Leonard Bernstein Songtexte
West Side Story: America
I Feel Pretty
West Side Story: I Feel Pretty
Somewhere (from West Side Story)
Tonight (From West Side Story)
Geboren am 25. August 1918, Gestorben am 14. Oktober 1990
American Portraits: West Side Story and Other Masterpieces (Compilation)
- Candide Overture (von London Symphony Orchestra, Geoffrey Simon)
- West Side Story: Melodies (von Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Halil
- Fancy Free: Enter Three Sailors (von Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Fancy Free: Scene at the Bar (von Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Fancy Free: Pas de Deux (von Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Fancy Free: Variation I (von Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Fancy Free: Variation II (von Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Fancy Free: Variation III (von Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
- Fancy Free: Finale (von Radio-Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner)
Bernstein Century: Latin America Fiesta (Compilation)
- Danzon cubano (von New York Philharmonic, Leonard Bernstein)
- El salon Mexico (von New York Philharmonic, Leonard Bernstein)
- Batuque (von New York Philharmonic, Leonard Bernstein)
- Dansa Brasileira (von New York Philharmonic, Leonard Bernstein)
- Bachiana Brasileira no. 5: Adagio
- Bachiana Brasileira no. 5: Allegretto
- Sensemaya (von New York Philharmonic, Leonard Bernstein)
Bernstein Conducts Bernstein (Compilation)
Bernstein Conducts Candide/West Side Story/On the Waterfront/Fancy Free
- Overture to Candide
- Symphonic Dances From West Side Story: Prologue - Allegro Moderato
- Symphonic Dances From West Side Story: "Somewhere" - Adagio
- Symphonic Dances From West Side Story: Scherzo - Vivace Leggiero
- Symphonic Dances From West Side Story: Mambo - Presto
- Symphonic Dances From West Side Story: Cha-Cha ("Maria") - Andantino Con Grazia
- Symphonic Dances From West Side Story: Meeting Scene - Meno Mosso
- Symphonic Dances From West Side Story: "Cool" Fugue - Allegretto
- Symphonic Dances From West Side Story: Rumble - Molto Allegro
- Symphonic Dances From West Side Story: Finale - Adagio
- Symphonic Suite From the Film on the Waterfront: Andante (with Dignity)
- Symphonic Suite From the Film on the Waterfront: Adagio - Allegro Molto Agitato - Alla Breve (Poco Più Mosso)
- Symphonic Suite From the Film on the Waterfront: Andante Largamente - More Flowing - Still More Flowing
- Symphonic Suite From the Film on the Waterfront: Moving Forward, With Warmth - Largamente - A Tempo
- Symphonic Suite From the Film on the Waterfront: Allegro Non Troppo, Molto Marcato - Poco Più Sostentuto
- Symphonic Suite From the Film on the Waterfront: A Tempo
- Fancy Free: I. Enter Three Sailors
- Fancy Free: II. Scene at the Bar
- Fancy Free: III. Enter Two Girls
- Fancy Free: IV. Pas de Deux
- Fancy Free: V. Competition Scene
- Fancy Free: VI. Three Dance Variations I - Galop
- Fancy Free: VI. Three Dance Variations II - Waltz
- Fancy Free: VI. Three Dance Variations III - Danzon
- Fancy Free: VII. Finale
Jeremiah (Symphony No. 1)/The Age of Anxiety (Symphony No. 2 - Revised)
- Symphony N°1 (Jeremiah): I. Prophecy
- Symphony N°1 (Jeremiah): II. Profanation
- Symphony N°1 (Jeremiah): III. Lamentation
- Symphony N°2 (The Age of Anxiety) For Piano & Orchestra: Part I. A) The Prologue
- Symphony N°2 (The Age of Anxiety) For Piano & Orchestra: Part I. B) The Seven Ages
- Symphony N°2 (The Age of Anxiety) For Piano & Orchestra: Part I. C) The Seven Stages
- Symphony N°2 (The Age of Anxiety) For Piano & Orchestra: Part II. A) The Dirge
- Symphony N°2 (The Age of Anxiety) For Piano & Orchestra: Part II. B) The Masque
- Symphony N°2 (The Age of Anxiety) For Piano & Orchestra: Part II. C) The Epilogue
- I Hate Music! A Cycle of Five Kid Songs for Soprano: I. Moderato
- I Hate Music! A Cycle of Five Kid Songs for Soprano: II. Allegretto Vivace
- I Hate Music! A Cycle of Five Kid Songs for Soprano: III. Sostenuto; Allegro Molto
- I Hate Music! A Cycle of Five Kid Songs for Soprano: IV. Con Brio
- I Hate Music! A Cycle of Five Kid Songs for Soprano: V. Moderato, Alla Marcia; Andante
- La Bonne Cuisine: I. Plum Pudding
- La Bonne Cuisine: II. Queues de Boeuf (Ox-Tails)
- La Bonne Cuisine: III. Taveuk Gueunksis
- La Bonne Cuisine: IV. Civet À Toute Vitesse (Rabbit at Top Speed)
The Age of Anxiety/Serenade
- Symphony N°2 (The Age of Anxiety) For Piano & Orch.: Part I. A) The Prologue
- Symphony N°2 (The Age of Anxiety) For Piano & Orch.: Part I. B) The Seven Ages (Variations I-VII)
- Symphony N°2 (The Age of Anxiety) For Piano & Orch.: Part I. C) The Seven Stages (Variations VIII-XIV)
- Symphony N°2 (The Age of Anxiety) For Piano & Orch.: Part II. A) The Dirge
- Symphony N°2 (The Age of Anxiety) For Piano & Orch.: Part II. B) The Masque
- Symphony N°2 (The Age of Anxiety) For Piano & Orch.: Part II. C) The Epilogue
- Serenate for Soio Violin, Strings, Harp and Percussion: I. Phaedrus; Pausanias
- Serenate for Soio Violin, Strings, Harp and Percussion: II. Aristophanes (Allegretto)
- Serenate for Soio Violin, Strings, Harp and Percussion: III. Eryximachus (Presto)
- Serenate for Soio Violin, Strings, Harp and Percussion: IV. Agathon (Adagio)
- Serenate for Soio Violin, Strings, Harp and Percussion: V. Socrates; Alcibiades (Molto Tenuto; Allegro)
Symphony No. 3 - Kaddish/Chichester Psalms
- Kaddish, Symphony N°3: I. Invocation, Kaddish 1 (To the Beloved Memory of John F. Kennedy)
- Kaddish, Symphony N°3: II. Din-Torah, Kaddish 2
- Kaddish, Symphony N°3: III. Scherzo, Kaddish 3, Finale
- Chichester Psalms for Chorus and Orchestra: I. Psalm 108 (Verse 2) & Psalm 100 (Complete)
- Chichester Psalms for Chorus and Orchestra: II. Psalm 23 (Complete) & Psalm 2 (Verses 1-4)
- Chichester Psalms for Chorus and Orchestra: III. Psalm 131 & Psalm 133 (Verse 1)
Bernstein Conducts Bernstein: Fancy Free/On the Town (Three dance Episodes)/Serenade After Plato's "Symposium"/Prelude, Fugue and Riffs
- Prelude, Fugue and Riffs for Solo Clarinet and Jazz Ensemble: I. Prelude for the Brass
- Prelude, Fugue and Riffs for Solo Clarinet and Jazz Ensemble: II. Fugue for the Saxes
- Prelude, Fugue and Riffs for Solo Clarinet and Jazz Ensemble: III. Riffs for Everyone
- On the Town (Tree dance Episodes): I. The Great Lover
- On the Town (Tree dance Episodes): II. Lonly Town: Pas de Deux
- On the Town (Tree dance Episodes): III. Time Square; 1944
- Serenade for Solo Violin, String, Harp and Percussion: I. Phaedrus; Pausanias
- Serenade for Solo Violin, String, Harp and Percussion: II. Aristophanes
- Serenade for Solo Violin, String, Harp and Percussion: III. Eryximachus
- Serenade for Solo Violin, String, Harp and Percussion: IV. Agathon
- Serenade for Solo Violin, String, Harp and Percussion: V. Socrates; Alcibiades
- Fancy Free: I. Enter Three Sailors
- Fancy Free: II. Scene at the Bar
- Fancy Free: III. Enter Two Girls
- Fancy Free: IV. Pas de Deux
- Fancy Free: V. Competition Scene
- Fancy Free: Three Dance Variations: VI. Variation 1 (Galop)
- Fancy Free: Three Dance Variations: VII. Variation 2 (Waltz)
- Fancy Free: Three Dance Variations: VIII. Variation 3 (Danzon)
- Fancy Free: IX. Finale
Dybbuk
- Dybbuk (1974): Part I. The Community (Complete Ballet)
- Dybbuk (1974): Part I. The Fathers
- Dybbuk (1974): Part I. Witnesses of Birth
- Dybbuk (1974): Part I. The Children
- Dybbuk (1974): Part II. Kabbalah: Six Variations
- Dybbuk (1974): Part III. Witnesses of Death
- Dybbuk (1974): Part III. Leah
- Dybbuk (1974): Part III. Possession
- Dybbuk (1974): Part III. Exorcism
- Dybbuk (1974): Part III. The Community
Bernstein Conducts Bernstein: Trouble in Tahiti/Facsimile: Choreographic Essay for Orchestra
- Trouble in Tahiti: Prelude: "Daa/Doa Day: Mornin' Sun"
- Trouble in Tahiti: Scene I: "How Could You Say"
- Trouble in Tahiti: Scene II: "Yes? Oh Mister Partridge"
- Trouble in Tahiti: Scene III: "I Was Standing in the Garden"
- Trouble in Tahiti: Scene Iiia: "Then Desire Took Hold Inside Me"
- Trouble in Tahiti: Scene IV: "I'm on My Way"
- Trouble in Tahiti: Interlude: "Skid a Lit Day"
- Trouble in Tahiti: Scene V: "There's a Law"
- Trouble in Tahiti: Svene VI: "What a Movie"
- Trouble in Tahiti: Scene Via: "There's a Law"
- Trouble in Tahiti: Scene VII: "Evenin' Shadows"
- Facsimile, Choreographic Essai for Orchestra: Part I. Molto Adagio [New York Philharmonic, 1963]
- Facsimile, Choreographic Essai for Orchestra: Part II. Allegretto
On the Town
- On the Town: Opening, New York, New York
- On the Town: Come Up to My Place
- On the Town: Carried Away
- On the Town: Lonely Town
- On the Town: Carnegie Hall (Do-Do-Re-Do)
- On the Town: I Can Cook, Too
- On the Town: Lucky to Be Me
- On the Town: Dance; Times Square
- On the Town: Night Club Sequence: a) So Long Baby: B) I'm Blue: C) Ya Got Me
- On the Town: I Understand
- On the Town: Ballet; The Imaginary Coney Island: a) Subway River: B) Dance of the Great Lover: C) Pas de Deux
- On the Town: Some Other Time
- On the Town: Dance; The Real Coney Island
- On the Town: Overture to the Town
Mass: A Theatre Piece for Singers, Players and Dancers Part 1
- Mass: I. Devotions Before Mass: 1. Antiphon: Kyrie Eleison
- Mass: I. Devotions Before Mass: 2. Hymn and Psalm: A Simple Song
- Mass: I. Devotions Before Mass: 3. Responsory: Alleluia
- Mass: II. First Introit (Rondo): 1. Prefatory Prayers
- Mass: II. First Introit (Rondo): 2. Thrice-Triple Canon: Dominus Vobiscum
- Mass: III. Second Introit: 1. In Nomine Patris
- Mass: III. Second Introit: 2. Prayer for the Congregation (Chorale: Almighty Father)
- Mass: III. Second Introit: 3. Epiphany
- Mass: IV. Confession: 1. Confiteor
- Mass: IV. Confession: 2. Trope: I Don't Know
- Mass: IV. Confession: 3. Trope: Easy
- Mass: V. Meditation N°1: Orchestra Alone
- Mass: VI. Gloria: 1. Gloria Tibi
- Mass: VI. Gloria: 2. Gloria in Excelsis
- Mass: VI. Gloria: 3. Trope: Half of the People
- Mass: VI. Gloria: 4. Trope: Thank You
- Mass: VII. Meditation N°2: Orchestra Alone
- Mass: VIII. Epistle: The Word of the Lord
- Mass: IX. Gospel-Sermon: God Said
Mass: A Theatre Piece for Singers, Players and Dancers Part 2
- Mass: X. Credo: 1. Credo in Unum Deum
- Mass: X. Credo: 2. Trope; Non Credo
- Mass: X. Credo: 3. Trope; Hurry
- Mass: X. Credo: 4. Trope; World Without End
- Mass: X. Credo: 5. Trope; I Believe in God
- Mass: XI. Meditation N°3 (De Profundis, Part 1)
- Mass: XII. Offertory (De Profundis, Part 2)
- Mass: XIII. The Lord's Prayer: 1. Our Father
- Mass: XIII. The Lord's Prayer: 2. Trope; I Go One
- Mass: XIV. Sanctus
- Mass: XV. Agnus Dei
- Mass: XVI. Fraction; Things Get Broken
- Mass: XVII. Pax; Communion (Secret Songs)
Bernstein Conducts Bernstein (Compilation)
- On the Town: Three Dance Episodes (1944): I. The Great Lover. Allegro pesante (von Israel Philharmonic Orchestra, Leonard Bernstein)
- On the Town: Three Dance Episodes (1944): II. Andante. Sostenuto (von Israel Philharmonic Orchestra, Leonard Bernstein)
- On the Town: Three Dance Episodes (1944): III. Times Square: 1944. Allegro (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Fancy Free (Ballet 1944): Big Stuff (Blues) (beginning)
- Fancy Free (Ballet 1944): I. opening dance (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Fancy Free (Ballet 1944): II. Scene at the Bar (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Fancy Free (Ballet 1944): III. Enter Two Girls (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Fancy Free (Ballet 1944): IV. Pas de deux (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Fancy Free (Ballet 1944): V. Competition Scene (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Fancy Free (Ballet 1944): VI. Variation I: Galop (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Fancy Free (Ballet 1944): Variation II (Waltz) (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Fancy Free (Ballet 1944): Variation III (Danzon) (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Fancy Free (Ballet 1944): VII. Finale (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Fancy Free (Ballet 1944): Big Stuff (blues)
- Facsimile (1946): Choreographic Essay for Orchestra (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Overture to Candide (1956) (von Los Angeles Philharmonic, Leonard Bernstein)
- Symphonic Dances from 'West Side Story' (1957): Prologue: Allegro moderato (von Los Angeles Philharmonic, Leonard Bernstein)
- Symphonic Dances from 'West Side Story' (1957): Somewhere (Adagio) (von Los Angeles Philharmonic, Leonard Bernstein)
- Symphonic Dances from 'West Side Story' (1957): Scherzo: Vivace leggiero (von Los Angeles Philharmonic, Leonard Bernstein)
- Symphonic Dances from 'West Side Story' (1957): Mambo: Presto (von Los Angeles Philharmonic, Leonard Bernstein)
- Symphonic Dances from 'West Side Story' (1957): Cha-Cha (Andantino con grazia) (von Los Angeles Philharmonic, Leonard Bernstein)
- Symphonic Dances from 'West Side Story' (1957): Meeting Scene: Meno mosso (von Los Angeles Philharmonic, Leonard Bernstein)
- Symphonic Dances from 'West Side Story' (1957): Cool Fugue (Allegretto) (von Los Angeles Philharmonic, Leonard Bernstein)
- Symphonic Dances from 'West Side Story' (1957): Rumble: Molto allegro (von Los Angeles Philharmonic, Leonard Bernstein)
- Symphonic Dances from 'West Side Story' (1957): Finale: Adagio (von Los Angeles Philharmonic, Leonard Bernstein)
- Symphonic Suite from the Film "On the Waterfront" (1955): Andante (with dignity) - Presto barbaro (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Symphonic Suite from the Film "On the Waterfront" (1955): Adagio - Allegro molto agitato - Alla breve (Poco più mosso) - Presto come prima (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Symphonic Suite from the Film "On the Waterfront" (1955): Andante largamente - More flowing-Lento (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Symphonic Suite from the Film "On the Waterfront" (1955): Moving forward - Largamente - Andante come prima (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Symphonic Suite from the Film "On the Waterfront" (1955): Allegro non troppo, molto marcato - Poco più sostenuto (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Symphonic Suite from the Film "On the Waterfront" (1955): a tempo (Poco più sostenuto) (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Prelude, Fugue and Riffs (1949): Prelude (for the Brass): Fast and exact (von Peter Schmidl, Wiener Philharmoniker, Leonard Bernstein)
- Prelude, Fugue and Riffs (1949): Fugue (for the Saxes): Exactly the same beat (von Peter Schmidl, Wiener Philharmoniker, Leonard Bernstein)
- Prelude, Fugue and Riffs (1949): Riffs (for Everyone) (von Peter Schmidl, Wiener Philharmoniker, Leonard Bernstein)
- Symphony No.1 'Jeremiah' (1942): I. Prophecy: Largamente (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Symphony No.1 'Jeremiah' (1942): II. Profanation: Vivace con brio (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Symphony No.1 'Jeremiah' (1942): III. Lamentation: Lento
- Symphony No.2 "The Age of Anxiety" (1947-49): Part I. The Prologue - Lento Moderato
- Symphony No.2 "The Age of Anxiety" (1947-49): Part I: The Seven Ages: Variations 1-7
- Symphony No.2 "The Age of Anxiety" (1947-49): Part I: The Seven Stages: Variations 8-14
- Symphony No.2 "The Age of Anxiety" (1947-49): Part II - The Dirge: Largo
- Symphony No.2 "The Age of Anxiety" (1947-49): Part II - The Masque: Extremely fast
- Symphony No.2 "The Age of Anxiety" (1947-49): Part II: The Epilogue: L'istesso tempo - Adagio - ...
- Chichester Psalms (1965): I. Psalm 108, Vers2; Psalm 100
- Chichester Psalms (1965): II. Psalm 23; Psalm 2 (V. 1-4)
- Chichester Psalms (1965): III.Psalm 131; Psalm 133 (V. 1)
- Symphony No. 3 "Kaddish": I. Invocation: Adagio
- Symphony No. 3 "Kaddish": L'istesso tempo - Allegro molto (Kaddish 1)
- Symphony No. 3 "Kaddish": II. Din-Torah: Di nuevo Adagio
- Symphony No. 3 "Kaddish": Andante con tenerezza (Kaddish 2)
- Symphony No. 3 "Kaddish": III. Scherzo Presto scherzando, sempre pianissimo (Kaddish 3)
- Finale: Adagio come nel Din-Torah (Kaddish 3)
- Allegro vivo, con gioia (Kaddish 3)
- Divertimento for Orchestra (1980): I Sennets and Tuckets: Allegro non troppo, ma con brio (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Divertimento for Orchestra (1980): II Walz: Allegretto, con grazia (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Divertimento for Orchestra (1980): III Mazurka: Mesto (molto moderato) (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Divertimento for Orchestra (1980): IV Samba: Allegro giusto (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Divertimento for Orchestra (1980): V Turkey Trot: Allegretto, ben misurato (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Divertimento for Orchestra (1980): VI Sphinxes: Adagio lugubre (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Divertimento for Orchestra (1980): VII Blues: Slow blues tempo (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Divertimento for Orchestra (1980): VIII March: The BSO Forever. Andante (In memoriam) (von Israel Philharmonic Orchestra, Leonard Bernstein)
- A Musical Toast (1980): Allegro con brio (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Slava! A Political Overture (1977): Fast and flamboyant (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Three Meditations from "Mass" (1977): I Lento assai, molto sostenuto (von Mstislav Rostropovich, Israel Philharmonic Orchestra, Leonard Bernstein)
- Three Meditations from "Mass" (1977): II Andante sostenuto-Variations I-IV-Coda (von Mstislav Rostropovich, Israel Philharmonic Orchestra, Leonard Bernstein)
- Three Meditations from "Mass" (1977): III Presto-Fast and primitive-Molto adagio (von Mstislav Rostropovich, Israel Philharmonic Orchestra, Leonard Bernstein)
- Halil (1981) Nocturne for Solo Flute, String Orchestra and Percussion (von Jean‐Pierre Rampal, Israel Philharmonic Orchestra, Leonard Bernstein)
- Concerto for Orchestra 'Jubilee Games': 1. Free-Style Events: Allegro con brio, giocoso (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Concerto for Orchestra 'Jubilee Games': Mixed Doubles: Theme and Seven Variations (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Concerto for Orchestra 'Jubilee Games': Diaspora Dances: Vivace (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Concerto for Orchestra 'Jubilee Games': Benediction: Moderato, invocando (von Israel Philharmonic Orchestra, Leonard Bernstein)
- Dybbuk Suite No.1: 1. Invocation and Trance (von New York Philharmonic, Leonard Bernstein)
- Dybbuk Suite No.1: 2. The Pledge (von New York Philharmonic, Leonard Bernstein)
- Dybbuk Suite No.1: 3. Kabbalah (von New York Philharmonic, Leonard Bernstein)
- Dybbuk Suite No.1: 4. Possession (von New York Philharmonic, Leonard Bernstein)
- Dybbuk Suite No.1: 5. Pas de deux (von New York Philharmonic, Leonard Bernstein)
- Dybbuk Suite No.1: 6. Exorcism (von New York Philharmonic, Leonard Bernstein)
- Dybbuk Suite No.2: 1. The Messengers (von New York Philharmonic, Leonard Bernstein)
- Dybbuk Suite No.2: 2. Leah (von New York Philharmonic, Leonard Bernstein)
- Dybbuk Suite No.2: 3. 5 Kabbalah Variations (von New York Philharmonic, Leonard Bernstein)
- Dybbuk Suite No.2: 4. Dream (von New York Philharmonic, Leonard Bernstein)
- Serenade (1954): I Phaedrus - Pausanias: Lento - Allegro marcato (von Gidon Kremer, Israel Philharmonic Orchestra, Leonard Bernstein)
- Serenade (1954): II Aristophanes: Allegretto (von Gidon Kremer, Israel Philharmonic Orchestra, Leonard Bernstein)
- Serenade (1954): III Erixymachus: Presto (von Gidon Kremer, Israel Philharmonic Orchestra, Leonard Bernstein)
- Serenade (1954): IV Agathon: Adagio (von Gidon Kremer, Israel Philharmonic Orchestra, Leonard Bernstein)
- Serenade (1954): V Socrates - Alcibiades: Molto tenuto - Allegro molto vivace (von Gidon Kremer, Israel Philharmonic Orchestra, Leonard Bernstein)
- Songfest (1977) I Opening hymn: To the poem
- Songfest (1977) II Three Solos: The Pennycandystore Beyond the El
- Songfest (1977) II Three Solos: A Julia de Burgos
- Songfest (1977) II Three Solos: To What You Said...
- Songfest (1977) III Three Ensembles: Duet, I, Too, Sing America and Okay "Negroes"
- Songfest (1977) III Three Ensembles: Trio, To My Dear and Loving Husband
- Songfest (1977) III Three Ensembles: Duet, Storyette H. M.
- Songfest (1977) IV Sextet: If you can't eat you got to (von National Symphony Orchestra, Leonard Bernstein)
- Songfest (1977) V Three Solos: Music I Heard With You (von National Symphony Orchestra, Leonard Bernstein)
- Songfest (1977) V Three Solos: Zizi's lemant (von National Symphony Orchestra, Leonard Bernstein)
- Songfest (1977) V Three Solos: 3. Sonnet (von National Symphony Orchestra, Leonard Bernstein)
- Songfest (1977) VI Closing Hymn: Israfel (von National Symphony Orchestra, Leonard Bernstein)