Samuel Barber Songtexte
Knoxville: Summer of 1915
Geboren am 09. März 1910, Gestorben am 23. Januar 1981
The Music of America (Compilation)
- Overture to The School for Scandal, Op. 5
- Dover Beach for Voice and String Quartet, Op. 3
- Symphony No. 1, Op. 9; Allegro ma non troppo
- Symphony No. 1, Op. 9; Allegro molto
- Symphony No. 1, Op. 9; Andante tranquillo
- Symphony No. 1, Op. 9; Con moto (Passacaglia)
- String Quartet, Op. 11; Molto allegro e appassionato
- String Quartet, Op. 11; Molto adagio
- String Quartet, Op. 11; Molto allegro (come prima)
- Adagio for Strings
- Concerto for Violin and Orchestra, Op. 14; I. Allegro
- Concerto for Violin and Orchestra, Op. 14; II. Andante
- Concerto for Violin and Orchestra, Op. 14; III. Presto in moto
- Second Essay for Orchestra, Op. 17
- Medea's Dance Of Vengeance, Op. 23a
- Sonata, Op. 26; I. Allegro energico
- Sonata, Op. 26; II. Allegro vivace e leggero
- Sonata, Op. 26; III. Adagio mesto
- Sonata, Op. 26; IV. Fuga: Allegro con spirito
- Knoxville: Summer of 1915, op. 24
- Hermit Songs, Op. 29; At Saint Patrick's Purgatory
- Hermit Songs, Op. 29; Church Bell at Night
- Hermit Songs, Op. 29; Saint Ita's Vision
- Hermit Songs, Op. 29; The Heavenly Banquet
- Hermit Songs, Op. 29; The Crucifixion
- Hermit Songs, Op. 29; Sea-Snatch
- Hermit Songs, Op. 29; Promiscuity
- Hermit Songs, Op. 29; The Monk and His Cat
- Hermit Songs, Op. 29; The Praises of God
- Hermit Songs, Op. 29; The Desire for Hermitage
- I Hear an Army, Op. 10 No. 3
- Nocturne, Op. 13 No. 4
- Sure on this Shining Night, Op.13 No. 3
- Vanessa; Must the Winter Come So Soon?
- Antony and Cleopatra, Op. 40; Give Me Some Music
- Antony and Cleopatra, Op. 40; Give Me My Robe
- Agnus Dei
The Music of Samuel Barber (Compilation)
- Symphony no. 1, op. 9
- Piano Concerto, op. 38: I. Allegro appassionato
- Piano Concerto, op. 38: II. Canzone: Moderato
- Piano Concerto, op. 38: III. Allegro molto
- Piano Concerto in G major, op. 36: I. Lento molto e molto tranquillo - Allegro deciso
- Piano Concerto in G major, op. 36: II. Allegro molto ritmico
- Piano Concerto in G major, op. 36: III. Andante molto espressione
- Piano Concerto in G major, op. 36: IV. Allegro giocoso
- The School for Scandal Overture, op. 5 (von New Zealand Symphony Orchestra, Andrew Schenck)
- Music for a Scene from Shelley, op. 7 (von New Zealand Symphony Orchestra, Andrew Schenck)
- Essay for Orchestra, op. 12 (von New Zealand Symphony Orchestra, Andrew Schenck)
- Adagio for Strings, op. 11 (von New Zealand Symphony Orchestra, Andrew Schenck)
- Symphony no. 2, op. 19: I. Allegro ma non troppo (von New Zealand Symphony Orchestra, Andrew Schenck)
- Symphony no. 2, op. 19: II. Andante un poco mosso (von New Zealand Symphony Orchestra, Andrew Schenck)
- Symphony no. 2, op. 19: III. Presto senza battuta: Allegro risoluto (von New Zealand Symphony Orchestra, Andrew Schenck)
Vanessa
- Vanessa, Act I: Opening
- Vanessa, Act I, Scene 1: Potage Creme Aux Perles
- Vanessa, Act I, Scene 1: No. I Cannot Understand
- Vanessa, Act I, Scene 1: Must the Winter Come So Soon?
- Vanessa, Act I, Scene 1: Listen... They Are Here!
- Vanessa, Act I, Scene 1: Do Not Utter a Word. Anatol
- Vanessa, Act I, Scene 1: Yew, I Believe I Shall Love You
- Vanessa, Act I, Scene 1: Who Are You?
- Vanessa, Act I, Scene 2: And Then?
- Vanessa, Act I, Scene 2: No, You Are Not as Good a Skater as Your Father Was
- Vanessa, Act I, Scene 2: Under the Willow Tree
- Vanessa, Act I, Scene 2: Erika, I Am So Happy
- Vanessa, Act I, Scene 2: I Must Tell You What Happened
- Vanessa, Act I, Scene 2: Did You Hear Her?
- Vanessa, Act I, Scene 2: Outside This House the World Has Changed
- Vanessa, Act I, Scene 2: Orchestral Interlude; Hymn
- Vanessa, Act II: Entr' Acte
- Vanessa, Act II: I Should Never Have Been a Doctor
- Vanessa, Act II: Here You Are!
- Vanessa, Act II: At Last I Found You
- Vanessa, Act II: Love Has a Bitter Core, Vanessa
- Vanessa, Act II: Nothing To Worry About
- Vanessa, Act III, Scene 1: Why Did No One Warn Me?
- Vanessa, Act III, Scene 1: Why Must the Greatest Sorrows Come
- Vanessa, Act III, Scene 1: There, Look!
- Vanessa, Act III, Scene 1: On the Path to the Lake
- Vanessa, Act III, Scene 1: Anatol, Tell Me the Truth!
- Vanessa, Act III, Scene 1: Take Me Away
- Vanessa, Act III, Scene 1: Grandmother! Yes, Erika
- Vanessa, Act III, Scene 1: Intermezzo
- Vanessa, Act III, Scene 2: By the Time We Arrive in Paris
- Vanessa, Act III, Scene 2: For Every Love There Is a Last Farewell
- Vanessa, Act III, Scene 2: And You, My Friend
- Vanessa, Act III, Scene 2: Erika, Before I Leave You
- Vanessa, Act III, Scene 2: To Leave, To Break
- Vanessa, Act III, Scene 2: Boodbye, Be Happy, Aunt Vanessa
- Vanessa, Act III, Scene 2: No, I Must Never Say That Name Again
Violin concerto op. 14 / Cello concerto op. 22 / Piano concerto op. 38
- Concerto for Violin and Orchestra op. 14 I Allegro (von Isaac Stern, New York Philharmonic, Leonard Bernstein)
- Concerto for Violin and Orchestra op. 14 II Andante (von Isaac Stern, New York Philharmonic, Leonard Bernstein)
- Concerto for Violin and Orchestra op. 14 III Presto in moto perpetuo (von Isaac Stern, New York Philharmonic, Leonard Bernstein)
- Concerto for Cello and Orchestra op. 22 I Allegro moderato (von Yo‐Yo Ma, Baltimore Symphony Orchestra, David Zinman)
- Concerto for Cello and Orchestra op. 22 II Andante sostenuto (von Yo‐Yo Ma, Baltimore Symphony Orchestra, David Zinman)
- Concerto for Cello and Orchestra op. 22 III Molto allegro e appassionato (von Yo‐Yo Ma, Baltimore Symphony Orchestra, David Zinman)
- Concerto for Piano and Orchestra op. 38 I Allegro appassionato (von John Browning)
- Concerto for Piano and Orchestra op. 38 II Canzone: Moderato
- Concerto for Piano and Orchestra op. 38 III Allegro molto
Mehr Songtexte
- Sonata for Piano Op. 26: I. Allegro energico
- Sonata for Piano Op. 26: II. Allegro vivace e leggero
- Sonata for Piano Op. 26: III. Adagio mesto
- Sonata for Piano Op. 26: IV. Fuga: Allegro con spirito
- Interlude No. 1 "Adagio for Jeanne"
- Nocturne Op. 33
- Ballade Op. 46
- Excursions Op. 20: I. Un poco allegro
- Excursions Op. 20: II. In Slow Blues Tempo
- Excursions Op. 20: III. Allegretto
- Excursions Op. 20: IV. Allegro molto
- Overture to "The School For Scandal"
- [First] Essay for Orchestra
- Second Essay
- Third Essay
- Medea's Dance of Vengeance
- Adagio for Strings - from String Quartet Op. 11
- Violin Concerto - Andante
- Symphony No.1, Op. 9 - Andante Tranquillo
- Symphony No.1, Op. 9 - Con Moto
- First Essay for Orchestra, Op. 12
- Knoxville: Summer of 1915 - for Soprano and Orchrestra
- Second Essay, Op. 17
- Third Essay, Op. 47
- Toccata Festiva, Op. 36
- Vanessa, Act I: Potage crème aux perles
- Vanessa, Act I: No, I cannot understand
- Vanessa, Act I: Must the winter come so soon?
- Vanessa, Act I: Listen!... They are here...
- Vanessa, Act I: Do not utter a word, Anatol
- Vanessa, Act I: Yes I believe I shall love you
- Vanessa, Act I: Who are you?
- Vanessa, Act II: And then? / He made me drink
- Vanessa, Act II: No, you are not as good a skater
- Vanessa, Act II: Under the willow tree...
- Vanessa, Act II: Erika, I am so happy
- Vanessa, Act II: Our arms entwined
- Vanessa, Act II: Did you hear her?
- Vanessa, Act II: Outside this house the world has changed
- Vanessa, Act II: Orchestral Interlude / Hymn
- Vanessa, Act III: The Count & Countess d'Albany
- Vanessa, Act III: I should never have been a doctor
- Vanessa, Act III: Here you are!
- Vanessa, Act III: At last I found you
- Vanessa, Act III: Nothing to worry about
- Vanessa, Act IV Scene 1: Why did no one warn me?
- Vanessa, Act IV Scene 1: Why must the greatest sorrows
- Vanessa, Act IV Scene 1: There, look!
- Vanessa, Act IV Scene 1: Anatol, tell me the truth!
- Vanessa, Act IV Scene 1: Take me away
- Vanessa, Act IV Scene 1: Grandmother! / Yes, Erika
- Vanessa, Act IV Scene 1: Intermezzo
- Vanessa, Act IV Scene 2: By the time we arrive
- Vanessa, Act IV Scene 2: For every love there is a last farewell
- Vanessa, Act IV Scene 2: And you, my friend
- Vanessa, Act IV Scene 2: To leave, to break
- Vanessa, Act IV Scene 2: Goodbye, Erika
- Hermit Songs, Op. 29: At Saint Patrick's Purgatory
- Hermit Songs, Op. 29: Church Bell at Night
- Hermit Songs, Op. 29: Sait Ita's Vision
- Hermit Songs, Op. 29: The Heavenly Banquet
- Hermit Songs, Op. 29: The Crucifixion
- Hermit Songs, Op. 29: Sea-Snatch
- Hermit Songs, Op. 29: Promiscuity
- Hermit Songs, Op. 29: The Monk and His Cat
- Hermit Songs, Op. 29: The Praises of God
- Hermit Songs, Op. 29: The Desire for Hermitage
- Sleep Now, Op. 10, No. 2
- The Daises, Op. 2, No. 1
- Nocturne, Op. 13, No. 4
- Nuvoletta, Op. 25
- Antony and Cleopatra: Give Me Some Music
- Antony and Cleopatra: Give Me My Robe
- Symphony No. 1, Op. 9: I. Allegro ma non troppo
- Symphony No. 1, Op. 9: II. Allegro molto
- Symphony No. 1, Op. 9: III. Andante tranquillo
- Symphony No. 1, Op. 9: IV. Con moto [Passacaglia]
- Piano Concerto, op. 38: I. Allegro appassionato
- Piano Concerto, op. 38: II. Canzone: Moderato
- Piano Concerto, op. 38: III. Allegro molto
- Souvenirs, Suite from the Ballet: I. Waltz
- Souvenirs, Suite from the Ballet: II. Schottische
- Souvenirs, Suite from the Ballet: III. Pas de deux
- Souvenirs, Suite from the Ballet: IV. Two-Step
- Souvenirs, Suite from the Ballet: V. Hesitation-Tango
- Souvenirs, Suite from the Ballet: VI. Galop
- Violin Concerto, Op. 14: I. Allegro
- Violin Concerto, Op. 14: II. Andante
- Violin Concerto, Op. 14: III. Presto in moto perpetuoso
- Souvenirs (Ballet Suite), Op. 28: I. Waltz (The Lobby)
- Souvenirs (Ballet Suite), Op. 28: II. Schottische (Third Floor Hallway)
- Souvenirs (Ballet Suite), Op. 28: III. Pas de Deux (A Corner of the Ballroom)
- Souvenirs (Ballet Suite), Op. 28: IV. Two-Step (Tea in the Palm Court)
- Souvenirs (Ballet Suite), Op. 28: V. Hesitation Tango (A Bedroom Affair)
- Souvenirs (Ballet Suite), Op. 28: VI. Galop (The Next Afternoon)
- Serenade for Strings, Op. 1: I. Un poco adagio: Allegro con spirito
- Serenade for Strings, Op. 1: II. Andante con moto
- Serenade for Strings, Op. 1: III. Dance: Allegro giocoso
- Music for a Scene from Shelley, op. 7
- Grave and Remote (O Thou Who Art Unchangeable)
- Andante con Moto Tranquillo (Lord Jesus Christ Who Suffer'D)
- Un Poco Mosso (Father in Heaven)
- Allegro molto
- Quietly (Father in Heaven!)
- I. Body of a Woman
- II. Lithe Girl, Brown Girl
- III. In the Hot Depth of This Summer
- IV. Close Your Eyes
- V. The Fortunate Isles
- VI. Sometimes
- VII. We Have Lost Even This Twilight
- VIII. Tonight I Can Write
- IX. Cemetery of Kisses
- Hermit Songs, Op. 29 No. 3: St. Ita's Vision (arr. Todd Palmer)
- Hermit Songs, Op. 29 No. 4: The Heavenly Banquet (arr. Todd Palmer)
- Hermit Songs, Op. 29 No. 5: The Crucifixion (arr. Todd Palmer)
- Hermit Songs, Op. 29 No. 6: Sea-Snatch (arr. Todd Palmer)
- Hermit Songs, Op. 29 No. 7: Promiscuity (arr. Todd Palmer)
- Hermit Songs, Op. 29 No. 8: The Monk and his Cat (arr. Todd Palmer)
- Hermit Songs, Op. 29 No. 9: The Praises of God (arr. Todd Palmer)
- Hermit Songs, Op. 29 No. 10: The Desire for Hermitage (arr. Todd Palmer)
- The School for Scandal Overture, op. 5
- Symphony No. 1, Op. 9: Allegro ma non troppo
- Symphony No. 1, Op. 9: Allegro molto
- Symphony No. 1, Op. 9: Andante tranquillo
- Symphony No. 2, Op. 19: Allegro ma non troppo
- Symphony No. 2, Op. 19: Andante, un poco mosso
- Symphony No. 2, Op. 19: Presto, senza battuto - Allegro risoluto
- Piano Concerto: Allegro appassionato
- Piano Concerto: Moderato
- Piano Concerto: Allegro molto
- Medea: Meditation & Dance of Vengence
- Adagio for Strings (from String Quartet, Op. 11)
- Overture To "The School For Scandal", Op. 5
- Symphony No. 1 (in one movement), Op. 9: Allegro, ma non troppo
- Symphony No. 1 (in one movement), Op. 9: Allegro molto
- Symphony No. 1 (in one movement), Op. 9: Andante tranquillo
- Symphony No. 1 (in one movement), Op. 9: Con moto
- Cello Sonata, Op. 6: I. Allegro ma non troppo
- Cello Sonata, Op. 6: II. Adagio - Presto
- Cello Sonata, Op. 6: III. Allegro appassionato
- Canzone for Flute and Piano, Op. 38a
- Excursions, Op. 20: I. Un poco allegro
- Excursions, Op. 20: II. In slow blues tempo
- Excursions, Op. 20: III. Allegretto
- Excursions, Op. 20: IV. Allegro molto
- Nocturne (Homage to John Field), Op. 33
- Summer Music, Op. 31: I. Slow and indolent
- Summer Music, Op. 31: II. Faster
- Summer Music, Op. 31: III. Lively, still faster
- Summer Music, Op. 31: IV. With motion, as before
- Summer Music, Op. 31: V. Joyous and flowing
- Summer Music, Op. 31: VI. Tempo I
- Souvenirs, Op. 28: Pas de deux
- Souvenirs, Op. 28: Two-Step
- [First] Essay for Orchestra, Op. 12
- Medea's Dance of Vengence, Op. 23A
- Violin Concerto, Op. 14: III. Presto in moto perpetuo
- Essay for Orchestra, Op. 12
- Canzone for Flute & Piano, Op. 38a
- Summer Music, Op. 31: Slow And Indolent
- Summer Music, Op. 31: Faster -
- Summer Music, Op. 31: Lively, Still Faster
- Summer Music, Op. 31: With motion, as before -
- Summer Music, Op. 31: Joyous and flowing -
- Summer Music, Op. 31: Tempo I
- Souvenirs, (Arr. From Op. 28): Pas de deux
- Souvenirs, (Arr. From Op. 28): Two step
- Third Essay for Orchestra, Op. 47
- Adagio For Strings, Op. 11 (Boston Symphony Strings)
- Adagio For Strings, Op. 11 (flute: James Galway, synthesizer: Hiro Fujikake)
- Adagio For Strings, Op. 11 (Canadian Brass)
- Adagio For Strings, Op. 11: Agnus Dei (Choir of Trinity College, Cambridge)
- Adagio For Strings, Op. 11 (Kalman Opperman Clarinet Choir feat. clarinet: Richard Stoltzman)
- Adagio For Strings, Op. 11 (Tokyo String Quartet)
- Adagio For Strings, Op. 11 (organ: David Pizarro)
- Adagio For Strings, Op. 11 (Smithsonian Chamber Players)
- A Slumber Song of the Madonna
- There's Nae Lark
- Love at the Door
- Serenades
- Love's Caution
- Night Wanderers
- Of That So Sweet Imprisonment
- Strings in the Earth and Air
- The Beggar's Song
- In the Dark Pinewood
- The Daisies, Op. 2 No. 1
- With Rue My Heart Is Laden, Op. 2 No. 2
- Bessie Bobtail, Op. 2 No. 3
- Rain Has Fallen, Op. 10 No. 1
- Sleep Now, Op. 10 No. 2
- A Nun Takes the Veil, Op. 13 No. 1
- The Secrets of the Old, Op. 13 No. 2
- Sure on this Shining Night, Op. 13 No. 3
- The Queen's Face on the Summery Coin, Op. 18 No. 1
- Monks and Raisins, Op. 18 No. 2
- Mélodies passagères, Op. 27 No. 1: Puisque tout passe
- Mélodies passagères, Op. 27 No. 2: Un cygne
- Mélodies passagères, Op. 27 No. 3: Tombeau dans un parc
- Mélodies passagères, Op. 27 No. 4: Le clocher chante
- Mélodies passagères, Op. 27 No. 5: Départ
- Hermit Songs, Op. 29 No. 1: At Saint Patrick's Purgatory
- Hermit Songs, Op. 29 No. 2: Church Bell at Night
- Hermit Songs, Op. 29 No. 3: St. Ita's Vision
- Hermit Songs, Op. 29 No. 4: The Heavenly Banquet
- Hermit Songs, Op. 29 No. 5: The Crucifixion
- Hermit Songs, Op. 29 No. 6: Sea-Snatch
- Hermit Songs, Op. 29 No. 7: Promiscuity
- Hermit Songs, Op. 29 No. 8: The Monk and His Cat
- Hermit Songs, Op. 29 No. 9: The Praises of God
- Hermit Songs, Op. 29 No. 10: The Desire for Hermitage
- Despite and Still, Op. 41 No. 1: A Last Song
- Despite and Still, Op. 41 No. 2: My Lizard
- Despite and Still, Op. 41 No. 3: In the Wilderness
- Despite and Still, Op. 41 No. 4: Solitary Hotel
- Despite and Still, Op. 41 No. 5: Despite and Still
- Now Have I Fed and Eaten Up the Rose, Op. 45 No. 1
- A Green Lowland of Pianos, Op. 45 No. 2
- O Boundless, Boundless Evening, Op. 45 No. 3
- Concerto for Piano and Orchestra: I. Allegro appassionato
- Concerto for Piano and Orchestra: II. Canzone: Moderato
- Concerto for Piano and Orchestra: III. Allegro molto
- Die Natali, Op. 37
- Medea's Meditation and Dance of Vengeance, Op. 29A
- Commando March
- Cello Concerto Op. 22: I. Allegro moderato
- Cello Concerto Op. 22: II. Andante sostenuto
- Cello Concerto Op. 22: III. Molto allegro e appassionato
- Medea Op. 23: Parodos
- Medea Op. 23: Choros. Medea and Jason
- Medea Op. 23: The Young Princess. Jason
- Medea Op. 23: Chroso
- Medea Op. 23: Medea
- Medea Op. 23: Kantikos Agonias
- Medea Op. 23: Exodos
- Adagio for Strings Op. 11
- Antony and Cleopatra, Act I: Prologue: The Empire
- Antony and Cleopatra, Act I Scene 1: Cleopatra's Palace in Alexandra
- Antony and Cleopatra, Act I Scene 1: I am sick and sullen
- Antony and Cleopatra, Act I Scene 1: Orchestral Interlude
- Antony and Cleopatra, Act I Scene 2: The Senate in Rome
- Antony and Cleopatra, Act I Scene 3: Cleopatra's Palace
- Antony and Cleopatra, Act I Scene 3: Slaves' Dance
- Antony and Cleopatra, Act I Scene 4: A Roman Banquet Hall
- Antony and Cleopatra, Act I Scene 4: When first she met Mark Antony
- Antony and Cleopatra, Act I Scene 4: Vision of Cleopatra's Barge
- Antony and Cleopatra, Act II Scene 1: The Senate in Rome
- Antony and Cleopatra, Act II Scene 2: Cleopatra's Garden
- Antony and Cleopatra, Act II Scene 2: Hush, here come the Queen and Antony
- Antony and Cleopatra, Act II Scene 3: Outside Antony's Battlefield Tent
- Antony and Cleopatra, Act II Scene 4: Inside the Tent
- Antony and Cleopatra, Act II Scene 4: Duet: Oh take, oh take those lips away
- Antony and Cleopatra, Act II Scene 5: The Battlefield At Aticum
- Antony and Cleopatra, Act II Scene 5: Hark! The land bids me tread no more upon it
- Antony and Cleopatra, Act II Scene 6: Cleopatra's Palace
- Antony and Cleopatra, Act II Scene 7: A Battlefield
- Antony and Cleopatra, Act II Scene 7: O sov'reign mistress
- Antony and Cleopatra, Act II Scene 7: Orchestral Interlude
- Antony and Cleopatra, Act II Scene 8: Inside Antony's Tent
- Antony and Cleopatra, Act II Scene 8: Where's Antony?
- Antony and Cleopatra, Act III Scene 1: Cleopatra's Monument
- Antony and Cleopatra, Act III Scene 1: My lord, my lord! Noblest of men
- Antony and Cleopatra, Act III Scene 1: The breaking of so great a thing
- Antony and Cleopatra, Act III Scene 2: Prelude
- Antony and Cleopatra, Act III Scene 2: Inside the Monument
- Antony and Cleopatra, Act III Scene 2: Here is a rural fellow
- Antony and Cleopatra, Act III Scene 2: Give me my robe
- Antony and Cleopatra, Act III Scene 2: Death of Cleopatra
- Adagio for Strings, Op.11 (London Symphony Orchestra feat. conductor: Michael Tilson Thomas)
- Knoxville: Summer of 1915 (London Symphony Orchestra feat. conductor: Michael Tilson Thomas, soprano: Barbara Hendricks)
- Violin Concerto, Op. 14: I. Allegro (Saint Louis Symphony Orchestra, feat. conductor: Leonard Slatkin, violin: Elmar Oliveira)
- Violin Concerto, Op. 14: II. Andante (Saint Louis Symphony Orchestra, feat. conductor: Leonard Slatkin, violin: Elmar Oliveira)
- Violin Concerto, Op. 14: III. Presto in moto prepetuo (Saint Louis Symphony Orchestra, feat. conductor: Leonard Slatkin, violin: Elmar Oliveira)
- Overture to 'The School for Scandal', Op. 5 (Saint Louis Symphony Orchestra, feat. conductor: Leonard Slatkin)
- Essay for Orchestra No.1, Op. 12 (Saint Louis Symphony Orchestra, feat. conductor: Leonard Slatkin)
- Medea's Dance of Vengeance, Op. 32a (Saint Louis Symphony Orchestra, feat. conductor: Leonard Slatkin)
- Cello Concerto, Op.22: I. Allegro moderato
- Cello Concerto, Op.22: II. Andante sostenuto
- Cello Concerto, Op.22: III. Molto allegro e appassionato
- Cello Sonata, Op. 6: II. Adagio
- Serenade for String Quartet, Op. 1: I. Un poco adagio. Allegro con spirito
- Serenade for String Quartet, Op. 1: II. Andante con moto
- Serenade for String Quartet, Op. 1: III. Allegro giocoso
- Three Songs, Op. 2 No. 1 "The Daisies"
- Three Songs, Op. 2 No. 2 "With Rue My Heart Is Laden"
- Three Songs, Op. 2 No. 3 "Bessie Bobtail"
- Three Songs, Op. 10 No. 1 "Rain Has Fallen"
- Three Songs, Op. 10 No. 2 "Sleep Now"
- Three Songs, Op. 10 No. 3 "I Hear an Army"
- Four Songs, Op. 13 No. 4 "Nocturne"
- Four Songs, Op. 13 No. 3 "Sure on This Shining Night"
- Despite and Still, Op. 41 No. 4 "Solitary Hotel"
- Three Songs, Op. 45 No. 1 "Now Have I Fed and Eaten Up the Rose"
- Three Songs, Op. 45 No. 2 "A Green Lowland of Pianos"
- Three Songs, Op. 45 No. 3 "O Boundless, Boundless Evening"
- String Quartet, Op. 11: I. Molto allegro e appassionato
- String Quartet, Op. 11: II. Adagio
- String Quartet, Op. 11: III. Molto adagio. Presto
- Vanessa, Op. 32: Act I, Scene I. Introduction
- Vanessa, Op. 32: Act I, Scene I. "Potage crème aux perles" (Erika)
- Vanessa, Op. 32: Act I, Scene I. "No, I cannot understand why..." (Vanessa)
- Vanessa, Op. 32: Act I, Scene I. "Must the winter come so soon?" (Erika)
- Vanessa, Op. 32: Act I, Scene I. "Listen!... They are here" (Erika)
- Vanessa, Op. 32: Act I, Scene I. "Do not utter a word, Anatol" (Vanessa)
- Vanessa, Op. 32: Act I, Scene I. "Yes, I believe I shall love you" (Anatol)
- Vanessa, Op. 32: Act I, Scene I. "Who are you?" (Erika)
- Vanessa, Op. 32: Act I, Scene II. "And then?" (Baroness)
- Vanessa, Op. 32: Act I, Scene II. "No, you are not as good a skater..." (Vanessa)
- Vanessa, Op. 32: Act I, Scene II. "Under the willow tree..." (Doctor)
- Vanessa, Op. 32: Act I, Scene II. "Erika, I am so happy" (Vanessa)
- Vanessa, Op. 32: Act I, Scene II. "Did you hear her?" (Erika)
- Vanessa, Op. 32: Act I, Scene II. "Help, help! Save me from their talk" (Anatol)
- Vanessa, Op. 32: Act I, Scene II. "Outside this house the world has changed" (Anatol)
- Vanessa, Op. 32: Act I, Scene II. "Hurry now!" (Vanessa)
- Vanessa, Op. 32: Act I, Scene II. "In morning light let us rejoice" (Chorus)
- Vanessa, Op. 32: Act II "The Count and the Countess of d'Albanie" (Major-domo)
- Vanessa, Op. 32: Act II "I should never have been a doctor" (Doctor)
- Vanessa, Op. 32: Act II "Here you are!" (Vanessa)
- Vanessa, Op. 32: Act II "At last I've found you" (Anatol)
- Vanessa, Op. 32: Act II "Love has a bitter core, Vanessa" (Anatol)
- Vanessa, Op. 32: Act II "Nothing to worry about" (Doctor)
- Vanessa, Op. 32: Act III, Scene I. "Why did no-one warn me?" (Vanessa)
- Vanessa, Op. 32: Act III, Scene I. "Why must the greatest sorrow..." (Vanessa)
- Vanessa, Op. 32: Act III, Scene I. "There, look!" (Doctor)
- Vanessa, Op. 32: Act III, Scene I. "On the path to the lake" (Anatol)
- Vanessa, Op. 32: Act III, Scene I. "Anatol, tell me the truth!" (Vanessa)
- Vanessa, Op. 32: Act III, Scene I. "Grandmother!" (Erika)
- Vanessa, Op. 32: Act III, Intermezzo
- Vanessa, Op. 32: Act III, Scene II. "By the time we arrive in Paris" (Anatol)
- Vanessa, Op. 32: Act III, Scene II. "For every love there is a last farewell" (Doctor)
- Vanessa, Op. 32: Act III, Scene II. "And you, my friend" (Vanessa)
- Vanessa, Op. 32: Act III, Scene II. "Erika, before I leave, you must tell me" (Vanessa)
- Vanessa, Op. 32: Act III, Scene II. "To leave, to break, to find, to keep" (Vanessa)
- Vanessa, Op. 32: Act III, Scene II. "Goodbye, be happy, Aunt Vanessa" (Erika)
- Vanessa, Op. 32: Act III, Scene II. "No, I must never say that name again" (Erika)
- A Stopwatch
- Adagio
- Knoxville
- Cello Concerto, Op. 22: II. Andante sostenuto
- Capricorn Concerto, op. 21: II. Allegretto
- Canzonetta for Oboe and Strings, Op. posth. 48
- Capricorn Concerto, op. 21: I. Allegro ma non troppo
- Quartet for Strings, Op. 11: II. Adagio
- Quartet for Strings, Op. 11: I. Molto allegro e appassionato
- Hermit Songs, Op. 29 - #02: Church Bell at Night
- Hermit Songs, Op. 29 - #03: St Ita's Vision
- Quartet for Strings, Op. 11: III. Molto adagio. Presto
- Op. 10 - #2: Sleep Now
- Op. 3: Dover Beach
- Intermezzo from "Vanessa"
- Hermit Songs, Op. 29 - #01: At St Patrick's Purgatory
- Mutations from Bach
- Hermit Songs, Op. 29 - #07: Promiscuity
- Op. 2 - #1: The Daisies
- String Quartet, Op. 11: III. Molto Allegro
- Fadograph of a Yestern Scene, Op. 44
- A Hand of Bridge, Op. 35
- Summer Music, Op. 31
- Hermit Songs, Op. 29 - #05: The Crucifixion
- Hermit Songs, Op. 29 - #04: The Heavenly Banquet
- String Quartet, Op. 11: II. Molto adagio
- Four Excursions, Op. 20, No. 1
- Four Excursions, Op. 20, No. 2
- Four Excursions, Op. 20, No. 3
- Serenade for String Quartet, Op. 1: III. Dance. Allegro giocoso
- Four Excursions, Op. 20, No. 4
- Hermit Songs, Op. 29 - #09: The Praises of God
- Hermit Songs, Op. 29 - #06: Sea Snatch
- Cello Concerto, Op. 22: III. Molto allegro e appassionato
- Hermit Songs, Op. 29 - #08: The Monk and his Cat
- Op. 13 - #3: Sure on This Shining Night
- Music From Shelley
- Cello Concerto, Op. 22: I. Allegro moderato
- Op. 10 - #3: I Hear an Army
- Op. 10 - #1: Rain Has Fallen
- Hermit Songs, Op. 29 - #10: The Desire for Hermitage
- Essay for Orchestra no. 1
- Essay for Orchestra No. 2
- Capricorn Concerto, op. 21: III. Allegro con brio
- Op. 2 - #3: Bessie Bobtail
- Vanessa, Op. 32: Intermezzo from Act II
- Symphony No. 1
- Op. 13 - #4: Nocturne
- Knoxville: Summer of 1915 (London Symphony Orchestra feat. conductor: Michael Tilson Thomas, soprano: Barbara Hendricks)
- Op. 2 - #2: With Rue My Heart Is Laden
- The School for Scandal - Overture, op. 5
- Medea: Meditation & Dance of Vengeance
- Serenade for String Quartet, Op. 1: I. Un poco adagio - Allegro con spirito
- Night Flight
- The Lovers, Op. 43: II. Lithe Girl, Brown Girl
- The Lovers, Op. 43: V. The Fortunate Isles
- The Lovers, Op. 43: VII. We Have Lost Even This Twilight
- Three Songs, Op. 10 No. 1: Rain Has Fallen
- Four Songs, Op. 13 No. 4: Nocturne
- Prayers of Kierkegaard "Lord Jesus Christ Who Suffer'd", Op. 30: Andante con moto tranquillo
- Hermit Songs, Op. 29 No. 1: At St Patrick's Purgatory
- The Lovers, Op. 43: VI. Sometimes
- Prayers of Kierkegaard "O Thou Who Art Unchangeable", Op. 30: Grave and remote
- Three Songs, Op. 10 No. 2: Sleep Now
- Three Songs, Op. 2 No. 1: The Daisies
- The Lovers, Op. 43: IX. Cemetery of Kisses
- The Lovers, Op. 43: I. Body of a Woman
- The Lovers, Op. 43: VIII. Tonight I Can Write
- Three Songs, Op. 2 No. 3: Bessie Bobtail
- The Lovers, Op. 43: IV. Close Your Eyes
- Prayers of Kierkegaard, "Father in Heaven, Well We Know That it is Thou" Op. 30: Un poco mosso
- Hermit Songs, Op. 29 No. 3: St Ita's Vision
- Prayers of Kierkegaard, Op. 30: Allegro molto
- Four Songs, Op. 13 No. 3: Sure on This Shining Night
- Prayers of Kierkegaard "Father in Heaven! Hold Not Our Sins Up Against Us", Op. 30: Quietly
- Three Songs, Op. 2 No. 2: With Rue My Heart Is Laden
- Three Songs, Op. 10 No. 3: I Hear an Army
- The Lovers, Op. 43: III. In the Hot Depth of This Summer
- Hermit Songs, Op. 29 No. 6: Sea Snatch
- Sonata for Piano, Op. 26: III. Adagio mesto
- Souvenirs, Op. 28: V. Hesitation-Tango
- Souvenirs, Op. 28: III. Pas de deux
- Sonata for Piano, Op. 26: IV: Fuga. Allegro con spirito
- Souvenirs, Op. 28: IV. Two-step
- Souvenirs, Op. 28: II. Schottische
- Sonata for Piano, Op. 26: I. Allegro energico - Un poco meno mosso - Tempo I
- Souvenirs, Op. 28: I. Waltz
- Ballade, Op. 46: Restless - Allegro con fuoco - Restless, as before
- Sonata for Piano, Op. 26: II. Allegro vivace e leggero
- Souvenirs, Op. 28: VI. Galop
- Nocturne, Op. 33: Moderato
- Reincarnations: III. The Coolin
- Reincarnations: II. Anthony O'Daly
- Reincarnations: I. Mary Hynes
- Adagio for Strings: Molto adagio
- Adagio for Strings (Los Angeles Philharmonic feat. conductor: Leonard Bernstein)
- Sure on This Shining Night
- Violin Concerto Andante
- Concerto for Violin and Orchestra: II. Andante
- Concerto for Violin and Orchestra: I. Allegro
- Violin Concerto, Op. 14 : 2. Andante
- Concerto for Violin and Orchestra: III. Presto in moto
- String Quartet in B minor, Op. 11: II. Adagio
- Adagio for String, Op. 11
- Vanessa, Op. 32: Act II. Intermezzo
- Cello Concerto Op 22: II. Andante sostenuto (Scottish Chamber Orchestra feat. conductor:Jukka-Pekka Saraste cello:Ralk Kirshbaum)
- Violin Concerto Op 14: III. Presto in moto perpetuo (violin:Elmar Oliveira)
- Cello Concerto Op 22: I. Allegro moderato (Scottish Chamber Orchestra feat. conductor:Jukka-Pekka Saraste cello:Ralk Kirshbaum)
- Essay No.1 Op 12 (Saint Luis Symphony Orchestra feat. conductor:Leonard Slatkin)
- Allegro appassionato
- Fervaal, Op. 40: Introduction
- Andromache's Farewell, Op. 39
- Agnus Dei (Winchester Cathedral Choir feat. conductor:David Hill)
- Concerto for Piano and Orchestra, op. 38: I. Allegro Appassionato
- Violin Concerto Op 14: II. Andante (violin:Elmar Oliveira)
- Moderato
- Concerto for Violin and Orchestra, Op. 14: I. Adagio
- Violin Concerto Op 14: I. Allegro (violin:Elmar Oliveira)
- Concerto for Violin & Orchestra, Op. 14: II. Andante
- Adagio for Strings (London Symphony Orchestra feat. conductor:André Previn)
- Concerto for Violin and Orchestra, Op. 14: III. Presto in moto
- Cello Concerto Op 22: III. Molto allegro e appassionato (Scottish Chamber Orchestra feat. conductor:Jukka-Pekka Saraste cello:Ralk Kirshbaum)
- The School for Scandal, Op. 5: Overture
- String Quartet in B major, Op. 11: III. Molto allegro (come prima) - Presto
- String Quartet in B major, Op. 11: II. Molto adagio - attacca:
- String Quartet in B major, Op. 11: I. Molto allegro e appassionato
- Excursions, Op 20: IV. Allegro molto
- Adagio for strings, Op. 11 (arr. organ: William Strickland)
- A Stopwatch and an Ordnance Map, Op. 15
- The Daisies, Op.2 No.1
- Nocturne, Op.13 No.4
- Sleep Now, Op.10 No.2
- Adagio for Strings, Op. 11: Agnus Dei
- Four Songs, Op. 13: IV. Nocturne
- Four Songs, Op. 13: II. The Secrets of the Old
- Four Songs, Op. 13: I. A Nun Takes the Veil
- Four Songs, Op. 13: III. Sure on This Shining Night
- Agnus Dei, for chorus (arr. from 2nd mvt. of String Quartet), Op. 11
- A Stopwatch and an Ordnance Map
- Vanessa: Act IV, Scene 1. "Why did no one warn me?"
- Vanessa: Act III. "Nothing to worry about"
- Vanessa: Act IV, Scene 2. "Goodbye, Erika"
- Vanessa: Act I. "No I cannot understand"
- Vanessa: Act IV, Scene 1. "Grandmother!" / "Yes, Erika"
- Vanessa: Act I. "Do not utter a word, Anatol"
- Vanessa: Act II. "Erika, I am so happy"
- Vanessa: Act IV, Scene 2. "By the time we arrive"
- Vanessa: Act I. "Must the winter come so soon?"
- Vanessa: Act I. "Yes I believe I shall love you"
- Vanessa: Act IV, Scene 2. "And you, my friend"
- Vanessa: Act II. "Our arms entwined"
- Vanessa: Act I. "Potage crème aux perles"
- Vanessa: Act II. "Outside this house the world has changed"
- Vanessa: Act III. "At last I found you"
- Vanessa: Act IV, Scene 1. "Anatol, tell me the truth!"
- Vanessa: Act IV, Scene 1. "Take me away"
- Vanessa: Act II. Orchestral Interlude / Hymn
- Vanessa: Act IV, Scene 1. "Why must the greatest sorrows"
- Vanessa: Act II. "And then?" / "He made me drink"
- Vanessa: Act I. "Listen!... They are here..."
- Vanessa: Act IV, Scene 1. Intermezzo
- Vanessa: Act IV, Scene 2. "To leave, to break"
- Vanessa: Act III. "The Count & Countess d'Albany"
- Vanessa: Act I. "Who are you?"
- Vanessa: Act IV, Scene 1. "There, look!"
- Vanessa: Act II. "Did you hear her?"
- Vanessa: Act III. "Here you are!"
- Vanessa: Act IV, Scene 2. "For every love there is a last farewell"
- Vanessa: Act III. "I should never have been a doctor"
- Vanessa: Act II. "Under the willow tree..."
- Vanessa: Act II. "No, you are not as good a skater"
- Commando March (1962-12-10, conducted by Albert F. Schoepper)
- Lamb of God
- Vanessa: Do not utter a word
- String Quartet: II. Molto adagio
- "Hommage à John Field" - Nocturne op. 33
- String Quartet in B major, Op. 11: II. Molto adagio
- Adagio for strings (or string quartet; arr. from 2nd mvt. of String Quartet), Op. 11
- Piano Sonata, Op. 26: I. Allegro energico
- Piano Sonata, Op. 26: IV. Fuga - Allegro con spirito
- Piano Sonata, Op. 26: III. Adagio mesto
- Piano Sonata, Op. 26: II. Allegro vivace e Leggero
- String Quartet, Op. 11: III. Molto allegro (come prima)
- Excursions, Op. 20 No. 4: Allegro molto
- Sonata Op. 26: III. Adagio mesto
- Sonata, Op. 26: IV. Fuga: Allegro con spirto
- Sonata, Op. 26: I. Allegro energico
- Piano Sonata in E-flat minor, Op. 26
- Sonata, Op. 26: II. Allegro vivace e leggero
- Sonata Op. 26: IV. Fuga: Allegro con spirito
- Sonata Op. 26: I. Allegro energico
- Sonata Op. 26: II. Allegro vivacce e leggero
- Sonata, Op. 26: III. Adagio mesto
- Excursions, Op. 20 No. 2: In slow blues tempo
- Excursions, Op. 20 No. 1: Un poco allegro
- Angus Dei
- Ballad op46
- Souvenirs, Op. 28 pour piano a quatre mains - Schottische
- Concerto pour violoncelle et orchestre, op.22 - Allegro moderato
- Concerto violon et orchestre, op. 14 - Andante
- Capricorn Concerto, op. 21 - Allegro con brio
- Souvenirs, Op. 28 pour piano a quatre mains - Waltz
- Concerto violon et orchestre, op. 14 - Presto in moto perpetuo
- Capricorn Concerto, op. 21 - Allegro ma non troppo
- Capricorn Concerto, op. 21 - Allegretto
- Souvenirs, Op. 28 pour piano a quatre mains - Two-step
- Concerto pour violoncelle et orchestre, op.22 - Andante sostenuto
- Symphonie No. 1, op. 9 - Allegro molto
- Concerto violon et orchestre, op. 14 - Allegro
- Souvenirs, Op. 28 pour piano a quatre mains - Hesitation Tango
- Souvenirs, Op. 28 pour piano a quatre mains - Galop
- Meditation de Medee & Danse de la Vengeance, op.23a
- Adagio pour cordes, op. 11
- Souvenirs, Op. 28 pour piano a quatre mains - Pas de deux
- Symphonie No. 1, op. 9 - Andante tranquillo
- Concerto pour piano, op. 38 - Allegro Molto
- Symphonie No. 1, op. 9 - Allegro ma non troppo
- Concerto pour piano, op. 38 - Allegro appassionato
- Concerto pour piano, op. 38 - Canzone : Moderato
- Concerto pour violoncelle et orchestre, op.22 - Molto allegro e appassionato
- Symphonie No. 1, op. 9 - Con moto (Passacaille)
- Symphonie no. 1, op. 9: III. Andante tranquillo
- Concerto for Cello and Orchestra, Op. 22: 3. Molto allegro e appassionato
- Concerto for Violin and Orchestra, Op. 14: 3. Presto in moto perpetuo
- Souvenirs, op. 28 pour piano a quatre mains: IV. Two-step
- Concerto for Piano and Orchestra, Op. 38: 3. Allegro molto
- Souvenirs, op. 28 pour piano a quatre mains: V. Hesitation Tango
- Symphonie no. 1, op. 9: II. Allegro molto
- Concerto for Cello and Orchestra, Op. 22: 2. Andante sostenuto
- Souvenirs, op. 28 pour piano a quatre mains: III. Pas de deux
- Souvenirs, op. 28 pour piano a quatre mains: VI. Galop
- Concerto for Piano and Orchestra, Op. 38: 1. Allegro appassionato
- Symphonie no. 1, op. 9: IV. Con moto (Passacaille)
- Concerto for Violin and Orchestra, Op. 14: 1. Allegro
- Concerto for Violin and Orchestra, Op. 14: 2. Andante
- Symphonie no. 1, op. 9: I. Allegro ma non troppo
- Souvenirs, op. 28 pour piano a quatre mains: II. Schottische
- Concerto for Piano and Orchestra, Op. 38: 2. Canzone: Moderato
- Concerto for Cello and Orchestra, Op. 22: 1. Allegro moderato
- Souvenirs, op. 28 pour piano a quatre mains: I. Waltz
- Vanessa: Must the winter come so soon
- Mutation from Bach "Christe, du Lamm Gottes"
- Wondrous Love; Variations on a Shape-note Hymn
- Reincarnations, Op. 16, Anthony o Daly
- Reincarnations, Op. 16, Mary Hynes
- Reincarnations, Op. 16, the Coolin (The Fair Haired One)
- Symphony no. 1, op. 9: Con moto. (Passacaglia)
- Symphony no. 1, op. 9: Allergro ma non troppo
- Symphony no. 1, op. 9: Allergo molto
- Nocturne
- Hesitation-Tango
- Agnus Dei (Adagio for Strings)
- Piano Concerto, Op. 38: II. Canzone: Moderato (MIT Symphony Orchestra feat. conductor: David Epstein, piano: Abbott Ruskin)
- Symphony no. 2, op. 19: I. Allegro ma non troppo
- Violin Concerto: II. Andante
- Piano Concerto, Op. 38: I. Allegro appassionato (MIT Symphony Orchestra feat. conductor: David Epstein, piano: Abbott Ruskin)
- Overture to 'The School for Scandal'
- Violin Concerto: I. Allegro
- Symphony no. 2, op. 19: III. Presto senza battuta: Allegro risoluto
- Piano Concerto, Op. 38: III. Allegro molto (MIT Symphony Orchestra feat. conductor: David Epstein, piano: Abbott Ruskin)
- Symphony no. 2, op. 19: II. Andante un poco mosso
- Symphony No. 1, Op. 9 (Ljubljana Symphony Orchestra feat. conductor: Carter Nice)
- Violin Concerto: III. Presto in moto prepetuo
- Piano Concerto, op. 38: II. Canzone. Moderato
- Agnus Dei, op. 11
- Chorale Prelude on "Silent Night"
- Adagio for Strings (from the String Quartet, Op. 11)
- Symphony No. 1 in One Movement, Op. 9
- Adagio pour cordes
- First Essay For Orchestra
- Hermit Songs, op. 29: St. Ita's Vision
- Antony and Cleopatra, op. 40: Give me my robe
- Hermit Songs, op. 29: Saint Ita's Vision
- Antony and Cleopatra, op. 40: Give me some music
- Hermit Songs, op. 29: Church Bells at Night
- Adagio para cuerdas, Op. 11
- Adagio Op. 11
- Canzonetta for Oboe and String Orchestra
- Piano Sonata, op. 26: III. Adagio
- Piano Sonata, op. 26: II. Allegro vivace
- Piano Sonata, op. 26: IV. Fugue
- Reincarnations, Op. 16: III. The Coolin
- Reincarnations, Op. 16: I. Mary Hynes
- Reincarnations, Op. 16: II. Anthony O'Daly
- He Has Come, He Has Come! (Vanessa)
- Missa O Quam Gloriosum: Agnus Dei
- Piano Sonata in E-flat minor op. 26, I Allegro energico
- Piano Sonata in E-flat minor op. 26, II Allegro vivace e leggero
- Excursions op. 20, IV Allegro molto
- Piano Sonata in E-flat minor op. 26, IV Fuga. Allegro con spirito
- Excursions op. 20, I Un poco allegro
- Excursions op. 20, II In slow blues tempo
- Piano Sonata in E-flat minor op. 26, III Adagio mesto
- Concerto for Orchestra, Sz. 116: II. Giuoco delle coppie - Allegretto scherzando
- Concerto for Orchestra, Sz. 116: III. Elegia - Andante, non troppo
- Concerto for Orchestra, Sz. 116: V. Finale - Pesante - Presto
- Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto - Allegretto
- Concerto for Orchestra, Sz. 116: I. Introduzione - Andante non troppo
- Samuel Barber: Concerto for Violin and Orchestra op. 14 - II. Andante
- Violin Concerto, Op. 14: I Adagio
- Piano Sonata, Op.26: III Adagio Mesto
- Excursions, Op. 20: I Un Poco Allegro
- String Quartet Op. 11: III. Molto Adagio – Presto
- Piano Sonata, Op.26: I Allegro Energico
- Piano Sonata, Op.26: II Allegro Vivace Eleggero
- Summer Music, Op. 31: Faster
- String Quartet Op. 11: I. Molto Allegro E Appassionato
- Piano Sonata, Op.26: IV Fuga
- Violin Concerto, Op. 14: III Presto In Moto Perpetuo
- String Quartet Op. 11: II. Adagio
- Three Songs, Op. 2: The Daisies (James Stephens)
- Excursions, Op. 20: IV Allegro Molto
- Violin Concerto, Op. 14: II Andante
- Three Songs, Op. 2: With Rue My Heart Is Laden (A. E. Housman)
- Summer Music, Op. 31: With Motion, As Before
- Excursions, Op. 20: II In Slow Blues Tempo
- Summer Music, Op. 31: Joyous And Flowing
- Three Songs, Op. 2: Bessie Bobtail (James Stephens)
- Excursions, Op. 20: III Allegretto
- Adagio Für Streicher Op.11
- Medea Suite - Choros
- Medea Suite - Exodus
- Medea Suite - Medea
- Medea Suite - Parados
- Fadograph of a Yestern Scene Op. 44
- Third Essay Op.47
- Medea Suite - Kantikos Agonias
- Medea Suite - The Young Princess
- Barber: Piano Sonata, Op. 26; Allegro energico; Allegro vivace e leggero; Adagio mesto; Allegro con spirito.
- Vanessa, Op. 32: Must the Winter Come so Soon?
- Adagio for Strings, Op.11: 1. Molto allegro e appassionato
- Fresh from West Chester: II. Let's Sit It Out, I'd Rather Watch
- Nocturne 'Homage to John Field', Op. 33
- Souvenirs, op 28 - 6 Galop
- Excursions, op 20 - 2 In slow blue tempo
- Sonata, op 26 - 2 Allegro vivace e leggero
- Interlude, op posth
- Sonata, op 26 - 4 Fuga
- Sonata, op 26 - 1 Allegro energico
- Souvenirs, op 28 - 4 Two-step
- Nocturne, op 33
- Ballade, op 46
- Excursions, op 20 - 3 Allegretto
- Souvenirs, op 28 - 5 Hesitation-tango
- Souvenirs, op 28 - 1 Waltz
- Excursions, op 20 - 1 Un poco allegro
- Excursions, op 20 - 4 Allegro molto
- Souvenirs, op 28 - 3 Pas de deux
- Souvenirs, op 28 - 2 Scottische
- Sonata, op 26 - 3 Adagio mesto
- Nocturne ’Homage to John Field’, op. 33
- Fresh From West Chester: II. Let’s Sit It Out, I’d Rather Watch
- String Quartet In B Minor, Op. 11: II. Molto Adagio
- String Quartet In B Minor, Op. 11: Molto Allegro (Come Prima)
- String Quartet In B Minor, Op. 11: I. Molto Allegro E Appassionato
- String Quartet in B Minor, Op. 11: III. Molto allegro (come prima) - Presto