Sir Neville Marriner Songtexte
Hungarian Dance No. 5 in G minor
Geboren am 15. April 1924, Gestorben am 02. Oktober 2016
Gruppen
Pachelbel: Canon - Albinoni: Adagio - Bach: Air on G String - Mozart: Eine kleine Nachtmusik - Fauré: Pavane - Handel: Hallelujah from the Messiah & Other Classical Hits (Compilation)
- Canon and Gigue in D major: Canon (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Solomon, HWV 67: Act 3: Sinfonia “The Arrival of the Queen of Sheba” (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Orchestral Suite no. 3 in D major, BWV 1068: II. Air (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Symphony no. 25 in G minor, K. 183: I. Allegro con brio (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Adagio in G minor (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Brandenburg Concerto no. 3 in G major, BWV 1048: I. (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Gloria in D major, RV 589: I. Gloria in excelsis Deo (von Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Symphony no. 40 in G minor, K. 550: I. Molto allegro (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Water Music, Suite no. 2 in D major, HWV 349: II. Alla Hornpipe (von Academy of St Martin in the Fields, Sir Neville Marriner)
- String Quintet in E major, op. 11 no. 5, G. 275: III. Minuetto - Trio (version for string orchestra) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Was mir behagt, ist nur die muntre Jagd, BWV 208 “Jagdkantate”: IX. Aria. “Schafe können sicher weiden” (von Ian Watson, Academy of St Martin in the Fields, Sir Neville Marriner)
- Te Deum, H. 146: Prélude (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto for Two Trumpets in C major, RV 537: II. Largo (von Maurice André, Bernard Soustrot, Academy of St Martin in the Fields, Sir Neville Marriner)
- Peer Gynt, op. 23: Act 4: No. 13, Prelude. Morning Mood (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Pavane, op. 50 (Instrumental Version) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- String Quartet No. 1 in D Major, Op. 11: II. Andante cantabile (Version for String Orchestra) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- The Tale of Tsar Saltan: Act 3: The Flight of the Bumblebee (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Le nozze di Figaro, K. 492: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Die Entführung aus dem Serail, K. 384: Ouvertüre (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: I. Allegro (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: II. Romance. Andante (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Serenade no. 13 in G major, K. 525 “Eine kleine Nachtmusik”: IV. Rondo. Allegro (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Symphony no. 41 in C major, K. 551 “Jupiter”: I. Allegro vivace (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Sinfonia concertante for Violin and Viola in E‐flat major, K. 364: I. Allegro maestoso (von Bruno Giuranna, Anne‐Sophie Mutter, Academy of St Martin in the Fields, Sir Neville Marriner)
- Violin Concerto no. 1 in B‐flat major, K. 207: II. Adagio (von Anne‐Sophie Mutter, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 2 in E‐flat major, K. 417: II. Andante (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 2 in E‐flat major, K. 417: III. Rondo (von Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 4 in E‐flat major, K. 495: III. Rondo. Allegro vivace (von Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Herz und Mund und Tat und Leben, BWV 147: No. 10, Choral. “Jesus bleibet meine Freude” (instrumental version) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Holberg Suite, op. 40: I. Praeludium (von Academy of St Martin in the Fields, Sir Neville Marriner)
- 3 German Dances, K. 605: No. 3 in C major “Die Schlittenfahrt” (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto no. 5 in F minor, BWV 1056: II. Largo (von Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner)
- Der Messias, HWV 56: Pt. 2: Chor. “Hallelujah” (von Südfunk-Chor Stuttgart, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Don Giovanni, K. 527: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto in A minor, op. 16: II. Adagio (von Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner)
Sir Neville Marriner: Jubilee Edition (Compilation)
- Symphony no. 5 in D major: I. Allegro ma non troppo – Adagio – Allegro assai (von Sir Neville Marriner, Academy of St Martin in the Fields)
- Symphony no. 5 in D major: II. Tempo di Gavotta (von Sir Neville Marriner, Academy of St Martin in the Fields)
- Symphony no. 5 in D major: III. Tempo di Menuetto (von Sir Neville Marriner, Academy of St Martin in the Fields)
- The Indian Queen: Symphony Act II, Scene 2 (von Sir Neville Marriner, Academy of St Martin in the Fields)
- Concerto for Trumpet and Orchestra in D major: I. Andante (von Sir Neville Marriner, Academy of St Martin in the Fields)
- Concerto for Trumpet and Orchestra in D major: II. Allegro moderato (von Sir Neville Marriner, Academy of St Martin in the Fields)
- Coriolan Ouverture, op. 62 (von Sir Neville Marriner, Radio-Sinfonieorchester Stuttgart)
- Introduction, Theme and Variations for Oboe and Orchestra, op. 102 (von Sir Neville Marriner, Radio-Sinfonieorchester Stuttgart)
- Giselle: Grand pas de deux (Act 2) (von Sir Neville Marriner, Academy of St Martin in the Fields)
- Ouverture Solonelle “1812”, op. 49 (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Carnival Ouverture, op. 92 (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Concert Overture “Zum Märchen von der schönen Melusine” in F major, op. 32 (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Le Cid – Ballet Suite: I. Castillane (von Sir Neville Marriner, Academy of St Martin in the Fields)
- Le Cid – Ballet Suite: III. Aragonaise (von Sir Neville Marriner, Academy of St Martin in the Fields)
- Le Cid – Ballet Suite: V. Catalane (von Sir Neville Marriner, Academy of St Martin in the Fields)
- Le Cid – Ballet Suite: VII. Navarraise (von Sir Neville Marriner, Academy of St Martin in the Fields)
- Don Juan, op. 20 (von Sir Neville Marriner, Radio-Sinfonieorchester Stuttgart)
- Vocalise, op. 34 no. 14 (von Sir Neville Marriner, Radio-Sinfonieorchester Stuttgart)
- The Wand of Youth – Suite no. 2: I. March (von Sir Neville Marriner, Academy of St Martin in the Fields)
- The Wand of Youth – Suite no. 2: II. The Little Bells (Scherzino) (von Sir Neville Marriner, Academy of St Martin in the Fields)
- The Wand of Youth – Suite no. 2: III. Moths and Butterflies (Dance) (von Sir Neville Marriner, Academy of St Martin in the Fields)
- The Wand of Youth – Suite no. 2: IV. Fountain Dance (von Sir Neville Marriner, Academy of St Martin in the Fields)
- The Wand of Youth – Suite no. 2: V. The Tame Bear (von Sir Neville Marriner, Academy of St Martin in the Fields)
- The Wand of Youth – Suite no. 2: VI. The Wild Bears (von Sir Neville Marriner, Academy of St Martin in the Fields)
The Complete Warner Classics Recordings (Compilation)
Charpentier: Te Deum / Magnificat
- Te Deum, H. 146: Prélude (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Te Deum, H. 146: Après le prélude. Te Deum (von Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Te Deum, H. 146: Après le prélude. Te aeternum Patrem (von Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Te Deum, H. 146: Après le prélude. Pleni sunt coeli et terra (von Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Te Deum, H. 146: Après le prélude. Te per orbem terrarum sancta confitetur (von Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Te Deum, H. 146: Ecclesia. Tu devicto mortis aculeo (von Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Te Deum, H. 146: Ecclesia. Judex crederis esse venturus (von Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Te Deum, H. 146: Ecclesia. Te ergo quaesumus (von Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Te Deum, H. 146: Ecclesia. Aeterna fac cum sanctis tuis (von Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Te Deum, H. 146: Ecclesia. Dignare, Domine (von Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Te Deum, H. 146: Ecclesia. Fiat misericordia (von Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Te Deum, H. 146: Ecclesia. In te Domini speravi (von Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Magnificat, H. 74: Sinfonia (von Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Magnificat, H. 74: Magnificat anima mea (von Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Magnificat, H. 74: Quia fecit mihi magna (von Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Magnificat, H. 74: Et misericordia (von Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Magnificat, H. 74: Fecit potentiam (von Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Magnificat, H. 74: Esurientes (von Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Magnificat, H. 74: Suscepit Israel (von Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Magnificat, H. 74: Sicut locutus est (von Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Magnificat, H. 74: Gloria Patri (von Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
Bach: Cantatas BWV 202 & 209 (Ameling)
- Cantata “Weichet nur, betrübte Schatten”, BWV 202 “Wedding Cantata”: No. 1 Aria. “Weichet nur, betrübte Schatten” (von Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner)
- Cantata “Weichet nur, betrübte Schatten”, BWV 202 “Wedding Cantata”: No. 2 Recitative. “Die Welt wird wieder neu” (von Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner)
- Cantata “Weichet nur, betrübte Schatten”, BWV 202 “Wedding Cantata”: No. 3 Aria. “Phoebus eilt mit schnellen Pferden” (von Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner)
- Cantata “Weichet nur, betrübte Schatten”, BWV 202 “Wedding Cantata”: No. 4 Recitative. “Drum sucht auch Amor sein Vergnügen” (von Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner)
- Cantata “Weichet nur, betrübte Schatten”, BWV 202 “Wedding Cantata”: No. 5 Aria. “Wenn die Frühlingslufte streichen” (von Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner)
- Cantata “Weichet nur, betrübte Schatten”, BWV 202 “Wedding Cantata”: No. 6 Recitative. “Und dieses ist das Glücke” (von Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner)
- Cantata “Weichet nur, betrübte Schatten”, BWV 202 “Wedding Cantata”: No. 7 Aria. “Sich üben im Lieben, in Scherzen sich herzen” (von Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner)
- Cantata “Weichet nur, betrübte Schatten”, BWV 202 “Wedding Cantata”: No. 8 Recitative. “So sei das Band der keuschen Liebe” (von Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner)
- Cantata “Weichet nur, betrübte Schatten”, BWV 202 “Wedding Cantata”: No. 9 Aria & Gavotte. “Schet in Zufriedenheit” (von Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner)
- Cantata “Non sa che sia dolore”, BWV 209: No. 1 Sinfonia
- Cantata “Non sa che sia dolore”, BWV 209: No. 2 Recitative. “Non sa che sia dolore”
- Cantata “Non sa che sia dolore”, BWV 209: No. 3 Aria. “Parti pur, e con dolore”
- Cantata “Non sa che sia dolore”, BWV 209: No. 4 Recitative. “Tuo saver al tempo e l'eta contrasta”
- Cantata “Non sa che sia dolore”, BWV 209: No. 5 Aria. “Ricetti gramezza e pavento”
Bach: Magnificat / Vivaldi: Gloria
- Magnificat in D major, BWV 243: I. Chorus. “Magnificat” (von Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Magnificat in D major, BWV 243: II. Aria. “Et exultavit spiritus meus in Deo” (Mezzo-soprano) (von Ann Murray, Academy of St Martin in the Fields, Sir Neville Marriner)
- Magnificat in D major, BWV 243: III. Aria. “Quia respexit humilitatem” (Soprano) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Magnificat in D major, BWV 243: IV. Chorus. “Omnes generationes” (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Magnificat in D major, BWV 243: V. Aria. “Quia fecit mihi magna” (Bass) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Magnificat in D major, BWV 243: VI. Duet. “Et misericordia” (Alto, Tenor) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Magnificat in D major, BWV 243: VII. Chorus. “Fecit potentiam in brachio suo” (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Magnificat in D major, BWV 243: VIII. Aria. “Deposuit potentes de sede” (Tenor)
- Magnificat in D major, BWV 243: IX. Aria. “Esurientes implevit bonis” (Alto) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Magnificat in D major, BWV 243: X. Trio. “Suscepit Israel puerem suum” (Soprano, Mezzo-soprano, Alto) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Magnificat in D major, BWV 243: XI. Chorus. “Sicut locutus est ad patres nostros” (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Magnificat in D major, BWV 243: XII. Chorus. “Gloria Patri, gloria filio” (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Gloria in D major, RV 589: I. Gloria in excelsis (Chorus) (von Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Gloria in D major, RV 589: II. Et in terra pax (Chorus) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Gloria in D major, RV 589: III. Laudamus te (Soprano, Mezzo-soprano) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Gloria in D major, RV 589: IV. Gratias agimus tibi (Chorus) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Gloria in D major, RV 589: V. Propter magnam gloriam (Chorus) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Gloria in D major, RV 589: VI. Domine Deus (Soprano) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Gloria in D major, RV 589: VII. Domine Fili unigenite (Chorus) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Gloria in D major, RV 589: VIII. Domine Deus, Agnus Dei (Alto, Chorus) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Gloria in D major, RV 589: IX. Qui tollis peccata mundi (Chorus) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Gloria in D major, RV 589: X. Qui sedes ad dexteram Patris (Alto) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Gloria in D major, RV 589: XI. Quoniam tu solus Sanctus (Chorus) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Gloria in D major, RV 589: XII. Cum sancto Spiritu (Chorus) (von Academy of St Martin in the Fields, Sir Neville Marriner)
Bach: Arias (Baker)
- Weihnachtsoratorium, BWV 248: Pt. 1. No. 4, Aria. “Bereite dich, Zion, mit zärtlichen Trieben”
- Cantata “Singet dem Herrn ein neus Lied”, BWV 190: No. 3, Aria. “Lobe, Zion, deinen Gott”
- Cantata “Gelobet sei der Herr, mein Gott”, BWV 129: No. 4, Aria. “Gelobet sei der Herr, mein Gott, der ewig lebet”
- Cantata “O ewiges Feuer, o Ursprung der Liebe”, BWV 34: No. 3, Aria. “Wohl euch, ihr auserwählten Seelen”
- Johannes-Passion, BWV 245: Pt. 2. No. 30, Aria. “Es ist vollbracht” (von Dame Janet Baker, Academy of St Martin in the Fields, Sir Neville Marriner)
- Bist du bei mir, BWV 508, aria for voice and continuo (from “Diomedes oder die triumphierende Unschuld” by Gottfried Heinrich Stölzel) (von Dame Janet Baker, Academy of St Martin in the Fields, Sir Neville Marriner)
- Cantata “Bleib bei uns, denn es will Abend werden”, BWV 6: No. 2, Aria. “Hochgelobter Gottessohn”
- Cantata “Komm, du süße Todesstunde”, BWV 6: No. 2, Aria. “Komm, du süße Todesstunde”
- Easter Oratorio, BWV 249: No. 9, Aria. “Saget, saget mir geschwinde” (von Dame Janet Baker, Academy of St Martin in the Fields, Sir Neville Marriner)
- Cantata “Lobet Gott in seinen Reichen”, BWV 11 “Himmelfahrtsoratorium”: No. 4, Aria. “Ach, bleibe doch, mein liebstes Leben” (von Dame Janet Baker)
- Magnificat in D major, BWV 243: II. Aria. “Et exsultavit spiritus in Deo” (von Dame Janet Baker)
Bach: Brandenburg Concertos nos. 1-4
- Brandenburg Concerto no. 1 in F major, BWV 1046: I. (Allegro) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Brandenburg Concerto no. 1 in F major, BWV 1046: II. Adagio (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Brandenburg Concerto no. 1 in F major, BWV 1046: III. Allegro (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Brandenburg Concerto no. 1 in F major, BWV 1046: IV. Menuet I - Trio I - Menuet II - Polonaise - Menuet III - Trio II - Menuet IV (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Brandenburg Concerto no. 2 in F major, BWV 1047: I. (Allegro) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Brandenburg Concerto no. 2 in F major, BWV 1047: II. Andante (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Brandenburg Concerto no. 3 in G major, BWV 1048: I. Allegro (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Brandenburg Concerto no. 3 in G major, BWV 1048: II. Adagio (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Brandenburg Concerto no. 3 in G major, BWV 1048: III. Allegro (von George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner)
- Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Brandenburg Concerto no. 4 in G major, BWV 1049: II. Andante (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Brandenburg Concerto no. 4 in G major, BWV 1049: III. Presto (von Academy of St Martin in the Fields, Sir Neville Marriner)
Bach: Brandenburg Concertos nos. 5-6 / Orchestral Suite no. 1
- Brandenburg Concerto no. 5 in D major, BWV 1050: I. Allegro (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Brandenburg Concerto no. 5 in D major, BWV 1050: II. Affettuoso (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Brandenburg Concerto no. 5 in D major, BWV 1050: III. Allegro
- Brandenburg Concerto no. 6 in B-flat major, BWV 1051: I. Allegro (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Brandenburg Concerto no. 6 in B-flat major, BWV 1051: II. Adagio ma non tanto (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Brandenburg Concerto no. 6 in B-flat major, BWV 1051: III. Allegro (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Orchestral Suite no. 1 in C major, BWV 1066: I. Ouverture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Orchestral Suite no. 1 in C major, BWV 1066: II. Courante (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Orchestral Suite no. 1 in C major, BWV 1066: III. Gavotte I & II (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Orchestral Suite no. 1 in C major, BWV 1066: IV. Forlane (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Orchestral Suite no. 1 in C major, BWV 1066: V. Menuet I & II (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Orchestral Suite no. 1 in C major, BWV 1066: VI. Bourrée I & II (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Orchestral Suite no. 1 in C major, BWV 1066: VII Passepied I & II (von Academy of St Martin in the Fields, Sir Neville Marriner)
Bach: Orchestral Suites nos. 2-4
- Orchestral Suite no. 2 in B minor, BWV 1067: I. Ouverture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Orchestral Suite no. 2 in B minor, BWV 1067: II. Rondeau (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Orchestral Suite no. 2 in B minor, BWV 1067: III. Sarabande (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Orchestral Suite no. 2 in B minor, BWV 1067: IV. Bourrée I & II (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Orchestral Suite no. 2 in B minor, BWV 1067: V. Polonaise (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet (von William Bennett, Academy of St Martin in the Fields, Sir Neville Marriner)
- Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie
- Orchestral Suite no. 3 in D major, BWV 1068: I. Ouverture
- Orchestral Suite no. 3 in D major, BWV 1068: II. Air (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Orchestral Suite no. 3 in D major, BWV 1068: III. Gavotte I & II (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Orchestral Suite no. 3 in D major, BWV 1068: IV. Bourrée (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Orchestral Suite no. 3 in D major, BWV 1068: V. Gigue (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Orchestral Suite no. 4 in D major, BWV 1069: I. Ouverture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Orchestral Suite no. 4 in D major, BWV 1069: II. Bourrée I & II (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Orchestral Suite no. 4 in D major, BWV 1069: III. Gavotte (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Orchestral Suite no. 4 in D major, BWV 1069: IV. Menuet I & II (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Orchestral Suite no. 4 in D major, BWV 1069: V. Réjouissance (von Academy of St Martin in the Fields, Sir Neville Marriner)
Bach: Piano Concertos nos. 1-3 (Gavrilov)
- Piano Concerto no. 1 in D minor, BWV 1052: I. Allegro (von Andred Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto no. 1 in D minor, BWV 1052: II. Adagio (von Andred Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto no. 1 in D minor, BWV 1052: III. Allegro (von Andred Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto no. 2 in E major, BWV 1053: I. - (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto no. 2 in E major, BWV 1053: II. Siciliano (von Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto no. 2 in E major, BWV 1053: III. Allegro (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto no. 3 in D major, BWV 1054: I. -
- Piano Concerto no. 3 in D major, BWV 1054: II. Adagio e piano sempre
- Piano Concerto no. 3 in D major, BWV 1054: III. Allegro
Bach: Piano Concertos no. 4-7 (Gavrilov)
- Piano Concerto no. 4 in A major, BWV 1055: I. Allegro (von Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto no. 4 in A major, BWV 1055: II. Larghetto (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto no. 4 in A major, BWV 1055: III. Allegro ma non tanto (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto no. 5 in F minor, BWV 1056: I. - (von Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto no. 5 in F minor, BWV 1056: II. Largo (von Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto no. 5 in F minor, BWV 1056: III. Presto (von Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto no. 6 in F major, BWV 1057: I. -
- Piano Concerto no. 6 in F major, BWV 1057: II. Andante
- Piano Concerto no. 6 in F major, BWV 1057: III. Allegro assai
- Piano Concerto no. 7 in G minor, BWV 1058: I. -
- Piano Concerto no. 7 in G minor, BWV 1058: II. Andante
- Piano Concerto no. 7 in G minor, BWV 1058: III. Allegro assai
Handel: Messiah (beginning)
- Messiah, HWV 56: First Part. No. 1 Sinfonia (von Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: First Part. No. 2 “Tröste dich, tröste dich, mein Volk” (Tenor) / No. 3 “Alle Tale macht hoch erhaben” (Tenor) (von Robert Gambill, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: First Part. No. 4 Chorus. “Denn die Herrlichkeit Gottes, des Herrn” (von Südfunk-Chor Stuttgart, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: First Part. No. 5 “So spricht der Herr” (Bass) (von Robert Holl, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: First Part. No. 6 “Doch wer wird ertragen den Tag seiner Ankunft” (Alto)
- Messiah, HWV 56: First Part. No. 7 Chorus. “Und er wird reinigen und läutern seine Kinder” (von Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: First Part. Recitative. “Denn sich', eine Jungfrau wird empfangen” (Alto)
- Messiah, HWV 56: First Part. No. 8 Aria & Chorus. “O du, der Wonne verkünder in Zion” (Alto, Chorus)
- Messiah, HWV 56: First Part. No. 9 “Blicke auf, Dunkel bedecket die Welt” (Bass) (von Robert Holl, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: First Part. No. 10 “Das Volk, das da wandelt im Dunkel” (Bass) (von Robert Holl, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: First Part. No. 11 Chorus. “Denn es ist uns ein Kind geboren” (von Südfunk-Chor Stuttgart, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: First Part. No. 12 Pifa/Pastoral Symphony (von Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: First Part. “Es waren Hirten beisammen” (Soprano) / No. 13 “Und siche, der Engel des Herrn trat zu ihnen” (Soprano) 1.03 / “Und der Engel sprach zu ihnen” (Soprano) (von Lucia Popp, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: First Part. No. 14 “Und alsbald war da bei dem Engel” (Soprano) (von Lucia Popp, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: First Part. No. 15 Chorus. “Ehre sei Gott in der Höhe” (von Südfunk-Chor Stuttgart, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: First Part. No. 16 “Wohlan, frohlocke, du Tochter Zion” (Soprano) (von Lucia Popp, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: First Part. “Dann wird sich auftun das Auge des Blinden” (Alto)
- Messiah, HWV 56: First Part. No. 17 “Er weidet seine Herde” (Alto, Soprano)
- Messiah, HWV 56: First Part. No. 18 Chorus. “Sein Joch ist sanft” (von Südfunk-Chor Stuttgart, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: Second Part. No. 19 Chorus. “Seht an das Gotteslamm” (von Südfunk-Chor Stuttgart, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: Second Part. No. 20 “Er ward verschmähet und verachtet” (Alto)
Handel: Messiah (conclusion)
- Messiah, HWV 56: Second Part. No. 21 Chorus. “Wahrlich, wahrlich er litt uns're Qual” (von Südfunk-Chor Stuttgart, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: Second Part. No. 22 Chorus. “Durch seine Wunden sind wir geheilt” (von Südfunk-Chor Stuttgart, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: Second Part. No. 23 Chorus. “Der Herde gleich, so irrten wir zerstreut” (von Südfunk-Chor Stuttgart, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: Second Part. No. 24 “Alle die, die ihn sehen” (Tenor) (von Robert Gambill, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: Second Part. No. 25 Chorus. “Er traute auf Gott” (von Südfunk-Chor Stuttgart, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: Second Part. No. 26 “Diese Schmach zerbrach ihm das Herz” (Tenor) (von Robert Gambill, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: Second Part. No. 27 “Schau hin und sich” (Tenor) (von Robert Gambill, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: Second Part. No. 28 “Er ist dahin, aus dem Land der Lebendigen” (Tenor) (von Robert Gambill, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: Second Part. No. 29 “Doch du ließest ihn dem Tode nicht” (Tenor) (von Robert Gambill, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: Second Part. No. 30 Chorus. “Hoch tut euch auf” (von Südfunk-Chor Stuttgart, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: Second Part. “Denn zu welchem der Engel hat jemals er gasgt” (Tenor) (von Robert Gambill, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: Second Part. No. 31 Chorus. “Lasst alle Engel des Herrn preisen ihn” (von Südfunk-Chor Stuttgart, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: Second Part. No. 32 “Du fuhrst zum Himmel auf” (Bass) (von Robert Holl, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: Second Part. No. 33 Chorus. “Der Herr gab das Wort” (von Südfunk-Chor Stuttgart, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: Second Part. No. 34 “Wie lieblich ist der Boten Schritt” (Soprano) (von Lucia Popp, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: Second Part. No. 35 “Ihr Schall gehet aus in jedes Land” (Tenor) (von Robert Gambill, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: Second Part. No. 36 “Warum denn rasen und toben die Heiden im Zorne” (Bass) (von Robert Holl, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: Second Part. No. 37 Chorus. “Auf, zerreißet ihre Bande” (von Südfunk-Chor Stuttgart, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: Second Part. “Der da thronet im Himmel” (Tenor) (von Robert Gambill, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: Second Part. No. 38 “Du zerschläget sie mit dem eisernen Zepter” (Tenor) (von Robert Gambill, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: Second Part. No. 39 Chorus. “Hallelujah!” (von Südfunk-Chor Stuttgart, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: Third Part. No. 40 “Ich weié, dass mein Erlöser lebet” (Soprano) (von Lucia Popp, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: Third Part. No. 41 Chorus. “Kam durch einen Tod” (von Südfunk-Chor Stuttgart, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: Third Part. No. 42 “Vernehmt, ich kind' ein Geheimnis an” (Bass) (von Robert Holl, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: Third Part. No. 43 “Die Tromba erschallt” (Bass) (von Robert Holl, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: Third Part. “Dann wird erfüllt das Wort” (Alto)
- Messiah, HWV 56: Third Part. No. 44 “O Tod, wo ist dein Stachel?” (Alto, Tenor) / No. 45 Chorus. “Drum Dank sei dir, Gott”
- Messiah, HWV 56: Third Part. No. 46 “Ist Gott mit uns, wer sollte uns schaden?” (Soprano) (von Lucia Popp, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Messiah, HWV 56: Third Part. No. 47 Chorus. “Würdig ist das Lamm” (von Südfunk-Chor Stuttgart, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
Handel: Arias (Battle)
- Acis and Galatea, HWV 49: Act I. Recitative. “Oh! Didst thou know the pains” - Aria. “As when the dove” (Galatea) (von Kathleen Battle, Academy of St Martin in the Fields, Sir Neville Marriner)
- Giulio Cesare in Egitto, HWV 17: Act 3, Scene 1. Recitative. “E pur così in un giorno” - Aria. “Piangerò la sorte mia” (Cleopatra) (von Kathleen Battle, Academy of St Martin in the Fields, Sir Neville Marriner)
- Joshua, HWV 64: Act 3. Aria. “Oh! had I Jubal's lyre” (Achsah) (von Kathleen Battle, Academy of St Martin in the Fields, Sir Neville Marriner)
- L'Allegro, il Penseroso ed il Moderato, HWV 55: Pt. I. Recitative and Aria. “First, and chief, on golden wing” - “Sweet bird” (von Kathleen Battle, Academy of St Martin in the Fields, Sir Neville Marriner)
- Messiah, HWV 56: Pt. 1, Scene 5. Aria. “Rejoice Greatly, O Daughter of Zion” (von Kathleen Battle, Academy of St Martin in the Fields, Sir Neville Marriner)
- Solomon, HWV 67: Act 3. Aria. “Ev'ry sight these eyes behold” (Queen of Sheba) (von Kathleen Battle, Academy of St Martin in the Fields, Sir Neville Marriner)
- Solomon, HWV 67: Act 3. Recitative. “May peace in Salem ever dwell” - Aria. “Will the sun forget to streak” (Queen of Sheba) (von Kathleen Battle, Academy of St Martin in the Fields, Sir Neville Marriner)
- Alcina, HWV 34: Act 2, Scene 8. Aria. “Ah! mio cor!” (Alcina) (von Kathleen Battle, Academy of St Martin in the Fields, Sir Neville Marriner)
- Alcina, HWV 34: Act 1, Scene 14. Aria. “Tornami a vagheggiar” (Morgana) (von Kathleen Battle, Academy of St Martin in the Fields, Sir Neville Marriner)
Handel: Water Music
- Water Music, Suite no. 1 in F major, HWV 348: I. Ouverture (Largo - Allegro)
- Water Music, Suite no. 1 in F major, HWV 348: II. Adagio e staccato
- Water Music, Suite no. 1 in F major, HWV 348: III. (Allegro)
- Water Music, Suite no. 1 in F major, HWV 348: IV. Andante
- Water Music, Suite no. 1 in F major, HWV 348: III. (Allegro) da capo
- Water Music, Suite no. 1 in F major, HWV 348: V. (Tempo di Minuetto)
- Water Music, Suite no. 1 in F major, HWV 348: VI. Air
- Water Music, Suite no. 1 in F major, HWV 348: VII. Minuet
- Water Music, Suite no. 1 in F major, HWV 348: VIII. Bourrée
- Water Music, Suite no. 1 in F major, HWV 348: IX. Hornpipe
- Water Music, Suite no. 1 in F major, HWV 348: X. (Allegro moderato)
- Water Music, Suite no. 2 in D major, HWV 349: XI. (Andante allegro) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Water Music, Suite no. 2 in D major, HWV 349: XII. Alla Hornpipe (von Academy of St. Martin‐in‐the‐Fields, Neville Marriner)
- Water Music, Suite no. 2 in D major, HWV 349: XIII. Minuet (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Water Music, Suite no. 2 in D major, HWV 349: XIV. Lentement (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Water Music, Suite no. 2 in D major, HWV 349: XV. Bourrée (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Water Music, Suite no. 3 in G major, HWV 350: XVI. (Menuet)
- Water Music, Suite no. 3 in G major, HWV 350: XVII. Rigaudon / XVIII. (Rigaudon) / XVII. Rigaudon da capo
- Water Music, Suite no. 3 in G major, HWV 350: XIX. Menuet / XX. (Menuet) / XIX. Menuet da capo
- Water Music, Suite no. 3 in G major, HWV 350: XXII. (Cantabile) / XXI. (Affettuoso) / XXII. (Cantabile) da capo
Handel: Concerto a due cori nos. 1 & 3 / 2 Overtures
- Agrippina, HWV 6: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto a due cori no. 1 in B-flat major, HWV 332: I. Overture
- Concerto a due cori no. 1 in B-flat major, HWV 332: I. Allegro ma non troppo
- Concerto a due cori no. 1 in B-flat major, HWV 332: II. Allegro
- Concerto a due cori no. 1 in B-flat major, HWV 332: III. Lento
- Concerto a due cori no. 1 in B-flat major, HWV 332: IV. A tempo ordinario
- Concerto a due cori no. 1 in B-flat major, HWV 332: V. Alla breve moderato
- Concerto a due cori no. 1 in B-flat major, HWV 332: VI. Minuetto
- Arianna in Creta, HWV 32: Overture (von Academy of St. Martin in the Fields, Sir Neville Marriner)
- Concerto a due cori no. 3 in F major, HWV 334: I. Overture: Grave (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto a due cori no. 3 in F major, HWV 334: II. Allegro (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto a due cori no. 3 in F major, HWV 334: III. Allegro ma non troppo (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto a due cori no. 3 in F major, HWV 334: IV. Adagio (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto a due cori no. 3 in F major, HWV 334: V. Andante larghetto (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto a due cori no. 3 in F major, HWV 334: VI. Allegro (von Academy of St Martin in the Fields, Sir Neville Marriner)
Bach: Cantata BWV 51 / Scarlatti: Cantata “Su le sponde del Tebro” / Abinoni & Vivaldi: Concerto for trumpet (Helen Donath, Maurice André)
- Cantata “Jauchzet Gott in allen Landen”, BWV 51: No. 1 Aria. “Jauchzet Gott in allen Landen” (von Helen Donath, Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- Cantata “Jauchzet Gott in allen Landen”, BWV 51: No. 2 Recitative. “Wir beten zu dem Tempel an”
- Cantata “Jauchzet Gott in allen Landen”, BWV 51: No. 3 Aria. “Höchster, mache deine Güte”
- Cantata “Jauchzet Gott in allen Landen”, BWV 51: No. 4 Choral. “Sei Lob und Preis mir Ehren”
- Cantata “Jauchzet Gott in allen Landen”, BWV 51: “Alleluia”
- Concerto a cinque in F major for trumpet and oboe, op. 9 no. 3: I. Allegro
- Concerto a cinque in F major for trumpet and oboe, op. 9 no. 3: II. Adagio (non troppo)
- Concerto a cinque in F major for trumpet and oboe, op. 9 no. 3: III. Allegro
- Cantata “Su le sponde del Tebro”, H. 705/R. 390.68: Sinfonia (von Maurice André, Academy of St. Martin in the Fields, Sir Neville Marriner)
- Cantata “Su le sponde del Tebro”, H. 705/R. 390.68: Recitative. “Su le sponde del Tebro”
- Cantata “Su le sponde del Tebro”, H. 705/R. 390.68: Sinfonia (von Maurice André, Academy of St. Martin in the Fields, Sir Neville Marriner)
- Cantata “Su le sponde del Tebro”, H. 705/R. 390.68: Aria. “Contentatevi”
- Cantata “Su le sponde del Tebro”, H. 705/R. 390.68: Recitative. “Mesto, stanco e spirante”
- Cantata “Su le sponde del Tebro”, H. 705/R. 390.68: Largo “Infelice miei lumi”
- Cantata “Su le sponde del Tebro”, H. 705/R. 390.68: Aria. “Dite almeno”
- Cantata “Su le sponde del Tebro”, H. 705/R. 390.68: Ritornello (von Academy of St. Martin in the Fields, Sir Neville Marriner)
- Cantata “Su le sponde del Tebro”, H. 705/R. 390.68: Recitative. “All'aura, al cielo”
- Cantata “Su le sponde del Tebro”, H. 705/R. 390.68: Aria. “Tralascia pur di piangere”
- Concerto for trumpet, violin, strings and continuo in B-flat major, RV 548 (originally oboe): I. Allegro
- Concerto for trumpet, violin, strings and continuo in B-flat major, RV 548 (originally oboe): II. Largo
- Concerto for trumpet, violin, strings and continuo in B-flat major, RV 548 (originally oboe): III. Allegro
Trumpet Concertos by Tartini, Albinoni, Telemann & Handel / Purcell (André)
- Trumpet Concerto in D major: I. Allegro moderato (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- Trumpet Concerto in D major: II. Andante (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- Trumpet Concerto in D major: III. Allegro grazioso (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- Trumpet Concerto in B-flat major: I. Grave (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- Trumpet Concerto in B-flat major: II. Allegro (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- Trumpet Concerto in B-flat major: III. Andante (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- Trumpet Concerto in B-flat major: IV. Allegro (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- Timon of Athens, Z. 632: Overture. I. Grave - Allegro (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- Timon of Athens, Z. 632: Overture. II. Adagio (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- Timon of Athens, Z. 632: Overture. III. March (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- Trumpet Sonata in D major, Z. 850: I. Allegro (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- Trumpet Sonata in D major, Z. 850: II. Adagio (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- Trumpet Sonata in D major, Z. 850: III. Allegro (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- Trumpet Concerto in D major, TWV 51:D7: I. Adagio (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- Trumpet Concerto in D major, TWV 51:D7: II. Allegro (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- Trumpet Concerto in D major, TWV 51:D7: III. Grave (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- Trumpet Concerto in D major, TWV 51:D7: IV. Allegro (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- Trumpet Concerto no. 3 in G minor, HWV 287 (originally oboe): I. Grave (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- Trumpet Concerto no. 3 in G minor, HWV 287 (originally oboe): II. Allegro (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- Trumpet Concerto no. 3 in G minor, HWV 287 (originally oboe): III. Sarabande. Largo (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- Trumpet Concerto no. 3 in G minor, HWV 287 (originally oboe): IV. Allegro (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
Trumpet Concertos by Stölzel, Telemann & Vivaldi (André)
- Concerto for trumpet and strings in D major, HauH 5.3 (originally oboe): I. Allegro (von Gottfried Heinrich Stölzel)
- Concerto for trumpet and strings in D major, HauH 5.3 (originally oboe): II. Grave (von Gottfried Heinrich Stölzel)
- Concerto for trumpet and strings in D major, HauH 5.3 (originally oboe): III. Allegro (von Gottfried Heinrich Stölzel)
- Concerto for trumpet, strings and continuo in C minor, TWV 51:c1 (originally oboe): I. Adagio (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto for trumpet, strings and continuo in C minor, TWV 51:c1 (originally oboe): II. Allegro (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto for trumpet, strings and continuo in C minor, TWV 51:c1 (originally oboe): III. Adagio (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto for trumpet, strings and continuo in C minor, TWV 51:c1 (originally oboe): IV. Allegro (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto for two trumpets, strings and continuo in C major, RV 537: I. Allegro (von Maurice André, Bernard Soustrot, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto for two trumpets, strings and continuo in C major, RV 537: II. Largo (von Maurice André, Bernard Soustrot, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto for two trumpets, strings and continuo in C major, RV 537: III. Allegro (von Maurice André, Bernard Soustrot, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto for trumpet, violin, strings and continuo in B-flat major, TV 548 (originally oboe): I. Allegro
- Concerto for trumpet, violin, strings and continuo in B-flat major, TV 548 (originally oboe): II. Largo
- Concerto for trumpet, violin, strings and continuo in B-flat major, TV 548 (originally oboe): III. Allegro
- Concerto for trumpet, two oboes, strings and continuo in D major, TWV 53:D2: I. Allegro (von Maurice André, Tess Miller, Celia Nicklin, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto for trumpet, two oboes, strings and continuo in D major, TWV 53:D2: II. Grave (von Maurice André, Tess Miller, Celia Nicklin, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto for trumpet, two oboes, strings and continuo in D major, TWV 53:D2: III. Aria (Andante) (von Maurice André, Tess Miller, Celia Nicklin, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto for trumpet, two oboes, strings and continuo in D major, TWV 53:D2: IV. Vivace (von Maurice André, Tess Miller, Celia Nicklin, Academy of St Martin in the Fields, Sir Neville Marriner)
Works for Recorder by Telemann, Sammartini & Handel (Munrow)
- Suite for treble recorder, strings and continuo in A minor, TWV 55:a2: I. Ouverture
- Suite for treble recorder, strings and continuo in A minor, TWV 55:a2: II. Les plaisirs
- Suite for treble recorder, strings and continuo in A minor, TWV 55:a2: III. Air à l'italienne
- Suite for treble recorder, strings and continuo in A minor, TWV 55:a2: IV. Menuets I & II
- Suite for treble recorder, strings and continuo in A minor, TWV 55:a2: V. Réjouissance
- Suite for treble recorder, strings and continuo in A minor, TWV 55:a2: VI. Passepieds I & II
- Suite for treble recorder, strings and continuo in A minor, TWV 55:a2: VII. Polonaise
- Concerto for descant recorder, strings and continuo in F major: I. Allegro (von Giuseppe Baldassare Sammartini)
- Concerto for descant recorder, strings and continuo in F major: II. (Siciliano) (von Giuseppe Baldassare Sammartini)
- Concerto for descant recorder, strings and continuo in F major: III. Allegro assai (von Giuseppe Baldassare Sammartini)
- Concerto for treble recorder, strings and continuo in B-flat major, HWV 294 (Reconstructed from op. 4 no. 6 by Christopher Hogwood): I. Andante - Allegro
- Concerto for treble recorder, strings and continuo in B-flat major, HWV 294 (Reconstructed from op. 4 no. 6 by Christopher Hogwood): II. Larghetto
- Concerto for treble recorder, strings and continuo in B-flat major, HWV 294 (Reconstructed from op. 4 no. 6 by Christopher Hogwood): III. Allegro moderato
Haydn: Paukenmesse
- Missa in tempore belli, Mass in C major, Hob. XXII:9 “Paukenmesse”: Kyrie
- Missa in tempore belli, Mass in C major, Hob. XXII:9 “Paukenmesse”: Gloria. Gloria in excelsis Deo
- Missa in tempore belli, Mass in C major, Hob. XXII:9 “Paukenmesse”: Gloria. Qui tollis
- Missa in tempore belli, Mass in C major, Hob. XXII:9 “Paukenmesse”: Gloria. Quoniam tu solus Sanctus
- Missa in tempore belli, Mass in C major, Hob. XXII:9 “Paukenmesse”: Credo. Credo in unum Deum
- Missa in tempore belli, Mass in C major, Hob. XXII:9 “Paukenmesse”: Credo. Et incarnatus est
- Missa in tempore belli, Mass in C major, Hob. XXII:9 “Paukenmesse”: Credo. Et resurrexit
- Missa in tempore belli, Mass in C major, Hob. XXII:9 “Paukenmesse”: Credo. Et vitam aeternam
- Missa in tempore belli, Mass in C major, Hob. XXII:9 “Paukenmesse”: Sanctus
- Missa in tempore belli, Mass in C major, Hob. XXII:9 “Paukenmesse”: Benedictus
- Missa in tempore belli, Mass in C major, Hob. XXII:9 “Paukenmesse”: Agnus Dei. Agnus Dei
- Missa in tempore belli, Mass in C major, Hob. XXII:9 “Paukenmesse”: Agnus Dei. Dona nobis pacem
Haydn: Nelson Messe
- Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Kyrie
- Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Gloria. Gloria in excelsis (von Joseph Haydn & Sir Neville Marriner)
- Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Gloria. Qui tollis (von Joseph Haydn & Sir Neville Marriner)
- Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Gloria. Quoniam tu solus sanctus (von Joseph Haydn & Sir Neville Marriner)
- Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Credo. Credo in unum Deum (von Joseph Haydn & Sir Neville Marriner)
- Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Credo. Et incarnatus est (von Joseph Haydn & Sir Neville Marriner)
- Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Credo. Et resurrexit (von Joseph Haydn & Sir Neville Marriner)
- Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Sanctus (von Joseph Haydn & Sir Neville Marriner)
- Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Benedictus. Benedictus (von Joseph Haydn & Sir Neville Marriner)
- Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Benedictus. Osanna (von Joseph Haydn & Sir Neville Marriner)
- Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Agnus Dei. Agnus Dei (von Joseph Haydn & Sir Neville Marriner)
- Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Agnus Dei. Dona nobis pacem (von Joseph Haydn & Sir Neville Marriner)
Haydn: Theresienmesse / Heiligmesse
- Mass in B-flat major, Hob. XXII:12 “Theresienmesse”: Kyrie
- Mass in B-flat major, Hob. XXII:12 “Theresienmesse”: Gloria. Gloria in excelcis Deo
- Mass in B-flat major, Hob. XXII:12 “Theresienmesse”: Gloria. Gracias agimus tibi
- Mass in B-flat major, Hob. XXII:12 “Theresienmesse”: Gloria. Quoniam tu solus Sanctus
- Mass in B-flat major, Hob. XXII:12 “Theresienmesse”: Credo. Credo in unum Deum
- Mass in B-flat major, Hob. XXII:12 “Theresienmesse”: Credo. Et incarnatus est
- Mass in B-flat major, Hob. XXII:12 “Theresienmesse”: Credo. Et resurrexit
- Mass in B-flat major, Hob. XXII:12 “Theresienmesse”: Sanctus
- Mass in B-flat major, Hob. XXII:12 “Theresienmesse”: Benedictus
- Mass in B-flat major, Hob. XXII:12 “Theresienmesse”: Agnus Dei. Agnus Dei
- Mass in B-flat major, Hob. XXII:12 “Theresienmesse”: Agnus Dei. Dona nobis pacem
- Missa Sancti Bernardi de Offida, Mass in B-flat major, Hob. XXII:10 “Heiligmesse”: Kyrie
- Missa Sancti Bernardi de Offida, Mass in B-flat major, Hob. XXII:10 “Heiligmesse”: Gloria. Gloria in excelcis Deo
- Missa Sancti Bernardi de Offida, Mass in B-flat major, Hob. XXII:10 “Heiligmesse”: Gloria. Gratias agimus tibi
- Missa Sancti Bernardi de Offida, Mass in B-flat major, Hob. XXII:10 “Heiligmesse”: Gloria. Quoniam tu solus Sanctus
- Missa Sancti Bernardi de Offida, Mass in B-flat major, Hob. XXII:10 “Heiligmesse”: Credo. Credo in unum Deum
- Missa Sancti Bernardi de Offida, Mass in B-flat major, Hob. XXII:10 “Heiligmesse”: Credo. Et incarnatus est
- Missa Sancti Bernardi de Offida, Mass in B-flat major, Hob. XXII:10 “Heiligmesse”: Credo. Et resurrexit
- Missa Sancti Bernardi de Offida, Mass in B-flat major, Hob. XXII:10 “Heiligmesse”: Credo. Et vitam aeternam
- Missa Sancti Bernardi de Offida, Mass in B-flat major, Hob. XXII:10 “Heiligmesse”: Sanctus
- Missa Sancti Bernardi de Offida, Mass in B-flat major, Hob. XXII:10 “Heiligmesse”: Benedictus
- Missa Sancti Bernardi de Offida, Mass in B-flat major, Hob. XXII:10 “Heiligmesse”: Agnus Dei. Agnus Dei
- Missa Sancti Bernardi de Offida, Mass in B-flat major, Hob. XXII:10 “Heiligmesse”: Agnus Dei. Dona nobis pacem
Haydn: Schöpfungmesse / Kleine Orgelsolomesse
- Mass in B-flat major, Hob. XXII:13 “Schöpfungmesse”: Kyrie
- Mass in B-flat major, Hob. XXII:13 “Schöpfungmesse”: Gloria. Gloria in excelcis Deo
- Mass in B-flat major, Hob. XXII:13 “Schöpfungmesse”: Gloria. Quoniam tu solus Sanctus
- Mass in B-flat major, Hob. XXII:13 “Schöpfungmesse”: Credo. Credo in unum Deum
- Mass in B-flat major, Hob. XXII:13 “Schöpfungmesse”: Credo. Et incarnatus est
- Mass in B-flat major, Hob. XXII:13 “Schöpfungmesse”: Credo. Et resurrexit
- Mass in B-flat major, Hob. XXII:13 “Schöpfungmesse”: Sanctus
- Mass in B-flat major, Hob. XXII:13 “Schöpfungmesse”: Benedictus
- Mass in B-flat major, Hob. XXII:13 “Schöpfungmesse”: Agnus Dei. Agnus Dei
- Mass in B-flat major, Hob. XXII:13 “Schöpfungmesse”: Agnus Dei. Dona nobis pacem
- Missa Brevis Sancti Joannis de Deo, Mass in B-flat major, Hob. XXII:7 “Kleine Orgelsolomesse”: Kyrie
- Missa Brevis Sancti Joannis de Deo, Mass in B-flat major, Hob. XXII:7 “Kleine Orgelsolomesse”: Gloria
- Missa Brevis Sancti Joannis de Deo, Mass in B-flat major, Hob. XXII:7 “Kleine Orgelsolomesse”: Credo
- Missa Brevis Sancti Joannis de Deo, Mass in B-flat major, Hob. XXII:7 “Kleine Orgelsolomesse”: Sanctus
- Missa Brevis Sancti Joannis de Deo, Mass in B-flat major, Hob. XXII:7 “Kleine Orgelsolomesse”: Benedictus
- Missa Brevis Sancti Joannis de Deo, Mass in B-flat major, Hob. XXII:7 “Kleine Orgelsolomesse”: Agnus Dei
Haydn: Die Schöpfung (beginning)
- Die Schöpfung (The Creation), Hob. XXI:2: First Part. No. 1a Prelude. Die Vorstellung des Chaos
- Die Schöpfung (The Creation), Hob. XXI:2: First Part. No. 1b Recitative & Chorus. “Am Angange schuf Gott Himmel und Erde” - “Und der Geist Gottes schwebte” - “Und Gott sah das Licht” (Raphael, Chorus, Uriel)
- Die Schöpfung (The Creation), Hob. XXI:2: First Part. No. 2 Aria with Chorus. “Num schwanden vor dem heiligen Strahle” - “Verzweiflung. Wut und Schrecken” (Uriel, Chorus)
- Die Schöpfung (The Creation), Hob. XXI:2: First Part. No. 3 Recitative. “Und Gott machte das Firmament” (Raphael)
- Die Schöpfung (The Creation), Hob. XXI:2: First Part. No. 4 Solo with Chorus. “Mit Staunen sieht das Wunderwerk” (Gabriel, Chorus)
- Die Schöpfung (The Creation), Hob. XXI:2: First Part. No. 5 Recitative. “Und Gott sprach, es bringe sammle sich” (Raphael)
- Die Schöpfung (The Creation), Hob. XXI:2: First Part. No. 6 Aria. “Rollend in schäumenden Wellen” (Raphael)
- Die Schöpfung (The Creation), Hob. XXI:2: First Part. No. 7 Recitative. “Und Gott sprach, es bringe die Erde” (Gabriel)
- Die Schöpfung (The Creation), Hob. XXI:2: First Part. No. 8 Aria. “Nun beut die Flur das frische Grün” (Gabriel)
- Die Schöpfung (The Creation), Hob. XXI:2: First Part. No. 9 Recitative. “Und die himmlischen Heerscharen” (Uriel)
- Die Schöpfung (The Creation), Hob. XXI:2: First Part. No. 10 Chorus. “Stimmt an die Saiten”
- Die Schöpfung (The Creation), Hob. XXI:2: First Part. No. 11 Recitative. “Und Gott sprach, es sei'n Licher an der Feste” (Uriel)
- Die Schöpfung (The Creation), Hob. XXI:2: First Part. No. 12 Recitative. “In vollem Glanze steiget jetzt” (Uriel)
- Die Schöpfung (The Creation), Hob. XXI:2: First Part. No. 13 Trio & Chorus. “Die Himmel erzählen die Ehre Gottes” (Chorus, Gabriel, Uriel, Raphael)
- Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 14 Recitative. “Und Gott sprach, es bringe das Wasser” (Gabriel)
- Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 15 Aria. “Auf starkem Fittige schwingt sich der Adler stolz” (Gabriel)
- Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 16 Recitative. “Und Gott schuf große Walfische” (Raphael)
- Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 17 Recitative. “Und die Engel rührten ihr' unsterblichen Harfen” (Raphael)
- Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 18 Trio. “In holder Anmut stehn” (Gabriel, Uriel, Raphael)
- Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 19 Trio with Chorus. “Der Herr ist groß in seiner Macht” (Chorus, Gabriel, Uriel, Raphael)
Haydn: Die Schöpfung (conclusion)
- Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 20 Recitative. “Und Gott sprach, es bringe die Erde hervor” (Raphael)
- Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 21 Recitative. “Gleich öffnet sich der Erde Schoss” (Raphael)
- Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 22 Aria. “Nun scheint in vollem Glanze der Himmel” (Raphael)
- Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 23 Recitative. “Und Gott schuf de Menschen” (Uriel)
- Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 24 Aria. “Mit Wurd' und Hoheit angetan” (Uriel)
- Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 25 Recitative. “Und Gott sah jedes Ding” (Raphael)
- Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 26 Chorus. “Vollendet ist das große Werk”
- Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 27 Trio. “Zu dir, o Herr, blickt alles auf” (Gabriel, Uriel, Raphael)
- Die Schöpfung (The Creation), Hob. XXI:2: Second Part. No. 28 Chorus. “Vollendet ist das große Werk”
- Die Schöpfung (The Creation), Hob. XXI:2: Third Part. No. 29 Recitative. “Aus Rosenwolken bricht” (Uriel)
- Die Schöpfung (The Creation), Hob. XXI:2: Third Part. No. 30 Duo with Chorus. “Von deiner Güt, o Herr und Gott” (Eva, Adam, Chorus)
- Die Schöpfung (The Creation), Hob. XXI:2: Third Part. No. 31 Recitative. “Nun ist die erste Pflicht erfullt” (Adam, Eva)
- Die Schöpfung (The Creation), Hob. XXI:2: Third Part. No. 32 Love Duet. “Holde Gattin, dir zur Seite” (Adam, Eva)
- Die Schöpfung (The Creation), Hob. XXI:2: Third Part. No. 33 Recitative. “O glücklich Paar, und glücklich immerfort” (Uriel)
- Die Schöpfung (The Creation), Hob. XXI:2: Third Part. No. 34 Final Chorus. “Singt dem Herren alle Stimmen”
Haydn: Cello Concertos nos. 1 & 2 (Harrell)
- Cello Concerto in C major, Hob. VIIb:1: I. Moderato (von Lynn Harrell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Cello Concerto in C major, Hob. VIIb:1: II. Adagio (von Lynn Harrell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Cello Concerto in C major, Hob. VIIb:1: III. Allegro molto (von Lynn Harrell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Cello Concerto in D major, Hob. VIIb:2: I. Allegro moderato (von Lynn Harrell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Cello Concerto in D major, Hob. VIIb:2: II. Adagio (von Lynn Harrell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Cello Concerto in D major, Hob. VIIb:2: III. Allegro (von Lynn Harrell, Academy of St Martin in the Fields, Sir Neville Marriner)
Haydn: The Seven Last Words of Christ
- Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01: I. Introduction: Maestoso ed Adagio
- Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01: II. Sonata I: Largo (Pater. dimitte illis, quia nesciunt, quid faciunt)
- Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01: III. Sonata II: Grave e cantabile (Hodie mecum eris in paradiso) (von Academy of St. Martin in the Fields, Sir Neville Marriner)
- Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01: IV. Sonata III: Grave (Mulier, ecce filius tuus)
- Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01: V. Sonata IV: Largo (Deus meus, ut quid dereliquisti me?)
- Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01: VI. Sonata V: Adagio (Sitio)
- Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01: VII. Sonata VI: Lento (Consummatum est)
- Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01: VIII. Sonata VII: Largo (Pater. in manus tuas commendo spiritum meum)
- Die sieben letzten Worte unseres Erlösers am Kreuze, original version, Hob. XX:01: IX. Il terremoto. Presto e con tutte la forza (von Academy of St Martin in the Fields, Sir Neville Marriner)
Trumpet Concertos by Haydn & Telemann… (Wilbraham)
- Trumpet Concerto no. 1 in E-flat major, Hob. VIIe:1: I. Allegro - Tempo I
- Trumpet Concerto no. 1 in E-flat major, Hob. VIIe:1: II. Andante
- Trumpet Concerto no. 1 in E-flat major, Hob. VIIe:1: III. Finale (Allegro)
- Sonata a cinque no. 7 in D major, for trumpet and strings, G. 7: I. Grave (von Giuseppe Torelli)
- Sonata a cinque no. 7 in D major, for trumpet and strings, G. 7: II. Allegro (von Giuseppe Torelli)
- Sonata a cinque no. 7 in D major, for trumpet and strings, G. 7: III. Adagio (von Giuseppe Torelli)
- Sonata a cinque no. 7 in D major, for trumpet and strings, G. 7: IV. Allegretto (von Giuseppe Torelli)
- Sonata a cinque no. 7 in D major, for trumpet and strings, G. 7: V. Grave (von Giuseppe Torelli)
- Sonata a cinque no. 7 in D major, for trumpet and strings, G. 7: VI. Allegro (von Giuseppe Torelli)
- Sonata for trumpet and continuo no. 1 in C major, IGV 1: I. Andante (von Giovanni Buonaventura Viviani)
- Sonata for trumpet and continuo no. 1 in C major, IGV 1: II. Allegro (von Giovanni Buonaventura Viviani)
- Sonata for trumpet and continuo no. 1 in C major, IGV 1: III. Presto (von Giovanni Buonaventura Viviani)
- Sonata for trumpet and continuo no. 1 in C major, IGV 1: IV. Allegro (von Giovanni Buonaventura Viviani)
- Sonata for trumpet and continuo no. 1 in C major, IGV 1: V. Adagio (von Giovanni Buonaventura Viviani)
- Trumpet Concerto in D major, TWV 51:D7: I. Adagio (von Georg Philipp Telemann)
- Trumpet Concerto in D major, TWV 51:D7: II. Allegro (von Georg Philipp Telemann)
- Trumpet Concerto in D major, TWV 51:D7: III. Grave (von Georg Philipp Telemann)
- Trumpet Concerto in D major, TWV 51:D7: IV. Allegro (von Georg Philipp Telemann)
- Sonata for trumpet and continuo no. 2 in C major, IGV 2: I. Allegro (von Giovanni Buonaventura Viviani)
- Sonata for trumpet and continuo no. 2 in C major, IGV 2: II. Allegro vivo (von Giovanni Buonaventura Viviani)
- Sonata for trumpet and continuo no. 2 in C major, IGV 2: III. Adagio (von Giovanni Buonaventura Viviani)
- Sonata for trumpet and continuo no. 2 in C major, IGV 2: IV. Aria (von Giovanni Buonaventura Viviani)
- Sonata for trumpet and continuo no. 2 in C major, IGV 2: V. Presto (von Giovanni Buonaventura Viviani)
- Sonata for two trumpets, strings and continuo in D major: I. Grave (von Petronio Franceschini)
- Sonata for two trumpets, strings and continuo in D major: II. Allegro (von Petronio Franceschini)
- Sonata for two trumpets, strings and continuo in D major: III. Adagio (von Petronio Franceschini)
- Sonata for two trumpets, strings and continuo in D major: IV. Allegro (von Petronio Franceschini)
Punto: Horn Concertos nos. 5, 6, 10 & 11 (Tuckwell)
- Horn Concerto no. 5 in F major: I. Allegro moderato (von Jan Václav Stich)
- Horn Concerto no. 5 in F major: II. Adagio (von Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 5 in F major: III. Rondo (Allegretto) (von Jan Václav Stich)
- Horn Concerto no. 6 in E-flat major: I. Allegro moderato (von Jan Václav Stich)
- Horn Concerto no. 6 in E-flat major: II. Adagio cantabile (von Jan Václav Stich)
- Horn Concerto no. 6 in E-flat major: III. Rondo (Moderato) (von Jan Václav Stich)
- Horn Concerto no. 10 in F major: I. Allegro maestoso (von Jan Václav Stich)
- Horn Concerto no. 10 in F major: II. Lento cantabile (von Jan Václav Stich)
- Horn Concerto no. 10 in F major: III. Rondo (Allegretto) (von Jan Václav Stich)
- Horn Concerto no. 11 in E major: I. Allegro (von Jan Václav Stich)
- Horn Concerto no. 11 in E major: II. Adagio (von Jan Václav Stich)
- Horn Concerto no. 11 in E major: III. Menuetto (von Jan Václav Stich)
Mozart: Overtures / Les Petits Riens
- Il rè pastore, K. 208: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Lucio Silla, K. 135: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- La finta semplice, K. 51/K. 46a: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Der Schauspieldirektor, K. 486: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Les Petits Riens, K. Anh. 10/299b: I. Ouverture (Allegro) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Les Petits Riens, K. Anh. 10/299b: II. Largo - Presto - Largo (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Les Petits Riens, K. Anh. 10/299b: III. (Gavotte) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Les Petits Riens, K. Anh. 10/299b: IV. Andantino (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Les Petits Riens, K. Anh. 10/299b: V. Allegro (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Les Petits Riens, K. Anh. 10/299b: VI. Larghetto (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Les Petits Riens, K. Anh. 10/299b: VII. Gavotte (Allegro) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Les Petits Riens, K. Anh. 10/299b: VIII. Adagio (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Les Petits Riens, K. Anh. 10/299b: IX. (without tempo indication) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Les Petits Riens, K. Anh. 10/299b: X. Gavotte gracieuse (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Les Petits Riens, K. Anh. 10/299b: XI. Pantomime (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Les Petits Riens, K. Anh. 10/299b: XII. Passepied (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Les Petits Riens, K. Anh. 10/299b: XIII. Gavotte (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Les Petits Riens, K. Anh. 10/299b: XIV. Andante (von Academy of St Martin in the Fields, Sir Neville Marriner)
Mozart: Overtures
- Le nozze di Figaro, K. 492: Overture (von Academy of St. Martin‐in‐the‐Fields, Neville Marriner)
- Die Zauberflöte, K. 620: Overture (von Academy of St. Martin-in-the-Fields, Neville Marriner)
- La clemenza di Tito, K. 621: Overture (von Academy of St. Martin-in-the-Fields, Neville Marriner)
- Lucio Silla, K. 135: Overture (von Academy of St. Martin-in-the-Fields, Neville Marriner)
- Die Entführung aus dem Serail, K. 384: Overture (von Academy of St. Martin-in-the-Fields, Neville Marriner)
- Don Giovanni, K. 527: Overture (von Academy of St. Martin-in-the-Fields, Neville Marriner)
- Idomeneo, K. 366: Overture (von Academy of St. Martin-in-the-Fields, Neville Marriner)
- Così fan tutte, K. 588: Overture (von Academy of St. Martin-in-the-Fields, Neville Marriner)
- Der Schauspieldirektor, K. 486: Overture (von Academy of St. Martin-in-the-Fields, Neville Marriner)
Mozart: Symphonies nos. 24-27 & 32
- Symphony no. 24 in B-flat major, K. 182: I. Allegro spiritoso (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 24 in B-flat major, K. 182: II. Andantino grazioso (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 24 in B-flat major, K. 182: III. Allegro (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 25 in G minor, K. 183: I. Allegro con brio (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 25 in G minor, K. 183: II. Andante (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 25 in G minor, K. 183: III. Menuetto e Trio (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 25 in G minor, K. 183: IV. Allegro (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 26 in E-flat major, K. 184: I. Molto presto (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 26 in E-flat major, K. 184: II. Andante (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 26 in E-flat major, K. 184: III. Allegro (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 27 in G major, K. 199: I. Allegro (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 27 in G major, K. 199: II. Andatino grazioso (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 27 in G major, K. 199: III. Presto (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 32 in G major, K. 318: I. Allegro spiritoso - (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 32 in G major, K. 318: II. Andante - (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 32 in G major, K. 318: III. Tempo I (von Academy of St Martin in the Fields, Neville Marriner)
Mozart: Symphonies nos. 28-30
- Symphony no. 28 in C major, K. 200: I. Allegro spiritoso (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 28 in C major, K. 200: II. Andante (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 28 in C major, K. 200: III. Menuetto (Allegretto) e Trio (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 28 in C major, K. 200: IV. Presto (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 29 in A major, K. 201: I. Allegro moderato (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 29 in A major, K. 201: II. Andante (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 29 in A major, K. 201: III. Menuetto e Trio (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 29 in A major, K. 201: IV. Allegro con spirito (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 30 in D major, K. 202: I. Molto allegro (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 30 in D major, K. 202: II. Andantino con moto (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 30 in D major, K. 202: III. Menuetto e Trio (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 30 in D major, K. 202: IV. Presto (von Academy of St Martin in the Fields, Neville Marriner)
Mozart: Symphonies nos. 31, 33 & 34
- Symphony no. 31 in D major “Paris”, K. 297: I. Allegro assai (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 31 in D major “Paris”, K. 297: II. Andante (First version) (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 31 in D major “Paris”, K. 297: III. Allegro (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 31 in D major “Paris”, K. 297: II. Andante (Second version) (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 33 in B-flat major, K. 319: I. Allegro assai (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 33 in B-flat major, K. 319: II. Andante moderato (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 33 in B-flat major, K. 319: III. Menuetto e Trio (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 33 in B-flat major, K. 319: IV. Finale: Allegro assai (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 34 in C major, K. 338: I. Allegro vivace (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 34 in C major, K. 338: II. Allegro di molto (più tosto Allegretto) (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 34 in C major, K. 338: III. Finale: Allegro vivace (von Academy of St Martin in the Fields, Neville Marriner)
- Minuet and Trio, K. 409 (von Academy of St Martin in the Fields, Neville Marriner)
- Masonic Funeral Music, K. 477 (von Academy of St Martin in the Fields, Sir Neville Marriner)
Mozart: Symphonies nos. 35 & 41
- Symphony no. 41 in C major “Jupiter”, K. 551: I. Allegro vivace (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Symphony no. 41 in C major “Jupiter”, K. 551: II. Andante cantabile (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Symphony no. 41 in C major “Jupiter”, K. 551: III. Menuetto (Allegretto) & Trio (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Symphony no. 41 in C major “Jupiter”, K. 551: IV. Finale (Molto allegro) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Symphony no. 35 in D major “Haffner”, K. 385: I. Allegro con spirito (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 35 in D major “Haffner”, K. 385: II. (Andante) (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 35 in D major “Haffner”, K. 385: III. Menuetto (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 35 in D major “Haffner”, K. 385: IV. Finale (Presto) (von Academy of St Martin in the Fields, Neville Marriner)
Mozart: Symphonies nos. 36 & 40
- Symphony no. 40 in G minor, K. 550: I. Molto allegro (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Symphony no. 40 in G minor, K. 550: II. Andante (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Symphony no. 40 in G minor, K. 550: III. Menuetto (Allegretto) & Trio (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Symphony no. 40 in G minor, K. 550: IV. Finale (Allegro assai) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Symphony no. 36 in C major “Linz”, K. 425: I. Adagio - Allegro spiritoso (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Symphony no. 36 in C major “Linz”, K. 425: II. Poco adagio (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Symphony no. 36 in C major “Linz”, K. 425: III. Menuetto (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Symphony no. 36 in C major “Linz”, K. 425: IV. Finale (Presto) (von Academy of St Martin in the Fields, Sir Neville Marriner)
Mozart: Symphonies nos. 38 & 39
- Symphony no. 38 in D major “Prague”, K. 504: I. Adagio - Allegro (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 38 in D major “Prague”, K. 504: II. Andante (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 38 in D major “Prague”, K. 504: III. Finale (Presto) (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 39 in E-flat major, K. 543: I. Adagio - Allegro (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 39 in E-flat major, K. 543: II. Andante con moto (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 39 in E-flat major, K. 543: III. Menuetto (Allegretto) & Trio (von Academy of St Martin in the Fields, Neville Marriner)
- Symphony no. 39 in E-flat major, K. 543: IV. Finale (Allegro) (von Academy of St Martin in the Fields, Neville Marriner)
Mozart: Piano Concertos nos. 5, 6 & 11 (Zacharias)
- Piano Concerto no. 6 in B-flat major, K. 238: I. Allegro aperto (von Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Piano Concerto no. 6 in B-flat major, K. 238: II. Andante un poco adagio (von Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Piano Concerto no. 6 in B-flat major, K. 238: III. Rondeau. Allegro (von Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Piano Concerto no. 11 in F major, K. 413: I. Allegro (von Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Piano Concerto no. 11 in F major, K. 413: II. Larghetto (von Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Piano Concerto no. 11 in F major, K. 413: III. Tempo di minuetto (von Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Piano Concerto no. 5 in D major, K. 175: I. Allegro (von Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Piano Concerto no. 5 in D major, K. 175: II. Andante ma un poco adagio (von Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Piano Concerto no. 5 in D major, K. 175: III. Allegro (von Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
Mozart: Piano Concertos no. 16 & 19 (Zacharias)
- Piano Concerto no. 16 in D major, K. 451: I. Allegro assai (von Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Piano Concerto no. 16 in D major, K. 451: II. Andante (von Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Piano Concerto no. 16 in D major, K. 451: III. Allegro di molto (von Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Piano Concerto no. 19 in F major, K. 459: I. Allegro (von Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Piano Concerto no. 19 in F major, K. 459: II. Allegretto (von Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Piano Concerto no. 19 in F major, K. 459: III. Allegro assai (von Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
Mozart: Piano Concertos nos. 17 & 18 (Zacharias)
- Piano Concerto no. 17 in G major, op. 9, K. 453: I. Allegro (von Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Piano Concerto no. 17 in G major, op. 9, K. 453: II. Andante (von Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Piano Concerto no. 17 in G major, op. 9, K. 453: III. Allegretto (von Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Piano Concerto no. 18 in B-flat major, K. 456: I. Allegro vivace (von Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Piano Concerto no. 18 in B-flat major, K. 456: II. Andante un poco sostenuto (von Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Piano Concerto no. 18 in B-flat major, K. 456: III. Allegro vivace (von Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
Mozart: Piano Concertos nos. 22 & 27 (Buchbinder)
- Piano Concerto no. 22 in E-flat major, K. 482: I. Allegro (von Rudolf Buchbinder, Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto no. 22 in E-flat major, K. 482: II. Andante (von Rudolf Buchbinder, Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto no. 22 in E-flat major, K. 482: III. Allegro (von Rudolf Buchbinder, Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto no. 27 in B-flat major, op. 17, K. 595: I. Allegro (von Rudolf Buchbinder, Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto no. 27 in B-flat major, op. 17, K. 595: II. Larghetto (von Rudolf Buchbinder, Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto no. 27 in B-flat major, op. 17, K. 595: III. Allegro (von Rudolf Buchbinder, Academy of St Martin in the Fields, Sir Neville Marriner)
Mozart: Violin Concerto no. 1 / Sinfonia concertante (Mutter)
- Violin Concerto no. 1 in B-flat major, K. 207: I. Allegro moderato (von Anne‐Sophie Mutter, Academy of St Martin in the Fields, Sir Neville Marriner)
- Violin Concerto no. 1 in B-flat major, K. 207: II. Adagio (von Anne‐Sophie Mutter, Academy of St Martin in the Fields, Sir Neville Marriner)
- Violin Concerto no. 1 in B-flat major, K. 207: III. Allegro (von Anne‐Sophie Mutter, Academy of St Martin in the Fields, Sir Neville Marriner)
- Adagio for violin and orchestra in E major, K. 261 (von Anne‐Sophie Mutter, Academy of St Martin in the Fields, Sir Neville Marriner)
- Sinfonia concertante for violin and viola in E-flat major, K. 364: I. Allegro maestoso
- Sinfonia concertante for violin and viola in E-flat major, K. 364: II. Andante
- Sinfonia concertante for violin and viola in E-flat major, K. 364: III. Presto
Mozart: Horn Concertos nos. 1-4 / Rondo K. 371 (Tuckwell)
- Horn Concerto no. 1 in D major, K. 412: I. Allegro (von Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 1 in D major, K. 412: II. Rondo (Allegro) (Compl. Franz Xaver Süßmayr) (von Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 2 in E-flat major, K. 417: I. Allegro maestoso (von Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 2 in E-flat major, K. 417: II. Andante (von Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 2 in E-flat major, K. 417: III. Rondo (von Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Rondo for horn and orchestra in E-flat major, K. 371 (compl. Barry Tuckwell) (von Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto movement in F major, K. 494a (fragment) (von Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 3 in E-flat major, K. 447: I. Allegro (von Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 3 in E-flat major, K. 447: II. Romance (Larghetto) (von Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 3 in E-flat major, K. 447: III. Allegro (von Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 4 in E-flat major, K. 495: I. Allegro moderato (von Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 4 in E-flat major, K. 495: II. Romance (Andante cantabile) (von Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 4 in E-flat major, K. 495: III. Rondo (Allegro vivace) (von Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner)
Mozart: Horn Concertos nos. 1-4 / Quintet for horn & strings (Pyatt)
- Horn Concerto no. 1 in D major, K. 412: I. Allegro (von David Pyatt, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 1 in D major, K. 412: II. Rondo (Allegro) (Compl. Franz Xaver Süßmayr) (von David Pyatt, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 2 in E-flat major, K. 417: I. Allegro maestoso (von David Pyatt, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 2 in E-flat major, K. 417: II. Andante (von David Pyatt, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 2 in E-flat major, K. 417: III. Rondo (von David Pyatt, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 3 in E-flat major, K. 447: I. Allegro (von David Pyatt, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 3 in E-flat major, K. 447: II. Romance (Larghetto) (von David Pyatt, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 3 in E-flat major, K. 447: III. Allegro (von David Pyatt, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 4 in E-flat major, K. 495: I. Allegro moderato (von David Pyatt, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 4 in E-flat major, K. 495: II. Romance (Andante cantabile) (von David Pyatt, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 4 in E-flat major, K. 495: III. Rondo (Allegro vivace) (von David Pyatt, Academy of St Martin in the Fields, Sir Neville Marriner)
- Quintet for horn, violin, 2 violas and cello in E-flat major, K. 407: I. Allegro moderato
- Quintet for horn, violin, 2 violas and cello in E-flat major, K. 407: II. Andante
- Quintet for horn, violin, 2 violas and cello in E-flat major, K. 407: III. Rondo (Allegro)
Mozart: Sacred Arias (Hendricks)
- Cantata “Grabmusik”, K. 42/35a: IV. “Geliebte Seel', was redest du? … Betracht dies Herz” (Angel)
- Vesperae de Dominica, K. 321: V. Laudate Dominum (von Barbara Hendricks, Academy of St Martin in the Fields, Sir Neville Marriner)
- Mass in C minor “Great”, K. 427/417a: III. Credo - Et incarnatus est (von Barbara Hendricks, Academy of St Martin in the Fields, Sir Neville Marriner)
- Motet “Exsultate, jubilate”, K. 165/158a (von Barbara Hendricks, Academy of St Martin in the Fields, Sir Neville Marriner)
- Litaniae lauretanae, K. 195/186d: V. Agnus Dei (von Academy of St. Martin in the Fields Chorus, Barbara Hendricks, Academy of St Martin in the Fields, Sir Neville Marriner)
- Davidde penitente, K. 469: No. 8 Aria “Fra l'oscure ombre funeste” (von Barbara Hendricks, Academy of St Martin in the Fields, Sir Neville Marriner)
- Vesperae solennes de confessore, K. 339: V. Laudate Dominum (von Barbara Hendricks, Justin Sillman, Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Litaniae de venerabili altaris sacramento, K. 243: VI. Dulcissimum convivium (von Barbara Hendricks, Academy of St Martin in the Fields, Sir Neville Marriner)
- Mass no. 15 in C major “Coronation”, K. 317: VI. Agnus Dei (von Academy of St. Martin in the Fields Chorus, Barbara Hendricks, Academy of St Martin in the Fields, Sir Neville Marriner)
Mozart and His Contemporaries (Roocroft)
- “Alma grande e nobil core”, concert aria, K. 578
- “Basta, vincesti … Ah, non lasciarmi”, recitative and aria, K. 486a/295a
- Don Giovanni, K. 527: Act II. “In quali eccessi … Mi tradì quell'alma ingrata”
- Idomeneo, re di Creta, K. 366: Act II. “Se il padre perdei”
- Così fan tutte, K. 588: Act II. “Ei parte! … Per pietà, ben mio”
- Artemisia: “Entro quest'anima”
- Il sacrificio d' Abramo: “Chi per pietà mi dice … Deh, parlate”
- Scena di Berenice, recitative and aria, Hob. XXIVa:10: “Berenice, che fai?… Non partir…”
Eine kleine Nachtmusik
- Serenade no. 13 in G major “Eine kleine Nachtmusik”, K. 525: I. Allegro (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Serenade no. 13 in G major “Eine kleine Nachtmusik”, K. 525: II. Romanze (Andante) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Serenade no. 13 in G major “Eine kleine Nachtmusik”, K. 525: III. Menuetto (Allegretto) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Serenade no. 13 in G major “Eine kleine Nachtmusik”, K. 525: IV. Rondo (Allegro) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Orfeo und Euridice: Dance of the Blessed Spirits (von Academy of St Martin in the Fields, Sir Neville Marriner)
- “Toy” Symphony: I. Allegro (von Academy of St Martin in the Fields, Sir Neville Marriner)
- “Toy” Symphony: II. Menuetto (Allegretto) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- “Toy” Symphony: III. Allegro moderato (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Rosamunde, incidental music, op. 26, D 797: Entr'acte in B-flat major (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Xerxes, HWV 40: Largo (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Cantata “Herz und Mund un Tat und Leben”, BWV 147: Choral “Herz und Mund un Tat und Leben” (von Academy of St Martin in the Fields, Sir Neville Marriner)
Beethoven: 2 Romances / Mozart & Schubert: Rondos
- Rondo for violin and orchestra in C major, K. 373 (von Josef Suk, Academy of St Martin in the Fields, Neville Marriner)
- Romance for violin and orchestra no. 1 in G major, op. 40 (von Josef Suk, Academy of St Martin in the Fields, Sir Neville Marriner)
- Romance for violin and orchestra no. 2 in F major, op. 50 (von Josef Suk, Academy of St Martin in the Fields, Sir Neville Marriner)
- Adagio for violin and orchestra in E major, K. 261 (von Josef Suk, Academy of St Martin in the Fields, Neville Marriner)
- Rondo for violin and orchestra in A major, D 438: I. Adagio (von Franz Schubert)
- Rondo for violin and orchestra in A major, D 438: II. Allegro giusto (von Franz Schubert)
Beethoven: Piano Concertos nos. 2 & 3 (Fellner)
- Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio
- Piano Concerto no. 3 in C minor, op. 37: II. Largo (von Till Fellner, Academy of St Martin in the Fields & Sir Neville Marriner)
- Piano Concerto no. 3 in C minor, op. 37: III. Rondo: Allegro (von Till Fellner, Academy of St Martin in the Fields & Sir Neville Marriner)
- Piano Concerto no. 2 in B-flat major, op. 19: I. Allegro con brio (von Till Fellner, Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto no. 2 in B-flat major, op. 19: II. Adagio (von Till Fellner, Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto no. 2 in B-flat major, op. 19: III. Rondo: Molto allegro (von Till Fellner, Academy of St Martin in the Fields, Sir Neville Marriner)
Beethoven: Violin Concerto / 2 Romances (Sitkovetsky)
- Violin Concerto in D major, op. 61: I. Allegro non troppo
- Violin Concerto in D major, op. 61: II. Larghetto
- Violin Concerto in D major, op. 61: III. Rondo: Allegro (von Dmitry Sitkovetsky, Academy of St Martin in the Fields, Sir Neville Marriner)
- Romance for Violin and Orchestra no. 1 in G major, op. 40
- Romance for violin and orchestra no. 2 in F major, op. 50
Cherubini: Overtures
- Éliza, ou Le Voyage aux Glaciers du Mont Saint-Bernard: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Médée: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- L'Hôtellerie portugaise: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Les Deux Journées, ou Le Porteur d'eau: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Anacréon, ou L'Amour fugitif: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Faniska: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Les Abencérages, ou L'Étendard de Grenade: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Concert Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
Horn Concertos by Telemann, Förster, Weber, L. Mozart (Tuckwell)
- Horn Concerto in D major, TWV 51:D8: I. Vivace (von Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto in D major, TWV 51:D8: II. Largo (von Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto in D major, TWV 51:D8: III. Allegro (von Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Sonata for horn and strings no. 2: I. Largo (von Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Sonata for horn and strings no. 2: II. Allegro moderato (von Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto in E-flat major: I. Con discrezione (von Christoph Förster)
- Horn Concerto in E-flat major: II. Adagio (von Christoph Förster)
- Horn Concerto in E-flat major: III. Allegro (von Christoph Förster)
- Horn Concertino in E minor, op. 45, J. 188: I. Adagio - Andante (von Carl Maria von Weber)
- Horn Concertino in E minor, op. 45, J. 188: II. Andante con moto (von Carl Maria von Weber)
- Horn Concertino in E minor, op. 45, J. 188: III. Recitativo - Adagio (von Carl Maria von Weber)
- Horn Concertino in E minor, op. 45, J. 188: IV. Polacca (von Carl Maria von Weber)
- Concerto for horn and strings in D major: I. Allegro moderato (von Leopold Mozart)
- Concerto for horn and strings in D major: II. Andante (von Leopold Mozart)
- Concerto for horn and strings in D major: III. Allegro (von Leopold Mozart)
Music for double bass (Slatford)
- Romance and Rondo for double bass and orchestra in E minor: Romance
- Romance and Rondo for double bass and orchestra in E minor: Rondo
- Divertimento for viola, cello and double bass in E-flat major, MH 9: I. Adagio con variazioni
- Divertimento for viola, cello and double bass in E-flat major, MH 9: II. Menuetto
- Divertimento for viola, cello and double bass in E-flat major, MH 9: III. Presto
- Sinfonia concertante for viola, double bass and orchestra in D major: I. Allegro
- Sinfonia concertante for viola, double bass and orchestra in D major: II. Andantino
- Sinfonia concertante for viola, double bass and orchestra in D major: III. Menuetto e Trio
- Sinfonia concertante for viola, double bass and orchestra in D major: IV. Allegro ma non troppo
- Duetto for cello and double bass in D major, IGR 19: I. Allegro
- Duetto for cello and double bass in D major, IGR 19: II. Andante
- Duetto for cello and double bass in D major, IGR 19: III. Allegro
Rossini: Overtures
- La gazza ladra: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Semirande: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- La Cenerentola: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- La scala di seta: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Guillaume Tell: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- La cambiale di matrimonio: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Il barbiere di Siviglia: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
Suppé: Overtures
- Leichte Kavallerie (Light Cavalry): Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Tantalusqualen (The Torments of Tantalus): Overture (von Academy of St Martin in the Fields, Neville Marriner)
- Die Irrfahrt um's Glück (The Peregrination after Fortune): Overture (von Academy of St Martin in the Fields, Neville Marriner)
- Die Frau Mesterin (The Lady Mistress): Overture (von Academy of St Martin in the Fields, Neville Marriner)
- Ein Morgen, ein Mittag und ein Abend in Wien (Morning, Noon and Night in Vienna): Overture (von Academy of St Martin in the Fields, Neville Marriner)
- Pique-Dame (Die Kartenschlägerin) (The Queen of Spades (The Fortune Teller)): Overture (von Academy of St Martin in the Fields, Neville Marriner)
- Wiener Jubel-Ouvertüre (Viennese Jubilee Overture) (von Academy of St Martin in the Fields, Neville Marriner)
- Dichter und Bauer (Poet and Peasant): Overture (von Academy of St Martin in the Fields, Neville Marriner)
Grieg & Mendelssohn: Piano Concertos (Ousset)
- Piano Concerto in A minor, op. 16: I. Allegro molto moderato (von Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner)
- Piano Concerto in A minor, op. 16: II. Adagio (von Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner)
- Piano Concerto in A minor, op. 16: III. Allegro moderato molto e marcato (von Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner)
- Piano Concerto no. 1 in G minor, op. 25: I. Molto allegro con fuoco (von Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner)
- Piano Concerto no. 1 in G minor, op. 25: II. Andante (von Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner)
- Piano Concerto no. 1 in G minor, op. 25: III. Presto - Molto allegro e vivace (von Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner)
Grieg: Peer Gynt (Popp)
- Peer Gynt, op. 23: Act One. No. 1 Prelude. At the Wedding (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Peer Gynt, op. 23: Act One. No. 2 The Bridal Procession (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Peer Gynt, op. 23: Act Two. No. 4 Prelude. The Abduction of the Bride. Ingrid's Lament (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Peer Gynt, op. 23: Act Two. No. 7 In the Hall of the Mountain King (von The Ambrosian Singers, Academy of St Martin in the Fields, Sir Neville Marriner)
- Peer Gynt, op. 23: Act Two. No. 8 Dance of the Mountain King's Daughter (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Peer Gynt, op. 23: Act Three. No. 12 The Death of Ǻse (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Peer Gynt, op. 23: Act Four. No. 13 Prelude. Morning Mood (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Peer Gynt, op. 23: Act Four. No. 15 Arabian Dance
- Peer Gynt, op. 23: Act Four. No. 16 Anitra's Dance (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Peer Gynt, op. 23: Act Four. No. 18 Solveig's Song (von Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner)
- Peer Gynt, op. 23: Act Five. No. 21 Prelude. Peer Gynt's Homecoming (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Peer Gynt, op. 23: Act Five. No. 26 Solveig's Cradle Song (von Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner)
Vieuxtemps: Cello Concertos nos. 1 & 2 (Schiff)
- Cello Concerto no. 1 in A minor, op. 46: I. Allegro moderato - Cadenza - Allegro
- Cello Concerto no. 1 in A minor, op. 46: II. Andante
- Cello Concerto no. 1 in A minor, op. 46: III. Finale (Allegro)
- Cello Concerto no. 2 in B minor, op. 50: I. Allegro
- Cello Concerto no. 2 in B minor, op. 50: II. Adagio
- Cello Concerto no. 2 in B minor, op. 50: III. Finale (Allegretto con moto)
Bizet: Symphony in C major / L'Arlésienne, Suites 1 & 2
- Symphony in C major, WD 33: I. Allegro vivo (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Symphony in C major, WD 33: II. Adagio (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Symphony in C major, WD 33: III. Scherzo (Allegro vivace) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Symphony in C major, WD 33: IV. Finale (Allegro vivace) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- L'Arlésienne, Suite no. 1, op. 23bis, WD 40: I. Prelude (Allegro deciso. Tempo di Marcia) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- L'Arlésienne, Suite no. 1, op. 23bis, WD 40: II. Menuet (Allegro giocoso) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- L'Arlésienne, Suite no. 1, op. 23bis, WD 40: III. Adagietto (von Academy of St Martin in the Fields, Sir Neville Marriner)
- L'Arlésienne, Suite no. 1, op. 23bis, WD 40: IV. Carillon (Allegretto moderato) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- L'Arlésienne, Suite no. 2: I. Pastorale (Andante sostenuto assai) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- L'Arlésienne, Suite no. 2: II. Intermezzo (Andante moderato ma con moto) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- L'Arlésienne, Suite no. 2: III. Menuet (Andantino quasi allegretto) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- L'Arlésienne, Suite no. 2: IV. Farandole (Allegro deciso - Tempo di Marcia) (von Academy of St Martin in the Fields, Sir Neville Marriner)
Saxophone Concertos (Harle)
- Rapsodie for saxophone, CD 104, L. 98
- Concertino da camera for alto saxophone: I. Allegro con moto (von Academy of St Martin in the Fields, Neville Marriner, John Harle)
- Concertino da camera for alto saxophone: II. Larghetto (von Academy of St Martin in the Fields, Neville Marriner, John Harle)
- Concertino da camera for alto saxophone: III. Animato molto (von Academy of St Martin in the Fields, Neville Marriner, John Harle)
- Fantasia for soprano saxophone and chamber orchestra: I. Animé (von Academy of St Martin in the Fields, Neville Marriner, John Harle)
- Fantasia for soprano saxophone and chamber orchestra: II. Lent (von Academy of St Martin in the Fields, Neville Marriner, John Harle)
- Fantasia for soprano saxophone and chamber orchestra: III. Très animé (von Academy of St Martin in the Fields, Neville Marriner, John Harle)
- Saxophone Concerto in E-flat major, op. 109: I. Allegro moderato (von Academy of St Martin in the Fields, Neville Marriner, John Harle)
- Saxophone Concerto in E-flat major, op. 109: II. Andante (von Academy of St Martin in the Fields, Neville Marriner, John Harle)
- Saxophone Concerto in E-flat major, op. 109: III. Allegro (von Academy of St Martin in the Fields, Neville Marriner, John Harle)
- Concerto for alto saxophone: I. Molto vivo (von Academy of St Martin in the Fields, Neville Marriner, John Harle)
- Concerto for alto saxophone: II. Interlude (Andante) (von Academy of St Martin in the Fields, Neville Marriner, John Harle)
- Concerto for alto saxophone: III. Allegro - Lento (von Academy of St Martin in the Fields, Neville Marriner, John Harle)
- Out of the Cool (von Academy of St Martin in the Fields, Neville Marriner, John Harle)
Contrasts - The Lighter Elgar
- Minuet, op. 21 (von Royal Philharmonic Orchestra, Lawrance Collingwood)
- May Song (von Royal Philharmonic Orchestra, Lawrance Collingwood)
- Rosemary (von Royal Philharmonic Orchestra, Lawrance Collingwood)
- Romance for bassoon in D minor, op. 62
- Sevillaña, op. 7
- Sérénade lyrique in C major
- Three Characteristic Pieces, op. 10: No. 1 Mazurka
- Three Characteristic Pieces, op. 10: No. 2 Sérénade mauresque
- Three Characteristic Pieces, op. 10: No. 3 Contrasts: The Gavotte - A.D. 1700 and 1900
- Carissima
- Mina
Falla: El sombrero de tres picos / Noches en los jardines de España
- El sombrero de tres picos (The Three-Cornered Hat): Introduction
- El sombrero de tres picos (The Three-Cornered Hat): Part I: La tarde (Afternoon). La tarde (von Academy of St Martin in the Fields, Sir Neville Marriner)
- El sombrero de tres picos (The Three-Cornered Hat): Part I: La tarde (Afternoon). Danza de la molinera (von Academy of St Martin in the Fields, Sir Neville Marriner)
- El sombrero de tres picos (The Three-Cornered Hat): Part I: La tarde (Afternoon). Las uvas (von Academy of St Martin in the Fields, Sir Neville Marriner)
- El sombrero de tres picos (The Three-Cornered Hat): Part II: La noche (Night). Danza de los vecinos (von Academy of St Martin in the Fields, Sir Neville Marriner)
- El sombrero de tres picos (The Three-Cornered Hat): Part II: La noche (Night). Danza del molinero (von Academy of St Martin in the Fields, Sir Neville Marriner)
- El sombrero de tres picos (The Three-Cornered Hat): Part II: La noche (Night). Danza del corregidor (von Academy of St Martin in the Fields, Sir Neville Marriner)
- El sombrero de tres picos (The Three-Cornered Hat): Part II: La noche (Night). Danza final (Jota) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Noches en los jardines de España (Nights in the gardens of Spain): I. En el Generalife
- Noches en los jardines de España (Nights in the gardens of Spain): II. Danza lejana -
- Noches en los jardines de España (Nights in the gardens of Spain): III. En los jardines de la Sierra de Córdoba
Respighi: Gli uccelli / Trittico botticelliano
- Gli uccelli (The Birds), P. 154: Prelude, after Bernardo Pasquini (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Gli uccelli (The Birds), P. 154: La colomba (The Dove), after Jacques Gallot (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Gli uccelli (The Birds), P. 154: La gallina (The Hen), after Jean-Philippe Rameau (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Gli uccelli (The Birds), P. 154: L'usignuolo (The Nightingale), after anon. English (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Gli uccelli (The Birds), P. 154: Il cucù (The Cuckoo), after Bernardo Pasquini (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Trittico botticelliano, P. 151: I. La Primavera (Spring) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Trittico botticelliano, P. 151: II. L'Adorazione del Magi (The Adoration of the Magi) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Trittico botticelliano, P. 151: III. La nascita di Venere (The Birth of Venus) (von Academy of St Martin in the Fields, Sir Neville Marriner)
Wolf-Ferrari: Orchestral Music
- Il segreto di Susanna (Susanna's Secret): Overture (Vivacissimo) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Il segreto di Susanna (Susanna's Secret): Intermezzo (von Andrew Marriner, Academy of St Martin in the Fields, Sir Neville Marriner)
- I quattro rusteghi (The Four Boots): Prelude (Tranquillo, semplice) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- I quattro rusteghi (The Four Boots): Intermezzo (von Academy of St Martin in the Fields, Sir Neville Marriner)
- La dama boba (The Blackward): Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Il campiello (The Little Square): Intermezzo (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Il campiello (The Little Square): Ritornello (von Academy of St Martin in the Fields, Sir Neville Marriner)
- L'amore medico (Doctor Cupid): Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- L'amore medico (Doctor Cupid): Intermezzo
- I gioielli della Madonna (The Jewels of the Madonna): Festa populare (von Academy of St Martin in the Fields, Sir Neville Marriner)
- I gioielli della Madonna (The Jewels of the Madonna): Intermezzo, Act 2 (von Academy of St Martin in the Fields, Sir Neville Marriner)
- I gioielli della Madonna (The Jewels of the Madonna): Intermezzo, Act 3: Serenata
- I gioielli della Madonna (The Jewels of the Madonna): Donza napolitana (von Academy of St Martin in the Fields, Sir Neville Marriner)
Martin: Petite symphonie concertante / Bloch: Concerto grosso no. 1
- Petite symphonie concertante for harp, harpsichord, piano and strings, op. 54: I. Adagio
- Petite symphonie concertante for harp, harpsichord, piano and strings, op. 54: II. Allegro con moto
- Petite symphonie concertante for harp, harpsichord, piano and strings, op. 54: III. Adagio
- Petite symphonie concertante for harp, harpsichord, piano and strings, op. 54: IV. Allegretto alla marcia
- Concerto grosso no. 1 for strings an piano obbligato: I. Prelude (Allegro energico e pesante)
- Concerto grosso no. 1 for strings an piano obbligato: II. Dirge (Andante moderato)
- Concerto grosso no. 1 for strings an piano obbligato: III. Pastorale and Rustic Dances
- Concerto grosso no. 1 for strings an piano obbligato: IV. Fugue (Allegro)
Stravinsky: Dumberton Oaks / Concerto in D / Danses concertantes
- Concerto in E-flat major “Dumbarton Oaks”: I. Tempo giusto (von Igor Stravinsky)
- Concerto in E-flat major “Dumbarton Oaks”: II. Allegretto (von Igor Stravinsky)
- Concerto in E-flat major “Dumbarton Oaks”: III. Con moto (von Igor Stravinsky)
- Concerto in D major for String Orchestra: I. Vivace (von Igor Stravinsky)
- Concerto in D major for string orchestra: II. Arioso (Andantino) (von Igor Stravinsky)
- Concerto in D major for String Orchestra: III. Rondo (Allegro) (von Igor Stravinsky)
- Danses concertantes: Marche (Introduction)
- Danses concertantes: Pas d'action (Con moto)
- Danses concertantes: Thème varié (Lento) (von Igor Stravinsky)
- Danses concertantes: Variation I (Allegretto) (von Igor Stravinsky)
- Danses concertantes: Variation II (Scherzando) (von Igor Stravinsky)
- Danses concertantes: Variation III (Andantino) (von Igor Stravinsky)
- Danses concertantes: Variation IV (Coda: Tempo giusto) (von Igor Stravinsky)
- Danses concertantes: Pas de deux (Risoluto)
- Danses concertantes: Marche (Conclusion)
Stravinsky: Pulcinella / 2 suites for small orchestra
- Pulcinella: I. Overture. Allegro moderato
- Pulcinella: II. Serenata. Larghetto: “Mentre l'erbetta pasce l'agnella” - Scherzino (von Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner)
- Pulcinella: III. Allegretto. “Contento forse vivere”
- Pulcinella: IV. Allegro (alla breve). “Con queste paroline”
- Pulcinella: V. Largo (Trio). “Sento dire no'ncè pace”
- Pulcinella: VI. Tarantella. “Una te fala nzemprece” (von Robert Tear, Academy of St Martin in the Fields, Sir Neville Marriner)
- Pulcinella: VII. Andantino. “Se tu m'ami”
- Pulcinella: VIII. Gavotta con due variazioni (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Pulcinella: IX. Variazione I (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Pulcinella: X. Variazione II (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Pulcinella: XI. Tempo di minuetto. “Pupilette, fiammette d'amore” - Finale. Allegro assai
- Suite no. 1 for small orchestra: I. Andante
- Suite no. 1 for small orchestra: II. Napolitana
- Suite no. 1 for small orchestra: III. Española
- Suite no. 1 for small orchestra: IV. Balalaïka
- Suite no. 2 for small orchestra: I. Marche
- Suite no. 2 for small orchestra: II. Valse
- Suite no. 2 for small orchestra: III. Polka
- Suite no. 2 for small orchestra: IV. Galop
English String Music
- St. Paul's Suite, op. 29 no. 2: I. Jig (von Academy of St Martin in the Fields, Sir Neville Marriner)
- St. Paul's Suite, op. 29 no. 2: II. Ostinato (von Academy of St Martin in the Fields, Sir Neville Marriner)
- St. Paul's Suite, op. 29 no. 2: III. Intermezzo (von Academy of St Martin in the Fields, Sir Neville Marriner)
- St. Paul's Suite, op. 29 no. 2: IV. Finale. The Dargason (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Two Aquarelles: I. Slow (Lento, ma non troppo) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Two Aquarelles: II. Gaily, but not quick (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Chaconne in G minor for strings, Z. 730 (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Three Preludes founded on Welsh Hymn Tunes: No. 2, Rhosymedre (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Henry V: I. Passacaglia: The Death of Falstaff (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Henry V: II. Touch her soft lips and part (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Simple Symphony, op. 4: I. Boisterous Bourrée (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Simple Symphony, op. 4: II. Playful Pizzicato (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Simple Symphony, op. 4: III. Sentimental Saraband (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Simple Symphony, op. 4: IV. Frolicsome Finale (von Academy of St Martin in the Fields, Sir Neville Marriner)
Britten: Les Illuminations (Harper) / Serenade (Tear)
- Les Illuminations, op. 18: No. 1. Fanfare
- Les Illuminations, op. 18: No. 2. Villes
- Les Illuminations, op. 18: No. 3a. Phrase
- Les Illuminations, op. 18: No. 3b. Antique
- Les Illuminations, op. 18: No. 4. Royauté
- Les Illuminations, op. 18: No. 5. Marine
- Les Illuminations, op. 18: No. 6. Interlude
- Les Illuminations, op. 18: No. 7. Being Beauteous
- Les Illuminations, op. 18: No. 8. Parade
- Les Illuminations, op. 18: No. 9. Départ
- Serenade for tenor, horn and strings, op. 31: No. 1. Prologue (von Alan Civil)
- Serenade for tenor, horn and strings, op. 31: No. 2. Pastoral (Charles Cotton)
- Serenade for tenor, horn and strings, op. 31: No. 3. Nocturne (Alfred Lord Tennyson)
- Serenade for tenor, horn and strings, op. 31: No. 4. Elegy (William Blake)
- Serenade for tenor, horn and strings, op. 31: No. 5. Dirge (Anonymous)
- Serenade for tenor, horn and strings, op. 31: No. 6. Hymn (Ben Jonson)
- Serenade for tenor, horn and strings, op. 31: No. 7. Sonnet (John Keats)
- Serenade for tenor, horn and strings, op. 31: No. 8. Epilogue (von Alan Civil)
Britten: The Young Person's Guide to the orchestra / Four Sea Interludes / Men of Goodwill
- The Young Person's Guide to the Orchestra (Variations and Fugue on a theme of Purcell), op. 34 (von Minnesota Orchestra, Sir Neville Marriner)
- Four Sea Interludes from Peter Grimes, op. 33a: No. 1. Dawn (von Minnesota Orchestra, Sir Neville Marriner)
- Four Sea Interludes from Peter Grimes, op. 33a: No. 2. Sunday Morning (von Minnesota Orchestra, Sir Neville Marriner)
- Four Sea Interludes from Peter Grimes, op. 33a: No. 3. Moonlight (von Minnesota Orchestra, Sir Neville Marriner)
- Four Sea Interludes from Peter Grimes, op. 33a: No. 4. Storm (von Minnesota Orchestra, Sir Neville Marriner)
- Men of Goodwill (von Minnesota Orchestra, Sir Neville Marriner)
Copland: Appalachian Spring / Rodeo / El salón México
- El Salón México (von Aaron Copland)
- Four Dance Episodes from “Rodeo”: I. Buckaroo Holiday (von Aaron Copland)
- Four Dance Episodes from “Rodeo”: II. Transition - Corral Nocturne (von Aaron Copland)
- Four Dance Episodes from “Rodeo”: III. Saturday: Night Waltz (von Aaron Copland)
- Four Dance Episodes from “Rodeo”: IV. Hoe-Down (von Aaron Copland)
- Appalachian Spring, suite from the ballet: 1. Very slowly (von Aaron Copland)
- Appalachian Spring, suite from the ballet: 2. Allegro (von Aaron Copland)
- Appalachian Spring, suite from the ballet: 3. Moderato: The Bride and her Intended (von Aaron Copland)
- Appalachian Spring, suite from the ballet: 4. Fast: The Revivalist and his Flock (von Aaron Copland)
- Appalachian Spring, suite from the ballet: 5. Allegro: Solo Dance of the Bride (von Aaron Copland)
- Appalachian Spring, suite from the ballet: 6. Meno mosso (von Aaron Copland)
- Appalachian Spring, suite from the ballet: 7. Doppio movimento: Variations on a Shaker Hymn (von Aaron Copland)
- Appalachian Spring, suite from the ballet: 8. Moderato: Coda (von Aaron Copland)
Walton: Façade
- Façade - An entertainment with poems by Edith Sitwell: Fanfare
- Façade - An entertainment with poems by Edith Sitwell: 1. Hornpipe
- Façade - An entertainment with poems by Edith Sitwell: 2. En famille
- Façade - An entertainment with poems by Edith Sitwell: 3. Mariner Man
- Façade - An entertainment with poems by Edith Sitwell: 4. Long Steel Grass
- Façade - An entertainment with poems by Edith Sitwell: 5. Through gilded trellises
- Façade - An entertainment with poems by Edith Sitwell: 6. Tango-pasodoble (I do like to be beside the seaside)
- Façade - An entertainment with poems by Edith Sitwell: 7. Lullaby for Jumbo
- Façade - An entertainment with poems by Edith Sitwell: 8. Black Mrs Behemoth
- Façade - An entertainment with poems by Edith Sitwell: 9. Tarantella
- Façade - An entertainment with poems by Edith Sitwell: 10. A Man from a far Countree
- Façade - An entertainment with poems by Edith Sitwell: 11. By the Lake
- Façade - An entertainment with poems by Edith Sitwell: 12. Country Dance
- Façade - An entertainment with poems by Edith Sitwell: 13. Polka
- Façade - An entertainment with poems by Edith Sitwell: 14. Four in the Morning
- Façade - An entertainment with poems by Edith Sitwell: 15. Something lies beyond the scene
- Façade - An entertainment with poems by Edith Sitwell: 16. Valse
- Façade - An entertainment with poems by Edith Sitwell: 17. Jodelling Song
- Façade - An entertainment with poems by Edith Sitwell: 18. Scotch Rhapsody
- Façade - An entertainment with poems by Edith Sitwell: 19. Popular Song
- Façade - An entertainment with poems by Edith Sitwell: 20. Old Sir Faulk (Fox-trot)
- Façade - An entertainment with poems by Edith Sitwell: 21. Sir Beezebub
Tippett: Divertimento / LIttle Music for string orchestra / Sonata for four horns / Concerto for double string orchestra
- Divertimento on “Sellinger's Round”, for chamber orchestra: I. Allegro (von Academy of St Martin in the Fields, Neville Marriner)
- Divertimento on “Sellinger's Round”, for chamber orchestra: II. A Lament (Andante espressivo) (von Academy of St Martin in the Fields, Neville Marriner)
- Divertimento on “Sellinger's Round”, for chamber orchestra: III. Presto (von Academy of St Martin in the Fields, Neville Marriner)
- Divertimento on “Sellinger's Round”, for chamber orchestra: IV. Adagio (von Academy of St Martin in the Fields, Neville Marriner)
- Divertimento on “Sellinger's Round”, for chamber orchestra: V. Allegro assai (von Academy of St Martin in the Fields, Neville Marriner)
- Little Music for string orchestra: I. Prelude (Maestoso) (von Academy of St Martin in the Fields, Neville Marriner)
- Little Music for string orchestra: II. Fugue (Allegro moderato (A tempo doppio più mosso)) (von Academy of St Martin in the Fields, Neville Marriner)
- Little Music for string orchestra: III. Air (Andante espressivo) (von Academy of St Martin in the Fields, Neville Marriner)
- Little Music for string orchestra: IV. Finale (Vivace) (von Academy of St Martin in the Fields, Neville Marriner)
- Sonata for four horns: I. Allegro molto moderato (von Sir Michael Tippett)
- Sonata for four horns: II. Allegro giocoso (von Sir Michael Tippett)
- Sonata for four horns: III. Lento cantabile tranquillo in stile notturno (von Sir Michael Tippett)
- Sonata for four horns: IV. Allegro molto e vigoroso (von Sir Michael Tippett)
- Concerto for Double String Orchestra: I. Allegro con brio (von Sir Michael Tippett)
- Concerto for Double String Orchestra: II. Adagio cantabile (von Sir Michael Tippett)
- Concerto for Double String Orchestra: III. Allegro molto (von Sir Michael Tippett)
The Academy in Concert
- Adagio in G minor (von Iona Brown, Academy of St Martin in the Fields, Sir Neville Marriner)
- Octet in E-flat major, op. 20: III. Scherzo (Allegro leggierissimo) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Berenice, HWV 38: Minuet (von Academy of St. Martin in the Fields, Sir Neville Marriner)
- March no. 1 in D major, K. 335 (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Weihnachtsoratorium, BWV 248: Pt. 2. No. 10, Sinfonia (von Academy of St. Martin in the Fields, Sir Neville Marriner)
- Canon a 3 on ground in D major, P 37 (von Academy of St Martin in the Fields, Sir Neville Marriner)
- 12 Contredanses, WoO 14: No. 1 in C major (von Academy of St. Martin in the Fields, Sir Neville Marriner)
- 12 Contredanses, WoO 14: No. 2 in A major (von Academy of St. Martin in the Fields, Sir Neville Marriner)
- 12 Contredanses, WoO 14: No. 3 in D major (von Academy of St. Martin in the Fields, Sir Neville Marriner)
- 12 Contredanses, WoO 14: No. 4 in B-flat major (von Academy of St. Martin in the Fields, Sir Neville Marriner)
- 12 Contredanses, WoO 14: No. 5 in E-flat major (von Academy of St. Martin in the Fields, Sir Neville Marriner)
- 12 Contredanses, WoO 14: No. 6 in C major (von Academy of St. Martin in the Fields, Sir Neville Marriner)
- 12 Contredanses, WoO 14: No. 7 in E-flat major (von Academy of St. Martin in the Fields, Sir Neville Marriner)
- 12 Contredanses, WoO 14: No. 8 in C major (von Academy of St. Martin in the Fields, Sir Neville Marriner)
- 12 Contredanses, WoO 14: No. 9 in A major (von Academy of St. Martin in the Fields, Sir Neville Marriner)
- 12 Contredanses, WoO 14: No. 10 in C major (von Academy of St. Martin in the Fields, Sir Neville Marriner)
- 12 Contredanses, WoO 14: No. 11 in D major (von Academy of St. Martin in the Fields, Sir Neville Marriner)
- 12 Contredanses, WoO 14: No. 12 in E-flat major (von Academy of St. Martin in the Fields, Sir Neville Marriner)
- Messiah, HWV 56: Pt. 1. No. 12 Pastoral symphony (von Academy of St. Martin in the Fields, Sir Neville Marriner)
- Orchestral Suite no. 3 in D major, BWV 1068: II. Air (von Academy of St Martin in the Fields, Sir Neville Marriner)
- German Dance no. 3, K. 604: Die Schittenfahrt (Sleigh Ride) (von Academy of St Martin in the Fields, Sir Neville Marriner)
The Academy - By Request
- Solomon, HWV 67: The Arrival of the Queen of Sheba (Sinfonia)
- Cantata “Was mir behagt, ist nur die muntre Jagd”, BWV 208: “Schafe Können sicher weiden” (Sheep may safely graze) (von Ian Watson, Academy of St Martin in the Fields, Sir Neville Marriner)
- Berenice, HWV 38: Minuet (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Cantata “Herz und Mund und Tat und Leben” (Jesu, Joy of Man's Desiring) (von Celia Nicklin, Ian Watson, Academy of St Martin in the Fields, Sir Neville Marriner)
- Weihnachtsoratorium, BWV 248 (Christmas Oratorio): Pt. 2. No. 10, Sinfonia (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Messiah, HWV 56: Pt. 1. No. 12. Pastoral Symphony (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Holberg Suite, op. 40: I. Praeludium (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Rosamunde, incidental music, op. 26, D 797: Entr'acte no. 3 in B-flat major (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Orfeo und Euridice: Dance of the Blessed Spirits (von Academy of St Martin in the Fields, Sir Neville Marriner)
- String Quartet no. 2 in D major: III. Notturno (Andante) (von Academy of St Martin in the Fields, Sir Neville Marriner)
Favorite Orchestral Pieces
- Carmen, Suite no. 1: I. Prélude (von Radio‐Sinfonieorchester Stuttgart, Sir Neville Marriner)
- Carmen, Suite no. 1: II. Aragonaise (von Radio‐Sinfonieorchester Stuttgart, Sir Neville Marriner)
- Carmen, Suite no. 1: III. Intermezzo (von Radio‐Sinfonieorchester Stuttgart, Sir Neville Marriner)
- Carmen, Suite no. 1: IV. Les Dragons d'Alcala (von Radio‐Sinfonieorchester Stuttgart, Sir Neville Marriner)
- Carmen, Suite no. 1: V. Les Toréadors (von Radio‐Sinfonieorchester Stuttgart, Sir Neville Marriner)
- Carmen, Suite no. 2: I. Nocturne (von Radio‐Sinfonieorchester Stuttgart, Sir Neville Marriner)
- Carmen, Suite no. 2: II. Danse bohème (von Radio‐Sinfonieorchester Stuttgart, Sir Neville Marriner)
- The Seasons, op. 37a: No. 6 June, Barcarole (von Radio‐Sinfonieorchester Stuttgart, Sir Neville Marriner)
- Eugen Onegin, op. 24: Act 3. Polonaise (von Radio‐Sinfonieorchester Stuttgart, Sir Neville Marriner)
- Les Contes d'Hoffman: Act 4. “Belle nuit, ô nuit d'amour” (orchestral version) (von Radio‐Sinfonieorchester Stuttgart, Sir Neville Marriner)
- Thaïs: Act 2. Méditation (von Hans Kalafusz, Radio‐Sinfonieorchester Stuttgart, Sir Neville Marriner)
- Nutcracker, Suite, op. 71a: VIII. Waltz of the Flowers (von Radio‐Sinfonieorchester Stuttgart, Sir Neville Marriner)
- The Tale of Tsar Saltan: Act 3. The Flight of the Bumble Bee (von Radio‐Sinfonieorchester Stuttgart, Sir Neville Marriner)
- Faust: Act 1. Valse “Ainsi que la brise légère” (orchestral version) (von Radio‐Sinfonieorchester Stuttgart, Sir Neville Marriner)
- Jocelyn: Act I. Berceuse “Oh! ne t'éveille pas encore” (orchestral version) (von Radio‐Sinfonieorchester Stuttgart, Sir Neville Marriner)
The Sound of the Academy
- La Gioconda: Act 3. Dance of the Hours (von Academy of St Martin in the Fields, Sir Neville Marriner)
- The Merry Wives of Windsor: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Leichte Kavallerie (Light Cavalry): Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- The Gadfly: Barrel-organ Waltz (von Academy of St Martin in the Fields, Sir Neville Marriner)
- The Gadfly: Romance (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Khovanshchina: Act 4. Dancee of the Persian Slaves (von Academy of St Martin in the Fields, Sir Neville Marriner)
- The Tale of Tsar Saltan: Act 3. The Flight of the Bumble Bee (von Academy of St Martin in the Fields, Sir Neville Marriner)
- La Damnation de Faust: Act 2. Dance of the Sylphs (von Academy of St Martin in the Fields, Sir Neville Marriner)
- The Snow Maiden: Act 3. Dance of the Tumblers (von Academy of St Martin in the Fields, Sir Neville Marriner)
The Academy Plays Opera
- Aida: Act 1. “Celeste Aida”
- Madama Butterfly: Introduction. Sharpless' Aria andd Entrance of Butterfly
- Rigoletto: Act 3. “La donna è mobile” (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Tosca: Act 3. “E lucevan le stelle”. Execution and Finale (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Il trovatore: Act 2. Anvil Chorus
- Turandot: Act 3. “Nessun dorma” (von Academy of St Martin in the Fields, Sir Neville Marriner)
- La Bohème: A Fantasy for Orchestra
- La traviata: Act 2. “Di Provenza il mar”
- Madama Butterfly: Act 2. “Un bel di vedremo”
- Tosca: Act 3. “E lucevan le stelle”
Viennese Operetta Arias (Popp)
- Der Obersteiger: Act 2. “Sei nicht bös” (von Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner)
- Frau Luna: “Schlösser, die im Monde liegen” (von Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner)
- Die Tänzerin Fanny Elssler: Act 2. “Draußen in Sievering” (von Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner)
- Der Favorit: “Du sollst der Kaiser meiner Seele sein” (von Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner)
- Die Lustige Witwe: Act 2. “Es lebt eine Vilja, ein Waldmägdelein” (Vilja-Lied) (von Lucia Popp, Ambrosian Opera Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Boccaccio: “Hab'ich nur deine Liebe” (von Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner)
- Casanova: Nonnenchor und das Lied der Laura (Nuns' Chorus and Laura's Song)
- Die Dubarry: Scene 5. “Ich schenk mein Herz nur dem allein” (von Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner)
- Giuditta: Tableau 4. “Meine Lippen, sie küssen so heiss” (von Ambrosian Opera Chorus, Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner)
- Die ungarische Hochzeit: Act 2. “Spiel mir das Lied von Glück und Treu” (von Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner)
- Das Land das Lächlen: Act 2. “Ich möcht' einmal die Heimat seh'n” (von Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner)
- Friederike: Act 2. “Warum hast du mich wachgeküsst?” (von Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner)
- Giuditta: Tableau 1. “In einem Meer von Liebe” (von Ambrosian Opera Chorus, Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner)
- Frühjahrsparade: “Wien wird bei Nacht erst schön” (von Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner)
Wagner: Siegfried Idyll / Dvořák, Fauré, Tchaikovsky…
- Siegfried Idyll , WWV 103 (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Nocturne in B major, op. 40, B. 47 (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Pavane, op. 50 (von Academy of St Martin in the Fields, Sir Neville Marriner)
- String Quartet no. 1 in D major, op. 11: II. Andante cantabile (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Two Elegiac Melodies, op. 34 (orchestral version): No. 1 The Wounded Heart (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Two Elegiac Melodies, op. 34 (orchestral version): No. 2 Last Spring (von Academy of St Martin in the Fields, Sir Neville Marriner)
- String Quintet in E major, op. 13 no. 6, G. 282: III. Minuetto - Trio (von Academy of St Martin in the Fields, Sir Neville Marriner)
Oscar Wilde: Music by Debbie Wiseman
The Distinguished Conductor (Compilation)
- Le nozze di Figaro, K. 492: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Pavane, op. 50 (Instrumental Version) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- String Quintet in E major, op. 11 no. 5, G. 275: III. Minuetto - Trio (Arr. Woodhouse for String Orchestra) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Holberg Suite, op. 40: I. Praeludium (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Four Sea Interludes from Peter Grimes, op. 33a: No. 2, Sunday Morning (von Minnesota Orchestra, Sir Neville Marriner)
- La scala di seta: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Gloria in D major, RV 589: I. Gloria in excelsis Deo (von Academy of St Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Gloria in D major, RV 589: II. Et in terra pax hominibus (von Academy of St Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Gloria in D major, RV 589: XI. Quoniam tu solus sanctus (von Academy of St Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Gloria in D major, RV 589: XII. Cum Sancto Spiritu (von Academy of St Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto no. 5 in F minor, BWV 1056: I. — (von Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto no. 5 in F minor, BWV 1056: II. Largo (von Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto no. 5 in F minor, BWV 1056 III. Presto (von Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 5 in F major: II. Adagio (von Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Symphony no. 40 in G minor, K. 550: I. Molto allegro (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Symphony no. 40 in G minor, K. 550: II. Andante (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Symphony no. 40 in G minor, K. 550: III. Menuetto. Allegretto (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Symphony no. 40 in G minor, K. 550: IV. Allegro assai (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto in A minor, op. 16: II. Adagio (von Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner)
- Peer Gynt, op. 23, Act 1: No. 1, Prelude. At the Wedding (von Sir Neville Marriner, Academy of St Martin in the Fields & Stephen Shingles)
- Peer Gynt, op. 23, Act 1: No. 2, Wedding March (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Peer Gynt, op. 23, Act 2: No. 7, In the Hall of the Mountain King
- Peer Gynt, op. 23, Act 3: No. 12, The Death of Åse (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Peer Gynt, op. 23, Act 4: No. 13, Prelude. Morning Mood (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Peer Gynt, op. 23, Act 4: No. 18, Solveig's Song (von Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner)
- Peer Gynt, op. 23, Act 5: No. 26, Solveig's Cradle Song (von Lucia Popp, Academy of St Martin in the Fields, Sir Neville Marriner)
- Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Brandenburg Concerto no. 4 in G major, BWV 1049: II. Andante (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Brandenburg Concerto no. 4 in G major, BWV 1049: III. Presto (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Orchestral Suite no. 3 in D major, BWV 1068: I. Ouverture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Orchestral Suite no. 3 in D major, BWV 1068: II. Air (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Orchestral Suite no. 3 in D major, BWV 1068: III. Gavottes I & II (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Orchestral Suite no. 3 in D major, BWV 1068: IV. Bourrée (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Orchestral Suite no. 3 in D major, BWV 1068: V. Gigue (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Mass in D minor, Hob. XXII:11 "Nelson Mass": Kyrie
- Mass in B-flat major, Hob. XXII:12 "Theresa Mass": Gloria
- Don Giovanni, K. 527: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 2 in E-flat major, K. 417: II. Andante (von Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 2 in E-flat major, K. 417: III. Rondo (von Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 3 in E-flat Major, K. 447: II. Romance. Larghetto (von Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Horn Concerto no. 3 in E-flat Major, K. 447: III. Rondo. Allegro vivace (von Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Dichter und Bauer: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- St. Paul's Suite, op. 29 no. 2: II. Ostinato (von Academy of St Martin in the Fields, Sir Neville Marriner)
- 2 Aquarelles: No. 1, Slow (Arr. Fenby for String Orchestra) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- 2 Aquarelles: No. 2, Gaily, But Not Quick (Arr. Fenby for String Orchestra) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- 3 Preludes Founded on Welsh Hymn Tunes: No. 2, Rhosymedre (Arr. Foster for String Orchestra) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Henry V: Touch Her Soft Lips and Part (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Simple Symphony, op. 4: II. Playful Pizzicato (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Suite no. 1 de L'Arlésienne, op. 23bis, WD 40: III. Adagietto (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Suite no. 2 de L'Arlésienne: IV. Farandole (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Minuet, op. 21
- Pulcinella: I. Ouverture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Pulcinella: VIII. Gavotta (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Alma grande e nobil core, K. 578
- Basta, vincesti… Ah, non lasciarmi, K. 486a
- Don Giovanni, K. 527, Act 2: "In quali eccessi" - "Mi tradì quell'alma ingrata" (Donna Elvira)
- Idomeneo, K. 366, Act 2: "Se il padre perdei" (Ilia)
- Così fan tutte, K. 588, Act 2: " Ei parte!" - "Per pietà, ben mio" (Fiordiligi)
- Artemisia, Act 2: "Entro quest'anima" (Artemisia)
- Il sacrificio d’Abramo: "Chi per pietà mi dice" - "Deh, parlate" (Sara)
- Berenice, che fai, Hob. XXIVa:10
- Te Deum, H. 146: I. Prélude (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Magnificat, H. 74: I. Sinfonia (von Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Magnificat in D major, BWV 243: I. Chorus. "Magnificat anima mea Dominum" (von Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Magnificat in D major, BWV 243: II. Aria. "Et exsultavit spiritus meus in Deo" (von Ann Murray, Academy of St Martin in the Fields, Sir Neville Marriner)
- Brandenburg Concerto no. 3 in G major, BWV 1048: I. — (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Brandenburg Concerto no. 3 in G major, BWV 1048: II. Adagio (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Brandenburg Concerto no. 3 in G major, BWV 1048: III. Allegro (von George Malcolm, Academy of St Martin in the Fields, Sir Neville Marriner)
- Brandenburg Concerto no. 6 in B-flat major, BWV 1051: I. — (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Brandenburg Concerto no. 6 in B-flat major, BWV 1051: II. Adagio ma non tanto (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Brandenburg Concerto no. 6 in B-flat major, BWV 1051: III. Allegro (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie
- Water Music, Suite no. 2 in D major, HWV 349: I. Allegro (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Water Music, Suite no. 2 in D major, HWV 349: II. Alla Hornpipe (von Academy of St. Martin‐in‐the‐Fields, Neville Marriner)
- Water Music, Suite no. 2 in D major, HWV 349: III. Menuet (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Water Music, Suite no. 2 in D major, HWV 349: IV. Lentement (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Water Music, Suite no. 2 in D major, HWV 349: V. Bourrée (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto for Two Trumpets in C major, RV 537: I. Allegro (von Maurice André, Bernard Soustrot, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto for Two Trumpets in C major, RV 537: II. Largo (von Maurice André, Bernard Soustrot, Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto for Two Trumpets in C major, RV 537: III. Allegro (von Maurice André, Bernard Soustrot, Academy of St Martin in the Fields, Sir Neville Marriner)
- Cello Concerto no. 1 in C major, Hob. VIIb:1: I. Moderato (von Lynn Harrell, Academy of St Martin in the Fields & Sir Neville Marriner)
- Cello Concerto no. 2 in D major, Hob. VIIb:2: III. Rondo. Allegro (von Lynn Harrell, Academy of St Martin in the Fields, Sir Neville Marriner)
- Così fan tutte, K. 588: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Symphony no. 41 in C major, K. 551 "Jupiter": I. Allegro vivace (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Symphony no. 41 in C major, K. 551 "Jupiter": II. Andante cantabile (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Symphony no. 41 in C major, K. 551 "Jupiter": III. Menuetto. Allegretto (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Symphony no. 41 in C major, K. 551 "Jupiter": IV. Molto allegro (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto no. 19 in F major, K. 459: I. Allegro (von Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Piano Concerto no. 19 in F major, K. 459: III. Allegro assai (von Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Piano Concerto no. 3 in C minor, op. 37: II. Largo (von Till Fellner, Academy of St Martin in the Fields & Sir Neville Marriner)
- Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro (von Till Fellner, Academy of St Martin in the Fields & Sir Neville Marriner)
- Romance for Violin and Orchestra no. 1 in G major, op. 40
- Sinfonia concertante for violin and viola in E-flat major, K. 364: I. Allegro maestoso
- Sinfonia concertante for violin and viola in E-flat major, K. 364: II. Andante
- Sinfonia concertante for violin and viola in E-flat major, K. 364: III. Presto
- Vesperae solennes de confessore, K. 339: V. Laudate Dominum (von Barbara Hendricks, Justin Sillman, Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner)
- Mass no. 15 in C major, K. 317 "Coronation": VI. Agnus Dei (von Academy of St. Martin in the Fields Chorus, Barbara Hendricks, Academy of St Martin in the Fields, Sir Neville Marriner)
- Guillaume Tell: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Il barbiere di Siviglia: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Leichte Kavallerie: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Solomon, HWV 67, Act 3: Sinfonia "The Arrival of the Queen of Sheba"
- Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden" (von Ian Watson, Academy of St Martin in the Fields, Sir Neville Marriner)
- Berenice, regina d'Egitto, HWV 38: Andante larghetto (von Sir Neville Marriner & Academy of St Martin in the Fields)
- Jocelyn, op. 100, Act 1: Berceuse. "Oh ! Ne t'éveille pas encore" (Instrumental Version) (von Radio‐Sinfonieorchester Stuttgart, Sir Neville Marriner)
- Herz und Mund und Tat und Leben, BWV 147: X. Chorale. "Jesu, Joy of Man's Desiring" (von Celia Nicklin, Ian Watson, Academy of St Martin in the Fields, Sir Neville Marriner)
- String Quartet no. 1 in D major, op. 11: II. Andante cantabile (Arr. Marriner for String Orchestra) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Orphée et Eurydice, Wq. 41, Act 2: Danse des ombres heureuses (von Academy of St Martin in the Fields, Sir Neville Marriner)
- 2 Elegiac Melodies, op. 34: No. 1, The Wounded Heart (Orchestral Version) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- 2 Elegiac Melodies, op. 34: No. 2, Last Spring (Orchestral Version) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto a due cori no. 1 in B-flat major, HWV 332: VI. Alla breve moderato (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto a due cori no. 3 in F major, HWV 334: II. Allegro (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Trumpet Concerto in C minor, TWV 51:c1: II. Allegro (transcr. of oboe concerto) (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- The Seven Last Words of Christ, Hob. XX:1: Il terremoto. Presto e con tutta la forza (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto no. 17 in G major, op. 9, K. 453: II. Andante (von Christian Zacharias, Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Adagio for Violin and Orchestra in E major, K. 261 (von Anne‐Sophie Mutter, Academy of St Martin in the Fields, Sir Neville Marriner)
- Les contes d'Hoffmann, Act 4: Barcarolle. "Belle nuit, ô nuit d'amour" (Instrumental Version) (von Radio‐Sinfonieorchester Stuttgart, Sir Neville Marriner)
- Thaïs, Act 2: Méditation (von Hans Kalafusz, Radio‐Sinfonieorchester Stuttgart, Sir Neville Marriner)
- Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 1, Aria. "Weichet nur, betrübte Schatten" (von Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner)
- Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 2, Rezitativ. "Die Welt wird wieder neu" (von Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner)
- Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 3, Aria. "Phoebus eilt mit schnellen Pferden" (von Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner)
- Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 4, Rezitativ. "Drum sucht auch Amor sein Vergnügen" (von Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner)
- Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 5, Aria. "Wenn die Frühlingslufte streichen" (von Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner)
- Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 6, Rezitativ. "Und dieses ist das Glücke" (von Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner)
- Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 7, Aria. "Sich üben im Lieben, in Scherzen sich herzen" (von Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner)
- Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 8, Rezitativ. "So sei das Band der keuschen Liebe" (von Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner)
- Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 9, Aria und Gavotte. "Sehet in Zufriedenheit" (von Elly Ameling, Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto no. 1 in D minor, BWV 1052: I. Allegro (von Andred Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto no. 1 in D minor, BWV 1052: II. Adagio (von Andred Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner)
- Piano Concerto no. 1 in D minor, BWV 1052: III. Allegro (von Andred Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner)
- Der Messias, HWV 56, Pt. 2: Chor. "Hallelujah" (von Südfunk-Chor Stuttgart, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Joshua, HWV 64, Act 3: Air. "Oh! Had I Jubal's Lyre" (Achsah) (von Kathleen Battle, Academy of St Martin in the Fields, Sir Neville Marriner)
- Trumpet Concerto in D major, D. 53: II. Andante (Arr. Thilde After Violin Concerto) (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- Trattenimenti armonici, op. 6: Trumpet Concerto no. 11 in B-flat major "San Marco" (Arr. Thilde After Violin Sonata) (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- Timon of Athens, Z. 632, Overture: III. March (von Maurice André, Academy of St Martin in the Fields, Sir Neville Marriner)
- Die Zauberflöte, K. 620: Overture (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Symphony no. 32 in G major, K. 318: I. Allegro spiritoso (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Symphony no. 31 in D major, K. 297 "Paris": II. Andante (First Version) (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Gli uccelli, P. 154: I. Preludio (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Concerto for String Orchestra in D major: I. Vivace
- Maurerische Trauermusik in C minor, K. 477 (von Academy of St Martin in the Fields, Sir Neville Marriner)
- Symphony no. 30 in D major, K. 202: IV. Presto (von Academy of St Martin in the Fields, Sir Neville Marriner)
Mehr Songtexte
- The Selfish Giant
- One Last Song
- My Own Garden
- The Nightingale and the Rose
- Orchestral Suite No.3 in D BWV1068 (Bourrée)
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- Orchestral Suite No.3 in D BWV1068 (Ouverture)
- Brandenburg Concerto No.3 in G BWV1048 (adagio)
- Orchestral Suite No.3 in D BWV1068 (Gavotte I/II)
- Orchestral Suite No.3 in D BWV1068 (Gigue)
- Brandenburg Concerto No.3 in G BWV1048 (allegro)
- Orchestral Suite No.3 in D BWV1068 (Air)
- Cantata BWV208
- Messiah - Pifa (Pastoral Symphony)
- Berenice - Minuet
- Solomon - Sinfonia: Arrival of the Queen of Sheba
- Water Music excerpts
- A Midsummer Night's Dream: Scherzo, Op. 61 no. 1
- All we like sheep have gone astray
- Comfort Ye My People
- Rejoice Greatly
- And He Shall Purify
- But who may abide
- Glory to God
- Thou shalt break them
- He that dwelleth in heaven
- O thou that tellest good tidings to Zion
- And the glory of the Lord
- I know that my redeember liveth
- Amen
- And the angel said unto them
- Ev¹ry valley shall be exalted
- Worthy Is The Lamb
- Hallelujah
- The Trumpet Shall Sound
- Behold, a virgin shall conceive
- For Unto Us A Child Is Born
- He Shall Feed His Flock
- Leichte Kavallerie
- Concerto No. 2 In G: Vivace
- Concerto No. 9 In C: Con spirito
- Concerto No. 7 In G Minor: Adagio
- Concerto No. 6 In D: Largo
- Concerto No. 5 In D Minor: Largo
- Concerto No. 5 In D Minor: Allegro
- Concerto No. 7 In G Minor: Allegro
- Concerto No. 5 In D Minor: Andante moderato
- Concerto No. 1 In A: Adagio
- Concerto No. 9 In C: Largo
- Concerto No. 2 In G: Andante
- Concerto No. 2 In G: Largo
- Concerto No. 10 In D: Grazioso
- Concerto No. 6 In D: Adagio
- Concerto No. 6 In D: Vivacemente
- Concerto No. 4 In A Minor: Allegro
- Concerto No. 3 In D Minor: Largo andante
- Concerto No. 4 In A Minor: Andante
- Concerto No. 12 In D: Temporeggiato
- Concerto No. 4 In A Minor: Vivace
- Concerto No. 10 In D: Giga (Allegro)
- Concerto No. 10 In D: Adagio
- Concerto No. 11 In G: Allegro
- Concerto No. 10 In D: Allegro
- Concerto No. 11 In G: Andante moderato
- Concerto no. 3 in C minor: III. Allegro
- Concerto No. 11 In G: Vivacemente
- Concerto No. 9 In C: Allegro
- Concerto No. 12 In D: Allegro spiritoso
- Concerto No. 8 In E Minor: Adagio
- Concerto No. 1 In A: Allegro
- Concerto No. 8 In E Minor: Allegro
- Concerto No. 12 In D: Allegro
- Concerto No. 9 In C: Siciliano
- Concerto No. 11 In G: Con affetto
- Concerto No. 4 In A Minor: Largo
- Concerto No. 3 In D Minor: Allegro (Allegro spiritoso)
- Concerto No. 12 In D: Grave temporeggiato
- Concerto No. 7 In G Minor: Allegro affettuoso
- Concerto No. 12 In D: Lentemente
- Concerto No. 3 In D Minor: Allegro
- Concerto no. 12 in F major: II. Allegro
- Concerto No. 12 In D: Largo tempo giusto
- Concerto No. 8 In E Minor: Vivace
- Concerto No. 8 In E Minor: Amoroso
- Concerto No. 6 In D: Con furia
- Orphée aux enfers
- Organ Concerto in G minor, op. 4 no. 1, HWV 289: I. Larghetto e staccato
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- Concerto Grosso Op.6, No.2 in F Major
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- Organ Concerto in G minor, op. 7 no. 5, HWV 310: III. Menuett
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- Organ Concerto in G minor, op. 4 no. 3, HWV 291: III. Adagio - Gavotte - Allegro
- Organ Concerto in B flat major, op. 4 no. 6, HWV 294: I. Andante - Allegro
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- Organ Concerto No.16 in F Major; 4. Adagio
- Concerti a Due Cori, No.1 in B Flat Major; 7. Minuet
- Organ Concerto in B flat major, op. 4 no. 6, HWV 294: III. Allegro moderato
- Organ Concerto in G minor, op. 7 no. 5, HWV 310: I. Allegro ma non troppo, e staccato
- Organ Concerto No.16 in F Major; 3. Allegro ma non troppo
- Oboe Concerti Op.3; No.2a in B flat major
- Organ Concerto No.13 in F Major; 2. Allegro
- Concerti a Due Cori, No.3 in F Major; 1. Ouverture
- Organ Concerto in F major, op. 4 no. 5, HWV 293: I. Larghetto
- Concerto Grosso in C Major 'Alexander's Feast; 4. Andante non presto
- Organ Concerto No.14 in A Major; 4. Grave
- Organ Concerto in B-flat major, op. 4 no. 2, HWV 290: I. A tempo ordinario e staccato - Allegro
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- Concerti a Due Cori, No.2 in F Major; 6. A tempo ordinario
- Organ Concerto in F major, op. 4 no. 5, HWV 293: III. Alla siciliana
- Organ Concerto in B-flat major, op. 7 no. 1, HWV 306: III. Largo e piano
- Organ Concerto in A major, op. 7 no. 2, HWV 307: III. Adagio (organo ad libitum)
- Organ Concerto in B-flat major, op. 7 no. 6, HWV 311: I. Pomposo
- Organ Concerto in F major, op. 4 no. 4, HWV 292: [Introduction]
- Organ Concerto in A major, op. 7 no. 2, HWV 307: II. A tempo ordinario
- Concerto Grosso Op.3, No.5 in D Minor
- Concerti a Due Cori, No.3 in F Major; 4. Adagio
- Concerto Grosso Op.3, No.2 in B Flat Major
- Organ Concerto in G minor, op. 4 no. 1, HWV 289: II. Allegro
- Organ Concerto No.13 in F Major; 4. Larghetto
- Oboe Concerti Op.3; No.1 in B Flat Major
- Organ Concerto No.14 in A Major; 5. Allegro
- Organ Concerto No.14 in A Major; 1. Largo e staccato
- Concerti a Due Cori, No.1 in B Flat Major; 6. Alla breve moderato
- Organ Concerto in F major, op. 4 no. 4, HWV 292: II. Andante
- Organ Concerto No.16 in F Major; 2. Allegro
- Organ Concerto No.13 in F Major; 5. Allegro
- Organ Concerto in B-flat major, op. 4 no. 2, HWV 290: II. Adagio e staccato - Allegro ma non presto
- Concerti a Due Cori, No.1 in B Flat Major; 1. Ouverture
- Organ Concerto in B-flat major, op. 7 no. 1, HWV 306: I. Andante
- Concerto Grosso Op.6, No.5 in D major
- Concerto Grosso Op.6, No.1 in G Major
- Arrival of the Queen of Sheba (from 'Solomon’)
- Organ Concerto in B-flat major, op. 7 no. 3, HWV 308: III. Spiritoso
- Concerto Grosso Op.3, No.6 in D Major
- Concerti a Due Cori, No.2 in F Major; 3. A tempo giusto
- Concerto Grosso Op.6, No.9 in F Major
- Concerti a Due Cori, No.3 in F Major; 2. Allegro
- Concerti a Due Cori, No.2 in F Major; 2. Allegro
- Concerto Grosso Op.6, No.8 in C Minor
- Organ Concerto in F major, op. 4 no. 4, HWV 292: III. Adagio - Allegro
- Organ Concerto in A major, op. 7 no. 2, HWV 307: I. Ouverture
- Concerto Grosso Op.3, No.4 in F Major
- Organ Concerto in G minor, op. 4 no. 3, HWV 291: II. Allegro
- Concerti a Due Cori, No.1 in B Flat Major; 4. Largo
- Organ Concerto in B-flat major, op. 7 no. 1, HWV 306: IV. Bourée: Allegro
- Organ Concerto No.16 in F Major; 5. Andante
- Organ Concerto No.13 in F Major 'The Cuckoo and the Nightingale'; 1. Larghetto
- Organ Concerto in B-flat major, op. 7 no. 1, HWV 306: II. Andante
- Concerti a Due Cori, No.1 in B Flat Major; 5. A tempo ordinario
- Organ Concerto in A major, op. 7 no. 2, HWV 307: IV. Allegro
- Organ Concerto No.13 in F Major; 3. Organo ad libitum
- Organ Concerto No.15 in D Minor; 2. Organ adagio e fuga allegro
- Organ Concerto No.14 in A Major; 2. Organo ad libitum
- Organ Concerto in B flat major, op. 4 no. 6, HWV 294: II. Larghetto
- Organ Concerto in B-flat major, op. 7 no. 3, HWV 308: II. Adagio e fuga (organo ad libitum)
- Concerto Grosso Op.3, No.1 in B Flat Major
- Organ Concerto No.15 in D Minor; 3. Allegro
- Organ Concerto in F major, op. 4 no. 4, HWV 292: I. Allegro
- Concerti a Due Cori, No.2 in F Major; 4. Largo
- Concerto Grosso in C Major 'Alexander's Feast; 1. Allegro
- Concerto Grosso Op.6, No.11 in A Major
- Concerti a Due Cori, No.1 in B Flat Major; 3. Allegro
- Concerti a Due Cori, No.2 in F Major; 5. Allegro ma non troppo
- Organ Concerto in G minor, op. 4 no. 3, HWV 291: I. Adagio
- Sonata 'Il Trionfo del Tempo e del Disinganno'; Allegro
- Organ Concerto in D minor, op. 7 no. 4, HWV 309: III. Adagio (organo ad libitum)
- Concerto Grosso Op.3, No.3 in G Major
- Organ Concerto in D minor, op. 7 no. 4, HWV 309: II. Allegro
- Concerto Grosso Op.6, No.3 in E minor
- Concerti a Due Cori, No.3 in F Major; 6. Allegro
- Concerti a Due Cori, No.2 in F Major; 1. Pomposo
- Organ Concerto No.16 in F Major; 6. Allegro
- Organ Concerto No.15 in D Minor; 1. Andante
- Organ Concerto in B-flat major, op. 7 no. 3, HWV 308: IV. Menuett
- Concerti a Due Cori, No.3 in F Major; 5. Andante larghetto
- Concerto Grosso in C Major 'Alexander's Feast; 2. Adagio
- Organ Concerto in B-flat major, op. 7 no. 6, HWV 311: II. A tempo ordinario
- Organ Concerto in D minor, op. 7 no. 4, HWV 309: I. Adagio
- Concerti a Due Cori, No.3 in F Major; 3. Allegro ma non troppo
- Oboe Concerti Op.3; Largo in F Major
- Concerto Grosso Op.6, No.12 in B Minor
- Concerto Grosso Op.6, No.4 in A minor
- Organ Concerto in F major, op. 4 no. 5, HWV 293: IV. Presto
- Concerto Grosso in C Major 'Alexander's Feast; 3. Allegro
- Concerto Grosso Op.6, No.7 in B Flat Major
- Organ Concerto in G minor, op. 7 no. 5, HWV 310: II. Andante larghetto, e staccato
- Concerti a Due Cori, No.1 in B Flat Major; 2. Allegro ma non troppo
- Organ Concerto in D minor, op. 7 no. 4, HWV 309: IV. Allegro
- Organ Concerto No.16 in F Major; 1. Ouverture
- Coriolan Ouverture, op. 62
- Ouverture Solonelle “1812”, op. 49
- Symphony in E Flat, Hob. I:102 - Finale (Presto)
- Symphony in E Flat, Hob. I:102 - Largo - Vivace
- Symphony in E Flat, Hob. I:99 - Adagio - Vivace Assai
- Symphony in E Flat, Hob. I:99 - Adagio
- Symphony in E Flat, Hob. I:99 - Menuet
- Symphony in E Flat, Hob. I:99 - Finale (Vivace)
- Symphony in E Flat, Hob. I:102 - Adagio
- Symphony in E Flat, Hob. I:102 - Menuet (Allegro)
- Adagio in G minor
- Canon in D
- Overture - Suite in A minor - Réjouissance
- Orfeo ed Euridice - Dance of the Blessed Spirits
- 2. Undershaft's factory and his "garden suburb"
- 3. Love-scene
- Coronation
- The Princes in the Tower
- 4. End Titles and Play-out
- Prelude
- Nightmare
- Bosworth Field
- Fanfare and March, for brass (from music for "Macbeth"; arr. by C.Palmer) A Shavian Sequence, suite for orchestra (from film score "Major Barbara"; arr. by C.Palmer)
- Elegy
- The Wooing
- The Prince of Wales
- Monologue. "Now is the winter of our discontent"
- 1. Titles
- Death of Richard and Finale
- Rapsodie for Saxophone and Orchestra, L. 104 (Arr. Roger-Ducasse for Saxophone & Orchestra)
- Hungarian Dance No. 6 in D
- Hungarian Dance No. 5 in G minor
- Aufforderung zum Tanz
- Bach: Keyboard Concerto No. 5 in F Minor, BWV 1056: II. Largo
- Bach, JS: Piano Concerto No. 1 in D Minor, BWV 1052: II. Adagio
- Bach, JS: Piano Concerto No. 2 in E Major, BWV 1053: II. Siciliano
- Bach, JS: Piano Concerto No. 4 in A Major, BWV 1055: I. Allegro
- Die Zauberflöte KV 620 - Dies Bildnis Ist Bezaubernd Schön
- Violinkonzert Nr. 5 A-Dur KV 219 - 3. Rondeau: Allegro
- Le Nozze di Figaro KV 492 - Ouvertüre
- Symphonie Nr. 40 G-Moll KV 550 - 1. Allegro
- Klaviersonate A-Dur KV 331 - 3. Rondo Alla Turca
- Klarinettenkonzert A-Dur KV 622 - 2. Adagio
- Don Giovanni KV 527 - La Ci Darem La Mano
- Requiem KV 626 - Lacrimosa
- Messe C-Moll Grosse Messe KV 427 - Et Incarnatus Est
- Serenade Nr. 13 G-Dur KV 525 Eine Kleine Nachtmusik - 2. Romance
- Klavierkonzert Nr. 21 C-Dur KV 467 Elvira Madigan - 2. Andante
- Sehnsucht Nach Dem Frühling Komm, Lieber Mai KV 596
- Le Nozze Di Figaro KV 492 - Giunse Alfin Il Momento - Deh Vieni Non Tardar (Rosenarie)
- Symphony #16 in C major, K128 - 3. Allegro
- Symphony #16 in C major, K128 - 1. Allegro maestoso
- Symphony #23 in D major, K181/162B - 3. Presto assai
- Symphony #24 in Bb major, K182/173DA - 2. Andantino grazioso
- Symphony #14 in A major, K114 - 3. Menuetto - Trio
- Symphony #15 in G major, K124 - 2. Andante
- Symphony #24 in Bb major, K182/173DA - 3. Allegro
- Symphony #13 in F major, K112 - 4. Molto allegro
- Symphony #23 in D major, K181/162B - 1. Allegro spiritoso
- Symphony #13 in F major, K112 - 3. Menuetto - Trio
- Symphony #16 in C major, K128 - 2. Andante grazioso
- Symphony #23 in D major, K181/162B - 2. Andante grazioso
- Symphony #15 in G major, K124 - 3. Menuetto - Trio
- Symphony #14 in A major, K114 - 1. Allegro moderato
- Symphony #13 in F major, K112 - 1. Allegro
- Symphony #14 in A major, K114 - 4. Molto allegro
- Symphony #15 in G major, K124 - 4. Presto
- Symphony #24 in Bb major, K182/173DA - 1. Allegro spiritoso
- Symphony #15 in G major, K124 - 1. Allegro
- Symphony #13 in F major, K112 - 2. Andante
- Mozart: Symphony No. 40 in G Minor, K. 550: I. Molto allegro
- Vivaldi: Concerto for Two Trumpets in C Major, RV 537: II. Largo
- Mozart: Sinfonia concertante for Violin and Viola in E‐Flat Major, K. 364: I. Allegro maestoso
- Mozart: Serenade No. 13 in G Major, K. 525 “Eine kleine Nachtmusik”: II. Romance. Andante
- Grieg: Piano Concerto in A Minor, Op. 16: II. Adagio
- Mozart: Symphony No. 25 in G Minor, K. 183: I. Allegro con brio
- Bach, JS: Piano Concerto No. 5 in F Minor, BWV 1056: II. Largo
- Handel: Der Messias, HWV 56, Pt. 2: Chor. “Hallelujah”
- Mozart: Symphony No. 41 in C Major, K. 551 “Jupiter”: I. Allegro vivace
- Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: II. Air
- Mozart: Serenade No. 13 in G Major, K. 525 “Eine kleine Nachtmusik”: I. Allegro
- Mozart: Serenade No. 13 in G Major, K. 525 “Eine kleine Nachtmusik”: IV. Rondo. Allegro
- Vivaldi: Gloria in D Major, RV 589: I. Gloria in excelsis Deo
- Mozart: Die Entführung aus dem Serail, K. 384: Ouvertüre
- Bach, JS: Herz und Mund und Tat und Leben, BWV 147: No. 10, Choral. “Jesus bleibet meine Freude”
- Mozart: 3 German Dances, K. 605: No. 3 in C Major “Die Schlittenfahrt”
- Mozart: Horn Concerto No. 2 in E‐Flat Major, K. 417: III. Rondo
- Bach, JS: Brandenburg Concerto No. 3 in G Major, BWV 1048: I. —
- Tchaikovsky: String Quartet No. 1 in D Major, Op. 11: II. Andante cantabile (Version for String Orchestra)
- Mozart: Don Giovanni, K. 527: Overture
- Mozart: Le nozze di Figaro, K. 492: Overture
- Bach, JS / Orch. Marriner: Was mir behagt, ist nur die muntre Jagd, BWV 208 “Jagdkantate”: IX. Aria. “Schafe können sicher weiden”
- Mozart: Horn Concerto No. 4 in E‐Flat Major, K. 495: III. Rondo. Allegro vivace
- Handel: Solomon, HWV 67, Act 3: Sinfonia “The Arrival of the Queen of Sheba”
- Grieg: Peer Gynt, Op. 23, Act 4: No. 13, Prelude. Morning Mood
- Grieg: Holberg Suite, Op. 40: I. Praeludium
- Handel: Water Music, Suite No. 2 in D Major, HWV 349: II. Alla Hornpipe
- Mozart: Violin Concerto No. 1 in B‐Flat Major, K. 207: II. Adagio
- Mozart: Horn Concerto No. 2 in E‐Flat Major, K. 417: II. Andante
- Don Giovanni, K. 527: Overture
- Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden" (Orch. Marriner)
- Symphony No. 41 in C Major, K. 551 "Jupiter": IV. Molto allegro
- Te Deum, H. 146: Prélude
- Symphony No. 25 in G Minor, K. 183: I. Allegro con brio
- Serenade No. 13 in G Major, K. 525 "Eine kleine Nachtmusik": I. Allegro
- Serenade No. 13 in G Major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro
- Die Entführung aus dem Serail, K. 384: Ouvertüre
- Le nozze di Figaro, K. 492: Overture
- Water Music, Suite No. 2 in D Major, HWV 349: II. Alla Hornpipe
- The Tale of Tsar Saltan, Act 3: The Flight of the Bumblebee
- Peer Gynt, Op. 23, Act 4: No. 13, Prelude. Morning Mood
- Adagio in G Minor (Arr. Giazotto)
- Brandenburg Concerto No. 3 in G Major, BWV 1048: I. —
- Orphée et Eurydice, Wq. 41, Act 2: Danse des ombres heureuses
- Canon and Gigue in D Major: Canon
- Gloria in D Major, RV 589: I. Gloria in excelsis Deo
- Symphony No. 41 in C Major, K. 551 "Jupiter": I. Allegro vivace
- Concerto for Two Trumpets in C Major, RV 537: II. Largo
- Herz und Mund und Tat und Leben, BWV 147: No. 10, Choral. "Jesus bleibet meine Freude"
- Serenade No. 13 in G Major, K. 525 "Eine kleine Nachtmusik": II. Romance. Andante
- Herz und Mund und Tat und Leben, BWV 147: Jesu, Joy of Man's Desiring (Orch. Marriner)
- Die Entführung aus dem Serail, K. 384: Overture
- Pavane, Op. 50
- Brandenburg Concerto No. 3 in G Major, BWV 1048: III. Allegro
- 3 German Dances, K. 605: No. 3 in C Major "Die Schlittenfahrt"
- String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto - Trio (Arr. Woodhouse for String Orchestra)
- Orchestral Suite No. 3 in D Major, BWV 1068: II. Air
- String Quartet No. 1 in D Major, Op. 11: II. Andante cantabile (Arr. Marriner for String Orchestra)
- Solomon, HWV 67, Act 3: Sinfonia "The Arrival of the Queen of Sheba"
- Te Deum, H. 146: I. Prélude
- Symphony No. 40 in G Minor, K. 550: I. Molto allegro
- Holberg Suite, Op. 40: I. Praeludium
- Respighi: Gli uccelli, P. 154: II. La colomba
- Lehár: Giuditta: "Meine Lippen, sie küssen so heiss" (Giuditta, Chor)
- Suppé: Dichter und Bauer: Overture
- Bizet: Carmen Suite No. 1: I. Prélude (Orch. Guiraud)
- Handel: Alcina, HWV 34, Act 1: Aria. "Tornami a vagheggiar" (Morgana)
- Purcell: Chacony in G Minor, Z. 730
- Rossini: Guillaume Tell: Overture
- Bach, JS: Magnificat in D Major, BWV 243: IX. Aria. "Esurientes implevit bonis"
- Holst: St. Paul's Suite, Op. 29 No. 2: IV. Finale. The Dargason
- Berlioz: La damnation de Faust, Op. 24, H 111: Danse des sylphes
- Fauré: Pavane, Op. 50
- Schubert: Rosamunde, Op. 26, D. 797: Entr'acte III
- Bach, JS: Brandenburg Concerto No. 2 in F Major, BWV 1047: I. —
- Boccherini: String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto - Trio (Arr. Woodhouse for String Orchestra)
- Rimsky-Korsakov: The Tale of Tsar Saltan, Act 3: The Flight of the Bumblebee
- Falla: El sombrero de tres picos, Pt. 2: Danza de los vecinos
- Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 2: No. 10, Sinfonia
- Handel: Water Music, Suite No. 1 in F Major, HWV 348: III. Allegro
- Grieg: Peer Gynt, Op. 23, Act 4: No. 18, Solveig's Song
- Stravinsky: Pulcinella: II. Serenata. “Mentre l’erbetta” - Scherzino
- Haydn: Mass in D Minor, Hob. XXII:11 "Nelson Mass": Kyrie
- Mozart, L: Toy Symphony: I. Allegro (Also Attributed to Haydn or Angerer)
- Bizet: Symphony in C Major, WD 33: II. Adagio
- Air
- No. 1, Symphony
- Jig
- Ouverture
- [Introduction]
- V. Siciliana. Andante
- No. 13. Pifa "Pastoral Symphony"
- III. La Paix. Largo alla siciliana
- I. Allegro ma non troppo e staccato
- I. Andante
- Overture, Minuet & Gigue
- I. Ouverture
- I. A tempo ordinario, e staccato - II. Allegro
- Symphony
- IV. Kings Shall Be Thy Nursing Fathers
- Hornpipe
- Bourée
- Adagio e staccato
- Minuet
- The Arrival of the Queen of Sheba
- Wretched Lovers!
- Rondeau I - Rondeau II - Finale
- Menuet
- II. Largo - Adagio
- III. Andante allegro
- IV. Polonaise. Andante
- Overture
- VI. Menuet. Un poco larghetto
- I. Adagio
- V. Allegro
- III. Adagio, e staccato - IV. Allegro, ma non presto
- IV. Bourrée
- III. Menuet
- III. Presto
- II. Allegro ma non troppo
- IV. Presto
- Oh, the Pleasure of the Plains
- I. Allemande. Andante
- VII. Menuet. Allegro
- Variant in F Major (After Op. 3/2)
- III. Largo e piano
- I. Larghetto e staccato
- I. Andante – Allegro
- Il ballo. Gavotte - Sarabande - Menuet
- III. A tempo giusto
- I. Larghetto affettuoso
- IV. Andante non presto
- III. Andante
- II. King's Daughters Were Among Thy Honorable Women
- III. Allegro - Adagio
- II. Exceeding Glad Shall He Be
- IV. Andante
- I. Larghetto affettuoso - II. Allegro
- II. Andante larghetto e staccato
- III. Organo ad libitum
- I. Let Thy Hand Be Strengthened
- I. A tempo giusto
- IV. Lento
- I. Andante larghetto
- V. Menuet I-II
- Pour les Chasseurs I & II
- I. Overture
- III. Adagio
- Menuet & Trio
- III. Alleluia
- IV. Allegro, ma non troppo
- III. Alla siciliana
- Bourée and Hornpipe
- VI. A tempo ordinario
- III. Adagio - IV. Allegro
- Sonata. Allegro
- IV. Allegro
- March
- IV. Grave
- II. A tempo giusto
- III. Larghetto
- II. A tempo ordinario
- I. Pomposo
- III. Glory and Worship Hast Thou Laid
- Sinfonia - Entrée - Tamburino
- III. Largo, e piano
- Entrée de songes funestes - Le combat
- II. Allegro
- VI. Allegro
- II. Bourrée
- Ouverture. Adagio - Allegro - Alla gavotta
- Galatea, Dry Thy Tears
- II. Let Justice and Judgement Be the Preparation of Thy Seat
- Sinfonia pastorale - Ballo. Gavottes - Musette I - Musette II - Allegro
- Overture. Adagio - Allegro - Musette - Menuet
- III. Allegro
- Rigaudon I & II
- II. Adagio
- III. Allegro moderato
- V. Allegro, ma non troppo
- IV. Menuet
- IV. Andante larghetto
- II. Larghetto
- I. Larghetto
- VI. Alla breve. Moderato
- Lentement
- Hornpipe and Andante
- V. A tempo ordinario
- IV. La Réjouissance
- I. Allegro
- Organo ad libitum
- Overture in D Major, HWV 337/338
- V. Andante
- V. Allegro ma non troppo – Adagio
- II. Andante
- V. Hornpipe
- II. Grave
- IV. Largo
- I. Largo e staccato
- II. Organo ad libitum
- III. Largo – Adagio – Larghetto andante, e piano
- III. Spiritoso
- I. Largo
- Gavotte
- IV. Adagio
- I. Larghetto e affettuoso
- III. Musette. Larghetto
- Gigue
- Mourn, All Ye Muses!
- II. Allegro – Allegro ma non troppo
- III. Allegro ma non troppo
- IV. Alleluja
- Mozart: Symphony No. 41 in C Major, K. 551 "Jupiter": IV. Molto allegro
- Handel: Concerto a due cori No. 3 in F Major, HWV 334: II. Allegro
- Offenbach: Les contes d'Hoffmann, Act 4: Barcarolle. "Belle nuit, ô nuit d'amour"
- Respighi: Gli uccelli, P. 154: I. Preludio
- Bach, JS: Piano Concerto No. 1 in D Minor, BWV 1052: III. Allegro
- Mozart: Così fan tutte, K. 588: Overture
- Grieg: 2 Elegiac Melodies, Op. 34: No. 2, Last Spring
- Britten: Four Sea Interludes from Peter Grimes, Op. 33a: No. 2, Sunday Morning
- Godard: Jocelyn, Op. 100, Act 1: Berceuse. "Oh ! Ne t'éveille pas encore"
- Mozart: Symphony No. 41 in C Major, K. 551 "Jupiter": II. Andante cantabile
- Grieg: 2 Elegiac Melodies, Op. 34: No. 1, The Wounded Heart
- Haydn: The Seven Last Words of Christ, Hob. XX:1: Il terremoto. Presto e con tutta la forza
- Handel: Der Messias, HWV 56, Pt. 2: Chor. "Hallelujah"
- Tchaikovsky: String Quartet No. 1 in D Major, Op. 11: II. Andante cantabile (Arr. Marriner for String Orchestra)
- Mozart: Adagio for Violin and Orchestra in E Major, K. 261
- Bach, JS: Piano Concerto No. 5 in F Minor, BWV 1056: III. Presto
- Mozart: Maurerische Trauermusik in C Minor, K. 477
- Mozart: Symphony No. 31 in D Major, K. 297 "Paris": II. Andante
- Suppé: Leichte Kavallerie: Overture
- Mozart: Die Zauberflöte, K. 620: Overture
- Beethoven: Romance for Violin and Orchestra No. 1 in G Major, Op. 40
- Bach, JS: Piano Concerto No. 1 in D Minor, BWV 1052: I. Allegro
- Bach, JS: Piano Concerto No. 5 in F Minor, BWV 1056: I. —
- Massenet: Thaïs, Act 2: Méditation
- Mozart: Symphony No. 41 in C Major, K. 551 "Jupiter": III. Menuetto. Allegretto
- Mozart: Symphony No. 41 in C Major, K. 551 "Jupiter": I. Allegro vivace
- Handel: Joshua, HWV 64, Act 3: Air. "Oh! Had I Jubal's Lyre" (Achsah)
- Stravinsky: Concerto for String Orchestra in D Major: I. Vivace
- Handel: Concerto a due cori No. 1 in B-Flat Major, HWV 332: VI. Alla breve moderato
- . Andantino2
- . Allegro
- . Allegro assai
- . Allegro assai2
- . Allegro2
- . Allegro assai3
- . Allegro3
- . Tempo di menuetto pio tosto allegro
- . Allegro assai4
- . Andante
- . Allegro di molto
- . Andante4
- . Andante3
- . Andante2
- . Andantino
- . Presto
- . Allegro con spirito
- . Allegro con spirito2
- Haydn: Mass in B-Flat Major, Hob. XXII:12 "Theresa Mass": Gloria
- Magnificat in D major, BWV 243: I. Chorus. "Magnificat anima mea Dominum"
- Mozart: Horn Concerto No. 3 in E-Flat Major, K. 447: II. Romance. Larghetto
- Mozart: Idomeneo, K. 366, Act 2: "Se il padre perdei" (Ilia)
- Bach, JS: Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 1, Aria. "Weichet nur, betrübte Schatten"
- Bach, JS: Brandenburg Concerto No. 4 in G Major, BWV 1049: III. Presto
- Beethoven: Piano Concerto No. 3 in C Minor, Op. 37: II. Largo
- Mozart: Horn Concerto No. 2 in E-Flat Major, K. 417: II. Andante
- Mozart: Sinfonia concertante for Violin and Viola in E-Flat Major, K. 364: III. Presto
- Beethoven: Piano Concerto No. 3 in C Minor, Op. 37: III. Rondo. Allegro
- Mozart: Sinfonia concertante for Violin and Viola in E-Flat Major, K. 364: I. Allegro maestoso
- Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb:2: III. Rondo. Allegro
- Grieg: Peer Gynt, Op. 23, Act 1: No. 1, Prelude. At the Wedding
- Mozart: Horn Concerto No. 2 in E-Flat Major, K. 417: III. Rondo
- Haydn: Berenice, che fai, Hob. XXIVa:10
- Mozart: Piano Concerto No. 19 in F Major, K. 459: III. Allegro assai
- Mozart: Don Giovanni, K. 527, Act 2: "In quali eccessi" - "Mi tradì quell'alma ingrata" (Donna Elvira)
- Bach, JS: Brandenburg Concerto No. 3 in G Major, BWV 1048: III. Allegro
- Elgar: Minuet, Op. 21
- Vivaldi: Gloria in D Major, RV 589: XI. Quoniam tu solus sanctus
- Bach, JS: Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 9, Aria und Gavotte. "Sehet in Zufriedenheit"
- Bach, JS: Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 3, Aria. "Phoebus eilt mit schnellen Pferden"
- Vivaldi: Gloria in D Major, RV 589: XII. Cum Sancto Spiritu
- Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro
- Bach, JS: Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: I. —
- Bach, JS: Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 5, Aria. "Wenn die Frühlingslufte streichen"
- Vivaldi: Concerto for Two Trumpets in C Major, RV 537: I. Allegro
- Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb:1: I. Moderato
- Bach, JS: Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 6, Rezitativ. "Und dieses ist das Glücke"
- Mozart: Horn Concerto No. 4 in E-Flat Major, K. 495: III. Rondo. Allegro vivace
- Mozart: Piano Concerto No. 17 in G Major, Op. 9, K. 453: II. Andante
- Punto: Horn Concerto No. 5 in F Major: II. Adagio
- Bach, JS: Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 7, Aria. "Sich üben im Lieben, in Scherzen sich herzen"
- Mozart: Basta, vincesti… Ah, non lasciarmi, K. 486a
- Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie
- Mozart: Sinfonia concertante for Violin and Viola in E-Flat Major, K. 364: II. Andante
- Bach, JS: Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: II. Adagio ma non tanto
- Bach, JS: Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 4, Rezitativ. "Drum sucht auch Amor sein Vergnügen"
- Bach, JS: Brandenburg Concerto No. 3 in G Major, BWV 1048: II. Adagio
- Cimarosa: Il sacrificio d’Abramo: "Chi per pietà mi dice" - "Deh, parlate" (Sara)
- Bach, JS: Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 2, Rezitativ. "Die Welt wird wieder neu"
- Cimarosa: Artemisia, Act 2: "Entro quest'anima" (Artemisia)
- Grieg: Peer Gynt, Op. 23, Act 2: No. 7, In the Hall of the Mountain King
- Bach, JS: Magnificat in D Major, BWV 243: II. Aria. "Et exsultavit spiritus meus in Deo"
- Bach, JS: Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata": No. 8, Rezitativ. "So sei das Band der keuschen Liebe"
- Mozart: Alma grande e nobil core, K. 578
- Vivaldi: Concerto for Two Trumpets in C Major, RV 537: III. Allegro
- Mozart: Così fan tutte, K. 588, Act 2: " Ei parte!" - "Per pietà, ben mio" (Fiordiligi)
- Mozart: Piano Concerto No. 19 in F Major, K. 459: I. Allegro
- Mozart: Vesperae solennes de confessore, K. 339: V. Laudate Dominum
- Mozart: Mass No. 15 in C Major, K. 317 "Coronation": VI. Agnus Dei
- Bach, JS: Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: III. Allegro
- Vivaldi: Gloria in D Major, RV 589: II. Et in terra pax hominibus
- Bach, JS: Brandenburg Concerto No. 4 in G Major, BWV 1049: II. Andante
- Horn Concerto no. 3 in E-flat Major, K. 447: III. Rondo. Allegro vivace
- Horn Concerto no. 3 in E-flat Major, K. 447: II. Romance. Larghetto
- Vesperae solennes de confessore, K339: Laudate Dominum
- The Tales of Hoffmann: Barcarolle
- Thaïs: Meditation
- The Seven Last Words of Christ, Hob. XX:1: Il terremoto. Presto e con tutta la forza
- Piano Concerto no. 1 in D minor, BWV 1052: II. Adagio
- Concerto a due cori no. 1 in B-flat major, HWV 332: VI. Alla breve moderato
- Four Sea Interludes from Peter Grimes, op. 33a: No. 2, Sunday Morning
- Concerto a due cori no. 3 in F major, HWV 334: II. Allegro
- Jocelyn, op. 100, Act 1: Berceuse. "Oh ! Ne t'éveille pas encore"
- Piano Concerto no. 5 in F minor, BWV 1056 III. Presto
- Piano Concerto no. 1 in D minor, BWV 1052: I. Allegro
- Così fan tutte, K. 588: Overture
- Thaïs, Act 2: Méditation
- Les contes d'Hoffmann, Act 4: Barcarolle. "Belle nuit, ô nuit d'amour"
- Piano Concerto no. 1 in D minor, BWV 1052: III. Allegro
- Der Messias, HWV 56, Pt. 2: Chor. "Hallelujah"
- Joshua, HWV 64, Act 3: Air. "Oh! Had I Jubal's Lyre" (Achsah)
- Piano Concerto no. 5 in F minor, BWV 1056: I. —
- Gloria in D major, RV 589: XI. Quoniam tu solus sanctus
- Gloria in D major, RV 589: II. Et in terra pax hominibus
- Gloria in D major, RV 589: XII. Cum Sancto Spiritu
- Magnificat in D Major, BWV 243: II. Aria. "Et exsultavit spiritus meus in Deo"
- Idomeneo, K. 366, Act 2: "Se il padre perdei" (Ilia)
- Mass in D Minor, Hob. XXII:11 "Nelson Mass": Kyrie
- Berenice, che fai, Hob. XXIVa:10
- Bach, JS / Orch. Marriner: Herz und Mund und Tat und Leben, BWV 147: X. Chorale. "Jesu, Joy of Man's Desiring"
- Solomon: The Arrival of the Queen of Sheba
- Cantata, BWV 208: No. 9. Schafe können sicher weiden
- Der Messias: No. 34 Arie
- Der Messias: No. 16 Arie
- Der Messias: No. 42 Accompagnato
- Der Messias: Accompagnato
- Der Messias: No. 14 Accompagnato
- Der Messias: No. 36 Arie
- Der Messias: No. 27 Arioso
- Der Messias: No. 10 Arie
- Der Messias: No. 28 Accompagnato
- Der Messias: No. 24 Accompagnato
- Der Messias: Rezitativ
- Der Messias: Rezitativ / No. 13 Accompagnato & Rezitativ
- Der Messias: No. 44 Duett / No. 45 Chor
- Der Messias: No. 6 Arie
- Der Messias: No. 38 Arie
- Der Messias: No. 8 Arie
- Der Messias: No. 32 Arie
- Der Messias: No. 29 Arie
- Der Messias: No. 35 Arie
- Der Messias: No. 43 Arie
- Der Messias: No. 40 Arie
- Der Messias: No. 5 Accompagnato
- Der Messias: No. 46 Arie
- Der Messias: No 2 Accompagnato / 3. Arie
- Der Messias: No. 20 Arie
- Der Messias: No. 17 Duett
- Der Messias: No. 26 Accompagnato
- Tornami a vagheggiar (Alcina; Marchi)
- Rejoice Greatly, O daughter of Zion (Messiah; Jennens)
- Oh, didst thou know (Acis and Galatea; Gay & Dryden)
- Ah! mio cor! (Alcina; Marchi)
- Oh! Had I Jubal's Lyre (Joshua; Morell)
- Ev'ry sight these eyes behold (Solomon)
- May peace in Salem ... (Solomon)
- E pur così in un giorno ... (Giulio Cesare; Haym)
- Sweet Bird (il Penseroso ed il Moderato; Jennens)
- Su le sponde del tebro - Cantata: X. Aria: Tralascia pur di piangere
- Su le sponde del tebro - Cantata: II. Recitative: Su le sponde del Tebro
- Cantate , BWV 51: IV. Alleluja, alleluja
- Concerto in B-flat major for trumpet and violin, RV 548: I. Allegro
- Cantate , BWV 51: I. Wir beten zu dem Tempel an
- Su le sponde del tebro - Cantata: VII. Aria: Dite almeno
- Cantate , BWV 51: II. Höchster, mache deine Güte
- Cantate , BWV 51: III. Sei Lob und Preis mit Ehren
- Su le sponde del tebro - Cantata: VI. Largo: Infelice miei lumi
- Su le sponde del tebro - Cantata: V. Recitative: Mesto, stanco e spirante
- Concerto in B-flat major for trumpet and violin, RV 548: III. Allegro
- Concerto in B-flat major for trumpet and violin, RV 548: II. Largo
- Su le sponde del tebro - Cantata: III. Sinfonia
- Su le sponde del tebro - Cantata: I. Sinfonia
- Su le sponde del tebro - Cantata: IV. Aria: Contentatevi
- Su le sponde del tebro - Cantata: IX. Recitative: All'aura, al cielo
- Suite in A minor for treble recorder, strings and continuo: Menuet I & II
- Nelson Mass - Sanctus
- Suite in A minor for treble recorder, strings and continuo: Overture
- Suite in A minor for treble recorder, strings and continuo: Rejouissance
- Suite in A minor for treble recorder, strings and continuo: Air a líItalien
- Concerto for Trumpet (Oboe), Violin, Strings & B.C., RV 548 in B-Flat Major: II. Largo
- Nelson Mass - Agnus Dei
- Nelson Mass - Gloria
- Suite in A minor for treble recorder, strings and continuo: Polonaise
- Nelson Mass - Benedictus
- Concerto for Trumpet (Oboe), Violin, Strings & B.C., RV 548 in B-Flat Major: I. Allegro
- Suite in A minor for treble recorder, strings and continuo: Passeoied I & II
- Suite in A minor for treble recorder, strings and continuo: Les Plaisirs
- Nelson Mass - Credo
- Concerto for Trumpet (Oboe), Violin, Strings & B.C., RV 548 in B-Flat Major: III. Allegro
- Missa Sancti Bernardi Von Offida ("Heiligmesse") Hob. 22 Messe Nr. 10, B-dur: Et vitam venturi saeculi
- Missa Sancti Bernardi Von Offida ("Heiligmesse") Hob. 22 Messe Nr. 10, B-dur: Agnus Dei
- Missa Sancti Bernardi Von Offida ("Heiligmesse") Hob. 22 Messe Nr. 10, B-dur: Gratias agimus tibi
- Missa Sancti Bernardi Von Offida ("Heiligmesse") Hob. 22 Messe Nr. 10, B-dur: Dona nobis pacem
- Missa Sancti Bernardi Von Offida ("Heiligmesse") Hob. 22 Messe Nr. 10, B-dur: Gloria in excelsis Deo
- Missa ("Theresienmesse"), Hob. 22: Messe Nr. 12 , B-dur: Dona nobis pacem
- Missa Sancti Bernardi Von Offida ("Heiligmesse") Hob. 22 Messe Nr. 10, B-dur: Et resurrexit
- Missa Sancti Bernardi Von Offida ("Heiligmesse") Hob. 22 Messe Nr. 10, B-dur: Benedictus
- Missa ("Theresienmesse"), Hob. 22: Messe Nr. 12 , B-dur: Gratias agimus tibi
- Mass No. 7 In B Flat, Hob. Xxii:7 'Missa Brevis Sancti Joannis De Deo': Credo
- Missa ("Theresienmesse"), Hob. 22: Messe Nr. 12 , B-dur: Et resurrexit
- Missa ("Theresienmesse"), Hob. 22: Messe Nr. 12 , B-dur: Agnus Dei
- Missa ("Theresienmesse"), Hob. 22: Messe Nr. 12 , B-dur: Credo in unum Deum
- Missa ("Theresienmesse"), Hob. 22: Messe Nr. 12 , B-dur: Sanctus
- Missa Sancti Bernardi Von Offida ("Heiligmesse") Hob. 22 Messe Nr. 10, B-dur: Quoniam tu solus sanctus
- Mass No. 7 In B Flat, Hob. Xxii:7 'Missa Brevis Sancti Joannis De Deo': Kyrie
- Mass No. 7 In B Flat, Hob. Xxii:7 'Missa Brevis Sancti Joannis De Deo': Sanctus
- Missa ("Theresienmesse"), Hob. 22: Messe Nr. 12 , B-dur: Kyrie
- Mass No. 7 In B Flat, Hob. Xxii:7 'Missa Brevis Sancti Joannis De Deo': Agnus Dei
- Mass No. 7 In B Flat, Hob. Xxii:7 'Missa Brevis Sancti Joannis De Deo': Benedictus
- Missa Sancti Bernardi Von Offida ("Heiligmesse") Hob. 22 Messe Nr. 10, B-dur: Sanctus
- Missa ("Theresienmesse"), Hob. 22: Messe Nr. 12 , B-dur: Et incarnatus est
- Missa ("Theresienmesse"), Hob. 22: Messe Nr. 12 , B-dur: Gloria in excelsis Deo
- Missa ("Theresienmesse"), Hob. 22: Messe Nr. 12 , B-dur: Benedictus
- Missa Sancti Bernardi Von Offida ("Heiligmesse") Hob. 22 Messe Nr. 10, B-dur: Credo in unum Deum
- Missa Sancti Bernardi Von Offida ("Heiligmesse") Hob. 22 Messe Nr. 10, B-dur: Et incarnatus est
- Missa Sancti Bernardi Von Offida ("Heiligmesse") Hob. 22 Messe Nr. 10, B-dur: Kyrie
- Missa ("Theresienmesse"), Hob. 22: Messe Nr. 12 , B-dur: Quoniam tu solus sanctus
- Mass No. 7 In B Flat, Hob. Xxii:7 'Missa Brevis Sancti Joannis De Deo': Gloria
- Die Schöpfung: Part 2. Und Gott sprach Es bringe Erde hervor
- Die Schöpfung: Part 1. Chor mit Solo / Mit Staunen sieht das Wunderwerk
- Die Schöpfung: Part 2. Und Gott sah jedes Ding
- Die Schöpfung: Part 2. Rezitativ / Und die Engel
- Die Schöpfung: Part 1. Rezitativ / In vollem Glanze
- Die Schöpfung: Part 3. Nun ist die erste Pflicht erfüllt
- Die Schöpfung: Part 2. Vollendet ist das große Werk
- Die Schöpfung: Part 1. Rezitativ / Am Anfange schuf Got Himmel und Erde
- Die Schöpfung: Part 1. Introduktion / Die Vorstellung des Chaos
- Die Schöpfung: Part 1. Rezitativ - Und die himmlischen Heerscharen
- Die Schöpfung: Part 1. Rezitativ: Und Gott sprach / Es sei'n Lichter
- Die Schöpfung: Part 1. Arie & Chor / Nun schwanden vor dem heiligen Strahle
- Die Schöpfung: Part 2. Und Got schuf den Menschen nach seinem Bilde
- Die Schöpfung: Part 3. Von deiner Güt', o Herr und Gott
- Die Schöpfung: Part 1. Arie - Rollend in schäumenden Wellen
- Die Schöpfung: Part 3. Aus den Rosenwolken bricht, geweckt
- Die Schöpfung: Part 2. Mit Würd' und Hoheit angetan
- Die Schöpfung: Part 3. O glücklich Paar, und glücklich immerfort
- Die Schöpfung: Part 2. Rezitativ - Und Gott schuf grosse Walfische
- Die Schöpfung: Part 1. Rezitativ: Rezitativ: Und Gott sprach / Es bringe die Erde Gras hervor
- Die Schöpfung: Part 3. Singet dem Herrn alle Stimmen
- Die Schöpfung: Part 2. Gleich öffnet sich der Erde Schoß
- Die Schöpfung: Part 1. Rezitativ: Und Gott sprach / Es sammle sich das Wasser
- Die Schöpfung: Part 3. Holde Gattin, dir zur Seite
- Die Schöpfung: Part 2. Terzett / In holder Anmut
- Die Schöpfung: Part 1. Rezitativ - Und Gott machte das Firmament
- Die Schöpfung: Part 1. Arie - Nun beut die Flur das frische Grün
- Die Schöpfung: Part 2. Nun scheint in vollem Glanze
- Die Schöpfung: Part 2. Rezitativ - Und Gott sprach: Es bringe das Wasser
- Die Schöpfung: Part 2. Chor mit Soli / Der Herr ist gross
- Die Schöpfung: Part 2. Zu dir, o Herr, blickt alles auf
- Die Schöpfung: Part 1. Chor mit Soli / Die Himmel erzählen
- Die Schöpfung: Part 2. Arie / Auf starkem Fittiche
- Die Schöpfung: Part 1. Chor / Stimmt an die Saiten
- Piano Concerto no. 27 in B-flat major, op. 17, K. 595: III. Allegro
- Concerto no. 18 in B-flat major, K. 456: III. Allegro vivace
- Concerto no. 6 in B-flat major, K. 238: II. Andante un poco adagio
- Piano Concerto no. 27 in B-flat major, op. 17, K. 595: II. Larghetto
- Concerto no. 17 in G major, K. 453: III. Allegretto
- Concerto no. 18 in B-flat major, K. 456: I. Allegro vivace
- Concerto no. 18 in B-flat major, K. 456: II. Andante un poco sostenuto
- Piano Concerto no. 22 in E-flat major, K. 482: II. Andante
- Concerto no. 16 in D major, K. 451: II. Andante
- Concerto no. 6 in B-flat major, K. 238: I. Allegro aperto
- Concerto no. 19 in F major, K. 459: I. Allegro vivace
- Piano Concerto no. 22 in E-flat major, K. 482: I. Allegro
- Concerto no. 16 in D major, K. 451: I. Allegro assai
- Concerto no. 11 in F major, K. 387a / 413: II. Larghetto
- Concerto no. 11 in F major, K. 387a / 413: III. Tempo di menuetto
- Concerto no. 6 in B-flat major, K. 238: III. Rondeau (allegro)
- Concerto no. 19 in F major, K. 459: II. Allegretto
- Concerto no. 17 in G major, K. 453: I. Allegro
- Concerto no. 5 in D major, K. 175: II. Andante un poco adagio
- Concerto no. 5 in D major, K. 175: I. Allegro
- Concerto no. 17 in G major, K. 453: II. Andante
- Piano Concerto no. 22 in E-flat major, K. 482: III. Allegro
- Concerto no. 16 in D major, K. 451: III. Allegro di molto
- Concerto no. 11 in F major, K. 387a / 413: I. Allegro
- Concerto no. 5 in D major, K. 175: III. Allegro
- Piano Concerto no. 27 in B-flat major, op. 17, K. 595: I. Allegro
- Concerto no. 19 in F major, K. 459: III. Allegro assai
- Romance no. 2 in F major, op. 50
- Adagio for violin and orchestra in E major, K. 261
- Rondo for violin and orchestra in C major, K. 373
- Romance no. 1 in G major, op. 40
- Grabmusik, K. 35a/42: Betrachte dies Herz
- Messiah, HWV 56: Second Part. “Denn zu welchem der Engel hat jemals er gasgt” (Tenor)
- Messiah, HWV 56: First Part. No. 2 “Tröste dich, tröste dich, mein Volk” (Tenor) / No. 3 “Alle Tale macht hoch erhaben” (Tenor)
- Messiah, HWV 56: Third Part. No. 42 “Vernehmt, ich kind' ein Geheimnis an” (Bass)
- Messiah, HWV 56: Second Part. No. 35 “Ihr Schall gehet aus in jedes Land” (Tenor)
- Messiah, HWV 56: Second Part. No. 26 “Diese Schmach zerbrach ihm das Herz” (Tenor)
- Messiah, HWV 56: First Part. “Es waren Hirten beisammen” (Soprano) / No. 13 “Und siche, der Engel des Herrn trat zu ihnen” (Soprano) 1.03 / “Und der Engel sprach zu ihnen” (Soprano)
- Messiah, HWV 56: First Part. No. 10 “Das Volk, das da wandelt im Dunkel” (Bass)
- Messiah, HWV 56: Second Part. No. 28 “Er ist dahin, aus dem Land der Lebendigen” (Tenor)
- Messiah, HWV 56: Second Part. No. 29 “Doch du ließest ihn dem Tode nicht” (Tenor)
- Messiah, HWV 56: Second Part. No. 24 “Alle die, die ihn sehen” (Tenor)
- Messiah, HWV 56: Second Part. “Der da thronet im Himmel” (Tenor)
- Messiah, HWV 56: Second Part. No. 36 “Warum denn rasen und toben die Heiden im Zorne”
- Messiah, HWV 56: Third Part. No. 46 “Ist Gott mit uns, wer sollte uns schaden?” (Soprano)
- Messiah, HWV 56: Third Part. No. 43 “Die Tromba erschallt” (Bass)
- Messiah, HWV 56: First Part. No. 14 “Und alsbald war da bei dem Engel” (Soprano)
- Messiah, HWV 56: Second Part. No. 27 “Schau hin und sich” (Tenor)
- Messiah, HWV 56: Second Part. No. 34 “Wie lieblich ist der Boten Schritt” (Soprano)
- Messiah, HWV 56: Second Part. No. 32 “Du fuhrst zum Himmel auf” (Bass)
- Messiah, HWV 56: First Part. No. 9 “Blicke auf, Dunkel bedecket die Welt” (Bass)
- Messiah, HWV 56: Third Part. No. 40 “Ich weié, dass mein Erlöser lebet” (Soprano)
- Messiah, HWV 56: Second Part. No. 38 “Du zerschläget sie mit dem eisernen Zepter” (Tenor)
- Messiah, HWV 56: First Part. No. 16 “Wohlan, frohlocke, du Tochter Zion” (Soprano)
- Messiah, HWV 56: First Part. No. 5 “So spricht der Herr” (Bass)
- Acis and Galatea, HWV 49: Act I. Recitative. “Oh! Didst thou know the pains” - Aria. “As when the dove” (Galatea)
- Alcina, HWV 34: Act 2, Scene 8. Aria. “Ah! mio cor!” (Alcina)
- Solomon, HWV 67: Act 3. Recitative. “May peace in Salem ever dwell” - Aria. “Will the sun forget to streak” (Queen of Sheba)
- L'Allegro, il Penseroso ed il Moderato, HWV 55: Pt. I. Recitative and Aria. “First, and chief, on golden wing” - “Sweet bird”
- Alcina, HWV 34: Act 1, Scene 14. Aria. “Tornami a vagheggiar” (Morgana)
- Joshua, HWV 64: Act 3. Aria. “Oh! had I Jubal's lyre” (Achsah)
- Solomon, HWV 67: Act 3. Aria. “Ev'ry sight these eyes behold” (Queen of Sheba)
- Messiah, HWV 56: Pt. 1, Scene 5. Aria. “Rejoice Greatly, O Daughter of Zion”
- Giulio Cesare in Egitto, HWV 17: Act 3, Scene 1. Recitative. “E pur così in un giorno” - Aria. “Piangerò la sorte mia” (Cleopatra)
- Three Characteristic Pieces, op. 10: III. Contrasts: The Gavotte AD 1700 and 1900
- Three Characteristic Pieces, op. 10: I. Mazurka
- Three Characteristic Pieces, op. 10: II. Serenade mauresque
- Rapsodie
- Cantata “Su le sponde del Tebro”, H. 705/R. 390.68: Sinfonia
- Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Credo. Et resurrexit
- Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Sanctus
- Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Benedictus. Benedictus
- Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Credo. Et incarnatus est
- Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Gloria. Qui tollis
- Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Agnus Dei. Agnus Dei
- Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Credo. Credo in unum Deum
- Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Gloria. Gloria in excelsis
- Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Benedictus. Osanna
- Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Agnus Dei. Dona nobis pacem
- Messa in angustiis, Mass in D minor, Hob. XXII:11 “Nelsonmesse”: Gloria. Quoniam tu solus sanctus
- Suite No. 1: III. Espanola
- Suite No. 2: II. Valse
- Suite No. 1: IV. Balalaika
- Suite No. 2: III. Polka
- Suite No. 1: II. Napolitana
- Suite No. 2: IV. Galop
- Pulcinella - Ballet avec chante en un acte (after Pergolesi): Mentre L'Erbetta Pasce L'Agnella
- Pulcinella - Ballet avec chante en un acte (after Pergolesi): Una Te Falan Zemprece
- Suite No. 1: I. Andante
- Suite No. 2: I. Marche
- Eugen Onegin, op. 24: Act 3. Polonaise
- Vesperae solennes de confessore, K. 339: V. Laudate Dominum
- Scena di Berenice, recitative and aria, Hob. XXIVa:10: “Berenice, che fai?… Non partir…”
- The Seasons, op. 37a: No. 6 June, Barcarole
- Nutcracker, Suite, op. 71a: VIII. Waltz of the Flowers
- Rosamunde, incidental music, op. 26, D 797: Entr'acte in B-flat major
- Die Lustige Witwe: Vilja‐Lied
- Casanova: Nonnenchor und Lied der Laura
- Giuditta: In einem Meer von Liebe
- Giuditta: Meine Lippen, sie küssen so heiß
- Cantata “Was mir behagt, ist nur die muntre Jagd”, BWV 208: “Schafe Können sicher weiden” (Sheep may safely graze)
- Giuditta: Tableau 1. “In einem Meer von Liebe”
- Die Lustige Witwe: Act 2. “Es lebt eine Vilja, ein Waldmägdelein” (Vilja-Lied)
- Giuditta: Tableau 4. “Meine Lippen, sie küssen so heiss”
- Messiah, HWV 56: Second Part. No. 36 “Warum denn rasen und toben die Heiden im Zorne” (Bass)
- Mozart: Piano Concerto No. 22 in E-Flat Major, K. 482: III. Allegro (Cadenza by Buchbinder)