Henry Purcell Songtexte
Dido's Lament: 'When I Am Laid in Earth' (From Dido and Aeneas)
Orpheus Britannicus: "So when the glittering Queen of Night"
If Love's a Sweet Passion from The Fairy Queen
One Charming Night
I Attempt from Love's Sickness to Fly
Geboren am 10. September 1659, Gestorben am 21. November 1695
Baroque, Volume 8: Theatre Music (Compilation)
- The Fairy Queen: Entry of Phoebus
- The Fairy Queen: Symphony (Act 4)
- The Fairy Queen: Dance for the Haymakers
- The Fairy Queen: First Music: Hornpipe
- The Fairy Queen: Dance for the Fairies
- The Fairy Queen: Symphony (Act 5)
- The Fairy Queen: Song of the Night "See, even Night herself is here"
- The Fairy Queen: Prelude (Act 2)
- The Fairy Queen: Second Music: Rondeau
- First Act Tune: Jig
- The Indian Queen: Trumpet Tune (Act 2)
- The Indian Queen: Fourth Act Tune
- The Indian Queen: Song "I attempt from Love's sickness to fly in vain"
- The Indian Queen: Symphony (Act 2)
- The Indian Queen: First Music: First Air
- The Indian Queen: Symphony (Act 3)
- The Indian Queen: Air (Act 5)
- King Arthur: Trumpet Tune (Act 5)
- King Arthur: Second Music: Air
- King Arthur: Symphony
- Passacaglia
- Aria of Venus "Fairest Isle, all isles excelling"
- Second Act Tune: Hornpipe
- Bonduca: Overture
- The Old Bachelor: Bourrée
- Abdelazar: Roondeau
- Bonduca: Air
- Pausanias: Air of Pandora "Sweeter than roses or cool evening breeze"
- The Married Beau: Jig
- Distressed Innocence: Air
- Amphitryon: Sarabande
- The Double Dealer: Air
- Dido and Aeneas: Overture
- Dido and Aeneas: Act 1- Shake the cloud
- Dido and Aeneas: Act 1- Ah! Ah! Belinda
- Dido and Aeneas: Act 1- When monarchs unite
- Dido and Aeneas: Act 2- But ere we this perform
- Dido and Aeneas: Act 3- But death, alas! I cannot shun...When I am laid in earth
- Dido and Aeneas: Act 3- With drooping wings
Come ye sons of art
- Welcome to all the pleasures, Z. 339: I. Symphony (von Taverner Players, Andrew Parrott)
- Welcome to all the pleasures, Z. 339: II. Welcome to all the pleasures
- Welcome to all the pleasures, Z. 339: III. Here the deities approve / IV. While joys celestial
- Welcome to all the pleasures, Z. 339: V. Then lift up your voices
- Welcome to all the pleasures, Z. 339: VI. Beauty, thou scene of love
- Welcome to all the pleasures, Z. 339: VII. In a consort of voices
- Funeral Sentences: Man that is born of a woman, Z. 27 (von Taverner Choir, Taverner Players, Andrew Parrott)
- Funeral Sentences: In the midst of life, Z. 17a (von Taverner Choir, Taverner Players, Andrew Parrott)
- Funeral Sentences: Thou knowest, Lord, Z. 58b (von Taverner Choir, Taverner Players, Andrew Parrott)
- Come ye sons of art, Z. 323: I. Symphony [Adagio - Allegro] - Adagio (von Taverner Players, Andrew Parrott)
- Come ye sons of art, Z. 323: II. Come ye sons of art
- Come ye sons of art, Z. 323: III. Sound the trumpet
- Come ye sons of art, Z. 323: IV. Come ye sons of art (von Taverner Choir, Taverner Players, Andrew Parrott)
- Come ye sons of art, Z. 323: V. Strike the viol
- Come ye sons of art, Z. 323: VI. The day that such a blessing gave
- Come ye sons of art, Z. 323: VII. Bid the Virtues (von Emily Van Evera, Taverner Players, Andrew Parrott)
- Come ye sons of art, Z. 323: VIII. These are the sacred charms
- Come ye sons of art, Z. 323: IX. See, Nature, rejoicing
- Funeral Music for Queen Mary: March, Z. 860i (von The Taverner Choir, Consort & Players, Andrew Parrott)
- Funeral Music for Queen Mary: Thou knowest, Lord, Z. 58c (von Taverner Players, Andrew Parrott)
- Funeral Music for Queen Mary: Canzona, Z. 860ii (von Taverner Players, Andrew Parrott)
The Complete Anthems and Services, Vol. 8
- In thee, O Lord, do I put my trust, Z16 (von Robert King, The King’s Consort)
- Blessed is the man that feareth the Lord, Z9 (von Robert King, The King’s Consort)
- Benedicite in B-flat, Z230 (von Robert King, The King’s Consort)
- Jehova, quam multi sunt hostes, Z135 (von Robert King, The King’s Consort)
- Full of wrath, his threatening breath, Z185 (von The King’s Consort, Robert King)
- Bow down thine ear, O Lord, Z11 (von Robert King, The King’s Consort)
- Magnificat and Nunc dimittis in G minor, Z231: Magnificat (von The King’s Consort, Robert King)
- Magnificat and Nunc dimittis in G minor, Z231: Nunc dimittis (von The King’s Consort, Robert King)
- Be merciful unto me, Z4 (von Robert King, The King’s Consort)
- They that go down to the sea in ships, Z57 (von Robert King, The King’s Consort)
A Purcell Companion (Compilation)
Dido & Aeneas (opera)
- Dido & Aeneas, Z. 626: Overture - Act I (von Les Arts Florissants, William Christie)
- Dido & Aeneas, Z. 626: Act II, Scene I (von Les Arts Florissants, William Christie)
- Dido & Aeneas, Z. 626: Act II, Scene II (von Les Arts Florissants, William Christie)
- Dido & Aeneas, Z. 626: Act III, until "Great minds against themselves conspire" (von Les Arts Florissants, William Christie)
- Dido & Aeneas, Z. 626: Act III, Monologue & Dido's Death (von Les Arts Florissants, William Christie)
Funeral Sentences (Musique funèbre pour la Reine Mary), Te Deum, Anthems
- Rejoice in the Lord Always, Z. 49 (von Collegium Vocale Gent, Philippe Herreweghe)
- Remember Not, Lord, Our Offences, Z. 50 (von Collegium Vocale Gent, Philippe Herreweghe)
- Blow up the Trumpet in Sion, Z. 10 (von Collegium Vocale Gent, Philippe Herreweghe)
- Hear My Prayer, O Lord, Z. 15 (von Collegium Vocale Gent, Philippe Herreweghe)
- My Heart Is Inditing, Z. 30 (von Collegium Vocale Gent, Philippe Herreweghe)
- Funeral Sentences for the Death of Queen Mary II: March, Z. 860 / "Man that is born of a woman", Z. 27 / Canzona, Z. 860 / "In the midst of life", Z. 17 / Canzona, Z. 860/ "Thou knowest, Lord", Z. 58C / March, Z. 860 (von Collegium Vocale Gent, Philippe Herreweghe)
- O Lord God of Hosts, Z. 37 (von Collegium Vocale Gent, Philippe Herreweghe)
- Te Deum in D major, Z. 232 (von Collegium Vocale Gent, Philippe Herreweghe)
Chamber Music: Trio Sonatas, Pavans, Overtures, Suites in G, Three Parts upon a Ground
- Three Parts upon a Ground in D major, Z 731 (von London Baroque)
- Sonata in 4 parts in G minor, Z. 807 (von London Baroque)
- Pavan in 4 parts (for 3 violins) in G minor, Z. 752 (von London Baroque)
- Chacony in 4 parts in G minor, Z. 730 (von London Baroque)
- Pavan of 3 parts in B-flat major, Z. 750 (von London Baroque)
- Pavan of 3 parts in G minor, Z. 751 (von London Baroque)
- Pavan of 3 parts in A minor, Z. 749 (von London Baroque)
- Pavan of 3 parts in A major, Z. 748 (von London Baroque)
- Sonata of 3 parts No. 7 in E minor, Z. 796: I. Adagio (von London Baroque)
- Sonata of 3 parts No. 7 in E minor, Z. 796: II. Canzona (von London Baroque)
- Sonata of 3 parts No. 7 in E minor, Z. 796: III. Largo (von London Baroque)
- Sonata of 3 parts No. 7 in E minor, Z. 796: IV. Grave (von London Baroque)
- Sonata of 3 parts No. 7 in E minor, Z. 796: V. Vivace (von London Baroque)
- Sonata of 3 parts No. 12 in D major, Z. 801: I. Adagio (von London Baroque)
- Sonata of 3 parts No. 12 in D major, Z. 801: II. Canzona (von London Baroque)
- Sonata of 3 parts No. 12 in D major, Z. 801: III. Poco largo (von London Baroque)
- Sonata of 3 parts No. 12 in D major, Z. 801: IV. Grave (von London Baroque)
- Sonata of 3 parts No. 12 in D major, Z. 801: V. Presto (von London Baroque)
- Sonata of 3 parts No. 12 in D major, Z. 801: VI. Allegro (von London Baroque)
- Overture of 4 parts in D minor, Z. 771 (von London Baroque)
- Overture of 4 parts in G major, Z. 336 (von London Baroque)
- Overture of 5 parts in G minor, Z. 772 (von London Baroque)
- Suite of 4 parts in G major, Z. 770: I. Overture (von London Baroque)
- Suite of 4 parts in G major, Z. 770: II. Sarabande (von London Baroque)
- Suite of 4 parts in G major, Z. 770: III. Bourrée (von London Baroque)
- Suite of 4 parts in G major, Z. 770: IV. Minuet (von London Baroque)
- Suite of 4 parts in G major, Z. 770: V. Jig (von London Baroque)
King Arthur (extraits)
- King Arthur, Z. 628: Overture & Aria
- King Arthur, Z. 628: Act I, Scene II
- King Arthur, Z. 628: Act II, Scene II
- King Arthur, Z. 628: Act III, Scene II (beginning)
- King Arthur, Z. 628: Act V, Scene II. Aria "Ye blust'ring brethren of the skies"
- King Arthur, Z. 628: Act V, Scene II. Symphony
- King Arthur, Z. 628: Act V, Scene II. Song Tune
- King Arthur, Z. 628: Act V, Scene II. Aria "Fairest isle"
- King Arthur, Z. 628: Act V, Scene II. Trumpet Tune
- King Arthur, Z. 628: Act V, Scene II. Aria & Chorus "St. George, the patron of our isle"
- King Arthur, Z. 628: Act V, Scene II. Chaconne
Music for a While and Other Songs
- The Fairy Queen, Z. 629 No. 40: "The plaint (O let me weep)"
- If Music Be the Food of Love, Z. 379 (von Alfred Deller, William Christie, Wieland Kuijken)
- The Indian Queen, Z. 630 No. 17h: "I attempt from love's sickness to fly" (von Alfred Deller, William Christie, Wieland Kuijken)
- King Arthur, Z. 628 No. 38: Aria "Fairest isle" (von Alfred Deller, William Christie, Wieland Kuijken)
- Pausanius, Z. 585 No. 1: "Sweeter than roses" (von Alfred Deller, William Christie, Wieland Kuijken)
- Not All My Torments Can Your Pity Move, Z. 400 (von Alfred Deller, William Christie, Wieland Kuijken)
- The Fairy Queen, Z. 629 No. 39bc: "Thrice happy lovers" (von Alfred Deller, William Christie, Wieland Kuijken)
- An Evening Hymn "Now that the sun hath veiled his light", Z. 193 (von Alfred Deller, William Christie, Wieland Kuijken)
- Don Quixote, Z. 578 No. 9: "From Rosy Bow'rs" (von Alfred Deller, William Christie, Wieland Kuijken)
- Bonduca, Z. 574 No. 17: "O lead me to some peaceful gloom" (von Alfred Deller, William Christie, Wieland Kuijken)
- The History of King Richard II, Z. 581 No. 1: "Retir'd from any mortal's sight" (von Alfred Deller, William Christie, Wieland Kuijken)
- Oedipus, Z. 583 No. 2: "Music for awhile" (von Alfred Deller, William Christie, Wieland Kuijken)
- Prophetess, Z. 627 No. 31: "Since from my dear Astrea's sight" (von Alfred Deller, William Christie, Wieland Kuijken)
- O Solitude, My Sweetest Choice, Z. 406 (von Alfred Deller, Robert Elliott, Jane Ryan)
Organ Works (with Voluntaries by Blow & Locke)
- Voluntary in G major, Z. 720 (von John Butt)
- Voluntary in D minor for Double organ, Z. 19 (von John Butt)
- Verse in F major, Z. 716 (von John Butt)
- Voluntary in C major, Z. 717 (von John Butt)
- Voluntary in D minor, Z. 718 (von John Butt)
- A Ground in Gamut in G major, Z. 645 (von John Butt)
- March in C major, ZT. 687 (von John Butt)
- Trumpet Tune in C major, ZT. 698 (von John Butt)
- Chaconne in G minor, ZT. 68 (von John Butt)
- Trumpet Tune in C major, called "The Cibell", ZT. 678 (von John Butt)
- Ground in C minor, ZD. 221 (von John Butt)
- Voluntary on The Old 100th, Z. 721 (von John Butt)
- Trumpet Voluntary in D major (von John Butt)
- Voluntary in D minor (von John Butt)
- Voluntary in A major (von John Butt)
- Voluntary in G major (von John Butt)
- Voluntary in C major (von John Butt)
- Voluntary in G minor (von John Butt)
- Double Voluntary in D minor (von John Butt)
- Voluntary No. 62 in A minor from Melothesia (von John Butt)
- Voluntary No. 63 in F major from Melothesia (von John Butt)
- Voluntary No. 64 in A minor from Melothesia (von John Butt)
- Voluntary No. 65 in D minor from Melothesia (von John Butt)
- Voluntary No. 66 in G major from Melothesia (von John Butt)
- Voluntary No. 67 in A minor from Melothesia (von John Butt)
- Voluntary No. 68 in D minor for Double organ from Melothesia (von John Butt)