battle, Academy of St Martin in the Fields, Sir Neville Marriner)
- Solomon, HWV 67: Act 3. Recitative. “May peace in Salem ever dwell” - Aria. “Will the sun forget to streak” (Queen of Sheba) (von Kathleen Battle, Academy of St Martin in the Fields, Sir Neville Marriner)
- Alcina, HWV 34: Act 2, Scene 8. Aria. “Ah! mio cor!” (Alcina) (von Kathleen Battle, Academy of St Martin in the Fields, Sir Neville Marriner)
- Alcina, HWV 34: Act 1, Scene 14. Aria. “Tornami a vagheggiar” (Morgana) (von Kathleen Battle, Academy of St Martin in the Fields, Sir Neville Marriner)
Handel: Water Music
- Water Music, Suite no. 1 in F major, HWV 348: I. Ouverture (Largo - Allegro)
- Water Music, Suite no. 1 in F major, HWV 348: II. Adagio e staccato
- Water Music, Suite no. 1 in F major, HWV 348: III. (Allegro)
- Water Music, Suite no. 1 in F major, HWV 348: IV. Andante
- Water Music, Suite no. 1 in F major, HWV 348: III. (Allegro) da capo
- Water Music, Suite no. 1 in F major, HWV 348: V. (Tempo di Minuetto)
- Water Music, Suite no. 1 in F major, HWV 348: VI. Air
- Water Music, Suite no. 1 in F major, HWV 348: VII. Minuet
- Water Music, Suite no. 1 in F major, HWV 348: VIII. Bourrée
- Water Music, Suite no. 1 in F major, HWV 348: IX. Hornpipe
- Water Music, Suite no. 1 in F major, HWV 348: X. (Allegro moderato)
- Water Music, Suite no. 2 in D major, HWV 349: XI. (Andante allegro) (von Academy of St. Martin‐in‐the‐Fields, Neville Marriner)
- Water Music, Suite no. 2 in D major, HWV 349: XII. Alla Hornpipe (von Academy of St. Martin‐in‐the‐Fields, Neville Marriner)
- Water Music, Suite no. 2 in D major, HWV 349: XIII. Minuet (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Water Music, Suite no. 2 in D major, HWV 349: XIV. Lentement (von Academy of St. Martin‐in‐the‐Fields, Neville Marriner)
- Water Music, Suite no. 2 in D major, HWV 349: XV. Bourrée (von Academy of St. Martin‐in‐the‐Fields, Neville Marriner)
- Water Music, Suite no. 3 in G major, HWV 350: XVI. (Menuet)
- Water Music, Suite no. 3 in G major, HWV 350: XVII. Rigaudon / XVIII. (Rigaudon) / XVII. Rigaudon da capo
- Water Music, Suite no. 3 in G major, HWV 350: XIX. Menuet / XX. (Menuet) / XIX. Menuet da capo
- Water Music, Suite no. 3 in G major, HWV 350: XXII. (Cantabile) / XXI. (Affettuoso) / XXII. (Cantabile) da capo
Handel: Concerto a due cori nos. 1 & 3 / 2 Overtures
- Agrippina, HWV 6: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto a due cori no. 1 in B-flat major, HWV 332: I. Overture
- Concerto a due cori no. 1 in B-flat major, HWV 332: I. Allegro ma non troppo
- Concerto a due cori no. 1 in B-flat major, HWV 332: II. Allegro
- Concerto a due cori no. 1 in B-flat major, HWV 332: III. Lento
- Concerto a due cori no. 1 in B-flat major, HWV 332: IV. A tempo ordinario
- Concerto a due cori no. 1 in B-flat major, HWV 332: V. Alla breve moderato
- Concerto a due cori no. 1 in B-flat major, HWV 332: VI. Minuetto
- Arianna in Creta, HWV 32: Overture (von Academy of St. Martin in the Fields, Sir Neville Marriner)
- Concerto a due cori no. 3 in F major, HWV 334: I. Overture: Grave (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto a due cori no. 3 in F major, HWV 334: II. Allegro (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto a due cori no. 3 in F major, HWV 334: III. Allegro ma non troppo (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto a due cori no. 3 in F major, HWV 334: IV. Adagio (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto a due cori no. 3 in F major, HWV 334: V. Andante larghetto (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto a due cori no. 3 in F major, HWV 334: VI. Allegro (von Academy of St Martin in the Fields, Sir Neville Marriner)
Bach: Cantata BWV 51 / Scarlatti: Cantata “Su le sponde del Tebro” / Abinoni & Vivaldi: Concerto for trumpet (Helen Donath, Maurice André)
- Cantata “Jauchzet Gott in allen Landen”, BWV 51: No. 1 Aria. “Jauchzet Gott in allen Landen” (von Helen Donath, Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- Cantata “Jauchzet Gott in allen Landen”, BWV 51: No. 2 Recitative. “Wir beten zu dem Tempel an”
- Cantata “Jauchzet Gott in allen Landen”, BWV 51: No. 3 Aria. “Höchster, mache deine Güte”
- Cantata “Jauchzet Gott in allen Landen”, BWV 51: No. 4 Choral. “Sei Lob und Preis mir Ehren”
- Cantata “Jauchzet Gott in allen Landen”, BWV 51: “Alleluia”
- Concerto a cinque in F major for trumpet and oboe, op. 9 no. 3: I. Allegro
- Concerto a cinque in F major for trumpet and oboe, op. 9 no. 3: II. Adagio (non troppo)
- Concerto a cinque in F major for trumpet and oboe, op. 9 no. 3: III. Allegro
- Cantata “Su le sponde del Tebro”, H. 705/R. 390.68: Sinfonia (von Maurice André, Academy of St. Martin in the Fields, Sir Neville Marriner)
- Cantata “Su le sponde del Tebro”, H. 705/R. 390.68: Recitative. “Su le sponde del Tebro”
- Cantata “Su le sponde del Tebro”, H. 705/R. 390.68: Sinfonia (von Maurice André, Academy of St. Martin in the Fields, Sir Neville Marriner)
- Cantata “Su le sponde del Tebro”, H. 705/R. 390.68: Aria. “Contentatevi”
- Cantata “Su le sponde del Tebro”, H. 705/R. 390.68: Recitative. “Mesto, stanco e spirante”
- Cantata “Su le sponde del Tebro”, H. 705/R. 390.68: Largo “Infelice miei lumi”
- Cantata “Su le sponde del Tebro”, H. 705/R. 390.68: Aria. “Dite almeno”
- Cantata “Su le sponde del Tebro”, H. 705/R. 390.68: Ritornello (von Academy of St. Martin in the Fields, Sir Neville Marriner)
- Cantata “Su le sponde del Tebro”, H. 705/R. 390.68: Recitative. “All'aura, al cielo”
- Cantata “Su le sponde del Tebro”, H. 705/R. 390.68: Aria. “Tralascia pur di piangere”
- Concerto for trumpet, violin, strings and continuo in B-flat major, RV 548 (originally oboe): I. Allegro
- Concerto for trumpet, violin, strings and continuo in B-flat major, RV 548 (originally oboe): II. Largo
- Concerto for trumpet, violin, strings and continuo in B-flat major, RV 548 (originally oboe): III. Allegro
Trumpet Concertos by Tartini, Albinoni, Telemann & Handel / Purcell (André)
- Trumpet Concerto in D major: I. Allegro moderato (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- Trumpet Concerto in D major: II. Andante (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- Trumpet Concerto in D major: III. Allegro grazioso (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- Trumpet Concerto in B-flat major: I. Grave (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- Trumpet Concerto in B-flat major: II. Allegro (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- Trumpet Concerto in B-flat major: III. Andante (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- Trumpet Concerto in B-flat major: IV. Allegro (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- Timon of Athens, Z. 632: Overture. I. Grave - Allegro (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- Timon of Athens, Z. 632: Overture. II. Adagio (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- Timon of Athens, Z. 632: Overture. III. March (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- Trumpet Sonata in D major, Z. 850: I. Allegro (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- Trumpet Sonata in D major, Z. 850: II. Adagio (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- Trumpet Sonata in D major, Z. 850: III. Allegro (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- Trumpet Concerto in D major, TWV 51:D7: I. Adagio (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- Trumpet Concerto in D major, TWV 51:D7: II. Allegro (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- Trumpet Concerto in D major, TWV 51:D7: III. Grave (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- Trumpet Concerto in D major, TWV 51:D7: IV. Allegro (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- Trumpet Concerto no. 3 in G minor, HWV 287 (originally oboe): I. Grave (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- Trumpet Concerto no. 3 in G minor, HWV 287 (originally oboe): II. Allegro (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- Trumpet Concerto no. 3 in G minor, HWV 287 (originally oboe): III. Sarabande. Largo (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- Trumpet Concerto no. 3 in G minor, HWV 287 (originally oboe): IV. Allegro (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
Trumpet Concertos by Stölzel, Telemann & Vivaldi (André)
- Concerto for trumpet and strings in D major, HauH 5.3 (originally oboe): I. Allegro (von Gottfried Heinrich Stölzel)
- Concerto for trumpet and strings in D major, HauH 5.3 (originally oboe): II. Grave (von Gottfried Heinrich Stölzel)
- Concerto for trumpet and strings in D major, HauH 5.3 (originally oboe): III. Allegro (von Gottfried Heinrich Stölzel)
- Concerto for trumpet, strings and continuo in C minor, TWV 51:c1 (originally oboe): I. Adagio (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto for trumpet, strings and continuo in C minor, TWV 51:c1 (originally oboe): II. Allegro (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto for trumpet, strings and continuo in C minor, TWV 51:c1 (originally oboe): III. Adagio (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto for trumpet, strings and continuo in C minor, TWV 51:c1 (originally oboe): IV. Allegro (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto for two trumpets, strings and continuo in C major, RV 537: I. Allegro (von Maurice André, Bernard Soustrot, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto for two trumpets, strings and continuo in C major, RV 537: II. Largo (von Maurice André, Bernard Soustrot, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto for two trumpets, strings and continuo in C major, RV 537: III. Allegro (von Maurice André, Bernard Soustrot, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto for trumpet, violin, strings and continuo in B-flat major, TV 548 (originally oboe): I. Allegro
- Concerto for trumpet, violin, strings and continuo in B-flat major, TV 548 (originally oboe): II. Largo
- Concerto for trumpet, violin, strings and continuo in B-flat major, TV 548 (originally oboe): III. Allegro
- Concerto for trumpet, two oboes, strings and continuo in D major, TWV 53:D2: I. Allegro (von Maurice André, Tess Miller, Celia Nicklin, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto for trumpet, two oboes, strings and continuo in D major, TWV 53:D2: II. Grave (von Maurice André, Tess Miller, Celia Nicklin, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto for trumpet, two oboes, strings and continuo in D major, TWV 53:D2: III. Aria (Andante) (von Maurice André, Tess Miller, Celia Nicklin, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto for trumpet, two oboes, strings and continuo in D major, TWV 53:D2: IV. Vivace (von Maurice André, Tess Miller, Celia Nicklin, Academy of St Martin in the Fields, Sir Neville Marriner)
Works for Recorder by Telemann, Sammartini & Handel (Munrow)
- Suite for treble recorder, strings and continuo in A minor, TWV 55:a2: I. Ouverture
- Suite for treble recorder, strings and continuo in A minor, TWV 55:a2: II. Les plaisirs
- Suite for treble recorder, strings and continuo in A minor, TWV 55:a2: III. Air à l'italienne
- Suite for treble recorder, strings and continuo in A minor, TWV 55:a2: IV. Menuets I & II
- Suite for treble recorder, strings and continuo in A minor, TWV 55:a2: V. Réjouissance
- Suite for treble recorder, strings and continuo in A minor, TWV 55:a2: VI. Passepieds I & II
- Suite for treble recorder, strings and continuo in A minor, TWV 55:a2: VII. Polonaise
- Concerto for descant recorder, strings and continuo in F major: I. Allegro (von Giuseppe Baldassare Sammartini)
- Concerto for descant recorder, strings and continuo in F major: II. (Siciliano) (von Giuseppe Baldassare Sammartini)
- Concerto for descant recorder, strings and continuo in F major: III. Allegro assai (von Giuseppe Baldassare Sammartini)
- Concerto for treble recorder, strings and continuo in B-flat major, HWV 294 (Reconstructed from op. 4 no. 6 by Christopher Hogwood): I. Andante - Allegro
- Concerto for treble recorder, strings and continuo in B-flat major, HWV 294 (Reconstructed from op. 4 no. 6 by Christopher Hogwood): II. Larghetto
- Concerto for treble recorder, strings and continuo in B-flat major, HWV 294 (Reconstructed from op. 4 no. 6 by Christopher Hogwood): III. Allegro moderato
Haydn: Paukenmesse
- Missa in tempore belli, Mass in C major, Hob. XXII:9 “Paukenmesse”: Kyrie
- Missa in tempore belli, Mass in C major, Hob. XXII:9 “Paukenmesse”: Gloria. Gloria in excelsis Deo
- Missa in tempore belli, Mass in C major, Hob. XXII:9 “Paukenmesse”: Gloria. Qui tollis
- Missa in tempore belli, Mass in C major, Hob. XXII:9 “Paukenmesse”: Gloria. Quoniam tu solus Sanctus
- Missa in tempore belli, Mass in C major, Hob. XXII:9 “Paukenmesse”: Credo. Credo in unum Deum
- Missa in tempore belli, Mass in C major, Hob. XXII:9 “Paukenmesse”: Credo. Et incarnatus est
- Missa in tempore belli, Mass in C major, Hob. XXII:9 “Paukenmesse”: Credo. Et resurrexit
- Missa in tempore belli, Mass in C major, Hob. XXII:9 “Paukenmesse”: Credo. Et vitam aeternam
- Missa in tempore belli, Mass in C major, Hob. XXII:9 “Paukenmesse”: Sanctus
- Missa in tempore belli, Mass in C major, Hob. XXII:9 “Paukenmesse”: Benedictus
- Missa in tempore belli, Mass in C major, Hob. XXII:9 “Paukenmesse”: Agnus Dei. Agnus Dei
- Missa in tempore belli, Mass in C major, Hob. XXII:9 “Paukenmesse”: Agnus Dei. Dona nobis pacem
Haydn: Nelson Messe
- Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Kyrie
- Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Gloria. Gloria in excelsis
- Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Gloria. Qui tollis
- Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Gloria. Quoniam tu solus sanctus
- Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Credo. Credo in unum Deum
- Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Credo. Et incarnatus est
- Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Credo. Et resurrexit
- Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Sanctus
- Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Benedictus. Benedictus
- Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Benedictus. Osanna
- Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Agnus Dei. Agnus Dei
- Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Agnus Dei. Dona nobis pacem
Haydn: Theresienmesse / Heiligmesse
- Mass in B-flat major, Hob. XXII:12 “Theresienmesse”: Kyrie
- Mass in B-flat major, Hob. XXII:12 “Theresienmesse”: Gloria. Gloria in excelcis Deo
- Mass in B-flat major, Hob. XXII:12 “Theresienmesse”: Gloria. Gracias agimus tibi
- Mass in B-flat major, Hob. XXII:12 “Theresienmesse”: Gloria. Quoniam tu solus Sanctus
- Mass in B-flat major, Hob. XXII:12 “Theresienmesse”: Credo. Credo in unum Deum
- Mass in B-flat major, Hob. XXII:12 “Theresienmesse”: Credo. Et incarnatus est
- Mass in B-flat major, Hob. XXII:12 “Theresienmesse”: Credo. Et resurrexit
- Mass in B-flat major, Hob. XXII:12 “Theresienmesse”: Sanctus
- Mass in B-flat major, Hob. XXII:12 “Theresienmesse”: Benedictus
- Mass in B-flat major, Hob. XXII:12 “Theresienmesse”: Agnus Dei. Agnus Dei
- Mass in B-flat major, Hob. XXII:12 “Theresienmesse”: Agnus Dei. Dona nobis pacem
- Missa Sancti Bernardi de Offida, Mass in B-flat major, Hob. XXII:10 “Heiligmesse”: Kyrie
- Missa Sancti Bernardi de Offida, Mass in B-flat major, Hob. XXII:10 “Heiligmesse”: Gloria. Gloria in excelcis Deo
- Missa Sancti Bernardi de Offida, Mass in B-flat major, Hob. XXII:10 “Heiligmesse”: Gloria. Gratias agimus tibi
- Missa Sancti Bernardi de Offida, Mass in B-flat major, Hob. XXII:10 “Heiligmesse”: Gloria. Quoniam tu solus Sanctus
- Missa Sancti Bernardi de Offida, Mass in B-flat major, Hob. XXII:10 “Heiligmesse”: Credo. Credo in unum Deum
- Missa Sancti Bernardi de Offida, Mass in B-flat major, Hob. XXII:10 “Heiligmesse”: Credo. Et incarnatus est
- Missa Sancti Bernardi de Offida, Mass in B-flat major, Hob. XXII:10 “Heiligmesse”: Credo. Et resurrexit
- Missa Sancti Bernardi de Offida, Mass in B-flat major, Hob. XXII:10 “Heiligmesse”: Credo. Et vitam aeternam
- Missa Sancti Bernardi de Offida, Mass in B-flat major, Hob. XXII:10 “Heiligmesse”: Sanctus
- Missa Sancti Bernardi de Offida, Mass in B-flat major, Hob. XXII:10 “Heiligmesse”: Benedictus
- Missa Sancti Bernardi de Offida, Mass in B-flat major, Hob. XXII:10 “Heiligmesse”: Agnus Dei. Agnus Dei
- Missa Sancti Bernardi de Offida, Mass in B-flat major, Hob. XXII:10 “Heiligmesse”: Agnus Dei. Dona nobis pacem
Haydn: Schöpfungmesse / Kleine Orgelsolomesse
- Mass in B-flat major, Hob. XXII:13 “Schöpfungmesse”: Kyrie
- Mass in B-flat major, Hob. XXII:13 “Schöpfungmesse”: Gloria. Gloria in excelcis Deo
- Mass in B-flat major, Hob. XXII:13 “Schöpfungmesse”: Gloria. Quoniam tu solus Sanctus
- Mass in B-flat major, Hob. XXII:13 “Schöpfungmesse”: Credo. Credo in unum Deum
- Mass in B-flat major, Hob. XXII:13 “Schöpfungmesse”: Credo. Et incarnatus est
- Mass in B-flat major, Hob. XXII:13 “Schöpfungmesse”: Credo. Et resurrexit
- Mass in B-flat major, Hob. XXII:13 “Schöpfungmesse”: Sanctus
- Mass in B-flat major, Hob. XXII:13 “Schöpfungmesse”: Benedictus
- Mass in B-flat major, Hob. XXII:13 “Schöpfungmesse”: Agnus Dei. Agnus Dei
- Mass in B-flat major, Hob. XXII:13 “Schöpfungmesse”: Agnus Dei. Dona nobis pacem
- Missa Brevis Sancti Joannis de Deo, Mass in B-flat major, Hob. XXII:7 “Kleine Orgelsolomesse”: Kyrie
- Missa Brevis Sancti Joannis de Deo, Mass in B-flat major, Hob. XXII:7 “Kleine Orgelsolomesse”: Gloria
- Missa Brevis Sancti Joannis de Deo, Mass in B-flat major, Hob. XXII:7 “Kleine Orgelsolomesse”: Credo
- Missa Brevis Sancti Joannis de Deo, Mass in B-flat major, Hob. XXII:7 “Kleine Orgelsolomesse”: Sanctus
- Missa Brevis Sancti Joannis de Deo, Mass in B-flat major, Hob. XXII:7 “Kleine Orgelsolomesse”: Benedictus
- Missa Brevis Sancti Joannis de Deo, Mass in B-flat major, Hob. XXII:7 “Kleine Orgelsolomesse”: Agnus Dei
Haydn: Die Schöpfung (beginning)
- Die Schöpfung (The Creation), Hob. XXI:2: First Part. No. 1a Prelude. Die Vorstellung des Chaos
- Die Schöpfung (The Creation), Hob. XXI:2: First Part. No. 1b Recitative & Chorus. “Am Angange schuf Gott Himmel und Erde” - “Und der Geist Gottes schwebte” - “Und Gott sah das Licht” (Raphael, Chorus, Uriel)
- Die Schöpfung (The Creation), Hob. XXI:2: First Part. No. 2 Aria with Chorus. “Num schwanden vor dem heiligen Strahle” - “Verzweiflung. Wut und Schrecken” (Uriel, Chorus)
- Die Schöpfung (The Creation), Hob. XXI:2: First Part. No. 3 Recitative. “Und Gott machte das Firmament” (Raphael)
- Die Schöpfung (The Creation), Hob. XXI:2: First Part. No. 4 Solo with Chorus. “Mit Staunen sieht das Wunderwerk” (Gabriel, Chorus)
- Die Schöpfung (The Creation), Hob. XXI:2: First Part. No. 5 Recitative. “Und Gott sprach, es bringe sammle sich” (Raphael)
- Die Schöpfung (The Creation), Hob. XXI:2: First Part. No. 6 Aria. “Rollend in schäumenden Wellen” (Raphael)
- Die Schöpfung (The Creation), Hob. XXI:2: First Part. No. 7 Recitative. “Und Gott sprach, es bringe die Erde” (Gabriel)
- Die Schöpfung (The Creation), Hob. XXI:2: First Part. No. 8 Aria. “Nun beut die Flur das frische Grün” (Gabriel)
- Die Schöpfung (The Creation), Hob. XXI:2: First Part. No. 9 Recitative. “Und die himmlischen Heerscharen” (Uriel)
- Die Schöpfung (The Creation), Hob. XXI:2: First Part. No. 10 Chorus. “Stimmt an die Saiten”
- Die Schöpfung (The Creation), Hob. XXI:2: First Part. No. 11 Recitative. “Und Gott sprach, es sei'n Licher an der Feste” (Uriel)
- Die Schöpfung (The Creation), Hob. XXI:2: First Part. No. 12 Recitative. “In vollem Glanze steiget jetzt” (Uriel)
- Die Schöpfung (The Creation), Hob. XXI:2: First Part. No. 13 Trio & Chorus. “Die Himmel erzählen die Ehre Gottes” (Chorus, Gabriel, Uriel, Raphael)
- Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 14 Recitative. “Und Gott sprach, es bringe das Wasser” (Gabriel)
- Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 15 Aria. “Auf starkem Fittige schwingt sich der Adler stolz” (Gabriel)
- Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 16 Recitative. “Und Gott schuf große Walfische” (Raphael)
- Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 17 Recitative. “Und die Engel rührten ihr' unsterblichen Harfen” (Raphael)
- Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 18 Trio. “In holder Anmut stehn” (Gabriel, Uriel, Raphael)
- Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 19 Trio with Chorus. “Der Herr ist groß in seiner Macht” (Chorus, Gabriel, Uriel, Raphael)
Haydn: Die Schöpfung (conclusion)
- Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 20 Recitative. “Und Gott sprach, es bringe die Erde hervor” (Raphael)
- Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 21 Recitative. “Gleich öffnet sich der Erde Schoss” (Raphael)
- Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 22 Aria. “Nun scheint in vollem Glanze der Himmel” (Raphael)
- Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 23 Recitative. “Und Gott schuf de Menschen” (Uriel)
- Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 24 Aria. “Mit Wurd' und Hoheit angetan” (Uriel)
- Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 25 Recitative. “Und Gott sah jedes Ding” (Raphael)
- Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 26 Chorus. “Vollendet ist das große Werk”
- Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 27 Trio. “Zu dir, o Herr, blickt alles auf” (Gabriel, Uriel, Raphael)
- Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 28 Chorus. “Vollendet ist das große Werk”
- Die Schöpfung (The Creation), Hob. XXI:2: Third Part. No. 29 Recitative. “Aus Rosenwolken bricht” (Uriel)
- Die Schöpfung (The Creation), Hob. XXI:2: Third Part. No. 30 Duo with Chorus. “Von deiner Güt, o Herr und Gott” (Eva, Adam, Chorus)
- Die Schöpfung (The Creation), Hob. XXI:2: Third Part. No. 31 Recitative. “Nun ist die erste Pflicht erfullt” (Adam, Eva)
- Die Schöpfung (The Creation), Hob. XXI:2: Third Part. No. 32 Love Duet. “Holde Gattin, dir zur Seite” (Adam, Eva)
- Die Schöpfung (The Creation), Hob. XXI:2: Third Part. No. 33 Recitative. “O glücklich Paar, und glücklich immerfort” (Uriel)
- Die Schöpfung (The Creation), Hob. XXI:2: Third Part. No. 34 Final Chorus. “Singt dem Herren alle Stimmen”
Haydn: Cello Concertos nos. 1 & 2 (Harrell)
- Cello Concerto in C major, Hob. VIIb:1: I. Moderato (von Lynn Harrell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Cello Concerto in C major, Hob. VIIb:1: II. Adagio (von Lynn Harrell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Cello Concerto in C major, Hob. VIIb:1: III. Allegro molto (von Lynn Harrell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Cello Concerto in D major, Hob. VIIb:2: I. Allegro moderato (von Lynn Harrell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Cello Concerto in D major, Hob. VIIb:2: II. Adagio (von Lynn Harrell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Cello Concerto in D major, Hob. VIIb:2: III. Allegro (von Lynn Harrell, Academy of St Martin in the Fields, Sir Neville Marriner)
Haydn: The Seven Last Words of Christ
- Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01: I. Introduction: Maestoso ed Adagio (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01: II. Sonata I: Largo (Pater. dimitte illis, quia nesciunt, quid faciunt) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01: III. Sonata II: Grave e cantabile (Hodie mecum eris in paradiso) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01: IV. Sonata III: Grave (Mulier, ecce filius tuus) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01: V. Sonata IV: Largo (Deus meus, ut quid dereliquisti me?) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01: VI. Sonata V: Adagio (Sitio) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01: VII. Sonata VI: Lento (Consummatum est) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01: VIII. Sonata VII: Largo (Pater. in manus tuas commendo spiritum meum) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01: IX. Il terremoto. Presto e con tutte la forza (von Academy of St Martin in the Fields, Sir Neville Marriner)
Trumpet Concertos by Haydn & Telemann… (Wilbraham)
- Trumpet Concerto no. 1 in E-flat major, Hob. VIIe:1: I. Allegro - Tempo I
- Trumpet Concerto no. 1 in E-flat major, Hob. VIIe:1: II. Andante
- Trumpet Concerto no. 1 in E-flat major, Hob. VIIe:1: III. Finale (Allegro)
- Sonata a cinque no. 7 in D major, for trumpet and strings, G. 7: I. Grave
- Sonata a cinque no. 7 in D major, for trumpet and strings, G. 7: II. Allegro
- Sonata a cinque no. 7 in D major, for trumpet and strings, G. 7: III. Adagio
- Sonata a cinque no. 7 in D major, for trumpet and strings, G. 7: IV. Allegretto
- Sonata a cinque no. 7 in D major, for trumpet and strings, G. 7: V. Grave
- Sonata a cinque no. 7 in D major, for trumpet and strings, G. 7: VI. Allegro
- Sonata for trumpet and continuo no. 1 in C major, IGV 1: I. Andante
- Sonata for trumpet and continuo no. 1 in C major, IGV 1: II. Allegro
- Sonata for trumpet and continuo no. 1 in C major, IGV 1: III. Presto
- Sonata for trumpet and continuo no. 1 in C major, IGV 1: IV. Allegro
- Sonata for trumpet and continuo no. 1 in C major, IGV 1: V. Adagio
- Trumpet Concerto in D major, TWV 51:D7: I. Adagio
- Trumpet Concerto in D major, TWV 51:D7: II. Allegro
- Trumpet Concerto in D major, TWV 51:D7: III. Grave
- Trumpet Concerto in D major, TWV 51:D7: IV. Allegro
- Sonata for trumpet and continuo no. 2 in C major, IGV 2: I. Allegro
- Sonata for trumpet and continuo no. 2 in C major, IGV 2: II. Allegro vivo
- Sonata for trumpet and continuo no. 2 in C major, IGV 2: III. Adagio
- Sonata for trumpet and continuo no. 2 in C major, IGV 2: IV. Aria
- Sonata for trumpet and continuo no. 2 in C major, IGV 2: V. Presto
- Sonata for two trumpets, strings and continuo in D major: I. Grave
- Sonata for two trumpets, strings and continuo in D major: II. Allegro
- Sonata for two trumpets, strings and continuo in D major: III. Adagio
- Sonata for two trumpets, strings and continuo in D major: IV. Allegro
Punto: Horn Concertos nos. 5, 6, 10 & 11 (Tuckwell)
- Horn Concerto no. 5 in F major: I. Allegro moderato (von Jan Václav Stich)
- Horn Concerto no. 5 in F major: II. Adagio (von Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 5 in F major: III. Rondo (Allegretto) (von Jan Václav Stich)
- Horn Concerto no. 6 in E-flat major: I. Allegro moderato (von Jan Václav Stich)
- Horn Concerto no. 6 in E-flat major: II. Adagio cantabile (von Jan Václav Stich)
- Horn Concerto no. 6 in E-flat major: III. Rondo (Moderato) (von Jan Václav Stich)
- Horn Concerto no. 10 in F major: I. Allegro maestoso (von Jan Václav Stich)
- Horn Concerto no. 10 in F major: II. Lento cantabile (von Jan Václav Stich)
- Horn Concerto no. 10 in F major: III. Rondo (Allegretto) (von Jan Václav Stich)
- Horn Concerto no. 11 in E major: I. Allegro (von Jan Václav Stich)
- Horn Concerto no. 11 in E major: II. Adagio (von Jan Václav Stich)
- Horn Concerto no. 11 in E major: III. Menuetto (von Jan Václav Stich)
Mozart: Overtures / Les Petits Riens
- Il rè pastore, K. 208: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Lucio Silla, K. 135: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- La finta semplice, K. 51/K. 46a: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Der Schauspieldirektor, K. 486: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Les Petits Riens, K. Anh. 10/299b: I. Ouverture (Allegro) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Les Petits Riens, K. Anh. 10/299b: II. Largo - Presto - Largo (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Les Petits Riens, K. Anh. 10/299b: III. (Gavotte) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Les Petits Riens, K. Anh. 10/299b: IV. Andantino (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Les Petits Riens, K. Anh. 10/299b: V. Allegro (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Les Petits Riens, K. Anh. 10/299b: VI. Larghetto (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Les Petits Riens, K. Anh. 10/299b: VII. Gavotte (Allegro) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Les Petits Riens, K. Anh. 10/299b: VIII. Adagio (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Les Petits Riens, K. Anh. 10/299b: IX. (without tempo indication) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Les Petits Riens, K. Anh. 10/299b: X. Gavotte gracieuse (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Les Petits Riens, K. Anh. 10/299b: XI. Pantomime (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Les Petits Riens, K. Anh. 10/299b: XII. Passepied (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Les Petits Riens, K. Anh. 10/299b: XIII. Gavotte (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Les Petits Riens, K. Anh. 10/299b: XIV. Andante (von Academy of St Martin in the Fields, Sir Neville Marriner)
Mozart: Overtures
- Le nozze di Figaro, K. 492: Overture (von Academy of St. Martin‐in‐the‐Fields, Neville Marriner)
- Die Zauberflöte, K. 620: Overture (von Academy of St. Martin-in-the-Fields, Neville Marriner)
- La clemenza di Tito, K. 621: Overture (von Academy of St. Martin-in-the-Fields, Neville Marriner)
- Lucio Silla, K. 135: Overture (von Academy of St. Martin-in-the-Fields, Neville Marriner)
- Die Entführung aus dem Serail, K. 384: Overture (von Academy of St. Martin-in-the-Fields, Neville Marriner)
- Don Giovanni, K. 527: Overture (von Academy of St. Martin-in-the-Fields, Neville Marriner)
- Idomeneo, K. 366: Overture (von Academy of St. Martin-in-the-Fields, Neville Marriner)
- Così fan tutte, K. 588: Overture (von Academy of St. Martin-in-the-Fields, Neville Marriner)
- Der Schauspieldirektor, K. 486: Overture (von Academy of St. Martin-in-the-Fields, Neville Marriner)
Mozart: Symphonies nos. 24-27 & 32
- Symphony no. 24 in B-flat major, K. 182: I. Allegro spiritoso (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 24 in B-flat major, K. 182: II. Andantino grazioso (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 24 in B-flat major, K. 182: III. Allegro (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 25 in G minor, K. 183: I. Allegro con brio (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 25 in G minor, K. 183: II. Andante (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 25 in G minor, K. 183: III. Menuetto e Trio (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 25 in G minor, K. 183: IV. Allegro (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 26 in E-flat major, K. 184: I. Molto presto (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 26 in E-flat major, K. 184: II. Andante (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 26 in E-flat major, K. 184: III. Allegro (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 27 in G major, K. 199: I. Allegro (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 27 in G major, K. 199: II. Andatino grazioso (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 27 in G major, K. 199: III. Presto (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 32 in G major, K. 318: I. Allegro spiritoso - (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 32 in G major, K. 318: II. Andante - (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 32 in G major, K. 318: III. Tempo I (von Academy of St Martin in the Fields, Neville Marriner)
Mozart: Symphonies nos. 28-30
- Symphony no. 28 in C major, K. 200: I. Allegro spiritoso (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 28 in C major, K. 200: II. Andante (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 28 in C major, K. 200: III. Menuetto (Allegretto) e Trio (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 28 in C major, K. 200: IV. Presto (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 29 in A major, K. 201: I. Allegro moderato (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 29 in A major, K. 201: II. Andante (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 29 in A major, K. 201: III. Menuetto e Trio (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 29 in A major, K. 201: IV. Allegro con spirito (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 30 in D major, K. 202: I. Molto allegro (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 30 in D major, K. 202: II. Andantino con moto (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 30 in D major, K. 202: III. Menuetto e Trio (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 30 in D major, K. 202: IV. Presto (von Academy of St Martin in the Fields, Neville Marriner)
Mozart: Symphonies nos. 31, 33 & 34
- Symphony no. 31 in D major “Paris”, K. 297: I. Allegro assai (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 31 in D major “Paris”, K. 297: II. Andante (First version) (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 31 in D major “Paris”, K. 297: III. Allegro (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 31 in D major “Paris”, K. 297: II. Andante (Second version) (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 33 in B-flat major, K. 319: I. Allegro assai (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 33 in B-flat major, K. 319: II. Andante moderato (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 33 in B-flat major, K. 319: III. Menuetto e Trio (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 33 in B-flat major, K. 319: IV. Finale: Allegro assai (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 34 in C major, K. 338: I. Allegro vivace (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 34 in C major, K. 338: II. Allegro di molto (più tosto Allegretto) (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 34 in C major, K. 338: III. Finale: Allegro vivace (von Academy of St Martin in the Fields, Neville Marriner)
- Minuet and Trio, K. 409 (von Academy of St Martin in the Fields, Neville Marriner)
- Masonic Funeral Music, K. 477 (von Academy of St Martin in the Fields, Sir Neville Marriner)
Mozart: Symphonies nos. 35 & 41
- Symphony no. 41 in C major “Jupiter”, K. 551: I. Allegro vivace (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Symphony no. 41 in C major “Jupiter”, K. 551: II. Andante cantabile (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Symphony no. 41 in C major “Jupiter”, K. 551: III. Menuetto (Allegretto) & Trio (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Symphony no. 41 in C major “Jupiter”, K. 551: IV. Finale (Molto allegro) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Symphony no. 35 in D major “Haffner”, K. 385: I. Allegro con spirito (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 35 in D major “Haffner”, K. 385: II. (Andante) (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 35 in D major “Haffner”, K. 385: III. Menuetto (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 35 in D major “Haffner”, K. 385: IV. Finale (Presto) (von Academy of St Martin in the Fields, Neville Marriner)
Mozart: Symphonies nos. 36 & 40
- Symphony no. 40 in G minor, K. 550: I. Molto allegro (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Symphony no. 40 in G minor, K. 550: II. Andante (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Symphony no. 40 in G minor, K. 550: III. Menuetto (Allegretto) & Trio (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Symphony no. 40 in G minor, K. 550: IV. Finale (Allegro assai) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Symphony no. 36 in C major “Linz”, K. 425: I. Adagio - Allegro spiritoso (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Symphony no. 36 in C major “Linz”, K. 425: II. Poco adagio (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Symphony no. 36 in C major “Linz”, K. 425: III. Menuetto (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Symphony no. 36 in C major “Linz”, K. 425: IV. Finale (Presto) (von Academy of St Martin in the Fields, Sir Neville Marriner)
Mozart: Symphonies nos. 38 & 39
Mozart: Piano Concertos nos. 5, 6 & 11 (Zacharias)
- Piano Concerto no. 6 in B-flat major, K. 238: I. Allegro aperto (von Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Piano Concerto no. 6 in B-flat major, K. 238: II. Andante un poco adagio (von Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Piano Concerto no. 6 in B-flat major, K. 238: III. Rondeau. Allegro (von Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Piano Concerto no. 11 in F major, K. 413: I. Allegro (von Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Piano Concerto no. 11 in F major, K. 413: II. Larghetto (von Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Piano Concerto no. 11 in F major, K. 413: III. Tempo di minuetto (von Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Piano Concerto no. 5 in D major, K. 175: I. Allegro (von Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Piano Concerto no. 5 in D major, K. 175: II. Andante ma un poco adagio (von Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Piano Concerto no. 5 in D major, K. 175: III. Allegro (von Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
Mozart: Piano Concertos no. 16 & 19 (Zacharias)
- Piano Concerto no. 16 in D major, K. 451: I. Allegro assai (von Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Piano Concerto no. 16 in D major, K. 451: II. Andante (von Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Piano Concerto no. 16 in D major, K. 451: III. Allegro di molto (von Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Piano Concerto no. 19 in F major, K. 459: I. Allegro (von Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Piano Concerto no. 19 in F major, K. 459: II. Allegretto (von Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Piano Concerto no. 19 in F major, K. 459: III. Allegro assai (von Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
Mozart: Piano Concertos nos. 17 & 18 (Zacharias)
- Piano Concerto no. 17 in G major, op. 9, K. 453: I. Allegro (von Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Piano Concerto no. 17 in G major, op. 9, K. 453: II. Andante (von Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Piano Concerto no. 17 in G major, op. 9, K. 453: III. Allegretto (von Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Piano Concerto no. 18 in B-flat major, K. 456: I. Allegro vivace (von Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Piano Concerto no. 18 in B-flat major, K. 456: II. Andante un poco sostenuto (von Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Piano Concerto no. 18 in B-flat major, K. 456: III. Allegro vivace (von Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
Mozart: Piano Concertos nos. 22 & 27 (Buchbinder)
- Piano Concerto no. 22 in E-flat major, K. 482: I. Allegro (von Rudolf Buchbinder, Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto no. 22 in E-flat major, K. 482: II. Andante (von Rudolf Buchbinder, Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto no. 22 in E-flat major, K. 482: III. Allegro (von Rudolf Buchbinder, Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto no. 27 in B-flat major, op. 17, K. 595: I. Allegro (von Rudolf Buchbinder, Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto no. 27 in B-flat major, op. 17, K. 595: II. Larghetto (von Rudolf Buchbinder, Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto no. 27 in B-flat major, op. 17, K. 595: III. Allegro (von Rudolf Buchbinder, Academy of St Martin in the Fields, Sir Neville Marriner)
Mozart: Violin Concerto no. 1 / Sinfonia concertante (Mutter)
- Violin Concerto no. 1 in B-flat major, K. 207: I. Allegro moderato (von Anne‐Sophie Mutter, Academy of St Martin in the Fields, Sir Neville Marriner)
- Violin Concerto no. 1 in B-flat major, K. 207: II. Adagio (von Anne‐Sophie Mutter, Academy of St Martin in the Fields, Sir Neville Marriner)
- Violin Concerto no. 1 in B-flat major, K. 207: III. Allegro (von Anne‐Sophie Mutter, Academy of St Martin in the Fields, Sir Neville Marriner)
- Adagio for violin and orchestra in E major, K. 261 (von Anne‐Sophie Mutter, Academy of St Martin in the Fields, Sir Neville Marriner)
- Sinfonia concertante for violin and viola in E-flat major, K. 364: I. Allegro maestoso
- Sinfonia concertante for violin and viola in E-flat major, K. 364: II. Andante
- Sinfonia concertante for violin and viola in E-flat major, K. 364: III. Presto
Mozart: Horn Concertos nos. 1-4 / Rondo K. 371 (Tuckwell)
- Horn Concerto no. 1 in D major, K. 412: I. Allegro (von Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 1 in D major, K. 412: II. Rondo (Allegro) (Compl. Franz Xaver Süßmayr) (von Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 2 in E-flat major, K. 417: I. Allegro maestoso (von Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 2 in E-flat major, K. 417: II. Andante (von Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 2 in E-flat major, K. 417: III. Rondo (von Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Rondo for horn and orchestra in E-flat major, K. 371 (compl. Barry Tuckwell) (von Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto movement in F major, K. 494a (fragment) (von Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 3 in E-flat major, K. 447: I. Allegro (von Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 3 in E-flat major, K. 447: II. Romance (Larghetto) (von Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 3 in E-flat major, K. 447: III. Allegro (von Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 4 in E-flat major, K. 495: I. Allegro moderato (von Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 4 in E-flat major, K. 495: II. Romance (Andante cantabile) (von Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 4 in E-flat major, K. 495: III. Rondo (Allegro vivace) (von Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner)
Mozart: Horn Concertos nos. 1-4 / Quintet for horn & strings (Pyatt)
- Horn Concerto no. 1 in D major, K. 412: I. Allegro (von David Pyatt, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 1 in D major, K. 412: II. Rondo (Allegro) (Compl. Franz Xaver Süßmayr) (von David Pyatt, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 2 in E-flat major, K. 417: I. Allegro maestoso (von David Pyatt, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 2 in E-flat major, K. 417: II. Andante (von David Pyatt, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 2 in E-flat major, K. 417: III. Rondo (von David Pyatt, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 3 in E-flat major, K. 447: I. Allegro (von David Pyatt, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 3 in E-flat major, K. 447: II. Romance (Larghetto) (von David Pyatt, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 3 in E-flat major, K. 447: III. Allegro (von David Pyatt, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 4 in E-flat major, K. 495: I. Allegro moderato (von David Pyatt, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 4 in E-flat major, K. 495: II. Romance (Andante cantabile) (von David Pyatt, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 4 in E-flat major, K. 495: III. Rondo (Allegro vivace) (von David Pyatt, Academy of St Martin in the Fields, Sir Neville Marriner)
- Quintet for horn, violin, 2 violas and cello in E-flat major, K. 407: I. Allegro moderato
- Quintet for horn, violin, 2 violas and cello in E-flat major, K. 407: II. Andante
- Quintet for horn, violin, 2 violas and cello in E-flat major, K. 407: III. Rondo (Allegro)
Mozart: Sacred Arias (Hendricks)
- Cantata “Grabmusik”, K. 42/35a: IV. “Geliebte Seel', was redest du? … Betracht dies Herz” (Angel)
- Vesperae de Dominica, K. 321: V. Laudate Dominum (von Barbara Hendricks, Academy of St Martin in the Fields, Sir Neville Marriner)
- Mass in C minor “Great”, K. 427/417a: III. Credo - Et incarnatus est (von Barbara Hendricks, Academy of St Martin in the Fields, Sir Neville Marriner)
- Motet “Exsultate, jubilate”, K. 165/158a (von Barbara Hendricks, Academy of St Martin in the Fields, Sir Neville Marriner)
- Litaniae lauretanae, K. 195/186d: V. Agnus Dei (von Academy of St. Martin in the Fields Chorus, Barbara Hendricks, Academy of St Martin in the Fields, Sir Neville Marriner)
- Davidde penitente, K. 469: No. 8 Aria “Fra l'oscure ombre funeste” (von Barbara Hendricks, Academy of St Martin in the Fields, Sir Neville Marriner)
- Vesperae solennes de confessore, K. 339: V. Laudate Dominum (von Barbara Hendricks, Justin Sillman, Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Litaniae de venerabili altaris sacramento, K. 243: VI. Dulcissimum convivium (von Barbara Hendricks, Academy of St Martin in the Fields, Sir Neville Marriner)
- Mass no. 15 in C major “Coronation”, K. 317: VI. Agnus Dei (von Academy of St. Martin in the Fields Chorus, Barbara Hendricks, Academy of St Martin in the Fields, Sir Neville Marriner)
Mozart and His Contemporaries (Roocroft)
- “Alma grande e nobil core”, concert aria, K. 578
- “Basta, vincesti … Ah, non lasciarmi”, recitative and aria, K. 486a/295a
- Don Giovanni, K. 527: Act II. “In quali eccessi … Mi tradì quell'alma ingrata”
- Idomeneo, re di Creta, K. 366: Act II. “Se il padre perdei”
- Così fan tutte, K. 588: Act II. “Ei parte! … Per pietà, ben mio”
- Artemisia: “Entro quest'anima”
- Il sacrificio d' Abramo: “Chi per pietà mi dice … Deh, parlate”
- Scena di Berenice, recitative and aria, Hob. XXIVa:10: “Berenice, che fai?… Non partir…”
Eine kleine Nachtmusik
- “Toy” Symphony: I. Allegro (von Academy of St Martin in the Fields, Sir Neville Marriner)
- “Toy” Symphony: II. Menuetto (Allegretto) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- “Toy” Symphony: III. Allegro moderato (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Rosamunde, incidental music, op. 26, D 797: Entr'acte in B-flat major (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Xerxes, HWV 40: Largo (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Cantata “Herz und Mund un Tat und Leben”, BWV 147: Choral “Herz und Mund un Tat und Leben” (von Academy of St Martin in the Fields, Sir Neville Marriner)
Beethoven: 2 Romances / Mozart & Schubert: Rondos
- Rondo for violin and orchestra in C major, K. 373 (von Josef Suk, Academy of St Martin in the Fields, Neville Marriner)
- Romance for violin and orchestra no. 1 in G major, op. 40 (von Josef Suk, Academy of St Martin in the Fields, Sir Neville Marriner)
- Romance for violin and orchestra no. 2 in F major, op. 50 (von Josef Suk, Academy of St Martin in the Fields, Sir Neville Marriner)
- Adagio for violin and orchestra in E major, K. 261 (von Josef Suk, Academy of St Martin in the Fields, Neville Marriner)
- Rondo for violin and orchestra in A major, D 438: I. Adagio (von Franz Schubert)
- Rondo for violin and orchestra in A major, D 438: II. Allegro giusto (von Franz Schubert)
Beethoven: Piano Concertos nos. 2 & 3 (Fellner)
- Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio
- Piano Concerto no. 3 in C minor, op. 37: II. Largo (von Till Fellner, Academy of St Martin in the Fields & Sir Neville Marriner)
- Piano Concerto no. 3 in C minor, op. 37: III. Rondo: Allegro (von Till Fellner, Academy of St Martin in the Fields & Sir Neville Marriner)
- Piano Concerto no. 2 in B-flat major, op. 19: I. Allegro con brio (von Till Fellner, Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto no. 2 in B-flat major, op. 19: II. Adagio (von Till Fellner, Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto no. 2 in B-flat major, op. 19: III. Rondo: Molto allegro (von Till Fellner, Academy of St Martin in the Fields, Sir Neville Marriner)
Beethoven: Violin Concerto / 2 Romances (Sitkovetsky)
- Violin Concerto in D major, op. 61: I. Allegro non troppo
- Violin Concerto in D major, op. 61: II. Larghetto
- Violin Concerto in D major, op. 61: III. Rondo: Allegro (von Dmitry Sitkovetsky, Academy of St Martin in the Fields, Sir Neville Marriner)
- Romance for Violin and Orchestra no. 1 in G major, op. 40
- Romance for violin and orchestra no. 2 in F major, op. 50
Cherubini: Overtures
- Éliza, ou Le Voyage aux Glaciers du Mont Saint-Bernard: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Médée: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- L'Hôtellerie portugaise: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Les Deux Journées, ou Le Porteur d'eau: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Anacréon, ou L'Amour fugitif: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Faniska: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Les Abencérages, ou L'Étendard de Grenade: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Concert Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
Horn Concertos by Telemann, Förster, Weber, L. Mozart (Tuckwell)
- Horn Concerto in D major, TWV 51:D8: I. Vivace (von Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto in D major, TWV 51:D8: II. Largo (von Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto in D major, TWV 51:D8: III. Allegro (von Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Sonata for horn and strings no. 2: I. Largo (von Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Sonata for horn and strings no. 2: II. Allegro moderato (von Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto in E-flat major: I. Con discrezione (von Christoph Förster)
- Horn Concerto in E-flat major: II. Adagio (von Christoph Förster)
- Horn Concerto in E-flat major: III. Allegro (von Christoph Förster)
- Horn Concertino in E minor, op. 45, J. 188: I. Adagio - Andante (von Carl Maria von Weber)
- Horn Concertino in E minor, op. 45, J. 188: II. Andante con moto (von Carl Maria von Weber)
- Horn Concertino in E minor, op. 45, J. 188: III. Recitativo - Adagio (von Carl Maria von Weber)
- Horn Concertino in E minor, op. 45, J. 188: IV. Polacca (von Carl Maria von Weber)
- Concerto for horn and strings in D major: I. Allegro moderato (von Leopold Mozart)
- Concerto for horn and strings in D major: II. Andante (von Leopold Mozart)
- Concerto for horn and strings in D major: III. Allegro (von Leopold Mozart)
Music for double bass (Slatford)
- Romance and Rondo for double bass and orchestra in E minor: Romance
- Romance and Rondo for double bass and orchestra in E minor: Rondo
- Divertimento for viola, cello and double bass in E-flat major, MH 9: I. Adagio con variazioni
- Divertimento for viola, cello and double bass in E-flat major, MH 9: II. Menuetto
- Divertimento for viola, cello and double bass in E-flat major, MH 9: III. Presto
- Sinfonia concertante for viola, double bass and orchestra in D major: I. Allegro
- Sinfonia concertante for viola, double bass and orchestra in D major: II. Andantino
- Sinfonia concertante for viola, double bass and orchestra in D major: III. Menuetto e Trio
- Sinfonia concertante for viola, double bass and orchestra in D major: IV. Allegro ma non troppo
- Duetto for cello and double bass in D major, IGR 19: I. Allegro
- Duetto for cello and double bass in D major, IGR 19: II. Andante
- Duetto for cello and double bass in D major, IGR 19: III. Allegro
Rossini: Overtures
- La gazza ladra: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Semirande: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- La Cenerentola: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- La scala di seta: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- La cambiale di matrimonio: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Il barbiere di Siviglia: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
Suppé: Overtures
- Tantalusqualen (The Torments of Tantalus): Overture (von Academy of St Martin in the Fields, Neville Marriner)
- Die Irrfahrt um's Glück (The Peregrination after Fortune): Overture (von Academy of St Martin in the Fields, Neville Marriner)
- Die Frau Mesterin (The Lady Mistress): Overture (von Academy of St Martin in the Fields, Neville Marriner)
- Ein Morgen, ein Mittag und ein Abend in Wien (Morning, Noon and Night in Vienna): Overture (von Academy of St Martin in the Fields, Neville Marriner)
- Pique-Dame (Die Kartenschlägerin) (The Queen of Spades (The Fortune Teller)): Overture (von Academy of St Martin in the Fields, Neville Marriner)
- Wiener Jubel-Ouvertüre (Viennese Jubilee Overture) (von Academy of St Martin in the Fields, Neville Marriner)
- Dichter und Bauer (Poet and Peasant): Overture (von Academy of St Martin in the Fields, Neville Marriner)
Grieg & Mendelssohn: Piano Concertos (Ousset)
- Piano Concerto in A minor, op. 16: I. Allegro molto moderato (von Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner)
- Piano Concerto in A minor, op. 16: II. Adagio (von Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner)
- Piano Concerto in A minor, op. 16: III. Allegro moderato molto e marcato (von Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner)
- Piano Concerto no. 1 in G minor, op. 25: I. Molto allegro con fuoco (von Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner)
- Piano Concerto no. 1 in G minor, op. 25: II. Andante (von Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner)
- Piano Concerto no. 1 in G minor, op. 25: III. Presto - Molto allegro e vivace (von Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner)
Grieg: Peer Gynt (Popp)
- Peer Gynt, op. 23: Act One. No. 1 Prelude. At the Wedding (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Peer Gynt, op. 23: Act One. No. 2 The Bridal Procession (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Peer Gynt, op. 23: Act Two. No. 4 Prelude. The Abduction of the Bride. Ingrid's Lament (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Peer Gynt, op. 23: Act Two. No. 7 In the Hall of the Mountain King (von The Ambrosian Singers, Academy of St Martin in the Fields, Sir Neville Marriner)
- Peer Gynt, op. 23: Act Two. No. 8 Dance of the Mountain King's Daughter (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Peer Gynt, op. 23: Act Three. No. 12 The Death of Ǻse (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Peer Gynt, op. 23: Act Four. No. 13 Prelude. Morning Mood (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Peer Gynt, op. 23: Act Four. No. 15 Arabian Dance
- Peer Gynt, op. 23: Act Four. No. 16 Anitra's Dance (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Peer Gynt, op. 23: Act Four. No. 18 Solveig's Song (von Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner)
- Peer Gynt, op. 23: Act Five. No. 21 Prelude. Peer Gynt's Homecoming (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Peer Gynt, op. 23: Act Five. No. 26 Solveig's Cradle Song (von Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner)
Vieuxtemps: Cello Concertos nos. 1 & 2 (Schiff)
- Cello Concerto no. 1 in A minor, op. 46: I. Allegro moderato - Cadenza - Allegro
- Cello Concerto no. 1 in A minor, op. 46: II. Andante
- Cello Concerto no. 1 in A minor, op. 46: III. Finale (Allegro)
- Cello Concerto no. 2 in B minor, op. 50: I. Allegro
- Cello Concerto no. 2 in B minor, op. 50: II. Adagio
- Cello Concerto no. 2 in B minor, op. 50: III. Finale (Allegretto con moto)
Bizet: Symphony in C major / L'Arlésienne, Suites 1 & 2
- Symphony in C major, WD 33: I. Allegro vivo (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Symphony in C major, WD 33: II. Adagio (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Symphony in C major, WD 33: III. Scherzo (Allegro vivace) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Symphony in C major, WD 33: IV. Finale (Allegro vivace) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- L'Arlésienne, Suite no. 1, op. 23bis, WD 40: I. Prelude (Allegro deciso. Tempo di Marcia) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- L'Arlésienne, Suite no. 1, op. 23bis, WD 40: II. Menuet (Allegro giocoso) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- L'Arlésienne, Suite no. 1, op. 23bis, WD 40: III. Adagietto (von Academy of St Martin in the Fields, Sir Neville Marriner)
- L'Arlésienne, Suite no. 2: I. Pastorale (Andante sostenuto assai) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- L'Arlésienne, Suite no. 2: II. Intermezzo (Andante moderato ma con moto) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- L'Arlésienne, Suite no. 2: III. Menuet (Andantino quasi allegretto) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- L'Arlésienne, Suite no. 2: IV. Farandole (Allegro deciso - Tempo di Marcia) (von Academy of St Martin in the Fields, Sir Neville Marriner)
Saxophone Concertos (Harle)
- Rapsodie for saxophone, CD 104, L. 98
- Concertino da camera for alto saxophone: I. Allegro con moto (von Academy of St Martin in the Fields, Neville Marriner, John Harle)
- Concertino da camera for alto saxophone: II. Larghetto (von Academy of St Martin in the Fields, Neville Marriner, John Harle)
- Concertino da camera for alto saxophone: III. Animato molto (von Academy of St Martin in the Fields, Neville Marriner, John Harle)
- Fantasia for soprano saxophone and chamber orchestra: I. Animé (von Academy of St Martin in the Fields, Neville Marriner, John Harle)
- Fantasia for soprano saxophone and chamber orchestra: II. Lent (von Academy of St Martin in the Fields, Neville Marriner, John Harle)
- Fantasia for soprano saxophone and chamber orchestra: III. Très animé (von Academy of St Martin in the Fields, Neville Marriner, John Harle)
- Saxophone Concerto in E-flat major, op. 109: I. Allegro moderato (von Academy of St Martin in the Fields, Neville Marriner, John Harle)
- Saxophone Concerto in E-flat major, op. 109: II. Andante (von Academy of St Martin in the Fields, Neville Marriner, John Harle)
- Saxophone Concerto in E-flat major, op. 109: III. Allegro (von Academy of St Martin in the Fields, Neville Marriner, John Harle)
- Concerto for alto saxophone: I. Molto vivo (von Academy of St Martin in the Fields, Neville Marriner, John Harle)
- Concerto for alto saxophone: II. Interlude (Andante) (von Academy of St Martin in the Fields, Neville Marriner, John Harle)
- Concerto for alto saxophone: III. Allegro - Lento (von Academy of St Martin in the Fields, Neville Marriner, John Harle)
- Out of the Cool (von Academy of St Martin in the Fields, Neville Marriner, John Harle)
Contrasts - The Lighter Elgar
- Minuet, op. 21 (von Royal Philharmonic Orchestra, Lawrance Collingwood)
- May Song (von Royal Philharmonic Orchestra, Lawrance Collingwood)
- Rosemary (von Royal Philharmonic Orchestra, Lawrance Collingwood)
- Romance for bassoon in D minor, op. 62
- Sevillaña, op. 7
- Sérénade lyrique in C major
- Three Characteristic Pieces, op. 10: No. 1 Mazurka
- Three Characteristic Pieces, op. 10: No. 2 Sérénade mauresque
- Three Characteristic Pieces, op. 10: No. 3 Contrasts: The Gavotte - A.D. 1700 and 1900
- Carissima
- Mina
Falla: El sombrero de tres picos / Noches en los jardines de España
- El sombrero de tres picos (The Three-Cornered Hat): Introduction
- El sombrero de tres picos (The Three-Cornered Hat): Part I: La tarde (Afternoon). La tarde (von Academy of St Martin in the Fields, Sir Neville Marriner)
- El sombrero de tres picos (The Three-Cornered Hat): Part I: La tarde (Afternoon). Danza de la molinera (von Academy of St Martin in the Fields, Sir Neville Marriner)
- El sombrero de tres picos (The Three-Cornered Hat): Part I: La tarde (Afternoon). Las uvas (von Academy of St Martin in the Fields, Sir Neville Marriner)
- El sombrero de tres picos (The Three-Cornered Hat): Part II: La noche (Night). Danza de los vecinos (von Academy of St Martin in the Fields, Sir Neville Marriner)
- El sombrero de tres picos (The Three-Cornered Hat): Part II: La noche (Night). Danza del molinero (von Academy of St Martin in the Fields, Sir Neville Marriner)
- El sombrero de tres picos (The Three-Cornered Hat): Part II: La noche (Night). Danza del corregidor (von Academy of St Martin in the Fields, Sir Neville Marriner)
- El sombrero de tres picos (The Three-Cornered Hat): Part II: La noche (Night). Danza final (Jota) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Noches en los jardines de España (Nights in the gardens of Spain): I. En el Generalife
- Noches en los jardines de España (Nights in the gardens of Spain): II. Danza lejana -
- Noches en los jardines de España (Nights in the gardens of Spain): III. En los jardines de la Sierra de Córdoba
Respighi: Gli uccelli / Trittico botticelliano
- Trittico botticelliano, P. 151: I. La Primavera (Spring) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Trittico botticelliano, P. 151: II. L'Adorazione del Magi (The Adoration of the Magi) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Trittico botticelliano, P. 151: III. La nascita di Venere (The Birth of Venus) (von Academy of St Martin in the Fields, Sir Neville Marriner)
Wolf-Ferrari: Orchestral Music
- Il segreto di Susanna (Susanna's Secret): Intermezzo (von Andrew Marriner, Academy of St Martin in the Fields, Sir Neville Marriner)
- I quattro rusteghi (The Four Boots): Prelude (Tranquillo, semplice) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- I quattro rusteghi (The Four Boots): Intermezzo (von Academy of St Martin in the Fields, Sir Neville Marriner)
- La dama boba (The Blackward): Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Il campiello (The Little Square): Intermezzo (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Il campiello (The Little Square): Ritornello (von Academy of St Martin in the Fields, Sir Neville Marriner)
- L'amore medico (Doctor Cupid): Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- L'amore medico (Doctor Cupid): Intermezzo
- I gioielli della Madonna (The Jewels of the Madonna): Festa populare (von Academy of St Martin in the Fields, Sir Neville Marriner)
- I gioielli della Madonna (The Jewels of the Madonna): Intermezzo, Act 2 (von Academy of St Martin in the Fields, Sir Neville Marriner)
- I gioielli della Madonna (The Jewels of the Madonna): Intermezzo, Act 3: Serenata
- I gioielli della Madonna (The Jewels of the Madonna): Donza napolitana (von Academy of St Martin in the Fields, Sir Neville Marriner)
Martin: Petite symphonie concertante / Bloch: Concerto grosso no. 1
- Petite symphonie concertante for harp, harpsichord, piano and strings, op. 54: I. Adagio
- Petite symphonie concertante for harp, harpsichord, piano and strings, op. 54: II. Allegro con moto
- Petite symphonie concertante for harp, harpsichord, piano and strings, op. 54: III. Adagio
- Petite symphonie concertante for harp, harpsichord, piano and strings, op. 54: IV. Allegretto alla marcia
- Concerto grosso no. 1 for strings an piano obbligato: I. Prelude (Allegro energico e pesante)
- Concerto grosso no. 1 for strings an piano obbligato: II. Dirge (Andante moderato)
- Concerto grosso no. 1 for strings an piano obbligato: III. Pastorale and Rustic Dances
- Concerto grosso no. 1 for strings an piano obbligato: IV. Fugue (Allegro)
Stravinsky: Dumberton Oaks / Concerto in D / Danses concertantes
- Concerto in E-flat major “Dumbarton Oaks”: I. Tempo giusto (von Igor Stravinsky)
- Concerto in E-flat major “Dumbarton Oaks”: II. Allegretto (von Igor Stravinsky)
- Concerto in E-flat major “Dumbarton Oaks”: III. Con moto (von Igor Stravinsky)
- Concerto in D major for String Orchestra: I. Vivace (von Igor Stravinsky)
- Concerto in D major for string orchestra: II. Arioso (Andantino) (von Igor Stravinsky)
- Concerto in D major for String Orchestra: III. Rondo (Allegro) (von Igor Stravinsky)
- Danses concertantes: Marche (Introduction)
- Danses concertantes: Pas d'action (Con moto)
- Danses concertantes: Thème varié (Lento) (von Igor Stravinsky)
- Danses concertantes: Variation I (Allegretto) (von Igor Stravinsky)
- Danses concertantes: Variation II (Scherzando) (von Igor Stravinsky)
- Danses concertantes: Variation III (Andantino) (von Igor Stravinsky)
- Danses concertantes: Variation IV (Coda: Tempo giusto) (von Igor Stravinsky)
- Danses concertantes: Pas de deux (Risoluto)
- Danses concertantes: Marche (Conclusion)
Stravinsky: Pulcinella / 2 suites for small orchestra
- Pulcinella: I. Overture. Allegro moderato
- Pulcinella: II. Serenata. Larghetto: “Mentre l'erbetta pasce l'agnella” - Scherzino (von Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner)
- Pulcinella: III. Allegretto. “Contento forse vivere”
- Pulcinella: IV. Allegro (alla breve). “Con queste paroline”
- Pulcinella: V. Largo (Trio). “Sento dire no'ncè pace”
- Pulcinella: VI. Tarantella. “Una te fala nzemprece” (von Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner)
- Pulcinella: VII. Andantino. “Se tu m'ami”
- Pulcinella: VIII. Gavotta con due variazioni (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Pulcinella: IX. Variazione I (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Pulcinella: X. Variazione II (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Pulcinella: XI. Tempo di minuetto. “Pupilette, fiammette d'amore” - Finale. Allegro assai
- Suite no. 1 for small orchestra: I. Andante
- Suite no. 1 for small orchestra: II. Napolitana
- Suite no. 1 for small orchestra: III. Española
- Suite no. 1 for small orchestra: IV. Balalaïka
- Suite no. 2 for small orchestra: I. Marche
- Suite no. 2 for small orchestra: II. Valse
- Suite no. 2 for small orchestra: III. Polka
- Suite no. 2 for small orchestra: IV. Galop
English String Music
- Two Aquarelles: I. Slow (Lento, ma non troppo) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Two Aquarelles: II. Gaily, but not quick (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Chaconne in G minor for strings, Z. 730 (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Three Preludes founded on Welsh Hymn Tunes: No. 2, Rhosymedre (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Henry V: I. Passacaglia: The Death of Falstaff (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Henry V: II. Touch her soft lips and part (von Academy of St Martin in the Fields, Sir Neville Marriner)
Britten: Les Illuminations (Harper) / Serenade (Tear)
- Les Illuminations, op. 18: No. 1. Fanfare
- Les Illuminations, op. 18: No. 2. Villes
- Les Illuminations, op. 18: No. 3a. Phrase
- Les Illuminations, op. 18: No. 3b. Antique
- Les Illuminations, op. 18: No. 4. Royauté
- Les Illuminations, op. 18: No. 5. Marine
- Les Illuminations, op. 18: No. 6. Interlude
- Les Illuminations, op. 18: No. 7. Being Beauteous
- Les Illuminations, op. 18: No. 8. Parade
- Les Illuminations, op. 18: No. 9. Départ
- Serenade for tenor, horn and strings, op. 31: No. 1. Prologue (von Alan Civil)
- Serenade for tenor, horn and strings, op. 31: No. 2. Pastoral (Charles Cotton)
- Serenade for tenor, horn and strings, op. 31: No. 3. Nocturne (Alfred Lord Tennyson)
- Serenade for tenor, horn and strings, op. 31: No. 4. Elegy (William Blake)
- Serenade for tenor, horn and strings, op. 31: No. 5. Dirge (Anonymous)
- Serenade for tenor, horn and strings, op. 31: No. 6. Hymn (Ben Jonson)
- Serenade for tenor, horn and strings, op. 31: No. 7. Sonnet (John Keats)
- Serenade for tenor, horn and strings, op. 31: No. 8. Epilogue (von Alan Civil)
Britten: The Young Person's Guide to the orchestra / Four Sea Interludes / Men of Goodwill
- The Young Person's Guide to the Orchestra (Variations and Fugue on a theme of Purcell), op. 34 (von Minnesota Orchestra, Sir Neville Marriner)
- Four Sea Interludes from Peter Grimes, op. 33a: No. 1. Dawn (von Minnesota Orchestra, Sir Neville Marriner)
- Four Sea Interludes from Peter Grimes, op. 33a: No. 2. Sunday Morning (von Minnesota Orchestra, Sir Neville Marriner)
- Four Sea Interludes from Peter Grimes, op. 33a: No. 3. Moonlight (von Minnesota Orchestra, Sir Neville Marriner)
- Four Sea Interludes from Peter Grimes, op. 33a: No. 4. Storm (von Minnesota Orchestra, Sir Neville Marriner)
- Men of Goodwill (von Minnesota Orchestra, Sir Neville Marriner)
Copland: Appalachian Spring / Rodeo / El salón México
- El Salón México (von Aaron Copland)
- Four Dance Episodes from “Rodeo”: I. Buckaroo Holiday (von Aaron Copland)
- Four Dance Episodes from “Rodeo”: II. Transition - Corral Nocturne (von Aaron Copland)
- Four Dance Episodes from “Rodeo”: III. Saturday: Night Waltz (von Aaron Copland)
- Four Dance Episodes from “Rodeo”: IV. Hoe-Down (von Aaron Copland)
- Appalachian Spring, suite from the ballet: 1. Very slowly (von Aaron Copland)
- Appalachian Spring, suite from the ballet: 2. Allegro (von Aaron Copland)
- Appalachian Spring, suite from the ballet: 3. Moderato: The Bride and her Intended (von Aaron Copland)
- Appalachian Spring, suite from the ballet: 4. Fast: The Revivalist and his Flock (von Aaron Copland)
- Appalachian Spring, suite from the ballet: 5. Allegro: Solo Dance of the Bride (von Aaron Copland)
- Appalachian Spring, suite from the ballet: 6. Meno mosso (von Aaron Copland)
- Appalachian Spring, suite from the ballet: 7. Doppio movimento: Variations on a Shaker Hymn (von Aaron Copland)
- Appalachian Spring, suite from the ballet: 8. Moderato: Coda (von Aaron Copland)
Walton: Façade
- Façade - An entertainment with poems by Edith Sitwell: Fanfare
- Façade - An entertainment with poems by Edith Sitwell: 1. Hornpipe
- Façade - An entertainment with poems by Edith Sitwell: 2. En famille
- Façade - An entertainment with poems by Edith Sitwell: 3. Mariner Man
- Façade - An entertainment with poems by Edith Sitwell: 4. Long Steel Grass
- Façade - An entertainment with poems by Edith Sitwell: 5. Through gilded trellises
- Façade - An entertainment with poems by Edith Sitwell: 6. Tango-pasodoble (I do like to be beside the seaside)
- Façade - An entertainment with poems by Edith Sitwell: 7. Lullaby for Jumbo
- Façade - An entertainment with poems by Edith Sitwell: 8. Black Mrs Behemoth
- Façade - An entertainment with poems by Edith Sitwell: 9. Tarantella
- Façade - An entertainment with poems by Edith Sitwell: 10. A Man from a far Countree
- Façade - An entertainment with poems by Edith Sitwell: 11. By the Lake
- Façade - An entertainment with poems by Edith Sitwell: 12. Country Dance
- Façade - An entertainment with poems by Edith Sitwell: 13. Polka
- Façade - An entertainment with poems by Edith Sitwell: 14. Four in the Morning
- Façade - An entertainment with poems by Edith Sitwell: 15. Something lies beyond the scene
- Façade - An entertainment with poems by Edith Sitwell: 16. Valse
- Façade - An entertainment with poems by Edith Sitwell: 17. Jodelling Song
- Façade - An entertainment with poems by Edith Sitwell: 18. Scotch Rhapsody
- Façade - An entertainment with poems by Edith Sitwell: 19. Popular Song
- Façade - An entertainment with poems by Edith Sitwell: 20. Old Sir Faulk (Fox-trot)
- Façade - An entertainment with poems by Edith Sitwell: 21. Sir Beezebub
Tippett: Divertimento / LIttle Music for string orchestra / Sonata for four horns / Concerto for double string orchestra
- Divertimento on “Sellinger's Round”, for chamber orchestra: I. Allegro (von Academy of St Martin in the Fields, Neville Marriner)
- Divertimento on “Sellinger's Round”, for chamber orchestra: II. A Lament (Andante espressivo) (von Academy of St Martin in the Fields, Neville Marriner)
- Divertimento on “Sellinger's Round”, for chamber orchestra: III. Presto (von Academy of St Martin in the Fields, Neville Marriner)
- Divertimento on “Sellinger's Round”, for chamber orchestra: IV. Adagio (von Academy of St Martin in the Fields, Neville Marriner)
- Divertimento on “Sellinger's Round”, for chamber orchestra: V. Allegro assai (von Academy of St Martin in the Fields, Neville Marriner)
- Little Music for string orchestra: I. Prelude (Maestoso) (von Academy of St Martin in the Fields, Neville Marriner)
- Little Music for string orchestra: II. Fugue (Allegro moderato (A tempo doppio più mosso)) (von Academy of St Martin in the Fields, Neville Marriner)
- Little Music for string orchestra: III. Air (Andante espressivo) (von Academy of St Martin in the Fields, Neville Marriner)
- Little Music for string orchestra: IV. Finale (Vivace) (von Academy of St Martin in the Fields, Neville Marriner)
- Sonata for four horns: I. Allegro molto moderato (von Sir Michael Tippett)
- Sonata for four horns: II. Allegro giocoso (von Sir Michael Tippett)
- Sonata for four horns: III. Lento cantabile tranquillo in stile notturno (von Sir Michael Tippett)
- Sonata for four horns: IV. Allegro molto e vigoroso (von Sir Michael Tippett)
- Concerto for Double String Orchestra: I. Allegro con brio (von Sir Michael Tippett)
- Concerto for Double String Orchestra: II. Adagio cantabile (von Sir Michael Tippett)
- Concerto for Double String Orchestra: III. Allegro molto (von Sir Michael Tippett)
The Academy in Concert
- Adagio in G minor (von Iona Brown, Academy of St Martin in the Fields, Sir Neville Marriner)
- Octet in E-flat major, op. 20: III. Scherzo (Allegro leggierissimo) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Berenice, HWV 38: Minuet (von Academy of St. Martin in the Fields, Sir Neville Marriner)
- March no. 1 in D major, K. 335 (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Weihnachtsoratorium, BWV 248: Pt. 2. No. 10, Sinfonia (von Academy of St. Martin in the Fields, Sir Neville Marriner)
- 12 Contredanses, WoO 14: No. 1 in C major (von Academy of St. Martin in the Fields, Sir Neville Marriner)
- 12 Contredanses, WoO 14: No. 2 in A major (von Academy of St. Martin in the Fields, Sir Neville Marriner)
- 12 Contredanses, WoO 14: No. 3 in D major (von Academy of St. Martin in the Fields, Sir Neville Marriner)
- 12 Contredanses, WoO 14: No. 4 in B-flat major (von Academy of St. Martin in the Fields, Sir Neville Marriner)
- 12 Contredanses, WoO 14: No. 5 in E-flat major (von Academy of St. Martin in the Fields, Sir Neville Marriner)
- 12 Contredanses, WoO 14: No. 6 in C major (von Academy of St. Martin in the Fields, Sir Neville Marriner)
- 12 Contredanses, WoO 14: No. 7 in E-flat major (von Academy of St. Martin in the Fields, Sir Neville Marriner)
- 12 Contredanses, WoO 14: No. 8 in C major (von Academy of St. Martin in the Fields, Sir Neville Marriner)
- 12 Contredanses, WoO 14: No. 9 in A major (von Academy of St. Martin in the Fields, Sir Neville Marriner)
- 12 Contredanses, WoO 14: No. 10 in C major (von Academy of St. Martin in the Fields, Sir Neville Marriner)
- 12 Contredanses, WoO 14: No. 11 in D major (von Academy of St. Martin in the Fields, Sir Neville Marriner)
- 12 Contredanses, WoO 14: No. 12 in E-flat major (von Academy of St. Martin in the Fields, Sir Neville Marriner)
- Messiah, HWV 56: Pt. 1. No. 12 Pastoral symphony (von Academy of St. Martin in the Fields, Sir Neville Marriner)
- Orchestral Suite no. 3 in D major, BWV 1068: II. Air (von Academy of St Martin in the Fields, Sir Neville Marriner)
- German Dance no. 3, K. 604: Die Schittenfahrt (Sleigh Ride) (von Academy of St Martin in the Fields, Sir Neville Marriner)
The Academy - By Request
- Solomon, HWV 67: The Arrival of the Queen of Sheba (Sinfonia)
- Cantata “Was mir behagt, ist nur die muntre Jagd”, BWV 208: “Schafe Können sicher weiden” (Sheep may safely graze) (von Ian Watson, Academy of St Martin in the Fields, Sir Neville Marriner)
- Cantata “Herz und Mund und Tat und Leben” (Jesu, Joy of Man's Desiring) (von Celia Nicklin, Ian Watson, Academy of St Martin in the Fields, Sir Neville Marriner)
- Weihnachtsoratorium, BWV 248 (Christmas Oratorio): Pt. 2. No. 10, Sinfonia (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Holberg Suite, op. 40: I. Praeludium (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Rosamunde, incidental music, op. 26, D 797: Entr'acte no. 3 in B-flat major (von Academy of St Martin in the Fields, Sir Neville Marriner)
- String Quartet no. 2 in D major: III. Notturno (Andante) (von Academy of St Martin in the Fields, Sir Neville Marriner)
Favorite Orchestral Pieces
- Carmen, Suite no. 1: I. Prélude (von Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner)
- Carmen, Suite no. 1: II. Aragonaise (von Radio‐Sinfonieorchester Stuttgart, Sir Neville Marriner)
- Carmen, Suite no. 1: III. Intermezzo (von Radio‐Sinfonieorchester Stuttgart, Sir Neville Marriner)
- Carmen, Suite no. 1: IV. Les Dragons d'Alcala (von Radio‐Sinfonieorchester Stuttgart, Sir Neville Marriner)
- Carmen, Suite no. 1: V. Les Toréadors (von Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Carmen, Suite no. 2: I. Nocturne (von Radio‐Sinfonieorchester Stuttgart, Sir Neville Marriner)
- Carmen, Suite no. 2: II. Danse bohème (von Radio‐Sinfonieorchester Stuttgart, Sir Neville Marriner)
- The Seasons, op. 37a: No. 6 June, Barcarole (von Radio‐Sinfonieorchester Stuttgart, Sir Neville Marriner)
- Eugen Onegin, op. 24: Act 3. Polonaise (von Radio‐Sinfonieorchester Stuttgart, Sir Neville Marriner)
- Les Contes d'Hoffman: Act 4. “Belle nuit, ô nuit d'amour” (orchestral version) (von Radio‐Sinfonieorchester Stuttgart, Sir Neville Marriner)
- Thaïs: Act 2. Méditation (von Hans Kalafusz, Radio‐Sinfonieorchester Stuttgart, Sir Neville Marriner)
- Nutcracker, Suite, op. 71a: VIII. Waltz of the Flowers (von Radio‐Sinfonieorchester Stuttgart, Sir Neville Marriner)
- The Tale of Tsar Saltan: Act 3. The Flight of the Bumble Bee (von Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner)
- Faust: Act 1. Valse “Ainsi que la brise légère” (orchestral version) (von Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Jocelyn: Act I. Berceuse “Oh! ne t'éveille pas encore” (orchestral version) (von Stuttgart Radio Symphony Orchestra, Sir Neville Marriner)
The Sound of the Academy
- The Merry Wives of Windsor: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- The Gadfly: Barrel-organ Waltz (von Academy of St Martin in the Fields, Sir Neville Marriner)
- The Gadfly: Romance (von Academy of St Martin in the Fields, Sir Neville Marriner)
The Academy Plays Opera
- Aida: Act 1. “Celeste Aida”
- Madama Butterfly: Introduction. Sharpless' Aria andd Entrance of Butterfly
- Il trovatore: Act 2. Anvil Chorus
- La Bohème: A Fantasy for Orchestra
- La traviata: Act 2. “Di Provenza il mar”
- Madama Butterfly: Act 2. “Un bel di vedremo”
- Tosca: Act 3. “E lucevan le stelle”
Viennese Operetta Arias (Popp)
- Der Obersteiger: Act 2. “Sei nicht bös” (von Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner)
- Frau Luna: “Schlösser, die im Monde liegen” (von Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner)
- Die Tänzerin Fanny Elssler: Act 2. “Draußen in Sievering” (von Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner)
- Der Favorit: “Du sollst der Kaiser meiner Seele sein” (von Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner)
- Die Lustige Witwe: Act 2. “Es lebt eine Vilja, ein Waldmägdelein” (Vilja-Lied) (von Lucia Popp, Ambrosian Opera Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Boccaccio: “Hab'ich nur deine Liebe” (von Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner)
- Casanova: Nonnenchor und das Lied der Laura (Nuns' Chorus and Laura's Song)
- Die Dubarry: Scene 5. “Ich schenk mein Herz nur dem allein” (von Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner)
- Giuditta: Tableau 4. “Meine Lippen, sie küssen so heiss” (von Ambrosian Opera Chorus, Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner)
- Die ungarische Hochzeit: Act 2. “Spiel mir das Lied von Glück und Treu” (von Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner)
- Das Land das Lächlen: Act 2. “Ich möcht' einmal die Heimat seh'n” (von Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner)
- Friederike: Act 2. “Warum hast du mich wachgeküsst?” (von Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner)
- Giuditta: Tableau 1. “In einem Meer von Liebe” (von Ambrosian Opera Chorus, Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner)
- Frühjahrsparade: “Wien wird bei Nacht erst schön” (von Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner)
Wagner: Siegfried Idyll / Dvořák, Fauré, Tchaikovsky…
- Siegfried Idyll , WWV 103 (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Nocturne in B major, op. 40, B. 47 (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Pavane, op. 50 (von Academy of St Martin in the Fields, Sir Neville Marriner)
- String Quartet no. 1 in D major, op. 11: II. Andante cantabile (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Two Elegiac Melodies, op. 34 (orchestral version): No. 1 The Wounded Heart (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Two Elegiac Melodies, op. 34 (orchestral version): No. 2 Last Spring (von Academy of St Martin in the Fields, Sir Neville Marriner)
- String Quintet in E major, op. 13 no. 6, G. 282: III. Minuetto - Trio (von Academy of St Martin in the Fields, Sir Neville Marriner)
Oscar Wilde: Music by Debbie Wiseman
The Distinguished Conductor (Compilation)
- Le nozze di Figaro, K. 492: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Pavane, op. 50 (Instrumental Version) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- String Quintet in E major, op. 11 no. 5, G. 275: III. Minuetto - Trio (Arr. Woodhouse for String Orchestra) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Holberg Suite, op. 40: I. Praeludium (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Four Sea Interludes from Peter Grimes, op. 33a: No. 2, Sunday Morning (von Minnesota Orchestra, Sir Neville Marriner)
- La scala di seta: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Gloria in D major, RV 589: I. Gloria in excelsis Deo (von Academy of St Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Gloria in D major, RV 589: II. Et in terra pax hominibus (von Academy of St Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Gloria in D major, RV 589: XI. Quoniam tu solus sanctus (von Academy of St Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Gloria in D major, RV 589: XII. Cum Sancto Spiritu (von Academy of St Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto no. 5 in F minor, BWV 1056: I. — (von Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto no. 5 in F minor, BWV 1056: II. Largo (von Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto no. 5 in F minor, BWV 1056 III. Presto (von Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 5 in F major: II. Adagio (von Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Symphony no. 40 in G minor, K. 550: I. Molto allegro (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Symphony no. 40 in G minor, K. 550: II. Andante (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Symphony no. 40 in G minor, K. 550: III. Menuetto. Allegretto (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Symphony no. 40 in G minor, K. 550: IV. Allegro assai (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto in A minor, op. 16: II. Adagio (von Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner)
- Peer Gynt, op. 23, Act 1: No. 1, Prelude. At the Wedding (von Sir Neville Marriner, Academy of St Martin in the Fields & Stephen Shingles)
- Peer Gynt, op. 23, Act 1: No. 2, Wedding March (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Peer Gynt, op. 23, Act 2: No. 7, In the Hall of the Mountain King
- Peer Gynt, op. 23, Act 3: No. 12, The Death of Åse (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Peer Gynt, Op. 23, Act 4: No. 13, Prelude. Morning Mood (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Peer Gynt, op. 23, Act 4: No. 18, Solveig's Song (von Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner)
- Peer Gynt, op. 23, Act 5: No. 26, Solveig's Cradle Song (von Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner)
- Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Brandenburg Concerto no. 4 in G major, BWV 1049: II. Andante (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Brandenburg Concerto no. 4 in G major, BWV 1049: III. Presto (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Mass in D minor, Hob. XXII:11 "Nelson Mass": Kyrie
- Mass in B-flat major, Hob. XXII:12 "Theresa Mass": Gloria
- Don Giovanni, K. 527: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 2 in E-flat major, K. 417: II. Andante (von Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 2 in E-flat major, K. 417: III. Rondo (von Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 3 in E-flat Major, K. 447: II. Romance. Larghetto (von Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 3 in E-flat Major, K. 447: III. Rondo. Allegro vivace (von Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Dichter und Bauer: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- 2 Aquarelles: No. 1, Slow (Arr. Fenby for String Orchestra) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- 2 Aquarelles: No. 2, Gaily, But Not Quick (Arr. Fenby for String Orchestra) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- 3 Preludes Founded on Welsh Hymn Tunes: No. 2, Rhosymedre (Arr. Foster for String Orchestra) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Henry V: Touch Her Soft Lips and Part (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Suite no. 1 de L'Arlésienne, op. 23bis, WD 40: III. Adagietto (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Suite no. 2 de L'Arlésienne: IV. Farandole (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Minuet, op. 21
- Pulcinella: I. Ouverture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Pulcinella: VIII. Gavotta (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Alma grande e nobil core, K. 578
- Basta, vincesti… Ah, non lasciarmi, K. 486a
- Don Giovanni, K. 527, Act 2: "In quali eccessi" - "Mi tradì quell'alma ingrata" (Donna Elvira)
- Idomeneo, K. 366, Act 2: "Se il padre perdei" (Ilia)
- Così fan tutte, K. 588, Act 2: " Ei parte!" - "Per pietà, ben mio" (Fiordiligi)
- Artemisia, Act 2: "Entro quest'anima" (Artemisia)
- Il sacrificio d’Abramo: "Chi per pietà mi dice" - "Deh, parlate" (Sara)
- Berenice, che fai, Hob. XXIVa:10
- Te Deum, H. 146: I. Prélude (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Magnificat, H. 74: I. Sinfonia (von Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Magnificat in D major, BWV 243: I. Chorus. "Magnificat anima mea Dominum" (von Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Magnificat in D major, BWV 243: II. Aria. "Et exsultavit spiritus meus in Deo" (von Ann Murray, Academy of St Martin in the Fields, Sir Neville Marriner)
- Brandenburg Concerto no. 3 in G major, BWV 1048: III. Allegro (von George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner)
- Brandenburg Concerto no. 6 in B-flat major, BWV 1051: I. — (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Brandenburg Concerto no. 6 in B-flat major, BWV 1051: II. Adagio ma non tanto (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Brandenburg Concerto no. 6 in B-flat major, BWV 1051: III. Allegro (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie
- Water Music, Suite no. 2 in D major, HWV 349: I. Allegro (von Academy of St. Martin‐in‐the‐Fields, Neville Marriner)
- Water Music, Suite no. 2 in D major, HWV 349: II. Alla Hornpipe (von Academy of St. Martin‐in‐the‐Fields, Neville Marriner)
- Water Music, Suite no. 2 in D major, HWV 349: III. Menuet (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Water Music, Suite no. 2 in D major, HWV 349: IV. Lentement (von Academy of St. Martin‐in‐the‐Fields, Neville Marriner)
- Water Music, Suite no. 2 in D major, HWV 349: V. Bourrée (von Academy of St. Martin‐in‐the‐Fields, Neville Marriner)
- Concerto for Two Trumpets in C major, RV 537: I. Allegro (von Maurice André, Bernard Soustrot, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto for Two Trumpets in C major, RV 537: II. Largo (von Maurice André, Bernard Soustrot, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto for Two Trumpets in C major, RV 537: III. Allegro (von Maurice André, Bernard Soustrot, Academy of St Martin in the Fields, Sir Neville Marriner)
- Cello Concerto no. 1 in C major, Hob. VIIb:1: I. Moderato (von Lynn Harrell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Cello Concerto no. 2 in D major, Hob. VIIb:2: III. Rondo. Allegro (von Lynn Harrell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Così fan tutte, K. 588: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Symphony no. 41 in C major, K. 551 "Jupiter": I. Allegro vivace (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Symphony no. 41 in C major, K. 551 "Jupiter": II. Andante cantabile (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Symphony no. 41 in C major, K. 551 "Jupiter": III. Menuetto. Allegretto (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Symphony no. 41 in C major, K. 551 "Jupiter": IV. Molto allegro (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto no. 19 in F major, K. 459: I. Allegro (von Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Piano Concerto no. 19 in F major, K. 459: III. Allegro assai (von Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Piano Concerto no. 3 in C minor, op. 37: II. Largo (von Till Fellner, Academy of St Martin in the Fields & Sir Neville Marriner)
- Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro (von Till Fellner, Academy of St Martin in the Fields & Sir Neville Marriner)
- Romance for Violin and Orchestra no. 1 in G major, op. 40
- Sinfonia concertante for violin and viola in E-flat major, K. 364: I. Allegro maestoso
- Sinfonia concertante for violin and viola in E-flat major, K. 364: II. Andante
- Sinfonia concertante for violin and viola in E-flat major, K. 364: III. Presto
- Vesperae solennes de confessore, K. 339: V. Laudate Dominum (von Barbara Hendricks, Justin Sillman, Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Mass no. 15 in C major, K. 317 "Coronation": VI. Agnus Dei (von Academy of St. Martin in the Fields Chorus, Barbara Hendricks, Academy of St Martin in the Fields, Sir Neville Marriner)
- Il barbiere di Siviglia: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Solomon, HWV 67, Act 3: Sinfonia "The Arrival of the Queen of Sheba"
- Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden" (von Ian Watson, Academy of St Martin in the Fields, Sir Neville Marriner)
- Berenice, regina d'Egitto, HWV 38: Andante larghetto (von Sir Neville Marriner & Academy of St Martin in the Fields)
- Jocelyn, op. 100, Act 1: Berceuse. "Oh ! Ne t'éveille pas encore" (Instrumental Version) (von Stuttgart Radio Symphony Orchestra, Sir Neville Marriner)
- Herz und Mund und Tat und Leben, BWV 147: X. Chorale. "Jesu, Joy of Man's Desiring" (von Celia Nicklin, Ian Watson, Academy of St Martin in the Fields, Sir Neville Marriner)
- String Quartet no. 1 in D major, op. 11: II. Andante cantabile (Arr. Marriner for String Orchestra) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Orphée et Eurydice, Wq. 41, Act 2: Danse des ombres heureuses (von Academy of St Martin in the Fields, Sir Neville Marriner)
- 2 Elegiac Melodies, op. 34: No. 1, The Wounded Heart (Orchestral Version) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- 2 Elegiac Melodies, op. 34: No. 2, Last Spring (Orchestral Version) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto a due cori no. 1 in B-flat major, HWV 332: VI. Alla breve moderato (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto a due cori no. 3 in F major, HWV 334: II. Allegro (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Trumpet Concerto in C minor, TWV 51:c1: II. Allegro (transcr. of oboe concerto) (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- The Seven Last Words of Christ, Hob. XX:1: Il terremoto. Presto e con tutta la forza (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto no. 17 in G major, op. 9, K. 453: II. Andante (von Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Adagio for Violin and Orchestra in E major, K. 261 (von Anne‐Sophie Mutter, Academy of St Martin in the Fields, Sir Neville Marriner)
- Les contes d'Hoffmann, Act 4: Barcarolle. "Belle nuit, ô nuit d'amour" (Instrumental Version) (von Radio‐Sinfonieorchester Stuttgart, Sir Neville Marriner)
- Thaïs, Act 2: Méditation (von Hans Kalafusz, Radio‐Sinfonieorchester Stuttgart, Sir Neville Marriner)
- Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 1, Aria. "Weichet nur, betrübte Schatten" (von Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner)
- Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 2, Rezitativ. "Die Welt wird wieder neu" (von Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner)
- Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 3, Aria. "Phoebus eilt mit schnellen Pferden" (von Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner)
- Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 4, Rezitativ. "Drum sucht auch Amor sein Vergnügen" (von Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner)
- Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 5, Aria. "Wenn die Frühlingslufte streichen" (von Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner)
- Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 6, Rezitativ. "Und dieses ist das Glücke" (von Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner)
- Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 7, Aria. "Sich üben im Lieben, in Scherzen sich herzen" (von Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner)
- Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 8, Rezitativ. "So sei das Band der keuschen Liebe" (von Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner)
- Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 9, Aria und Gavotte. "Sehet in Zufriedenheit" (von Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto no. 1 in D minor, BWV 1052: I. Allegro (von Andred Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto no. 1 in D minor, BWV 1052: II. Adagio (von Andred Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto no. 1 in D minor, BWV 1052: III. Allegro (von Andred Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner)
- Der Messias, HWV 56, Pt. 2: Chor. "Hallelujah" (von Südfunk-Chor Stuttgart, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Joshua, HWV 64, Act 3: Air. "Oh! Had I Jubal's Lyre" (Achsah) (von Kathleen Battle, Academy of St Martin in the Fields, Sir Neville Marriner)
- Trumpet Concerto in D major, D. 53: II. Andante (Arr. Thilde After Violin Concerto) (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- Trattenimenti armonici, op. 6: Trumpet Concerto no. 11 in B-flat major "San Marco" (Arr. Thilde After Violin Sonata) (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- Timon of Athens, Z. 632, Overture: III. March (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- Die Zauberflöte, K. 620: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Symphony no. 32 in G major, K. 318: I. Allegro spiritoso (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Symphony no. 31 in D major, K. 297 "Paris": II. Andante (First Version) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Gli uccelli, P. 154: I. Preludio (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto for String Orchestra in D major: I. Vivace
- Maurerische Trauermusik in C minor, K. 477 (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Symphony no. 30 in D major, K. 202: IV. Presto (von Academy of St Martin in the Fields, Sir Neville Marriner)
Mehr Songtexte

- The Selfish Giant
- One Last Song
- My Own Garden
- The Nightingale and the Rose
- Orchestral Suite No.3 in D BWV1068 (Bourrée)
- Brandenburg Concerto No.3 in G BWV1048 (allegro moderato)
- Orchestral Suite No.3 in D BWV1068 (Ouverture)
- Brandenburg Concerto No.3 in G BWV1048 (adagio)
- Orchestral Suite No.3 in D BWV1068 (Gavotte I/II)
- Orchestral Suite No.3 in D BWV1068 (Gigue)
- Brandenburg Concerto No.3 in G BWV1048 (allegro)
- Orchestral Suite No.3 in D BWV1068 (Air)
- Cantata BWV208
- Messiah - Pifa (Pastoral Symphony)
- Berenice - Minuet
- Solomon - Sinfonia: Arrival of the Queen of Sheba
- Water Music excerpts
- A Midsummer Night's Dream: Scherzo, Op. 61 no. 1
- All we like sheep have gone astray
- Comfort Ye My People
- Rejoice Greatly
- And He Shall Purify
- But who may abide
- Glory to God
- Thou shalt break them
- He that dwelleth in heaven
- O thou that tellest good tidings to Zion
- And the glory of the Lord
- I know that my redeember liveth
- Amen
- And the angel said unto them
- Ev¹ry valley shall be exalted
- Worthy Is The Lamb
- Hallelujah
- The Trumpet Shall Sound
- Behold, a virgin shall conceive
- For Unto Us A Child Is Born
- He Shall Feed His Flock
- Leichte Kavallerie
- Concerto No. 2 In G: Vivace
- Concerto No. 9 In C: Con spirito
- Concerto No. 7 In G Minor: Adagio
- Concerto No. 6 In D: Largo
- Concerto No. 5 In D Minor: Largo
- Concerto No. 5 In D Minor: Allegro
- Concerto No. 7 In G Minor: Allegro
- Concerto No. 5 In D Minor: Andante moderato
- Concerto No. 1 In A: Adagio
- Concerto No. 9 In C: Largo
- Concerto No. 2 In G: Andante
- Concerto No. 2 In G: Largo
- Concerto No. 10 In D: Grazioso
- Concerto No. 6 In D: Adagio
- Concerto No. 6 In D: Vivacemente
- Concerto No. 4 In A Minor: Allegro
- Concerto No. 3 In D Minor: Largo andante
- Concerto No. 4 In A Minor: Andante
- Concerto No. 12 In D: Temporeggiato
- Concerto No. 4 In A Minor: Vivace
- Concerto No. 10 In D: Giga (Allegro)
- Concerto No. 10 In D: Adagio
- Concerto No. 11 In G: Allegro
- Concerto No. 10 In D: Allegro
- Concerto No. 11 In G: Andante moderato
- Concerto no. 3 in C minor: III. Allegro
- Concerto No. 11 In G: Vivacemente
- Concerto No. 9 In C: Allegro
- Concerto No. 12 In D: Allegro spiritoso
- Concerto No. 8 In E Minor: Adagio
- Concerto No. 1 In A: Allegro
- Concerto No. 8 In E Minor: Allegro
- Concerto No. 12 In D: Allegro
- Concerto No. 9 In C: Siciliano
- Concerto No. 11 In G: Con affetto
- Concerto No. 4 In A Minor: Largo
- Concerto No. 3 In D Minor: Allegro (Allegro spiritoso)
- Concerto No. 12 In D: Grave temporeggiato
- Concerto No. 7 In G Minor: Allegro affettuoso
- Concerto No. 12 In D: Lentemente
- Concerto No. 3 In D Minor: Allegro
- Concerto no. 12 in F major: II. Allegro
- Concerto No. 12 In D: Largo tempo giusto
- Concerto No. 8 In E Minor: Vivace
- Concerto No. 8 In E Minor: Amoroso
- Concerto No. 6 In D: Con furia
- Orphée aux enfers
- Organ Concerto in G minor, op. 4 no. 1, HWV 289: I. Larghetto e staccato
- Organ Concerto in F major, op. 4 no. 5, HWV 293: II. Allegro
- Concerto Grosso Op.6, No.10 in D Minor
- Concerto Grosso Op.6, No.2 in F Major
- Concerto Grosso Op.6, No.6 in G minor
- Organ Concerto in G minor, op. 7 no. 5, HWV 310: III. Menuett
- Organ Concerto in B-flat major, op. 7 no. 3, HWV 308: I. Allegro
- Organ Concerto in G minor, op. 4 no. 3, HWV 291: III. Adagio - Gavotte - Allegro
- Organ Concerto in B flat major, op. 4 no. 6, HWV 294: I. Andante - Allegro
- Organ Concerto in G minor, op. 4 no. 1, HWV 289: III. Adagio - Andante
- Organ Concerto No.16 in F Major; 4. Adagio
- Concerti a Due Cori, No.1 in B Flat Major; 7. Minuet
- Organ Concerto in B flat major, op. 4 no. 6, HWV 294: III. Allegro moderato
- Organ Concerto in G minor, op. 7 no. 5, HWV 310: I. Allegro ma non troppo, e staccato
- Organ Concerto No.16 in F Major; 3. Allegro ma non troppo
- Oboe Concerti Op.3; No.2a in B flat major
- Organ Concerto No.13 in F Major; 2. Allegro
- Concerti a Due Cori, No.3 in F Major; 1. Ouverture
- Organ Concerto in F major, op. 4 no. 5, HWV 293: I. Larghetto
- Concerto Grosso in C Major 'Alexander's Feast; 4. Andante non presto
- Organ Concerto No.14 in A Major; 4. Grave
- Organ Concerto in B-flat major, op. 4 no. 2, HWV 290: I. A tempo ordinario e staccato - Allegro
- Organ Concerto No.14 in A Major; 3. Andante
- Oboe Concerti Op.3, No.3 in G Minor
- Concerti a Due Cori, No.2 in F Major; 6. A tempo ordinario
- Organ Concerto in F major, op. 4 no. 5, HWV 293: III. Alla siciliana
- Organ Concerto in B-flat major, op. 7 no. 1, HWV 306: III. Largo e piano
- Organ Concerto in A major, op. 7 no. 2, HWV 307: III. Adagio (organo ad libitum)
- Organ Concerto in B-flat major, op. 7 no. 6, HWV 311: I. Pomposo
- Organ Concerto in F major, op. 4 no. 4, HWV 292: [Introduction]
- Organ Concerto in A major, op. 7 no. 2, HWV 307: II. A tempo ordinario
- Concerto Grosso Op.3, No.5 in D Minor
- Concerti a Due Cori, No.3 in F Major; 4. Adagio
- Concerto Grosso Op.3, No.2 in B Flat Major
- Organ Concerto in G minor, op. 4 no. 1, HWV 289: II. Allegro
- Organ Concerto No.13 in F Major; 4. Larghetto
- Oboe Concerti Op.3; No.1 in B Flat Major
- Organ Concerto No.14 in A Major; 5. Allegro
- Organ Concerto No.14 in A Major; 1. Largo e staccato
- Concerti a Due Cori, No.1 in B Flat Major; 6. Alla breve moderato
- Organ Concerto in F major, op. 4 no. 4, HWV 292: II. Andante
- Organ Concerto No.16 in F Major; 2. Allegro
- Organ Concerto No.13 in F Major; 5. Allegro
- Organ Concerto in B-flat major, op. 4 no. 2, HWV 290: II. Adagio e staccato - Allegro ma non presto
- Concerti a Due Cori, No.1 in B Flat Major; 1. Ouverture
- Organ Concerto in B-flat major, op. 7 no. 1, HWV 306: I. Andante
- Concerto Grosso Op.6, No.5 in D major
- Concerto Grosso Op.6, No.1 in G Major
- Arrival of the Queen of Sheba (from 'Solomon’)
- Organ Concerto in B-flat major, op. 7 no. 3, HWV 308: III. Spiritoso
- Concerto Grosso Op.3, No.6 in D Major
- Concerti a Due Cori, No.2 in F Major; 3. A tempo giusto
- Concerto Grosso Op.6, No.9 in F Major
- Concerti a Due Cori, No.3 in F Major; 2. Allegro
- Concerti a Due Cori, No.2 in F Major; 2. Allegro
- Concerto Grosso Op.6, No.8 in C Minor
- Organ Concerto in F major, op. 4 no. 4, HWV 292: III. Adagio - Allegro
- Organ Concerto in A major, op. 7 no. 2, HWV 307: I. Ouverture
- Concerto Grosso Op.3, No.4 in F Major
- Organ Concerto in G minor, op. 4 no. 3, HWV 291: II. Allegro
- Concerti a Due Cori, No.1 in B Flat Major; 4. Largo
- Organ Concerto in B-flat major, op. 7 no. 1, HWV 306: IV. Bourée: Allegro
- Organ Concerto No.16 in F Major; 5. Andante
- Organ Concerto No.13 in F Major 'The Cuckoo and the Nightingale'; 1. Larghetto
- Organ Concerto in B-flat major, op. 7 no. 1, HWV 306: II. Andante
- Concerti a Due Cori, No.1 in B Flat Major; 5. A tempo ordinario
- Organ Concerto in A major, op. 7 no. 2, HWV 307: IV. Allegro
- Organ Concerto No.13 in F Major; 3. Organo ad libitum
- Organ Concerto No.15 in D Minor; 2. Organ adagio e fuga allegro
- Organ Concerto No.14 in A Major; 2. Organo ad libitum
- Organ Concerto in B flat major, op. 4 no. 6, HWV 294: II. Larghetto
- Organ Concerto in B-flat major, op. 7 no. 3, HWV 308: II. Adagio e fuga (organo ad libitum)
- Concerto Grosso Op.3, No.1 in B Flat Major
- Organ Concerto No.15 in D Minor; 3. Allegro
- Organ Concerto in F major, op. 4 no. 4, HWV 292: I. Allegro
- Concerti a Due Cori, No.2 in F Major; 4. Largo
- Concerto Grosso in C Major 'Alexander's Feast; 1. Allegro
- Concerto Grosso Op.6, No.11 in A Major
- Concerti a Due Cori, No.1 in B Flat Major; 3. Allegro
- Concerti a Due Cori, No.2 in F Major; 5. Allegro ma non troppo
- Organ Concerto in G minor, op. 4 no. 3, HWV 291: I. Adagio
- Sonata 'Il Trionfo del Tempo e del Disinganno'; Allegro
- Organ Concerto in D minor, op. 7 no. 4, HWV 309: III. Adagio (organo ad libitum)
- Concerto Grosso Op.3, No.3 in G Major
- Organ Concerto in D minor, op. 7 no. 4, HWV 309: II. Allegro
- Concerto Grosso Op.6, No.3 in E minor
- Concerti a Due Cori, No.3 in F Major; 6. Allegro
- Concerti a Due Cori, No.2 in F Major; 1. Pomposo
- Organ Concerto No.16 in F Major; 6. Allegro
- Organ Concerto No.15 in D Minor; 1. Andante
- Organ Concerto in B-flat major, op. 7 no. 3, HWV 308: IV. Menuett
- Concerti a Due Cori, No.3 in F Major; 5. Andante larghetto
- Concerto Grosso in C Major 'Alexander's Feast; 2. Adagio
- Organ Concerto in B-flat major, op. 7 no. 6, HWV 311: II. A tempo ordinario
- Organ Concerto in D minor, op. 7 no. 4, HWV 309: I. Adagio
- Concerti a Due Cori, No.3 in F Major; 3. Allegro ma non troppo
- Oboe Concerti Op.3; Largo in F Major
- Concerto Grosso Op.6, No.12 in B Minor
- Concerto Grosso Op.6, No.4 in A minor
- Organ Concerto in F major, op. 4 no. 5, HWV 293: IV. Presto
- Concerto Grosso in C Major 'Alexander's Feast; 3. Allegro
- Concerto Grosso Op.6, No.7 in B Flat Major
- Organ Concerto in G minor, op. 7 no. 5, HWV 310: II. Andante larghetto, e staccato
- Concerti a Due Cori, No.1 in B Flat Major; 2. Allegro ma non troppo
- Organ Concerto in D minor, op. 7 no. 4, HWV 309: IV. Allegro
- Organ Concerto No.16 in F Major; 1. Ouverture
- Coriolan Ouverture, op. 62
- Ouverture Solonelle “1812”, op. 49
- Symphony in E Flat, Hob. I:102 - Finale (Presto)
- Symphony in E Flat, Hob. I:102 - Largo - Vivace
- Symphony in E Flat, Hob. I:99 - Adagio - Vivace Assai
- Symphony in E Flat, Hob. I:99 - Adagio
- Symphony in E Flat, Hob. I:99 - Menuet
- Symphony in E Flat, Hob. I:99 - Finale (Vivace)
- Symphony in E Flat, Hob. I:102 - Adagio
- Symphony in E Flat, Hob. I:102 - Menuet (Allegro)
- Adagio in G minor
- Canon in D
- Overture - Suite in A minor - Réjouissance
- Orfeo ed Euridice - Dance of the Blessed Spirits
- 2. Undershaft's factory and his "garden suburb"
- 3. Love-scene
- Coronation
- The Princes in the Tower
- 4. End Titles and Play-out
- Prelude
- Nightmare
- Bosworth Field
- Fanfare and March, for brass (from music for "Macbeth"; arr. by C.Palmer) A Shavian Sequence, suite for orchestra (from film score "Major Barbara"; arr. by C.Palmer)
- Elegy
- The Wooing
- The Prince of Wales
- Monologue. "Now is the winter of our discontent"
- 1. Titles
- Death of Richard and Finale
- Rapsodie for Saxophone and Orchestra, L. 104 (Arr. Roger-Ducasse for Saxophone & Orchestra)
- Hungarian Dance No. 6 in D
- Hungarian Dance No. 5 in G minor
- Aufforderung zum Tanz
- Bach: Keyboard Concerto No. 5 in F Minor, BWV 1056: II. Largo
- Bach, JS: Piano Concerto No. 1 in D Minor, BWV 1052: II. Adagio
- Bach, JS: Piano Concerto No. 2 in E Major, BWV 1053: II. Siciliano
- Bach, JS: Piano Concerto No. 4 in A Major, BWV 1055: I. Allegro
- Die Zauberflöte KV 620 - Dies Bildnis Ist Bezaubernd Schön
- Violinkonzert Nr. 5 A-Dur KV 219 - 3. Rondeau: Allegro
- Le Nozze di Figaro KV 492 - Ouvertüre
- Symphonie Nr. 40 G-Moll KV 550 - 1. Allegro
- Klaviersonate A-Dur KV 331 - 3. Rondo Alla Turca
- Klarinettenkonzert A-Dur KV 622 - 2. Adagio
- Don Giovanni KV 527 - La Ci Darem La Mano
- Requiem KV 626 - Lacrimosa
- Messe C-Moll Grosse Messe KV 427 - Et Incarnatus Est
- Serenade Nr. 13 G-Dur KV 525 Eine Kleine Nachtmusik - 2. Romance
- Klavierkonzert Nr. 21 C-Dur KV 467 Elvira Madigan - 2. Andante
- Sehnsucht Nach Dem Frühling Komm, Lieber Mai KV 596
- Le Nozze Di Figaro KV 492 - Giunse Alfin Il Momento - Deh Vieni Non Tardar (Rosenarie)
- Symphony #16 in C major, K128 - 3. Allegro
- Symphony #16 in C major, K128 - 1. Allegro maestoso
- Symphony #23 in D major, K181/162B - 3. Presto assai
- Symphony #24 in Bb major, K182/173DA - 2. Andantino grazioso
- Symphony #14 in A major, K114 - 3. Menuetto - Trio
- Symphony #15 in G major, K124 - 2. Andante
- Symphony #24 in Bb major, K182/173DA - 3. Allegro
- Symphony #13 in F major, K112 - 4. Molto allegro
- Symphony #23 in D major, K181/162B - 1. Allegro spiritoso
- Symphony #13 in F major, K112 - 3. Menuetto - Trio
- Symphony #16 in C major, K128 - 2. Andante grazioso
- Symphony #23 in D major, K181/162B - 2. Andante grazioso
- Symphony #15 in G major, K124 - 3. Menuetto - Trio
- Symphony #14 in A major, K114 - 1. Allegro moderato
- Symphony #13 in F major, K112 - 1. Allegro
- Symphony #14 in A major, K114 - 4. Molto allegro
- Symphony #15 in G major, K124 - 4. Presto
- Symphony #24 in Bb major, K182/173DA - 1. Allegro spiritoso
- Symphony #15 in G major, K124 - 1. Allegro
- Symphony #13 in F major, K112 - 2. Andante
- Mozart: Symphony No. 40 in G Minor, K. 550: I. Molto allegro
- Vivaldi: Concerto for Two Trumpets in C Major, RV 537: II. Largo
- Mozart: Sinfonia concertante for Violin and Viola in E‐Flat Major, K. 364: I. Allegro maestoso
- Mozart: Serenade No. 13 in G Major, K. 525 “Eine kleine Nachtmusik”: II. Romance. Andante
- Grieg: Piano Concerto in A Minor, Op. 16: II. Adagio
- Mozart: Symphony No. 25 in G Minor, K. 183: I. Allegro con brio
- Bach, JS: Piano Concerto No. 5 in F Minor, BWV 1056: II. Largo
- Handel: Der Messias, HWV 56, Pt. 2: Chor. “Hallelujah”
- Mozart: Symphony No. 41 in C Major, K. 551 “Jupiter”: I. Allegro vivace
- Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: II. Air
- Mozart: Serenade No. 13 in G Major, K. 525 “Eine kleine Nachtmusik”: I. Allegro
- Mozart: Serenade No. 13 in G Major, K. 525 “Eine kleine Nachtmusik”: IV. Rondo. Allegro
- Vivaldi: Gloria in D Major, RV 589: I. Gloria in excelsis Deo
- Mozart: Die Entführung aus dem Serail, K. 384: Ouvertüre
- Bach, JS: Herz und Mund und Tat und Leben, BWV 147: No. 10, Choral. “Jesus bleibet meine Freude”
- Mozart: 3 German Dances, K. 605: No. 3 in C Major “Die Schlittenfahrt”
- Mozart: Horn Concerto No. 2 in E‐Flat Major, K. 417: III. Rondo
- Bach, JS: Brandenburg Concerto No. 3 in G Major, BWV 1048: I. —
- Tchaikovsky: String Quartet No. 1 in D Major, Op. 11: II. Andante cantabile (Version for String Orchestra)
- Mozart: Don Giovanni, K. 527: Overture
- Mozart: Le nozze di Figaro, K. 492: Overture
- Bach, JS / Orch. Marriner: Was mir behagt, ist nur die muntre Jagd, BWV 208 “Jagdkantate”: IX. Aria. “Schafe können sicher weiden”
- Mozart: Horn Concerto No. 4 in E‐Flat Major, K. 495: III. Rondo. Allegro vivace
- Handel: Solomon, HWV 67, Act 3: Sinfonia “The Arrival of the Queen of Sheba”
- Grieg: Peer Gynt, Op. 23, Act 4: No. 13, Prelude. Morning Mood
- Grieg: Holberg Suite, Op. 40: I. Praeludium
- Handel: Water Music, Suite No. 2 in D Major, HWV 349: II. Alla Hornpipe
- Mozart: Violin Concerto No. 1 in B‐Flat Major, K. 207: II. Adagio
- Mozart: Horn Concerto No. 2 in E‐Flat Major, K. 417: II. Andante
- Don Giovanni, K. 527: Overture
- Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden" (Orch. Marriner)
- Symphony No. 41 in C Major, K. 551 "Jupiter": IV. Molto allegro
- Te Deum, H. 146: Prélude
- Symphony No. 25 in G Minor, K. 183: I. Allegro con brio
- Serenade No. 13 in G Major, K. 525 "Eine kleine Nachtmusik": I. Allegro
- Serenade No. 13 in G Major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro
- Die Entführung aus dem Serail, K. 384: Ouvertüre
- Le nozze di Figaro, K. 492: Overture
- Water Music, Suite No. 2 in D Major, HWV 349: II. Alla Hornpipe
- The Tale of Tsar Saltan, Act 3: The Flight of the Bumblebee
- Peer Gynt, Op. 23, Act 4: No. 13, Prelude. Morning Mood
- Adagio in G Minor (Arr. Giazotto)
- Brandenburg Concerto No. 3 in G Major, BWV 1048: I. —
- Orphée et Eurydice, Wq. 41, Act 2: Danse des ombres heureuses
- Canon and Gigue in D Major: Canon
- Gloria in D Major, RV 589: I. Gloria in excelsis Deo
- Symphony No. 41 in C Major, K. 551 "Jupiter": I. Allegro vivace
- Concerto for Two Trumpets in C Major, RV 537: II. Largo
- Herz und Mund und Tat und Leben, BWV 147: No. 10, Choral. "Jesus bleibet meine Freude"
- Serenade No. 13 in G Major, K. 525 "Eine kleine Nachtmusik": II. Romance. Andante
- Herz und Mund und Tat und Leben, BWV 147: Jesu, Joy of Man's Desiring (Orch. Marriner)
- Die Entführung aus dem Serail, K. 384: Overture
- Pavane, Op. 50
- Brandenburg Concerto No. 3 in G Major, BWV 1048: III. Allegro
- 3 German Dances, K. 605: No. 3 in C Major "Die Schlittenfahrt"
- String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto - Trio (Arr. Woodhouse for String Orchestra)
- Orchestral Suite No. 3 in D Major, BWV 1068: II. Air
- String Quartet No. 1 in D Major, Op. 11: II. Andante cantabile (Arr. Marriner for String Orchestra)
- Solomon, HWV 67, Act 3: Sinfonia "The Arrival of the Queen of Sheba"
- Te Deum, H. 146: I. Prélude
- Symphony No. 40 in G Minor, K. 550: I. Molto allegro
- Holberg Suite, Op. 40: I. Praeludium
- Respighi: Gli uccelli, P. 154: II. La colomba
- Lehár: Giuditta: "Meine Lippen, sie küssen so heiss" (Giuditta, Chor)
- Suppé: Dichter und Bauer: Overture
- Bizet: Carmen Suite No. 1: I. Prélude (Orch. Guiraud)
- Handel: Alcina, HWV 34, Act 1: Aria. "Tornami a vagheggiar" (Morgana)
- Purcell: Chacony in G Minor, Z. 730
- Rossini: Guillaume Tell: Overture
- Bach, JS: Magnificat in D Major, BWV 243: IX. Aria. "Esurientes implevit bonis"
- Holst: St. Paul's Suite, Op. 29 No. 2: IV. Finale. The Dargason
- Berlioz: La damnation de Faust, Op. 24, H 111: Danse des sylphes
- Fauré: Pavane, Op. 50
- Schubert: Rosamunde, Op. 26, D. 797: Entr'acte III
- Bach, JS: Brandenburg Concerto No. 2 in F Major, BWV 1047: I. —
- Boccherini: String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto - Trio (Arr. Woodhouse for String Orchestra)
- Rimsky-Korsakov: The Tale of Tsar Saltan, Act 3: The Flight of the Bumblebee
- Falla: El sombrero de tres picos, Pt. 2: Danza de los vecinos
- Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 2: No. 10, Sinfonia
- Handel: Water Music, Suite No. 1 in F Major, HWV 348: III. Allegro
- Grieg: Peer Gynt, Op. 23, Act 4: No. 18, Solveig's Song
- Stravinsky: Pulcinella: II. Serenata. “Mentre l’erbetta” - Scherzino
- Haydn: Mass in D Minor, Hob. XXII:11 "Nelson Mass": Kyrie
- Mozart, L: Toy Symphony: I. Allegro (Also Attributed to Haydn or Angerer)
- Bizet: Symphony in C Major, WD 33: II. Adagio
- Air
- No. 1, Symphony
- Jig
- Ouverture
- [Introduction]
- V. Siciliana. Andante
- No. 13. Pifa "Pastoral Symphony"
- III. La Paix. Largo alla siciliana
- I. Allegro ma non troppo e staccato
- I. Andante
- Overture, Minuet & Gigue
- I. Ouverture
- I. A tempo ordinario, e staccato - II. Allegro
- Symphony
- IV. Kings Shall Be Thy Nursing Fathers
- Hornpipe
- Bourée
- Adagio e staccato
- Minuet
- The Arrival of the Queen of Sheba
- Wretched Lovers!
- Rondeau I - Rondeau II - Finale
- Menuet
- II. Largo - Adagio
- III. Andante allegro
- IV. Polonaise. Andante
- Overture
- VI. Menuet. Un poco larghetto
- I. Adagio
- V. Allegro
- III. Adagio, e staccato - IV. Allegro, ma non presto
- IV. Bourrée
- III. Menuet
- III. Presto
- II. Allegro ma non troppo
- IV. Presto
- Oh, the Pleasure of the Plains
- I. Allemande. Andante
- VII. Menuet. Allegro
- Variant in F Major (After Op. 3/2)
- III. Largo e piano
- I. Larghetto e staccato
- I. Andante – Allegro
- Il ballo. Gavotte - Sarabande - Menuet
- III. A tempo giusto
- I. Larghetto affettuoso
- IV. Andante non presto
- III. Andante
- II. King's Daughters Were Among Thy Honorable Women
- III. Allegro - Adagio
- II. Exceeding Glad Shall He Be
- IV. Andante
- I. Larghetto affettuoso - II. Allegro
- II. Andante larghetto e staccato
- III. Organo ad libitum
- I. Let Thy Hand Be Strengthened
- I. A tempo giusto
- IV. Lento
- I. Andante larghetto
- V. Menuet I-II
- Pour les Chasseurs I & II
- I. Overture
- III. Adagio
- Menuet & Trio
- III. Alleluia
- IV. Allegro, ma non troppo
- III. Alla siciliana
- Bourée and Hornpipe
- VI. A tempo ordinario
- III. Adagio - IV. Allegro
- Sonata. Allegro
- IV. Allegro
- March
- IV. Grave
- II. A tempo giusto
- III. Larghetto
- II. A tempo ordinario
- I. Pomposo
- III. Glory and Worship Hast Thou Laid
- Sinfonia - Entrée - Tamburino
- III. Largo, e piano
- Entrée de songes funestes - Le combat
- II. Allegro
- VI. Allegro
- II. Bourrée
- Ouverture. Adagio - Allegro - Alla gavotta
- Galatea, Dry Thy Tears
- II. Let Justice and Judgement Be the Preparation of Thy Seat
- Sinfonia pastorale - Ballo. Gavottes - Musette I - Musette II - Allegro
- Overture. Adagio - Allegro - Musette - Menuet
- III. Allegro
- Rigaudon I & II
- II. Adagio
- III. Allegro moderato
- V. Allegro, ma non troppo
- IV. Menuet
- IV. Andante larghetto
- II. Larghetto
- I. Larghetto
- VI. Alla breve. Moderato
- Lentement
- Hornpipe and Andante
- V. A tempo ordinario
- IV. La Réjouissance
- I. Allegro
- Organo ad libitum
- Overture in D Major, HWV 337/338
- V. Andante
- V. Allegro ma non troppo – Adagio
- II. Andante
- V. Hornpipe
- II. Grave
- IV. Largo
- I. Largo e staccato
- II. Organo ad libitum
- III. Largo – Adagio – Larghetto andante, e piano
- III. Spiritoso
- I. Largo
- Gavotte
- IV. Adagio
- I. Larghetto e affettuoso
- III. Musette. Larghetto
- Gigue
- Mourn, All Ye Muses!
- II. Allegro – Allegro ma non troppo
- III. Allegro ma non troppo
- IV. Alleluja
- Mozart: Symphony No. 41 in C Major, K. 551 "Jupiter": IV. Molto allegro
- Handel: Concerto a due cori No. 3 in F Major, HWV 334: II. Allegro
- Offenbach: Les contes d'Hoffmann, Act 4: Barcarolle. "Belle nuit, ô nuit d'amour"
- Respighi: Gli uccelli, P. 154: I. Preludio
- Bach, JS: Piano Concerto No. 1 in D Minor, BWV 1052: III. Allegro
- Mozart: Così fan tutte, K. 588: Overture
- Grieg: 2 Elegiac Melodies, Op. 34: No. 2, Last Spring
- Britten: Four Sea Interludes from Peter Grimes, Op. 33a: No. 2, Sunday Morning
- Godard: Jocelyn, Op. 100, Act 1: Berceuse. "Oh ! Ne t'éveille pas encore"
- Mozart: Symphony No. 41 in C Major, K. 551 "Jupiter": II. Andante cantabile
- Grieg: 2 Elegiac Melodies, Op. 34: No. 1, The Wounded Heart
- Haydn: The Seven Last Words of Christ, Hob. XX:1: Il terremoto. Presto e con tutta la forza
- Handel: Der Messias, HWV 56, Pt. 2: Chor. "Hallelujah"
- Tchaikovsky: String Quartet No. 1 in D Major, Op. 11: II. Andante cantabile (Arr. Marriner for String Orchestra)
- Mozart: Adagio for Violin and Orchestra in E Major, K. 261
- Bach, JS: Piano Concerto No. 5 in F Minor, BWV 1056: III. Presto
- Mozart: Maurerische Trauermusik in C Minor, K. 477
- Mozart: Symphony No. 31 in D Major, K. 297 "Paris": II. Andante
- Suppé: Leichte Kavallerie: Overture
- Mozart: Die Zauberflöte, K. 620: Overture
- Beethoven: Romance for Violin and Orchestra No. 1 in G Major, Op. 40
- Bach, JS: Piano Concerto No. 1 in D Minor, BWV 1052: I. Allegro
- Bach, JS: Piano Concerto No. 5 in F Minor, BWV 1056: I. —
- Massenet: Thaïs, Act 2: Méditation
- Mozart: Symphony No. 41 in C Major, K. 551 "Jupiter": III. Menuetto. Allegretto
- Mozart: Symphony No. 41 in C Major, K. 551 "Jupiter": I. Allegro vivace
- Handel: Joshua, HWV 64, Act 3: Air. "Oh! Had I Jubal's Lyre" (Achsah)
- Stravinsky: Concerto for String Orchestra in D Major: I. Vivace
- Handel: Concerto a due cori No. 1 in B-Flat Major, HWV 332: VI. Alla breve moderato
- . Andantino2
- . Allegro
- . Allegro assai
- . Allegro assai2
- . Allegro2
- . Allegro assai3
- . Allegro3
- . Tempo di menuetto pio tosto allegro
- . Allegro assai4
- . Andante
- . Allegro di molto
- . Andante4
- . Andante3
- . Andante2
- . Andantino
- . Presto
- . Allegro con spirito
- . Allegro con spirito2
- Haydn: Mass in B-Flat Major, Hob. XXII:12 "Theresa Mass": Gloria
- Magnificat in D major, BWV 243: I. Chorus. "Magnificat anima mea Dominum"
- Mozart: Horn Concerto No. 3 in E-Flat Major, K. 447: II. Romance. Larghetto
- Mozart: Idomeneo, K. 366, Act 2: "Se il padre perdei" (Ilia)
- Bach, JS: Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 1, Aria. "Weichet nur, betrübte Schatten"
- Bach, JS: Brandenburg Concerto No. 4 in G Major, BWV 1049: III. Presto
- Beethoven: Piano Concerto No. 3 in C Minor, Op. 37: II. Largo
- Mozart: Horn Concerto No. 2 in E-Flat Major, K. 417: II. Andante
- Mozart: Sinfonia concertante for Violin and Viola in E-Flat Major, K. 364: III. Presto
- Beethoven: Piano Concerto No. 3 in C Minor, Op. 37: III. Rondo. Allegro
- Mozart: Sinfonia concertante for Violin and Viola in E-Flat Major, K. 364: I. Allegro maestoso
- Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb:2: III. Rondo. Allegro
- Grieg: Peer Gynt, Op. 23, Act 1: No. 1, Prelude. At the Wedding
- Mozart: Horn Concerto No. 2 in E-Flat Major, K. 417: III. Rondo
- Haydn: Berenice, che fai, Hob. XXIVa:10
- Mozart: Piano Concerto No. 19 in F Major, K. 459: III. Allegro assai
- Mozart: Don Giovanni, K. 527, Act 2: "In quali eccessi" - "Mi tradì quell'alma ingrata" (Donna Elvira)
- Bach, JS: Brandenburg Concerto No. 3 in G Major, BWV 1048: III. Allegro
- Elgar: Minuet, Op. 21
- Vivaldi: Gloria in D Major, RV 589: XI. Quoniam tu solus sanctus
- Bach, JS: Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 9, Aria und Gavotte. "Sehet in Zufriedenheit"
- Bach, JS: Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 3, Aria. "Phoebus eilt mit schnellen Pferden"
- Vivaldi: Gloria in D Major, RV 589: XII. Cum Sancto Spiritu
- Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro
- Bach, JS: Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: I. —
- Bach, JS: Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 5, Aria. "Wenn die Frühlingslufte streichen"
- Vivaldi: Concerto for Two Trumpets in C Major, RV 537: I. Allegro
- Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb:1: I. Moderato
- Bach, JS: Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 6, Rezitativ. "Und dieses ist das Glücke"
- Mozart: Horn Concerto No. 4 in E-Flat Major, K. 495: III. Rondo. Allegro vivace
- Mozart: Piano Concerto No. 17 in G Major, Op. 9, K. 453: II. Andante
- Punto: Horn Concerto No. 5 in F Major: II. Adagio
- Bach, JS: Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 7, Aria. "Sich üben im Lieben, in Scherzen sich herzen"
- Mozart: Basta, vincesti… Ah, non lasciarmi, K. 486a
- Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie
- Mozart: Sinfonia concertante for Violin and Viola in E-Flat Major, K. 364: II. Andante
- Bach, JS: Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: II. Adagio ma non tanto
- Bach, JS: Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 4, Rezitativ. "Drum sucht auch Amor sein Vergnügen"
- Bach, JS: Brandenburg Concerto No. 3 in G Major, BWV 1048: II. Adagio
- Cimarosa: Il sacrificio d’Abramo: "Chi per pietà mi dice" - "Deh, parlate" (Sara)
- Bach, JS: Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 2, Rezitativ. "Die Welt wird wieder neu"
- Cimarosa: Artemisia, Act 2: "Entro quest'anima" (Artemisia)
- Grieg: Peer Gynt, Op. 23, Act 2: No. 7, In the Hall of the Mountain King
- Bach, JS: Magnificat in D Major, BWV 243: II. Aria. "Et exsultavit spiritus meus in Deo"
- Bach, JS: Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 8, Rezitativ. "So sei das Band der keuschen Liebe"
- Mozart: Alma grande e nobil core, K. 578
- Vivaldi: Concerto for Two Trumpets in C Major, RV 537: III. Allegro
- Mozart: Così fan tutte, K. 588, Act 2: " Ei parte!" - "Per pietà, ben mio" (Fiordiligi)
- Mozart: Piano Concerto No. 19 in F Major, K. 459: I. Allegro
- Mozart: Vesperae solennes de confessore, K. 339: V. Laudate Dominum
- Mozart: Mass No. 15 in C Major, K. 317 "Coronation": VI. Agnus Dei
- Bach, JS: Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: III. Allegro
- Vivaldi: Gloria in D Major, RV 589: II. Et in terra pax hominibus
- Bach, JS: Brandenburg Concerto No. 4 in G Major, BWV 1049: II. Andante
- Horn Concerto no. 3 in E-flat Major, K. 447: III. Rondo. Allegro vivace
- Horn Concerto no. 3 in E-flat Major, K. 447: II. Romance. Larghetto
- Vesperae solennes de confessore, K339: Laudate Dominum
- The Tales of Hoffmann: Barcarolle
- Thaïs: Meditation
- The Seven Last Words of Christ, Hob. XX:1: Il terremoto. Presto e con tutta la forza
- Piano Concerto no. 1 in D minor, BWV 1052: II. Adagio
- Concerto a due cori no. 1 in B-flat major, HWV 332: VI. Alla breve moderato
- Four Sea Interludes from Peter Grimes, op. 33a: No. 2, Sunday Morning
- Concerto a due cori no. 3 in F major, HWV 334: II. Allegro
- Jocelyn, op. 100, Act 1: Berceuse. "Oh ! Ne t'éveille pas encore"
- Piano Concerto no. 5 in F minor, BWV 1056 III. Presto
- Piano Concerto no. 1 in D minor, BWV 1052: I. Allegro
- Così fan tutte, K. 588: Overture
- Thaïs, Act 2: Méditation
- Les contes d'Hoffmann, Act 4: Barcarolle. "Belle nuit, ô nuit d'amour"
- Piano Concerto no. 1 in D minor, BWV 1052: III. Allegro
- Der Messias, HWV 56, Pt. 2: Chor. "Hallelujah"
- Joshua, HWV 64, Act 3: Air. "Oh! Had I Jubal's Lyre" (Achsah)
- Piano Concerto no. 5 in F minor, BWV 1056: I. —
- Gloria in D major, RV 589: XI. Quoniam tu solus sanctus
- Gloria in D major, RV 589: II. Et in terra pax hominibus
- Gloria in D major, RV 589: XII. Cum Sancto Spiritu
- Magnificat in D Major, BWV 243: II. Aria. "Et exsultavit spiritus meus in Deo"
- Idomeneo, K. 366, Act 2: "Se il padre perdei" (Ilia)
- Mass in D Minor, Hob. XXII:11 "Nelson Mass": Kyrie
- Berenice, che fai, Hob. XXIVa:10
- Bach, JS / Orch. Marriner: Herz und Mund und Tat und Leben, BWV 147: X. Chorale. "Jesu, Joy of Man's Desiring"
- Solomon: The Arrival of the Queen of Sheba
- Cantata, BWV 208: No. 9. Schafe können sicher weiden
- Cantata "Bleib bei uns, denn es will Abend werden", BWV 6: No. 2, Aria, "Hochgelobter Gottessohn" (Alto)
- Cantata "Gelobet sei der Herr, mein Gott", BWV 129: No. 4, Aria, "Gelobet sei der Herr, mein Gott, der ewig lebet" (Alto)
- Cantata "O ewiges Feuer, o Ursprung der Liebe", BWV 34: No. 3, Aria, "Wohl euch, ihr auserwählten Seelen" (Alto)
- Cantata "Singet dem Herrn ein neues Lied", BWV 190: No. 3, Aria, "Lobe, Zion, deinen Gott" (Alto)
- Cantata "Komm, du süsse Todesstunde", BWV 161: No. 1, Aria, "Komm, du süsse Todesstunde" (Alto)
- Der Messias: No. 34 Arie
- Der Messias: No. 16 Arie
- Der Messias: No. 42 Accompagnato
- Der Messias: Accompagnato
- Der Messias: No. 14 Accompagnato
- Der Messias: No. 36 Arie
- Der Messias: No. 27 Arioso
- Der Messias: No. 10 Arie
- Der Messias: No. 28 Accompagnato
- Der Messias: No. 24 Accompagnato
- Der Messias: Rezitativ
- Der Messias: Rezitativ / No. 13 Accompagnato & Rezitativ
- Der Messias: No. 44 Duett / No. 45 Chor
- Der Messias: No. 6 Arie
- Der Messias: No. 38 Arie
- Der Messias: No. 8 Arie
- Der Messias: No. 32 Arie
- Der Messias: No. 29 Arie
- Der Messias: No. 35 Arie
- Der Messias: No. 43 Arie
- Der Messias: No. 40 Arie
- Der Messias: No. 5 Accompagnato
- Der Messias: No. 46 Arie
- Der Messias: No 2 Accompagnato / 3. Arie
- Der Messias: No. 20 Arie
- Der Messias: No. 17 Duett
- Der Messias: No. 26 Accompagnato
- Tornami a vagheggiar (Alcina; Marchi)
- Rejoice Greatly, O daughter of Zion (Messiah; Jennens)
- Oh, didst thou know (Acis and Galatea; Gay & Dryden)
- Ah! mio cor! (Alcina; Marchi)
- Oh! Had I Jubal's Lyre (Joshua; Morell)
- Ev'ry sight these eyes behold (Solomon)
- May peace in Salem ... (Solomon)
- E pur così in un giorno ... (Giulio Cesare; Haym)
- Sweet Bird (il Penseroso ed il Moderato; Jennens)
- Su le sponde del tebro - Cantata: X. Aria: Tralascia pur di piangere
- Su le sponde del tebro - Cantata: II. Recitative: Su le sponde del Tebro
- Cantate , BWV 51: IV. Alleluja, alleluja
- Concerto in B-flat major for trumpet and violin, RV 548: I. Allegro
- Cantate , BWV 51: I. Wir beten zu dem Tempel an
- Su le sponde del tebro - Cantata: VII. Aria: Dite almeno
- Cantate , BWV 51: II. Höchster, mache deine Güte
- Cantate , BWV 51: III. Sei Lob und Preis mit Ehren
- Su le sponde del tebro - Cantata: VI. Largo: Infelice miei lumi
- Su le sponde del tebro - Cantata: V. Recitative: Mesto, stanco e spirante
- Concerto in B-flat major for trumpet and violin, RV 548: III. Allegro
- Concerto in B-flat major for trumpet and violin, RV 548: II. Largo
- Su le sponde del tebro - Cantata: III. Sinfonia
- Su le sponde del tebro - Cantata: I. Sinfonia
- Su le sponde del tebro - Cantata: IV. Aria: Contentatevi
- Su le sponde del tebro - Cantata: IX. Recitative: All'aura, al cielo
- Suite in A minor for treble recorder, strings and continuo: Menuet I & II
- Nelson Mass - Sanctus
- Suite in A minor for treble recorder, strings and continuo: Overture
- Suite in A minor for treble recorder, strings and continuo: Rejouissance
- Suite in A minor for treble recorder, strings and continuo: Air a líItalien
- Concerto for Trumpet (Oboe), Violin, Strings & B.C., RV 548 in B-Flat Major: II. Largo
- Nelson Mass - Agnus Dei
- Nelson Mass - Gloria
- Suite in A minor for treble recorder, strings and continuo: Polonaise
- Nelson Mass - Benedictus
- Concerto for Trumpet (Oboe), Violin, Strings & B.C., RV 548 in B-Flat Major: I. Allegro
- Suite in A minor for treble recorder, strings and continuo: Passeoied I & II
- Suite in A minor for treble recorder, strings and continuo: Les Plaisirs
- Nelson Mass - Credo
- Concerto for Trumpet (Oboe), Violin, Strings & B.C., RV 548 in B-Flat Major: III. Allegro
- Missa Sancti Bernardi Von Offida ("Heiligmesse") Hob. 22 Messe Nr. 10, B-dur: Et vitam venturi saeculi
- Missa Sancti Bernardi Von Offida ("Heiligmesse") Hob. 22 Messe Nr. 10, B-dur: Agnus Dei
- Missa Sancti Bernardi Von Offida ("Heiligmesse") Hob. 22 Messe Nr. 10, B-dur: Gratias agimus tibi
- Missa Sancti Bernardi Von Offida ("Heiligmesse") Hob. 22 Messe Nr. 10, B-dur: Dona nobis pacem
- Missa Sancti Bernardi Von Offida ("Heiligmesse") Hob. 22 Messe Nr. 10, B-dur: Gloria in excelsis Deo
- Missa ("Theresienmesse"), Hob. 22: Messe Nr. 12 , B-dur: Dona nobis pacem
- Missa Sancti Bernardi Von Offida ("Heiligmesse") Hob. 22 Messe Nr. 10, B-dur: Et resurrexit
- Missa Sancti Bernardi Von Offida ("Heiligmesse") Hob. 22 Messe Nr. 10, B-dur: Benedictus
- Missa ("Theresienmesse"), Hob. 22: Messe Nr. 12 , B-dur: Gratias agimus tibi
- Mass No. 7 In B Flat, Hob. Xxii:7 'Missa Brevis Sancti Joannis De Deo': Credo
- Missa ("Theresienmesse"), Hob. 22: Messe Nr. 12 , B-dur: Et resurrexit
- Missa ("Theresienmesse"), Hob. 22: Messe Nr. 12 , B-dur: Agnus Dei
- Missa ("Theresienmesse"), Hob. 22: Messe Nr. 12 , B-dur: Credo in unum Deum
- Missa ("Theresienmesse"), Hob. 22: Messe Nr. 12 , B-dur: Sanctus
- Missa Sancti Bernardi Von Offida ("Heiligmesse") Hob. 22 Messe Nr. 10, B-dur: Quoniam tu solus sanctus
- Mass No. 7 In B Flat, Hob. Xxii:7 'Missa Brevis Sancti Joannis De Deo': Kyrie
- Mass No. 7 In B Flat, Hob. Xxii:7 'Missa Brevis Sancti Joannis De Deo': Sanctus
- Missa ("Theresienmesse"), Hob. 22: Messe Nr. 12 , B-dur: Kyrie
- Mass No. 7 In B Flat, Hob. Xxii:7 'Missa Brevis Sancti Joannis De Deo': Agnus Dei
- Mass No. 7 In B Flat, Hob. Xxii:7 'Missa Brevis Sancti Joannis De Deo': Benedictus
- Missa Sancti Bernardi Von Offida ("Heiligmesse") Hob. 22 Messe Nr. 10, B-dur: Sanctus
- Missa ("Theresienmesse"), Hob. 22: Messe Nr. 12 , B-dur: Et incarnatus est
- Missa ("Theresienmesse"), Hob. 22: Messe Nr. 12 , B-dur: Gloria in excelsis Deo
- Missa ("Theresienmesse"), Hob. 22: Messe Nr. 12 , B-dur: Benedictus
- Missa Sancti Bernardi Von Offida ("Heiligmesse") Hob. 22 Messe Nr. 10, B-dur: Credo in unum Deum
- Missa Sancti Bernardi Von Offida ("Heiligmesse") Hob. 22 Messe Nr. 10, B-dur: Et incarnatus est
- Missa Sancti Bernardi Von Offida ("Heiligmesse") Hob. 22 Messe Nr. 10, B-dur: Kyrie
- Missa ("Theresienmesse"), Hob. 22: Messe Nr. 12 , B-dur: Quoniam tu solus sanctus
- Mass No. 7 In B Flat, Hob. Xxii:7 'Missa Brevis Sancti Joannis De Deo': Gloria
- Die Schöpfung: Part 2. Und Gott sprach Es bringe Erde hervor
- Die Schöpfung: Part 1. Chor mit Solo / Mit Staunen sieht das Wunderwerk
- Die Schöpfung: Part 2. Und Gott sah jedes Ding
- Die Schöpfung: Part 2. Rezitativ / Und die Engel
- Die Schöpfung: Part 1. Rezitativ / In vollem Glanze
- Die Schöpfung: Part 3. Nun ist die erste Pflicht erfüllt
- Die Schöpfung: Part 2. Vollendet ist das große Werk
- Die Schöpfung: Part 1. Rezitativ / Am Anfange schuf Got Himmel und Erde
- Die Schöpfung: Part 1. Introduktion / Die Vorstellung des Chaos
- Die Schöpfung: Part 1. Rezitativ - Und die himmlischen Heerscharen
- Die Schöpfung: Part 1. Rezitativ: Und Gott sprach / Es sei'n Lichter
- Die Schöpfung: Part 1. Arie & Chor / Nun schwanden vor dem heiligen Strahle
- Die Schöpfung: Part 2. Und Got schuf den Menschen nach seinem Bilde
- Die Schöpfung: Part 3. Von deiner Güt', o Herr und Gott
- Die Schöpfung: Part 1. Arie - Rollend in schäumenden Wellen
- Die Schöpfung: Part 3. Aus den Rosenwolken bricht, geweckt
- Die Schöpfung: Part 2. Mit Würd' und Hoheit angetan
- Die Schöpfung: Part 3. O glücklich Paar, und glücklich immerfort
- Die Schöpfung: Part 2. Rezitativ - Und Gott schuf grosse Walfische
- Die Schöpfung: Part 1. Rezitativ: Rezitativ: Und Gott sprach / Es bringe die Erde Gras hervor
- Die Schöpfung: Part 3. Singet dem Herrn alle Stimmen
- Die Schöpfung: Part 2. Gleich öffnet sich der Erde Schoß
- Die Schöpfung: Part 1. Rezitativ: Und Gott sprach / Es sammle sich das Wasser
- Die Schöpfung: Part 3. Holde Gattin, dir zur Seite
- Die Schöpfung: Part 2. Terzett / In holder Anmut
- Die Schöpfung: Part 1. Rezitativ - Und Gott machte das Firmament
- Die Schöpfung: Part 1. Arie - Nun beut die Flur das frische Grün
- Die Schöpfung: Part 2. Nun scheint in vollem Glanze
- Die Schöpfung: Part 2. Rezitativ - Und Gott sprach: Es bringe das Wasser
- Die Schöpfung: Part 2. Chor mit Soli / Der Herr ist gross
- Die Schöpfung: Part 2. Zu dir, o Herr, blickt alles auf
- Die Schöpfung: Part 1. Chor mit Soli / Die Himmel erzählen
- Die Schöpfung: Part 2. Arie / Auf starkem Fittiche
- Die Schöpfung: Part 1. Chor / Stimmt an die Saiten
- Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01: IV. Sonata III: Grave (Mulier, ecce filius tuus)
- Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01: VI. Sonata V: Adagio (Sitio)
- Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01: I. Introduction: Maestoso ed Adagio
- Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01: VIII. Sonata VII: Largo (Pater. in manus tuas commendo spiritum meum)
- Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01: V. Sonata IV: Largo (Deus meus, ut quid dereliquisti me?)
- Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01: II. Sonata I: Largo (Pater. dimitte illis, quia nesciunt, quid faciunt)
- Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01: VII. Sonata VI: Lento (Consummatum est)
- Piano Concerto no. 27 in B-flat major, op. 17, K. 595: III. Allegro
- Concerto no. 18 in B-flat major, K. 456: III. Allegro vivace
- Concerto no. 6 in B-flat major, K. 238: II. Andante un poco adagio
- Piano Concerto no. 27 in B-flat major, op. 17, K. 595: II. Larghetto
- Concerto no. 17 in G major, K. 453: III. Allegretto
- Concerto no. 18 in B-flat major, K. 456: I. Allegro vivace
- Concerto no. 18 in B-flat major, K. 456: II. Andante un poco sostenuto
- Piano Concerto no. 22 in E-flat major, K. 482: II. Andante
- Concerto no. 16 in D major, K. 451: II. Andante
- Concerto no. 6 in B-flat major, K. 238: I. Allegro aperto
- Concerto no. 19 in F major, K. 459: I. Allegro vivace
- Piano Concerto no. 22 in E-flat major, K. 482: I. Allegro
- Concerto no. 16 in D major, K. 451: I. Allegro assai
- Concerto no. 11 in F major, K. 387a / 413: II. Larghetto
- Concerto no. 11 in F major, K. 387a / 413: III. Tempo di menuetto
- Concerto no. 6 in B-flat major, K. 238: III. Rondeau (allegro)
- Concerto no. 19 in F major, K. 459: II. Allegretto
- Concerto no. 17 in G major, K. 453: I. Allegro
- Concerto no. 5 in D major, K. 175: II. Andante un poco adagio
- Concerto no. 5 in D major, K. 175: I. Allegro
- Concerto no. 17 in G major, K. 453: II. Andante
- Piano Concerto no. 22 in E-flat major, K. 482: III. Allegro
- Concerto no. 16 in D major, K. 451: III. Allegro di molto
- Concerto no. 11 in F major, K. 387a / 413: I. Allegro
- Concerto no. 5 in D major, K. 175: III. Allegro
- Piano Concerto no. 27 in B-flat major, op. 17, K. 595: I. Allegro
- Concerto no. 19 in F major, K. 459: III. Allegro assai
- Romance no. 2 in F major, op. 50
- Adagio for violin and orchestra in E major, K. 261
- Rondo for violin and orchestra in C major, K. 373
- Romance no. 1 in G major, op. 40
- Grabmusik, K. 35a/42: Betrachte dies Herz
- Messiah, HWV 56: Second Part. “Denn zu welchem der Engel hat jemals er gasgt” (Tenor)
- Messiah, HWV 56: First Part. No. 2 “Tröste dich, tröste dich, mein Volk” (Tenor) / No. 3 “Alle Tale macht hoch erhaben” (Tenor)
- Messiah, HWV 56: Third Part. No. 42 “Vernehmt, ich kind' ein Geheimnis an” (Bass)
- Messiah, HWV 56: Second Part. No. 35 “Ihr Schall gehet aus in jedes Land” (Tenor)
- Messiah, HWV 56: Second Part. No. 26 “Diese Schmach zerbrach ihm das Herz” (Tenor)
- Messiah, HWV 56: First Part. “Es waren Hirten beisammen” (Soprano) / No. 13 “Und siche, der Engel des Herrn trat zu ihnen” (Soprano) 1.03 / “Und der Engel sprach zu ihnen” (Soprano)
- Messiah, HWV 56: First Part. No. 10 “Das Volk, das da wandelt im Dunkel” (Bass)
- Messiah, HWV 56: Second Part. No. 28 “Er ist dahin, aus dem Land der Lebendigen” (Tenor)
- Messiah, HWV 56: Second Part. No. 29 “Doch du ließest ihn dem Tode nicht” (Tenor)
- Messiah, HWV 56: Second Part. No. 24 “Alle die, die ihn sehen” (Tenor)
- Messiah, HWV 56: Second Part. “Der da thronet im Himmel” (Tenor)
- Messiah, HWV 56: Second Part. No. 36 “Warum denn rasen und toben die Heiden im Zorne”
- Messiah, HWV 56: Third Part. No. 46 “Ist Gott mit uns, wer sollte uns schaden?” (Soprano)
- Messiah, HWV 56: Third Part. No. 43 “Die Tromba erschallt” (Bass)
- Messiah, HWV 56: First Part. No. 14 “Und alsbald war da bei dem Engel” (Soprano)
- Messiah, HWV 56: Second Part. No. 27 “Schau hin und sich” (Tenor)
- Messiah, HWV 56: Second Part. No. 34 “Wie lieblich ist der Boten Schritt” (Soprano)
- Messiah, HWV 56: Second Part. No. 32 “Du fuhrst zum Himmel auf” (Bass)
- Messiah, HWV 56: First Part. No. 9 “Blicke auf, Dunkel bedecket die Welt” (Bass)
- Messiah, HWV 56: Third Part. No. 40 “Ich weié, dass mein Erlöser lebet” (Soprano)
- Messiah, HWV 56: Second Part. No. 38 “Du zerschläget sie mit dem eisernen Zepter” (Tenor)
- Messiah, HWV 56: First Part. No. 16 “Wohlan, frohlocke, du Tochter Zion” (Soprano)
- Messiah, HWV 56: First Part. No. 5 “So spricht der Herr” (Bass)
- Acis and Galatea, HWV 49: Act I. Recitative. “Oh! Didst thou know the pains” - Aria. “As when the dove” (Galatea)
- Alcina, HWV 34: Act 2, Scene 8. Aria. “Ah! mio cor!” (Alcina)
- Solomon, HWV 67: Act 3. Recitative. “May peace in Salem ever dwell” - Aria. “Will the sun forget to streak” (Queen of Sheba)
- L'Allegro, il Penseroso ed il Moderato, HWV 55: Pt. I. Recitative and Aria. “First, and chief, on golden wing” - “Sweet bird”
- Alcina, HWV 34: Act 1, Scene 14. Aria. “Tornami a vagheggiar” (Morgana)
- Joshua, HWV 64: Act 3. Aria. “Oh! had I Jubal's lyre” (Achsah)
- Solomon, HWV 67: Act 3. Aria. “Ev'ry sight these eyes behold” (Queen of Sheba)
- Messiah, HWV 56: Pt. 1, Scene 5. Aria. “Rejoice Greatly, O Daughter of Zion”
- Giulio Cesare in Egitto, HWV 17: Act 3, Scene 1. Recitative. “E pur così in un giorno” - Aria. “Piangerò la sorte mia” (Cleopatra)
- Three Characteristic Pieces, op. 10: III. Contrasts: The Gavotte AD 1700 and 1900
- Three Characteristic Pieces, op. 10: I. Mazurka
- Three Characteristic Pieces, op. 10: II. Serenade mauresque
- Rapsodie
- Cantata “Su le sponde del Tebro”, H. 705/R. 390.68: Sinfonia
- Suite No. 1: III. Espanola
- Suite No. 2: II. Valse
- Suite No. 1: IV. Balalaika
- Suite No. 2: III. Polka
- Suite No. 1: II. Napolitana
- Suite No. 2: IV. Galop
- Pulcinella - Ballet avec chante en un acte (after Pergolesi): Mentre L'Erbetta Pasce L'Agnella
- Pulcinella - Ballet avec chante en un acte (after Pergolesi): Una Te Falan Zemprece
- Suite No. 1: I. Andante
- Suite No. 2: I. Marche
- Eugen Onegin, op. 24: Act 3. Polonaise
- Vesperae solennes de confessore, K. 339: V. Laudate Dominum
- Scena di Berenice, recitative and aria, Hob. XXIVa:10: “Berenice, che fai?… Non partir…”
- The Seasons, op. 37a: No. 6 June, Barcarole
- Nutcracker, Suite, op. 71a: VIII. Waltz of the Flowers
- Rosamunde, incidental music, op. 26, D 797: Entr'acte in B-flat major
- Die Lustige Witwe: Vilja‐Lied
- Casanova: Nonnenchor und Lied der Laura
- Giuditta: In einem Meer von Liebe
- Giuditta: Meine Lippen, sie küssen so heiß
- Cantata “Was mir behagt, ist nur die muntre Jagd”, BWV 208: “Schafe Können sicher weiden” (Sheep may safely graze)
- Giuditta: Tableau 1. “In einem Meer von Liebe”
- Die Lustige Witwe: Act 2. “Es lebt eine Vilja, ein Waldmägdelein” (Vilja-Lied)
- Giuditta: Tableau 4. “Meine Lippen, sie küssen so heiss”
- Messiah, HWV 56: Second Part. No. 36 “Warum denn rasen und toben die Heiden im Zorne” (Bass)
- Mozart: Piano Concerto No. 22 in E-Flat Major, K. 482: III. Allegro (Cadenza by Buchbinder)