Benjamin Britten Songtexte
A Ceremony of Carols : This little Babe
Songs From "Friday Afternoons", op. 7: Cuckoo!
Psalm 150 for voices & orchestra, op. 67
A.M.D.G.: Rosa Mystica
The Birds
Geboren am 22. November 1913, Gestorben am 04. Dezember 1976
The Best of Britten
- Hymn to St. Cecilia , Op. 27 (von The Choir of St John’s College, Cambridge, Christopher Robinson)
- Four Sea Interludes, Op. 33a: II. Sunday Morning (von London Symphony Orchestra, Steuart Bedford)
- Four Sea Interludes, Op. 33a: IV. Storm (von London Symphony Orchestra, Steuart Bedford)
- Rejoice in the Lamb, Op. 30: I. Rejoice in God, O ye Tongues (von The Choir of St John’s College, Cambridge, Christopher Robinson)
- Sinfonia da Requiem, Op. 20: I. Lacrymosa
- The Young Person's Guide to the Orchestra, Op. 34: Theme
- The Young Person's Guide to the Orchestra, Op. 34: Fugue (von London Symphony Orchestra, Steuart Bedford)
- Serenade for Tenor, Horn, and Strings, Op. 31: IV. Elegy (von Philip Langridge, Frank Lloyd, English Chamber Orchestra, Steuart Bedford)
- Gloriana, Op. 53a: X. Gloriana Moritura
- Simple Symphony, op. 4: II. Playful Pizzicato
- Suite on English Folk Tunes, Op. 90: I. Cakes and Ale
- Variations on a Theme of Frank Bridge, Op. 10: Variation 10. Fugue and Finale (von English Chamber Orchestra, Steuart Bedford)
- Cabaret Songs, No. 1: "Tell me the truth about love" (von Della Jones, Steuart Bedford)
- War Requiem, Op. 66: Requiem aeternam
- A Hymn to the Virgin
The Canticles
- Canticle I: My Beloved Is Mine (von Peter Pears, Benjamin Britten)
- Canticle II: Abraham and Isaac
- Canticle III: Still Falls the Rain
- Canticle IV: Journey of the Magi
- Canticle V: The Death of Saint Narcissus (von Peter Pears, Osian Ellis)
- A Birthday Hansel, op. 89 (von Peter Pears, Osian Ellis)
- Sweeter than roses (von James Bowman, Benjamin Britten)
The Collector's Edition
Sinfonia da Requiem / Four Sea Interludes and Passacaglia from 'Peter Grimes' / The Young Person's Guide to the Orchestra
- Sinfonia da Requiem, for orchestra, Op. 20: 1. Lacrymosa (von Royal Liverpool Philharmonic Orchestra, Libor Pešek)
- Sinfonia da Requiem, for orchestra, Op. 20: 2. Dies irae (von Royal Liverpool Philharmonic Orchestra, Libor Pešek)
- Sinfonia da Requiem, for orchestra, Op. 20: 3. Requiem aeternam (von Royal Liverpool Philharmonic Orchestra, Libor Pešek)
- Sea Interludes (4) from Peter Grimes, for orchestra, Op. 33a: Dawn (von Royal Liverpool Philharmonic Orchestra, Libor Pešek)
- Sea Interludes (4) from Peter Grimes, for orchestra, Op. 33a: Sunday Morning (von Royal Liverpool Philharmonic Orchestra, Libor Pešek)
- Sea Interludes (4) from Peter Grimes, for orchestra, Op. 33a: Moonlight (von Royal Liverpool Philharmonic Orchestra, Libor Pešek)
- Sea Interludes (4) from Peter Grimes, for orchestra, Op. 33a: Passacaglia, for orchestra, Op. 33b (from "Peter Grimes") (von Royal Liverpool Philharmonic Orchestra, Libor Pešek)
- Sea Interludes (4) from Peter Grimes, for orchestra, Op. 33a: Storm (von Royal Liverpool Philharmonic Orchestra, Libor Pešek)
- Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Theme (Allegro maestoso e largamente) (von Royal Liverpool Philharmonic Orchestra, Libor Pešek)
- Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation A: Flutes and piccolo (von Royal Liverpool Philharmonic Orchestra, Libor Pešek)
- Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation B: Oboes (Lento) (von Royal Liverpool Philharmonic Orchestra, Libor Pešek)
- Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation C: Clarinets (Moderato) (von Royal Liverpool Philharmonic Orchestra, Libor Pešek)
- Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation D: Bassoons (Allegro alla marcia) (von Royal Liverpool Philharmonic Orchestra, Libor Pešek)
- Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation E: Violins (Brillante: alla polacca) (von Royal Liverpool Philharmonic Orchestra, Libor Pešek)
- Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation F: Violas (Meno mosso) (von Royal Liverpool Philharmonic Orchestra, Libor Pešek)
- Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation G: Cellos (von Royal Liverpool Philharmonic Orchestra, Libor Pešek)
- Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation H: Double basses (Comminciando lento ma poco accel. al Allegro) (von Royal Liverpool Philharmonic Orchestra, Libor Pešek)
- Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation I: Harp (Maestoso) (von Royal Liverpool Philharmonic Orchestra, Libor Pešek)
- Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation J: Horns (L'istesso tempo) (von Royal Liverpool Philharmonic Orchestra, Libor Pešek)
- Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation K: Trumpets (Vivace) (von Royal Liverpool Philharmonic Orchestra, Libor Pešek)
- Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation L: Trombones and bass tuba (Allegro pomposo) (von Royal Liverpool Philharmonic Orchestra, Libor Pešek)
- Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation M: Percussion (Moderato) (von Royal Liverpool Philharmonic Orchestra, Libor Pešek)
- Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Fugue (Allegro molto) (von Royal Liverpool Philharmonic Orchestra, Libor Pešek)
- Canadian Carnival, for orchestra, Op. 19
- Diversions, for piano, left hand & orchestra, Op. 21: Theme (von Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle)
- Diversions, for piano, left hand & orchestra, Op. 21: Variation 1: Recitative (von Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle)
- Diversions, for piano, left hand & orchestra, Op. 21: Variation 2: Romance (von Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle)
- Diversions, for piano, left hand & orchestra, Op. 21: Variation 3: March (von Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle)
- Diversions, for piano, left hand & orchestra, Op. 21: Variation 4: Arabesque (von Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle)
- Diversions, for piano, left hand & orchestra, Op. 21: Variation 5: Chant (von Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle)
- Diversions, for piano, left hand & orchestra, Op. 21: Variation 6: Nocturne (von Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle)
- Diversions, for piano, left hand & orchestra, Op. 21: Variation 7: Badinerie (von Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle)
- Diversions, for piano, left hand & orchestra, Op. 21: Variation 8: Burlesque (von Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle)
- Diversions, for piano, left hand & orchestra, Op. 21: Variation 9: Toccata 1 - Toccata 2 - Cadenza (von Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle)
- Diversions, for piano, left hand & orchestra, Op. 21: Variation 10: Adagio (von Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle)
- Diversions, for piano, left hand & orchestra, Op. 21: Variation 11: Finale (Tarantella) (von Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle)
- Scottish Ballad, for 2 pianos & orchestra, Op. 26 (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Occasional Overture, for orchestra in C major, Op. 38 (withdrawn) (von City of Birmingham Symphony Orchestra, Simon Rattle)
- An American Overture (von City of Birmingham Symphony Orchestra, Simon Rattle)
- The Building of the House, overture for chorus & orchestra, Op. 79 (von City of Birmingham Symphony Chorus, City of Birmingham Symphony Orchestra, Simon Rattle)
Piano Concerto / Violin Concerto / Young Apollo
- Piano Concerto in D major, Op. 13: 1. Toccata
- Piano Concerto in D major, Op. 13: 2. Waltz
- Piano Concerto in D major, Op. 13: 3. Impromptu
- Piano Concerto in D major, Op. 13: 4. March
- Violin Concerto in D minor, Op. 15: 1. Moderato con moto (von Ida Haendel, Bournemouth Symphony Orchestra, Paavo Berglund)
- Violin Concerto in D minor, Op. 15: 2. Vivace (von Ida Haendel, Bournemouth Symphony Orchestra, Paavo Berglund)
- Violin Concerto in D minor, Op. 15: 3. Passacaglia (Andante lento - Un poco meno mosso) (von Ida Haendel, Bournemouth Symphony Orchestra, Paavo Berglund)
- Young Apollo, for piano, string quartet & strings, Op. 16 (withdrawn by composer)
- Simple Symphony, for string orchestra, Op. 4: 1. Boisterous Bourrée (von Norwegian Chamber Orchestra, Iona Brown)
- Simple Symphony, for string orchestra, Op. 4: 2. Playful Pizzicato (von Norwegian Chamber Orchestra, Iona Brown)
- Simple Symphony, for string orchestra, Op. 4: 3. Sentimental Sarabande (von Norwegian Chamber Orchestra, Iona Brown)
- Simple Symphony, for string orchestra, Op. 4: 4. Frolicsome Finale (von Norwegian Chamber Orchestra, Iona Brown)
- Variations on a Theme by Frank Bridge, for strings, Op. 10: Introduction and Theme (von Det Norske Kammerorkester, Iona Brown)
- Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 1: Adagio (von Det Norske Kammerorkester, Iona Brown)
- Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 2: March (von Det Norske Kammerorkester, Iona Brown)
- Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 3: Romance (von Det Norske Kammerorkester, Iona Brown)
- Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 4: Aria italiana (von Det Norske Kammerorkester, Iona Brown)
- Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 5: Bourrée classique (von Det Norske Kammerorkester, Iona Brown)
- Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 6: Wiener Walzer (von Det Norske Kammerorkester, Iona Brown)
- Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 7: Moto perpetuo (von Det Norske Kammerorkester, Iona Brown)
- Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 8: Funeral March (von Det Norske Kammerorkester, Iona Brown)
- Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 9: Chant (von Det Norske Kammerorkester, Iona Brown)
- Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 10: Fugue and Finale (von Det Norske Kammerorkester, Iona Brown)
- Prelude & Fugue, for 18 strings, Op. 29 (von Norwegian Chamber Orchestra, Iona Brown)
- Lachrymae, reflections on a song of Dowland, for viola & string orchestra, Op. 48a (von Lars Anders Tomter, Norwegian Chamber Orchestra, Iona Brown)
- Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 1. The Tournament
- Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 2. The Lute Song
- Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 3. The Courtly Dances. March
- Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 3. The Courtly Dances. Coranto
- Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 3. The Courtly Dances. Pavane
- Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 3. The Courtly Dances. Morris Dance
- Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 3. The Courtly Dances. Galliard
- Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 3. The Courtly Dances. Lavolta
- Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 4. Gloriana moritura
- Cello Symphony, for cello & orchestra, Op. 68: 1. Allegro maestoso
- Cello Symphony, for cello & orchestra, Op. 68: 2. Presto inquieto
- Cello Symphony, for cello & orchestra, Op. 68: 3. Adagio
- Cello Symphony, for cello & orchestra, Op. 68: Cadenza
- Cello Symphony, for cello & orchestra, Op. 68: 4. Passacaglia (Andante allegro)
- Men of Goodwill , variations on a carol for orchestra (von Minnesota Orchestra, Sir Neville Marriner)
- Sinfonietta, for chamber orchestra, Op. 1: 1. Poco presto ed agitato
- Sinfonietta, for chamber orchestra, Op. 1: 2. Andante lento
- Sinfonietta, for chamber orchestra, Op. 1: 3. Tarantella: Presto vivace
- Russian Funeral, for brass & percussion (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Suite on English folk tunes (A time there was), for orchestra, Op. 90: 1. Cakes and Ale (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Suite on English folk tunes (A time there was), for orchestra, Op. 90: 2. The Bitter Withy (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Suite on English folk tunes (A time there was), for orchestra, Op. 90: 3. Hankin Booby (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Suite on English folk tunes (A time there was), for orchestra, Op. 90: 4. Hunt the Squirrel (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Suite on English folk tunes (A time there was), for orchestra, Op. 90: 5. Lord Melbourne (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Matinées musicales (Rossini Suite No.2), for orchestra, Op. 24: March (von English Chamber Orchestra, Sir Alexander Gibson)
- Matinées musicales (Rossini Suite No.2), for orchestra, Op. 24: Nocturne (von English Chamber Orchestra, Sir Alexander Gibson)
- Matinées musicales (Rossini Suite No.2), for orchestra, Op. 24: Waltz (von English Chamber Orchestra, Sir Alexander Gibson)
- Matinées musicales (Rossini Suite No.2), for orchestra, Op. 24: Pantomime (von English Chamber Orchestra, Sir Alexander Gibson)
- Matinées musicales (Rossini Suite No.2), for orchestra, Op. 24: Moto perpetuo (von English Chamber Orchestra, Sir Alexander Gibson)
- Soirées Musicales (Rossini Suite 1), suite for orchestra, Op. 9: March (von English Chamber Orchestra, Sir Alexander Gibson)
- Soirées Musicales (Rossini Suite 1), suite for orchestra, Op. 9: Canzonetta (von English Chamber Orchestra, Sir Alexander Gibson)
- Soirées Musicales (Rossini Suite 1), suite for orchestra, Op. 9: Tirolese (von English Chamber Orchestra, Sir Alexander Gibson)
- Soirées Musicales (Rossini Suite 1), suite for orchestra, Op. 9: Bolero (von English Chamber Orchestra, Sir Alexander Gibson)
- Soirées Musicales (Rossini Suite 1), suite for orchestra, Op. 9: Tarantella (von English Chamber Orchestra, Sir Alexander Gibson)
- Rossini Suite, for boys' voices & chamber ensemble: 1. Allegro brillante
- Rossini Suite, for boys' voices & chamber ensemble: 2. Allegretto
- Rossini Suite, for boys' voices & chamber ensemble: 3. Allegretto
- Rossini Suite, for boys' voices & chamber ensemble: 4. Bolero (Allegro moderato)
- Rossini Suite, for boys' voices & chamber ensemble: 5. Allegro con brio
The Prince of the Pagodas
- The Prince of the Pagodas, ballet, Op. 57: Act 1. Prelude (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 1. The Fool and the Dwarf
- The Prince of the Pagodas, ballet, Op. 57: Act 1. March and Courtiers' Dance
- The Prince of the Pagodas, ballet, Op. 57: Act 1. Entry of the Pages and the Four Kings
- The Prince of the Pagodas, ballet, Op. 57: Act 1. Variation of the King of the North (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 1. Variation of the King of the East
- The Prince of the Pagodas, ballet, Op. 57: Act 1. Variation of the King of the West (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 1. Variation of the King of the South
- The Prince of the Pagodas, ballet, Op. 57: Act 1. The Kings bow before the Emperor (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 1. Variation of Princess Belle Epine (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 1. Variation of Princess Belle Rose and Pas de Deux
- The Prince of the Pagodas, ballet, Op. 57: Act 1. The Kings and Belle Rose (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 1. Belle Epine and the Four Kings (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 1. The Rage of the Kings (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 1. Entry of the Four Winged Frogs
- The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Introduction: Belle Rose borne in by the Frogs (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Waltz: Clouds, Stars and Moon (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Belle Rose borne in by the Frogs (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Entrée: Sea Horses, Fish Creatures and Waves (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Variation: Sea Horses (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Variation: Fish Creatures
- The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Coda (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Belle Rose borne in by the Frogs (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Pas de deux: Male and Female Flames (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Variation: Male Flame (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Variation: Female Flame (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Coda (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Belle Rose, exhausted, borne in by the Frogs (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 2. Belle Rose in darkness
- The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 2. The Pagodas
- The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 2. The Salamander (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 2. Pas de deux: The Prince and Belle Rose (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 2. Belle Rose hunts for the Prince (von London Sinfonietta, Oliver Knussen)
The Prince of the Pagodas
- The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 1. Empress Belle Epine (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 1. The Old Emperor
- The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 1. Appearance of Belle Rose and the Salamander (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Transformation (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Pas de six: Entrée (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Variation 1: Pas de deux
- The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Variation 2: Girl's Solo (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Variation 3: Boy's Solo (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Pas de trois (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Coda (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Pas de caractère: The Emperor and the Fool (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Pas de deux: Belle Rose and the Prince of the Pagodas (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Variation 4: The Prince (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Variation 5: Belle Rose (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Finale (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Apotheosis (von London Sinfonietta, Oliver Knussen)
- Rhapsody , for string quartet (von Endellion Quartet)
- Quartettino, for string quartet: 1. Andante - Allegro molto e con fuoco (von Endellion Quartet)
- Quartettino, for string quartet: 2. Poco adagio ma con moto (von Endellion Quartet)
- Quartettino, for string quartet: 3. Allegro molto vivace (von Endellion Quartet)
- Elegy , for solo viola (von Garfield Jackson)
- String Quartet in D major: 1. Allegro maestoso (von Endellion Quartet)
- String Quartet in D major: 2. Lento ed espressivo (von Endellion Quartet)
- String Quartet in D major: 3. Allegro giocoso (von Endellion Quartet)
- Phantasy, for string quintet in F minor (von Endellion Quartet)
- Phantasy Quartet, for oboe & string trio in F minor, Op. 2 (von Endellion Quartet)
- Divertimenti (3), for string quartet: 1. March (von Endellion Quartet)
- Divertimenti (3), for string quartet: 2. Waltz (von Endellion Quartet)
- Divertimenti (3), for string quartet: 3. Burlesque (von Endellion Quartet)
- Alla Marcia, for string quartet (von Endellion Quartet)
- String Quartet No. 1 in D major, Op. 25: 1. Andante sostenuto - Allegro vivo (von Endellion Quartet)
- String Quartet No. 1 in D major, Op. 25: 2. Allegretto con slancio (von Endellion Quartet)
- String Quartet No. 1 in D major, Op. 25: 3. Andante calmo (von Endellion Quartet)
- String Quartet No. 1 in D major, Op. 25: 4. Molto vivace (von Endellion Quartet)
String Quartet No. 2 / String Quartet No. 3
- String Quartet No. 2 in C major, Op. 36: 1. Allegro calmo senza rigore (von Endellion Quartet)
- String Quartet No. 2 in C major, Op. 36: 2. Vivace (von Endellion Quartet)
- String Quartet No. 2 in C major, Op. 36: 3. Chacony (Sostenuto) (von Endellion Quartet)
- String Quartet No. 3, Op. 94: 1. Duets (With moderate movement) (von Endellion Quartet)
- String Quartet No. 3, Op. 94: 2. Ostinato (Very fast) (von Endellion Quartet)
- String Quartet No. 3, Op. 94: 3. Solo (Very calm) (von Endellion Quartet)
- String Quartet No. 3, Op. 94: 4. Burlesque (Fast, con fuoco) (von Endellion Quartet)
- String Quartet No. 3, Op. 94: 5. Recitative and Passacaglia (La Serenissima) (Slow) (von Endellion Quartet)
Cello Suite No. 1 / Cello Suite No. 2 / Cello Suite No. 3
- Suite for solo cello No. 1, Op. 72: Canto primo: Sostenuto e largamente (von Truls Mørk)
- Suite for solo cello No. 1, Op. 72: 2. Fuga: Andante moderato (von Truls Mørk)
- Suite for solo cello No. 1, Op. 72: 2. Lamento: Lento rubato (von Truls Mørk)
- Suite for solo cello No. 1, Op. 72: Canto secondo: Sostenuto (von Truls Mørk)
- Suite for solo cello No. 1, Op. 72: 3. Serenanta: Allegretto (pizzicato) (von Truls Mørk)
- Suite for solo cello No. 1, Op. 72: 4. Marcia: Alla marcia moderato (von Truls Mørk)
- Suite for solo cello No. 1, Op. 72: Canto terzo: Sostenuto (von Truls Mørk)
- Suite for solo cello No. 1, Op. 72: 5. Bordone: Moderato quasi recitative (von Truls Mørk)
- Suite for solo cello No. 1, Op. 72: 6. Moto perpetuo e Canto quarto: Presto (von Truls Mørk)
- Suite for solo cello No. 2, Op. 80: 1. Declamato: Largo (von Truls Mørk)
- Suite for solo cello No. 2, Op. 80: 2. Fuga: Andante (von Truls Mørk)
- Suite for solo cello No. 2, Op. 80: 3. Scherzo: Allegro molto (von Truls Mørk)
- Suite for solo cello No. 2, Op. 80: 4. Andante lento (von Truls Mørk)
- Suite for solo cello No. 2, Op. 80: 5. Ciaccona: Allegro (von Truls Mørk)
- Suite for solo cello No. 3, Op. 87: 1. Introduzione: Lento (von Truls Mørk)
- Suite for solo cello No. 3, Op. 87: 2. Marcia: Allegro (von Truls Mørk)
- Suite for solo cello No. 3, Op. 87: 3. Canto: Con moto (von Truls Mørk)
- Suite for solo cello No. 3, Op. 87: 4. Barcarola: Lento (von Truls Mørk)
- Suite for solo cello No. 3, Op. 87: 5. Dialogo: Allegretto (von Truls Mørk)
- Suite for solo cello No. 3, Op. 87: 6. Fuga: Andante espressivo (von Truls Mørk)
- Suite for solo cello No. 3, Op. 87: 7. Recitativo: Fantastico (von Truls Mørk)
- Suite for solo cello No. 3, Op. 87: 8. Moto perpetuo: Presto (von Truls Mørk)
- Suite for solo cello No. 3, Op. 87: 9. Passacaglia: Lento solenne (von Truls Mørk)
- Holiday Diary, suite for piano, Op. 5: 1. Early morning bathe (von Stephen Hough)
- Holiday Diary, suite for piano, Op. 5: 2. Sailing (von Stephen Hough)
- Holiday Diary, suite for piano, Op. 5: 3. Funfair (von Stephen Hough)
- Holiday Diary, suite for piano, Op. 5: 4. Night (von Stephen Hough)
- Character Pieces (3), for piano: 1. Poco allegro vivace (von Stephen Hough)
- Character Pieces (3), for piano: 2. Poco andante grazioso (von Stephen Hough)
- Character Pieces (3), for piano: 3. Poco presto e molto capriccioso (von Stephen Hough)
- Night Piece (Notturno), for piano (von Stephen Hough)
- Sonatina Romantica, for piano: Moderato (von Stephen Hough)
- Sonatina Romantica, for piano: Nocturne (von Stephen Hough)
- Variations (12), for piano (von Stephen Hough)
- Waltzes (5), for piano: 1. Rather fast and nervous (von Stephen Hough)
- Waltzes (5), for piano: 2. Quick, with wit (von Stephen Hough)
- Waltzes (5), for piano: 3. Dramatic (von Stephen Hough)
- Waltzes (5), for piano: 4. Rhythmic; not fast (von Stephen Hough)
- Waltzes (5), for piano: 5. Variations: Quiet and simple (von Stephen Hough)
- Two Lullabies, for 2 pianos: Lullaby (von Stephen Hough, Ronan O’Hora)
- Two Lullabies, for 2 pianos: Lullaby for a retired Colonel (von Stephen Hough, Ronan O’Hora)
- Pieces (2), for 2 pianos, Op. 23: No. 2 Mazurka elegiaca (von Stephen Hough, Ronan O’Hora)
- Pieces (2), for 2 pianos, Op. 23: Introduction (von Stephen Hough, Ronan O’Hora)
- Pieces (2), for 2 pianos, Op. 23: Rondo alla burlesca (von Stephen Hough, Ronan O’Hora)
- Suite, for violin & piano, Op. 6: Introduction: Andante maestoso
- Suite, for violin & piano, Op. 6: 1. March: Allegro alla marcia
- Suite, for violin & piano, Op. 6: 2. Moto perpetuo: Allegro molto e con fuoco
- Suite, for violin & piano, Op. 6: 3. Lullaby: Lento tranquillo
- Suite, for violin & piano, Op. 6: 4. Waltz: Alla valse: vivace e rubato
- Sonata for cello & piano in C major, Op. 65: 1. Dialogo: Allegro
- Sonata for cello & piano in C major, Op. 65: 2. Scherzo - Pizzicato: Allegretto
- Sonata for cello & piano in C major, Op. 65: 3. Elegia: Lento
- Sonata for cello & piano in C major, Op. 65: 4. Marcia: Energico
- Sonata for cello & piano in C major, Op. 65: 5. Moto perpetuo: Presto
- Metamorphoses (6) after Ovid, for oboe solo, Op. 49: 1. Pan (Senza misura) (von Roy Carter)
- Metamorphoses (6) after Ovid, for oboe solo, Op. 49: 2. Phaeton (Vivace ritmico) (von Roy Carter)
- Metamorphoses (6) after Ovid, for oboe solo, Op. 49: 3. Niobe (Andante) (von Roy Carter)
- Metamorphoses (6) after Ovid, for oboe solo, Op. 49: 4. Bacchus (Allegro pesante) (von Roy Carter)
- Metamorphoses (6) after Ovid, for oboe solo, Op. 49: 5. Narcissus (Lento piacevole) (von Roy Carter)
- Metamorphoses (6) after Ovid, for oboe solo, Op. 49: 6. Arethusa (Largamente) (von Roy Carter)
War Requiem (beginning)
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Requiem aeternam. Requiem aeternam dona eis Domine
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Requiem aeternam. What passing bells for these who die as cattle? (von Robert Tear, City of Birmingham Symphony Orchestra, Simon Rattle)
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Requiem aeternam. Kyrie eleison (von City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle)
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Dies irae. Dies irae, dies illa (von City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle)
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Dies irae. Bugles sang, saddening the evening air (von Sir Thomas Allen, City of Birmingham Symphony Orchestra, Simon Rattle)
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Dies irae. Liber scriptus proferetur
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Dies irae. Out there, we've walked quite friendly up to Death
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Dies irae. Recordare Jesu pie (von City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle)
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Dies irae. Be slowly lifted up, thou long black arm (von Sir Thomas Allen, City of Birmingham Symphony Orchestra, Simon Rattle)
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Dies irae. Dies irae, dies illa (von City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle)
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Dies irae. Lacrimosa dies illa
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Dies irae. Move him into the sun . . . Pie Jesu
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Offertorium. Domine Jesu Christe
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Offertorium. So Abram rose, and clave the wood, and went
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Sanctus. Sanctus, sanctus, sanctus
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Sanctus. Benedictus qui venit in nomine Domini
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Sanctus. After the blast of lightning from the East (von Sir Thomas Allen, City of Birmingham Symphony Orchestra, Simon Rattle)
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Agnus Dei
War Requiem (conclusion) / Spring Symphony
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Libera me. Libera me, Domine, de morte aeterna
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Libera me. It seemed that out of battle I escaped
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Libera me. Let us sleep now... In paradisum
- Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 1. Introduction (von London Symphony Orchestra, André Previn)
- Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 1. The Merry Cuckoo (von London Symphony Orchestra, André Previn)
- Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 1. Spring, the sweet Spring (von London Symphony Orchestra, André Previn)
- Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 1. The Driving Boy (von London Symphony Orchestra, André Previn)
- Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 1. The Morning Star (von London Symphony Orchestra, André Previn)
- Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 2. Welcome Maids of Honour (von London Symphony Orchestra, André Previn)
- Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 2. Waters above (von London Symphony Orchestra, André Previn)
- Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 2. Out on the lawn I lie abed (von London Symphony Orchestra, André Previn)
- Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 3. When will my May come? (von London Symphony Orchestra, André Previn)
- Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 3. Fair and fair (von London Symphony Orchestra, André Previn)
- Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 3. Sound the flute (von London Symphony Orchestra, André Previn)
- Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 4. Finale: London, to thee I do present (von London Symphony Orchestra, André Previn)
- Hymn to St. Cecilia, for chorus, Op. 27: 1. In a garden shady this holy lady (von Choir of King’s College, Cambridge, Sir David Willcocks)
- Hymn to St. Cecilia, for chorus, Op. 27: 2. I cannot grow (von Choir of King’s College, Cambridge, Sir David Willcocks)
- Hymn to St. Cecilia, for chorus, Op. 27: 3. O ear whose creatures cannot wish to fail
- A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 1. Procession (von Choir of King’s College, Cambridge, Sir David Willcocks)
- A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 2. Wolcum Yole! (von Choir of King’s College, Cambridge, Sir David Willcocks)
- A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 3. There is no rose (von Choir of King’s College, Cambridge, Osian Ellis, Sir David Willcocks)
- A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 4. a. That yongë child (von Choir of King’s College, Cambridge, Sir David Willcocks)
- A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 4. b. Balulalow (von Choir of King’s College, Cambridge, Sir David Willcocks)
- A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 5. As dew in Aprille (von Choir of King’s College, Cambridge, Osian Ellis, Sir David Willcocks)
- A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 6. This little babe (von Choir of King’s College, Cambridge, Sir David Willcocks)
- A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 7. Interlude (Andante pastorale) (von Choir of King’s College, Cambridge, Sir David Willcocks)
- A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 8. In freezing winter night (von Choir of King’s College, Cambridge, Sir David Willcocks)
- A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 9. Spring Carol (von Choir of King’s College, Cambridge, Sir David Willcocks)
- A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 10. Deo gracias! (von Choir of King’s College, Cambridge, Sir David Willcocks)
- A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 11. Recession (von Choir of King’s College, Cambridge, Sir David Willcocks)
- Missa Brevis, for boys' chorus & organ in D major, Op. 63: 1. Kyrie (von Choir of King’s College, Cambridge, Sir David Willcocks)
- Missa Brevis, for boys' chorus & organ in D major, Op. 63: 2. Gloria (von Choir of King’s College, Cambridge, Sir David Willcocks)
- Missa Brevis, for boys' chorus & organ in D major, Op. 63: 3. Sanctus (von Choir of King’s College, Cambridge, Sir David Willcocks)
- Missa Brevis, for boys' chorus & organ in D major, Op. 63: 4. Benedictus (von Choir of King’s College, Cambridge, Sir David Willcocks)
- Missa Brevis, for boys' chorus & organ in D major, Op. 63: 5. Agnus Dei (von Choir of King’s College, Cambridge, Sir David Willcocks)
- Festival Te Deum, for trumpet, chorus & organ, Op. 32 (von Choir of King’s College, Cambridge, James Lancelot, Philip Ledger)
- Rejoice in the Lamb, festival cantata for trumpet, ATB soloists, chorus & organ, Op. 30: Rejoice in God, o ye Tongues
- Rejoice in the Lamb, festival cantata for trumpet, ATB soloists, chorus & organ, Op. 30: For I will consider my Cat Jeoffry
- Rejoice in the Lamb, festival cantata for trumpet, ATB soloists, chorus & organ, Op. 30: For the Mouse is a creature of great personal valour
- Rejoice in the Lamb, festival cantata for trumpet, ATB soloists, chorus & organ, Op. 30: For the flowers are great blessings
- Rejoice in the Lamb, festival cantata for trumpet, ATB soloists, chorus & organ, Op. 30: For I am under the same accusation with My Saviour
- Rejoice in the Lamb, festival cantata for trumpet, ATB soloists, chorus & organ, Op. 30: For H is a spirit and therefore he is God
- Rejoice in the Lamb, festival cantata for trumpet, ATB soloists, chorus & organ, Op. 30: Hallelujah from the heart of God
- Te Deum, for trumpet, chorus & organ in C major (von Choir of King’s College, Cambridge, James Lancelot, Philip Ledger)
- Jubilate Deo, for chorus & organ in C major (von Choir of King’s College, Cambridge, James Lancelot, Philip Ledger)
- A Hymn to the Virgin, for double chorus (von Cambridge Girls Choir, Academy of St Martin in the Fields, Sir David Willcocks)
- Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 1. Introduction
- Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 2. The Birth of Nicolas
- Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 3. Nicolas devotes himself to God
- Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 4. He journeys to Palestine
- Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 5. Nicolas comes to Myra and is chosen Bishop
- Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 6. Nicolas from Prison
- Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 7. Nicolas and the Pickled Boys
- Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 8. His Piety and Marvellous Works
- Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 9. The death of Nicolas
- Hymn to St. Peter, for trumpet, chorus & organ, Op. 56a (von Cambridge Girls Choir, Academy of St Martin in the Fields, Sir David Willcocks)
- Hymn of St. Columba (Regis regum rectissimi), for chorus & organ (von Vasari Singers, Jeremy Backhouse)
- Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91: 1. St Godric's Hymn (von Vasari Singers, Jeremy Backhouse)
- Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91: 2. I mon waxe sod (von Vasari Singers, Jeremy Backhouse)
- Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91: 3. Lenten is come (von Vasari Singers, Jeremy Backhouse)
- Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91: 4. The long night (von Vasari Singers, Jeremy Backhouse)
- Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91: 5. Yif ic of luve can (von Vasari Singers, Jeremy Backhouse)
- Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91: 6. Carol (von Vasari Singers, Jeremy Backhouse)
- Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91: 7. Ye that pasen by (von Vasari Singers, Jeremy Backhouse)
- Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91: 8. A death (von Vasari Singers, Jeremy Backhouse)
- The Little Sweep, children's opera, Op. 45: Scene 1. 1. The Sweep's Song: Sweep! Sweep! (Audience Song 1)
- The Little Sweep, children's opera, Op. 45: Scene 1. 2. Quartet: Sweep this chimney
- The Little Sweep, children's opera, Op. 45: Scene 1. 3. Duet: Now, little white boy!
- The Little Sweep, children's opera, Op. 45: Scene 1. 3a. Hide and Seek: Juliet! Juliet!
- The Little Sweep, children's opera, Op. 45: Scene 1. 4. Shanty: Pull the rope gently
- The Little Sweep, children's opera, Op. 45: Scene 1. 5. Ensemble: Is he wounded?
- The Little Sweep, children's opera, Op. 45: Scene 1. 6. Marching Song: Sooty tracks upon the sheet
- The Little Sweep, children's opera, Op. 45: Scene 1. 7. Trio: Sam! Sam!
- The Little Sweep, children's opera, Op. 45: Scene 1. 8. Aria: Run, poor sweepboy
- The Little Sweep, children's opera, Op. 45: Scene 1. 9. Sammy's Bath: The kettles are singing (Audience Song 2)
- The Little Sweep, children's opera, Op. 45: Scene 2. 10. Ensemble: O why do you weep...
- The Little Sweep, children's opera, Op. 45: Scene 2. 11. Pantomime and
- The Little Sweep, children's opera, Op. 45: Scene 2. 12. Scene: Ah!... Blackguards
- The Little Sweep, children's opera, Op. 45: Scene 2. 13. Finale: Help! Help! She's collapsed!
- The Little Sweep, children's opera, Op. 45: Scene 2. 14. The Night Song: The owl, wide-winging (Audience Song 3)
- The Little Sweep, children's opera, Op. 45: Scene 3. 15. Aria: Soon the coach will carry you away
- The Little Sweep, children's opera, Op. 45: Scene 3. 16. Ensemble: Morning, Sammy
- The Little Sweep, children's opera, Op. 45: Scene 3. 17. Trio and Ensemble: Ready, Alfred?
- The Little Sweep, children's opera, Op. 45: Scene 3. 18. Finale: Coaching Song: The Horses and champing (Audience Song 4)
- A Boy Was Born, choral variations for mixed voices, Op. 3: Theme. A Boy was Born
- A Boy Was Born, choral variations for mixed voices, Op. 3: Variation 1. Lullay, Jesu
- A Boy Was Born, choral variations for mixed voices, Op. 3: Variation 2. Herod
- A Boy Was Born, choral variations for mixed voices, Op. 3: Variation 3. Jesu, as Thou art our Saviour
- A Boy Was Born, choral variations for mixed voices, Op. 3: Variation 4. The Three Kings
- A Boy Was Born, choral variations for mixed voices, Op. 3: Variation 5. In the Bleak Mid-Winter
- A Boy Was Born, choral variations for mixed voices, Op. 3: Variation 6. Noël!
- A Shepherd's Carol, for chorus
Noye's Fludde / A.M.D.G. / The Ballad of Little Musgrave and Lady Barnard
- Noye's Fludde, children's opera, Op. 59: Lord Jesus, think on me
- Noye's Fludde, children's opera, Op. 59: I, God, that all this worlde hath wroughte
- Noye's Fludde, children's opera, Op. 59: O, Lorde, I thanke thee lowde and still
- Noye's Fludde, children's opera, Op. 59: Now in the name of God I will begyne
- Noye's Fludde, children's opera, Op. 59: Wyffe, in this vessel we shall be kepte
- Noye's Fludde, children's opera, Op. 59: Noye, Noye, take thou thy company
- Noye's Fludde, children's opera, Op. 59: Sir! Here are lions, lepardes, in
- Noye's Fludde, children's opera, Op. 59: Wiffe, come in!
- Noye's Fludde, children's opera, Op. 59: It is good for to be still
- Noye's Fludde, children's opera, Op. 59: Eternal Father, strong to save
- Noye's Fludde, children's opera, Op. 59: Now forty dayes are fullie gone
- Noye's Fludde, children's opera, Op. 59: Noye, take they wife anone
- Noye's Fludde, children's opera, Op. 59: Noye, heare I behette thee a heste
- Noye's Fludde, children's opera, Op. 59: The spacious firmament on high
- A. M. D. G. (Ad Majorem Dei Gloriam), for chorus, Op. 17: Heaven-Haven
- A. M. D. G. (Ad Majorem Dei Gloriam), for chorus, Op. 17: O deus, ego amo te
- A. M. D. G. (Ad Majorem Dei Gloriam), for chorus, Op. 17: Rosa Mystica
- A. M. D. G. (Ad Majorem Dei Gloriam), for chorus, Op. 17: The Soldier
- A. M. D. G. (Ad Majorem Dei Gloriam), for chorus, Op. 17: Prayer 2
- A. M. D. G. (Ad Majorem Dei Gloriam), for chorus, Op. 17: God's Grandeur
- A. M. D. G. (Ad Majorem Dei Gloriam), for chorus, Op. 17: Prayer 1
- Ballad of Little Musgrave and Lady Barnard, for male chorus & piano
The Company of Heaven / Ballad of Heroes / Praise We Great Men
- The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 1. 1. Chaos
- The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 1. 2. The Morning Stars
- The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 2. 3. Angels appear to Jacob, Elisha and Mary
- The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 2. 4. Christ, the fair glory
- The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 2. 5. War in Heaven
- The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 3. 6. Heaven is here
- The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 3. 7. A thousand, thousand gleaming fires
- The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 3. 8. Funeral March for a Boy
- The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 3. 9. Whoso dwelleth under the defence of the most High
- The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 3. 10. There came out also at this time
- The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 3. 11. Ye watchers and ye holy ones
- Ballad of Heroes, for high voice, chorus & orchestra, Op. 14: 1. Funeral March (von City of Birmingham Symphony Chorus, City of Birmingham Symphony Orchestra, Simon Rattle)
- Ballad of Heroes, for high voice, chorus & orchestra, Op. 14: 2. Scherzo (von City of Birmingham Symphony Chorus, City of Birmingham Symphony Orchestra, Simon Rattle)
- Ballad of Heroes, for high voice, chorus & orchestra, Op. 14: 3. Recitative and Choral
- Praise We Great Men, for voices, chorus & orchestra: Praise we great men (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Praise We Great Men, for voices, chorus & orchestra: Praise we the just (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Praise We Great Men, for voices, chorus & orchestra: (Coda) (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Les illuminations, song cycle for high voice & strings, Op. 18: 1. Fanfare
- Les illuminations, song cycle for high voice & strings, Op. 18: 2. Villes
- Les illuminations, song cycle for high voice & strings, Op. 18: 3a. Phrase
- Les illuminations, song cycle for high voice & strings, Op. 18: 3b. Antique
- Les illuminations, song cycle for high voice & strings, Op. 18: 4. Royauté
- Les illuminations, song cycle for high voice & strings, Op. 18: 5. Marine
- Les illuminations, song cycle for high voice & strings, Op. 18: 6. Interlude
- Les illuminations, song cycle for high voice & strings, Op. 18: 7. Being Beauteous
- Les illuminations, song cycle for high voice & strings, Op. 18: 8. Parade
- Les illuminations, song cycle for high voice & strings, Op. 18: 9. Départ
- Serenade, for tenor, horn & strings, Op. 31: Prologue (von Barry Tuckwell)
- Serenade, for tenor, horn & strings, Op. 31: 1. Pastoral
- Serenade, for tenor, horn & strings, Op. 31: 2. Nocturne
- Serenade, for tenor, horn & strings, Op. 31: 3. Elegy
- Serenade, for tenor, horn & strings, Op. 31: 4. Dirge
- Serenade, for tenor, horn & strings, Op. 31: 5. Hymn
- Serenade, for tenor, horn & strings, Op. 31: 6. Sonnet
- Serenade, for tenor, horn & strings, Op. 31: Epilogue (von Barry Tuckwell)
- Now sleeps the crimson petal, song for tenor, horn & strings
- Nocturne, for tenor, 7 instruments & strings, Op. 60: On a poet's lips I slept
- Nocturne, for tenor, 7 instruments & strings, Op. 60: Below the thunders of the upper deep
- Nocturne, for tenor, 7 instruments & strings, Op. 60: Encinctured with a twine of leaves
- Nocturne, for tenor, 7 instruments & strings, Op. 60: Midnight's bell goes ting, ting, ting, ting, ting
- Nocturne, for tenor, 7 instruments & strings, Op. 60: But that night when on my bed I lay
- Nocturne, for tenor, 7 instruments & strings, Op. 60: She sleeps on soft, last breaths
- Nocturne, for tenor, 7 instruments & strings, Op. 60: What is more gentle whan a wind in summer?
- Nocturne, for tenor, 7 instruments & strings, Op. 60: When most I wink, then do my eyes best see
- Chansons Françaises (4), for voice & orchestra: 1. Les Nuits de juin (von Jill Gomez, City of Birmingham Symphony Orchestra, Simon Rattle)
- Chansons Françaises (4), for voice & orchestra: 2. Sagesse (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Chansons Françaises (4), for voice & orchestra: 3. L'Enfance (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Chansons Françaises (4), for voice & orchestra: 4. Chanson d'automne (von Jill Gomez, City of Birmingham Symphony Orchestra, Simon Rattle)
- Our Hunting Fathers, song cycle for high voice & orchestra, Op. 8: Prologue (von Elisabeth Söderström, Orchestra of the Welsh National Opera, Richard Armstrong)
- Our Hunting Fathers, song cycle for high voice & orchestra, Op. 8: A. Rats Away! (von Elisabeth Söderström, Orchestra of the Welsh National Opera, Richard Armstrong)
- Our Hunting Fathers, song cycle for high voice & orchestra, Op. 8: B. Messalina (von Elisabeth Söderström, Orchestra of the Welsh National Opera, Richard Armstrong)
- Our Hunting Fathers, song cycle for high voice & orchestra, Op. 8: C. Dance of Death (von Elisabeth Söderström, Orchestra of the Welsh National Opera, Richard Armstrong)
- Our Hunting Fathers, song cycle for high voice & orchestra, Op. 8: Epilogue and Funeral March (von Elisabeth Söderström, Orchestra of the Welsh National Opera, Richard Armstrong)
- Little Sir William, for voice & piano (Folk Songs, Vol. 1) (von Elisabeth Söderström, Orchestra of the Welsh National Opera, Richard Armstrong)
- Come you not from Newcastle?, for voice & piano (Folk Songs, Vol. 3) (von Elisabeth Söderström, Orchestra of the Welsh National Opera, Richard Armstrong)
- The Bonny Earl o' Moray, for voice & piano (Folk Songs, Vol. 1) (von Elisabeth Söderström, Orchestra of the Welsh National Opera, Richard Armstrong)
- Oliver Cromwell, for voice & piano (Folk Songs, Vol. 1) (von Elisabeth Söderström, Orchestra of the Welsh National Opera, Richard Armstrong)
- Phaedra, dramatic cantata for mezzo-soprano, string orchestra, percussion & harpsichord, Op. 93: In May, in brilliant Athens
- Phaedra, dramatic cantata for mezzo-soprano, string orchestra, percussion & harpsichord, Op. 93: O Gods of wrath
- Phaedra, dramatic cantata for mezzo-soprano, string orchestra, percussion & harpsichord, Op. 93: My time's too short, your highness
- La belle est au jardin d'amour, for voice & piano (Folk Songs, Vol. 2) (von Felicity Palmer, Endymion Ensemble, John Whitfield)
- Folksong Arrangements, Vol. II "France", for voice & piano: Eho! Eho! (von Felicity Palmer, Endymion Ensemble, John Whitfield)
- Folksong Arrangements, Vol. II "France", for voice & piano: Fileuse, folksong for voice & piano (Folk Songs, Vol. 2) (von Felicity Palmer, Endymion Ensemble, John Whitfield)
- Folksong Arrangements, Vol. II "France", for voice & piano: Quand j'étais chez mon père, for voice & piano (Folk Songs, Vol. 2) (von Felicity Palmer, Endymion Ensemble, John Whitfield)
- Le roi s'en va-t'en chasse, for voice & piano (Folk Songs, Vol. 2) Le roi s'en va-t'en chasse (von Felicity Palmer, Endymion Ensemble, John Whitfield)
- Sonnets (7) of Michelangelo, for voice & piano, Op. 22: 1. Sì come nella penna (16) (von Peter Pears, Benjamin Britten)
- Sonnets (7) of Michelangelo, for voice & piano, Op. 22: 2. A che più debb'io mai (31) (von Peter Pears, Benjamin Britten)
- Sonnets (7) of Michelangelo, for voice & piano, Op. 22: 3. Veggio co' bei vostri occhi (30) (von Peter Pears, Benjamin Britten)
- Sonnets (7) of Michelangelo, for voice & piano, Op. 22: 4. Tu sa' ch'io so (55) (von Peter Pears, Benjamin Britten)
- Sonnets (7) of Michelangelo, for voice & piano, Op. 22: 5. Rendete a gli occhi miei (38) (von Peter Pears, Benjamin Britten)
- Sonnets (7) of Michelangelo, for voice & piano, Op. 22: 6. S'un casto amor (32) (von Peter Pears, Benjamin Britten)
- Sonnets (7) of Michelangelo, for voice & piano, Op. 22: 7. Spirito ben nato (24) (von Peter Pears, Benjamin Britten)
- The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 1. Oh my blacke soule (von Peter Pears, Benjamin Britten)
- The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 2. Batter my heart (von Peter Pears, Benjamin Britten)
- The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 3. O might those sighes and teares (von Peter Pears, Benjamin Britten)
- The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 4. Oh, to vex me (von Peter Pears, Benjamin Britten)
- The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 5. What if this present (von Peter Pears, Benjamin Britten)
- The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 6. Since she whom I loved (von Peter Pears, Benjamin Britten)
- The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 7. At the round earth's imagined corners (von Peter Pears, Benjamin Britten)
- The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 8. Thou hast made me (von Peter Pears, Benjamin Britten)
- The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 9. Death, be not proud (von Peter Pears, Benjamin Britten)
- On this Island, song cycle for voice & piano, Op. 11: 1. Let the florid music praise! (von Robert Tear, Philip Ledger)
- On this Island, song cycle for voice & piano, Op. 11: 2. Now the leaves are falling fast (von Robert Tear, Philip Ledger)
- On this Island, song cycle for voice & piano, Op. 11: 3. Seascape (von Robert Tear, Philip Ledger)
- On this Island, song cycle for voice & piano, Op. 11: 4. Nocturne (von Robert Tear, Philip Ledger)
- On this Island, song cycle for voice & piano, Op. 11: 5. As it is; plenty (von Robert Tear, Philip Ledger)
- Winter Words, song cycle for tenor & piano, Op. 52: 1. At day-close in November (von Robert Tear, Philip Ledger)
- Winter Words, song cycle for tenor & piano, Op. 52: 2. Midnight on the Great Western (or the Journeying Boy) (von Robert Tear, Philip Ledger)
- Winter Words, song cycle for tenor & piano, Op. 52: 3. Wagtail and Baby (A Satire) (von Robert Tear, Philip Ledger)
- Winter Words, song cycle for tenor & piano, Op. 52: 4. The Little Old Table (von Robert Tear, Philip Ledger)
- Winter Words, song cycle for tenor & piano, Op. 52: 5. The Choirmaster's Burial (or The Tenor Man's Story) (von Robert Tear, Philip Ledger)
- Winter Words, song cycle for tenor & piano, Op. 52: 6. The Proud Songsters (Thrushes, Finches and Nightingales) (von Robert Tear, Philip Ledger)
- Winter Words, song cycle for tenor & piano, Op. 52: 7. At the Railway Station, Upway (or The Convict and Boy with the Violin) (von Robert Tear, Philip Ledger)
- Winter Words, song cycle for tenor & piano, Op. 52: 8. Before Life and After (von Robert Tear, Philip Ledger)
The Five Canticles / Folksong arrangements
- Canticle I: My Beloved Is Mine, for high voice & piano, Op. 40 (von Ian Bostridge, Julius Drake)
- Canticle II: Abraham and Isaac, for alto, tenor & piano, Op. 51
- Canticle III:Still Falls the Rain, for tenor, horn & piano, Op. 55
- Canticle IV: The Journey of the Magi, for countertenor, tenor, baritone & piano, Op. 86
- Canticle V: The Death of St Narcissus, for tenor & harp, Op. 89
- The Plough Boy , folksong for voice & piano (Folk Songs, Vol. 3)
- The Salley Gardens , for voice & piano (Folk Songs, Vol. 1)
- The Foggy, Foggy Dew , for voice & piano (Folk Songs, Vol. 3)
- There's None to Soothe , for voice & piano (Folk Songs, Vol. 3)
- O Waly, Waly , for voice & piano (Folk Songs, Vol. 3)
- The Ash Grove , for voice & piano (Folk Songs, Vol. 1) (von Ian Bostridge, Julius Drake)
- Greensleeves , folk song (von Ian Bostridge, Julius Drake)
- Songs (2) by Thomas Hardy, for voice & piano: The Children and Sir Nameless
- Songs (2) by Thomas Hardy, for voice & piano: If it's ever spring again
- Beware!, early songs (3) for medium voice & piano: 1. Beware!
- Beware!, early songs (3) for medium voice & piano: 2. O that I had ne'er been married
- Beware!, early songs (3) for medium voice & piano: 3. Epitaph: The Clerk
- Not even summer yet, song for high voice & piano
- Songs (2) by W. H. Auden, for voice & piano: To lie flat on the back
- Songs (2) by W. H. Auden, for voice & piano: Night covers up the rigid land
- The Oxen, carol for female chorus & piano
- Dawtie's Devotion, song for voice & piano (discarded from "Who are these Children," Op. 84)
- Tradition, song for voice & piano (discarded from "Who are these Children," Op. 84)
- The Gully, song for voice & piano (discarded from "Who are these Children," Op. 84)
- Tit for Tat, song cycle for voice & piano: 1. A Song of Enchantment
- Tit for Tat, song cycle for voice & piano: 3. Silver
- Tit for Tat, song cycle for voice & piano: 5. Tit for Tat
- Ballads (2), for 2 voices & piano: 1. Mother Comfort
- Ballads (2), for 2 voices & piano: 2. Underneath the Abject Willow
- Folksong Arrangements, Vol. III "British Isles", for voice & piano Sweet Polly Oliver (von Robert Tear, Philip Ledger)
- Folksong Arrangements, Vol. IV "Moore's Irish Melodies", for voice & piano The Minstrel Boy (von Robert Tear, Philip Ledger)
- Folksong Arrangements, Vol. V "British Isles", for voice & piano: The Brisk Young Widow (von Robert Tear, Philip Ledger)
- Folksong Arrangements, Vol. V "British Isles", for voice & piano: Ca' the Yowes (von Robert Tear, Philip Ledger)
- Folksong Arrangements, Vol. V "British Isles", for voice & piano: The Lincolnshire Poacher (von Robert Tear, Philip Ledger)
- Folksong Arrangements, Vol. I "British Isles", for voice & piano: O can ye sew cushions? (von Robert Tear, Philip Ledger)
- Folksong Arrangements, Vol. I "British Isles", for voice & piano: The trees they grow so high (von Robert Tear, Philip Ledger)
- Folksong Arrangements, Vol. V "British Isles", for voice & piano Early one morning (von Sarah Brightman, Geoffrey Parsons)
- Folksong Arrangements, Vol. IV "Moore's Irish Melodies", for voice & piano How sweet the answer (von Sarah Brightman, Geoffrey Parsons)
- Folksong Arrangements, Vol. II "France", for voice & piano Voici le printemps (von Sarah Brightman, Geoffrey Parsons)
- Folksong Arrangements, Vol. IV "Moore's Irish Melodies", for voice & piano: The last rose of Summer (von Sarah Brightman, Geoffrey Parsons)
- Folksong Arrangements, Vol. IV "Moore's Irish Melodies", for voice & piano: Dear Harp of my Country! (von Sarah Brightman, Geoffrey Parsons)
- Folksong Arrangements, Vol. IV "Moore's Irish Melodies", for voice & piano: Oft in the stilly night (von Sarah Brightman, Geoffrey Parsons)
Purcell arrangements / Schubert: Die Forelle / Schumann: Frülingsnacht
- The Queen's Epicedium, for soprano or tenor & piano (Purcell Realization)
- Purcell Realizations from Orpheus Britannicus: Duets (6), for 2 voices & piano: Sound the Trumpet (von Felicity Lott, Ann Murray, Graham Johnson)
- Purcell Realizations from Orpheus Britannicus: Songs (5), for voice & piano: I attempt from love's sickness to fly
- Purcell Realizations from Orpheus Britannicus: Duets (6), for 2 voices & piano: Lost is my quiet for ever
- Purcell Realizations from Orpheus Britannicus: Songs (7), for voice & piano: Fairest Isle
- Purcell Realizations from Orpheus Britannicus: Duets (6), for 2 voices & piano: What can we poor females do?
- Purcell Realizations from Orpheus Britannicus: Songs (7), for voice & piano: I'll sail upon the Dog-star
- Purcell Realizations from Orpheus Britannicus: Songs (7), for voice & piano: Hears not my Phyllis (The Knotting Song), song, Z. 371
- Purcell Realizations from Orpheus Britannicus: Duets (6), for 2 voices & piano: Man is for the woman made
- Purcell Realizations from Orpheus Britannicus: Songs (5), for voice & piano: 1. Let sullen discord smile
- Purcell Realizations from Orpheus Britannicus: Songs (5), for voice & piano: 2. Why should men quarrel
- Purcell Realizations from Orpheus Britannicus: Songs (5), for voice & piano: 3. So when the glittering Queen of Night
- Purcell Realizations from Orpheus Britannicus: Songs (5), for voice & piano: 4. Thou tun'st this world
- Purcell Realizations from Orpheus Britannicus: Songs (5), for voice & piano: 5a. 'tis holiday / 5b. Sound Fame thy brazen trumpet
- Die Forelle ("In einem Bächlein helle"), song for voice & piano, D. 550 (Op. 32)
- Frühlingsnacht ("Uberm Garten durch die Lüfte"), song for voice & piano (Liederkreis), Op. 39/12
Paul Bunyan
- Paul Bunyan, operetta, Op. 17: 1. Introduction
- Paul Bunyan, operetta, Op. 17: 2. Prologue. Since the birth of the earth
- Paul Bunyan, operetta, Op. 17: 2. Prologue. No. No. We do not want life to be slow
- Paul Bunyan, operetta, Op. 17: 2. Prologue. Ooh! Ooh! O how terrible to be as old fashined as a tree
- Paul Bunyan, operetta, Op. 17: 2. Prologue. You are all to leave here
- Paul Bunyan, operetta, Op. 17: 2. Prologue. It isn't very often the conservatives are wrong... / But once in a while the odd thing
- Paul Bunyan, operetta, Op. 17: 2a. First Ballad Interlude: The cold wind blew through the crooked thorn
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 3. Bunyan's Greeting
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 3a. Call of Lumberjacks
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 4. Lumberjack's Chorus: My birthplace was in Sweden
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 4a. Bunyan's Welcome
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 5. Quartet of Swedes: Swedish born and Swedish bred
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 6. Western Union Boy's Song: A telegram from oversea
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 7. Cooks' Duet: Sam for soups. Ben for beans
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 8. Animal Trio: Ah! Miaou! The single creature lives a partial life
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 8a. Bunyan's Goodnight (1)
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 8b. Exit of Lumberjacks: Down the line... Timberr
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 9. The Blues: Gold in the North came the blizzard to say
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 10. Bunyan's Goodnight (2)
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 10a. Second Ballad Interlude: The Spring came and the Summer and Fall
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 11. Food Chorus: Do I look the sort of fellow
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 12. Chorus Accusation: There now look what you have done
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 12a. Slim's Song: In fair days and foul... I come from open spaces
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 13. Bunyan's Return: Look, the Chief is back
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 14. Inkslinger's Song: It was out in the sticks
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 14a. Entrance of Chorus
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 15. Tiny's Entrance
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 15a. Tiny's Song: Ah!... Whether the sun shine upon children playing
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 16. Inkslinger's Regret: All the little brooks of love
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 17. Bunyan's Goodnight (3)
Paul Bunyan
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 18. Bunyan's Good Morning
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 18a. Shears' Song: It has always been my dream
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 18b. Bunyan's Warning
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 19. Farmer's Song: The shanty-boy invades the wood
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 19a. Farmers' Exit
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 20. The Mocking of Hel Helson: Heron, heron winging by
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 21. Fido's Sympathy: Why won't you tell me what's the matter?
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 22. Cat's Creed: Let Man the romantic in vision espy
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 23. The Fight: What is it? What's happening?
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 23a. Love Duet: Move, move from the trysting stone
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 23b. Mock Funeral March: Take away the body and lay it on ice
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 23c. Hymn: O great day of discovery!
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 24. Third Ballad Interlude: So Helson smiled and Bunyan smiled
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 2. 25. The Christmas Party. Rah! Another slice of turkey
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 2. 25. The Christmas Party. Dear friends, with your leave
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 2. 25. The Christmas Party. Carry her over the water
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 2. 25. The Christmas Party. Where we are is not very far
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 2. 25. The Christmas Party. A telegram from Hollywood
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 2. 25. The Christmas Party. We always knew that one day you
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 2. 26. Bunyan's Farewell
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 2. 27. Litany: The campfire embers are black and cold
- Paul Bunyan, operetta, Op. 17: Appendix. Overture
- Paul Bunyan, operetta, Op. 17: Appendix. Inkslinger's Love Song
- Paul Bunyan, operetta, Op. 17: Appendix. Lullaby of Dream Shadows
Peter Grimes
- Peter Grimes, opera, Op. 33: Prologue. Peter Grimes!
- Peter Grimes, opera, Op. 33: Prologue. You sailed your boat round the coast
- Peter Grimes, opera, Op. 33: Prologue. Peter Grimes, I here advise you!
- Peter Grimes, opera, Op. 33: Prologue. The truth - the pity
- Peter Grimes, opera, Op. 33: Prologue. Interlude 1: Dawn
- Peter Grimes, opera, Op. 33: Act 1. Scene 1. Oh hang at open doors the net
- Peter Grimes, opera, Op. 33: Act 1. Scene 1. Hi! Give us a hand!
- Peter Grimes, opera, Op. 33: Act 1. Scene 1. I have to go from pub to pub
- Peter Grimes, opera, Op. 33: Act 1. Scene 1. Let her among you without a fault cast the first stone
- Peter Grimes, opera, Op. 33: Act 1. Scene 1. Look! The storm cone!
- Peter Grimes, opera, Op. 33: Act 1. Scene 1. And do you prefer the storm
- Peter Grimes, opera, Op. 33: Act 1. Scene 1. They listen to money
- Peter Grimes, opera, Op. 33: Act 1. Scene 1. What harbour shelters peace
- Peter Grimes, opera, Op. 33: Act 1. Scene 1. Interlude 2: Storm
- Peter Grimes, opera, Op. 33: Act 1. Scene 2. Past time to close!
- Peter Grimes, opera, Op. 33: Act 1. Scene 2. Come on, boy!
- Peter Grimes, opera, Op. 33: Act 1. Scene 2. Have you heard the cliff is down
- Peter Grimes, opera, Op. 33: Act 1. Scene 2. Now the Great Bear and the Pleiades
- Peter Grimes, opera, Op. 33: Act 1. Scene 2. Old Joe has gone fishing
- Peter Grimes, opera, Op. 33: Act 1. Scene 2. The bridge is down
- Peter Grimes, opera, Op. 33: Act 2. Interlude 3: Sunday morning
- Peter Grimes, opera, Op. 33: Act 2. Scene 1. Glitter of waves and glitter of sunlight
- Peter Grimes, opera, Op. 33: Act 2. Scene 1. Child you're not too young to know
- Peter Grimes, opera, Op. 33: Act 2. Scene 1. This unrelenting work
Peter Grimes
- Peter Grimes, opera, Op. 33: Act 2. Scene 1. Fool to let it come to this!
- Peter Grimes, opera, Op. 33: Act 2. Scene 1. People...! No! I will speak!
- Peter Grimes, opera, Op. 33: Act 2. Scene 1. We planned that their lives should have a new start
- Peter Grimes, opera, Op. 33: Act 2. Scene 1. Now is gossip put on trial
- Peter Grimes, opera, Op. 33: Act 2. Scene 1. From the gutter
- Peter Grimes, opera, Op. 33: Act 2. Scene 1. Interlude 4: Passacaglia
- Peter Grimes, opera, Op. 33: Act 2. Scene 2. Go there!
- Peter Grimes, opera, Op. 33: Act 2. Scene 2. In dreams I've built myself some kindlier home
- Peter Grimes, opera, Op. 33: Act 2. Scene 2. Now!... Now!
- Peter Grimes, opera, Op. 33: Act 2. Scene 2. Peter Grimes! Nobody here?
- Peter Grimes, opera, Op. 33: Act 3. Interlude 5: Moonlight
- Peter Grimes, opera, Op. 33: Act 3. Scene 1. Assign your prettiness to me
- Peter Grimes, opera, Op. 33: Act 3. Scene 1. Mr Keene!
- Peter Grimes, opera, Op. 33: Act 3. Scene 1. Come along, Doctor
- Peter Grimes, opera, Op. 33: Act 3. Scene 1. Embroidery in childhood was a luxury of idleness
- Peter Grimes, opera, Op. 33: Act 3. Scene 1. Mr Swallow, Mr Swallow
- Peter Grimes, opera, Op. 33: Act 3. Scene 1. Who holds himself apart lets his pride rise
- Peter Grimes, opera, Op. 33: Act 3. Scene 1. Interlude 6
- Peter Grimes, opera, Op. 33: Act 3. Scene 2. Grimes!
- Peter Grimes, opera, Op. 33: Act 3. Scene 2. Peter, we've come to take you home
- Peter Grimes, opera, Op. 33: Act 3. Scene 2. To those who pass the Borough
The Turn of the Screw
- Turn of the Screw, chamber opera, Op. 54: Prologue
- Turn of the Screw, chamber opera, Op. 54: Act 1. Theme
- Turn of the Screw, chamber opera, Op. 54: Act 1. Scene 1. The Journey
- Turn of the Screw, chamber opera, Op. 54: Act 1. Variation 1
- Turn of the Screw, chamber opera, Op. 54: Act 1. Scene 2. The Welcome
- Turn of the Screw, chamber opera, Op. 54: Act 1. Variation 2
- Turn of the Screw, chamber opera, Op. 54: Act 1. Scene 3. The Letter
- Turn of the Screw, chamber opera, Op. 54: Act 1. Variation 3
- Turn of the Screw, chamber opera, Op. 54: Act 1. Scene 4. The Tower
- Turn of the Screw, chamber opera, Op. 54: Act 1. Variation 4
- Turn of the Screw, chamber opera, Op. 54: Act 1. Scene 5. The Window
- Turn of the Screw, chamber opera, Op. 54: Act 1. Variation 5
- Turn of the Screw, chamber opera, Op. 54: Act 1. Scene 6. The Lesson
- Turn of the Screw, chamber opera, Op. 54: Act 1. Variation 6
- Turn of the Screw, chamber opera, Op. 54: Act 1. Scene 7. The Lake
- Turn of the Screw, chamber opera, Op. 54: Act 1. Variation 7
- Turn of the Screw, chamber opera, Op. 54: Act 1. Scene 8. At Night
The Turn of the Screw
- Turn of the Screw, chamber opera, Op. 54: Act 2. Variation 8
- Turn of the Screw, chamber opera, Op. 54: Act 2. Scene 1. Colliquy and Soliloquy
- Turn of the Screw, chamber opera, Op. 54: Act 2. Variation 9
- Turn of the Screw, chamber opera, Op. 54: Act 2. Scene 2. The Bells
- Turn of the Screw, chamber opera, Op. 54: Act 2. Variation 10
- Turn of the Screw, chamber opera, Op. 54: Act 2. Scene 3. Miss Jessel
- Turn of the Screw, chamber opera, Op. 54: Act 2. Variation 11
- Turn of the Screw, chamber opera, Op. 54: Act 2. Scene 4. The Bedroom
- Turn of the Screw, chamber opera, Op. 54: Act 2. Variation 12
- Turn of the Screw, chamber opera, Op. 54: Act 2. Scene 5. Quint
- Turn of the Screw, chamber opera, Op. 54: Act 2. Variation 13
- Turn of the Screw, chamber opera, Op. 54: Act 2. Scene 6. The Piano
- Turn of the Screw, chamber opera, Op. 54: Act 2. Variation 14
- Turn of the Screw, chamber opera, Op. 54: Act 2. Scene 7. Flora
- Turn of the Screw, chamber opera, Op. 54: Act 2. Variation 15
- Turn of the Screw, chamber opera, Op. 54: Act 2. Scene 8. Miles
A Midsummer Night's Dream
- A Midsummer Night's Dream, opera, Op. 64: Act 1. Introduction: The wood, deepening twilight. Over hill, over dale (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 1. Oberon is passing fell and wrath (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 1. Well, go thy way (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 1. How now my love? (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 1. Be it on lion, bear, or wolf, or bull (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 1. Welcome wanderer... I know a bank (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 1. Is all our company here? (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 1. Fair love, you faint with wand'ring in the wood (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 1. Through the forest have I gone (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 1. Stay, though thou kill me, sweet Demetrius (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 1. Come, now a roundel and a fairy song (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 1. You spotted snakes with double tongue (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 1. What thou seest when thou dost wake (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 2. Introduction: The Wood (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 2. Are we all met? (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 2. I see their knavery (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 2. Be kind and courteous to this gentleman (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 2. Hail, mortal, hail! (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: I have a reas'nable good ear in music (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 2. How now, mad spirit? (von City of London Sinfonia, Richard Hickox)
A Midsummer Night's Dream
- A Midsummer Night's Dream, opera, Op. 64: Act 2. Flower of this purple dye (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 2. Puppet? Why, so? (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 2. This is thy negligence (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 2. Up and down, up and down (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 2. On the ground, sleep sound (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 3. Introduction: The wood, early next morning. My gentle Robin, seest thou this sweet sight? (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 3. Helena! Hermia! Demetrius! Lysander! (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 3. When my cue comes, call me (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 3. Have you sent to Bottom's house? (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 3. Theseus' palace. Now, fair Hippolyta (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 3. If we offend, it is with our good will (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 3. Gentles, perchance you wonder at this show (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 3. In this same interlude it doth befall (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 3. O grim-look'd night, O night with hue so black (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 3. O Wall, full often hast thou heard my moans (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 3. You ladies, you whose gentle hearts do fear (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 3. This lanthorn doth the hornèd moon present (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 3. Sweet Moon, I thank thee for thy sunny beams (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 3. Asleep, my love? (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 3. Come, your Bergomask (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 3. Now the hungry lion roars (von City of London Sinfonia, Richard Hickox)
The Rape of Lucretia (abridged version)
- The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 1. Rome is now ruled by the Etruscan upstart (von Sir Peter Pears, English Opera Group Chamber Orchestra, Sir Reginald Goodall)
- The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 1. It is an axiom among kings
- The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 1. Here the thirsty evening
- The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 1. Lucretia! Lucretia!
- The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 1. With you two arm in arm again
- The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 1. Interlude: Tarquinius does not wait (von Sir Peter Pears, English Opera Group Chamber Orchestra, Sir Reginald Goodall)
- The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 2. Their spinning wheel unwinds
- The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 2. It is better to desire
- The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 2. The oatmeal slippers of sleep
- The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 2. None of the women move
- The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 1. She sleeps as a rose
- The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 1. Lucretia!... What do you want?
- The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 1. Go, Tarquinius!
- The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 1. Interlude: Here in this scene you see
- The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 2. Oh! What a lovely day!
- The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 2. How hideous! Take them away!
- The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 2. Flowers bring to every year
- The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 2. Too late, Junius
- The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 2. This dead hand lets fall
- The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 2. Is all this suffering and pain
Scenes from Peter Grimes / Folksong arrangements
- Peter Grimes, opera, Op. 33: Act 2. Scene 1. Whatever you say... Let her among you without fault
- Peter Grimes, opera, Op. 33: Act 1. Scene 2. Now the Great Bear and the Pleiades
- Peter Grimes, opera, Op. 33: Act 2. Scene 1. Interlude 3: Sunday Morning
- Peter Grimes, opera, Op. 33: Act 2. Scene 1. Glitter of waves
- Peter Grimes, opera, Op. 33: Act 2. Scene 1. Wherefore, I pray and beseech you
- Peter Grimes, opera, Op. 33: Act 2. Scene 1. O all ye works of the Lord
- Peter Grimes, opera, Op. 33: Act 2. Scene 2. In dreams I've built myself some kindlier home
- Peter Grimes, opera, Op. 33: Act 3. Scene 1. Embroidery in childhood
- Peter Grimes, opera, Op. 33: Interlude 6
- Peter Grimes, opera, Op. 33: Act 3. Scene 2. Grimes!... Steady. There you are
- Folksong Arrangements, Vol. III "British Isles", for voice & piano: The Plough Boy (von Peter Pears, Benjamin Britten)
- Folksong Arrangements, Vol. III "British Isles", for voice & piano: Come you not from Newcastle? (von Peter Pears, Benjamin Britten)
- Folksong Arrangements, Vol. III "British Isles", for voice & piano: The Foggy, Foggy Dew (von Peter Pears, Benjamin Britten)
- Folksong Arrangements, Vol. III "British Isles", for voice & piano: The King is gone a-hunting (von Peter Pears, Benjamin Britten)
- Folksong Arrangements, Vol. III "British Isles", for voice & piano: O Waly, Waly (von Peter Pears, Benjamin Britten)
The Complete Works (Compilation)
Paul Bunyan, Op.17
- Paul Bunyan, op. 17: Introduction
- Paul Bunyan, op. 17, Prologue: "Since the Birth Of the Earth"
- Paul Bunyan, op. 17, Prologue: "no. No. We Do Not Want Life To Be Slow"
- Paul Bunyan, op. 17, Prologue: "Ooh! Ooh! O How Terrible To Be As Old Fashioned As a Tree"
- Paul Bunyan, op. 17, Prologue: "You Are All To Leave Here"
- Paul Bunyan, op. 17, Prologue: "It Isn't Very Often the Conservatives Are Wrong"
- Paul Bunyan, op. 17, Prologue: First Ballad Interlude: "The Cold Wind Blew Through the Crooked Thorn"
- Paul Bunyan, op. 17, Act 1: Bunyan's Greeting
- Paul Bunyan, op. 17, Act 1: Call Of Lumberjacks
- Paul Bunyan, op. 17, Act 1: Lumberjacks' Chorus: "My Birthplace Was in Sweden"
- Paul Bunyan, op. 17, Act 1: Bunyan's Welcome
- Paul Bunyan, op. 17, Act 1: Quartet Of Swedes: "Swedish Born and Swedish Bred"
- Paul Bunyan, op. 17, Act 1: Western Union Boy's Song: "A Telegram From Oversea"
- Paul Bunyan, op. 17, Act 1: Cooks' Duet: "Sam For Soups. Ben For Beans"
- Paul Bunyan, op. 17, Act 1: Animal Trio: "Ah! Miaou! The Single Creature Lives a Partial Life"
- Paul Bunyan, op. 17, Act 1: Bunyan's Goodnight (1)
- Paul Bunyan, op. 17, Act 1: Exit Of Lumberjacks: "Down the Line...Timberrr"
- Paul Bunyan, op. 17, Act 1: The Blues: "Gold in the North Came the Blizzard To Say"
- Paul Bunyan, op. 17, Act 1: Bunyan's Goodnight (2)
- Paul Bunyan, op. 17, Act 1: Second Ballad Interlude: "The Spring Came and the Summer and Fall"
- Paul Bunyan, op. 17, Act 1: Food Chorus: "Do I Look the Sort Of Fellow"
- Paul Bunyan, op. 17, Act 1: Chorus Accusation: "There Now Look What You Have Done"
- Paul Bunyan, op. 17, Act 1: Slim's Song: "In Fair Days and Foul...I Come From Open Spaces"
- Paul Bunyan, op. 17, Act 1: Bunyan's Return: "Look, the Chief Is Back"
- Paul Bunyan, op. 17, Act 1: Inkslinger's Song: "It Was Out in the Stick"
- Paul Bunyan, op. 17, Act 1: Entrance Of Chorus
- Paul Bunyan, op. 17, Act 1: Tiny's Entrance
- Paul Bunyan, op. 17, Act 1: Tiny's Song: "Ah!...Whether the Sun Shine Upon Children Playing"
- Paul Bunyan, op. 17, Act 1: Inkslinger's Regret: "All the Little Brooks Of Love"
- Paul Bunyan, op. 17, Act 1: Bunyan's Goodnight (3)
Paul Bunyan, Op.17
- Paul Bunyan, op. 17, Act 2: Bunyan's Good Morning
- Paul Bunyan, op. 17, Act 2: Shears' Song: "It Has Always Been My Dream"
- Paul Bunyan, op. 17, Act 2: Bunyan's Warning
- Paul Bunyan, op. 17, Act 2: Farmers' Song: "The Shanty
- Paul Bunyan, op. 17, Act 2: Farmers' Exit
- Paul Bunyan, op. 17, Act 2: The Mocking Of Hel Helson: "Heron, Heron Winging By"
- Paul Bunyan, op. 17, Act 2: Fido's Sympathy: "Won't You Tell Me What's the Matter?"
- Paul Bunyan, op. 17, Act 2: Cats' Creed: "Let Man the Romantic in Vision Espy"
- Paul Bunyan, op. 17, Act 2: The Fight: "What Is It? What's Happening?"
- Paul Bunyan, op. 17, Act 2: Love Duet: "Move, Move From the Trysting Stone"
- Paul Bunyan, op. 17, Act 2: Mock Funeral March: "Take Away the Body and Lay It On the Ice"
- Paul Bunyan, op. 17, Act 2: Hymn: "O Great Day Of Discovery!"
- Paul Bunyan, op. 17, Act 2: Third Ballad Interlude: "So Helson Smiled and Bunyan Smiled"
- Paul Bunyan, op. 17, Act 2: The Christmas Party: "Rah! Another Slice Of Turkey"
- Paul Bunyan, op. 17, Act 2: "Dear Friends, With Your Leave"
- Paul Bunyan, op. 17, Act 2: "Carry Her Over the Water"
- Paul Bunyan, op. 17, Act 2: "Where We Are Is Not Very Far"
- Paul Bunyan, op. 17, Act 2: "A Telegram From Hollywood"
- Paul Bunyan, op. 17, Act 2: "We Always Knew That One Day You"
- Paul Bunyan, op. 17, Act 2: Bunyan's Farewell
- Paul Bunyan, op. 17, Act 2: Litany: "The Campfire Embers Are Black and Cold"
- Paul Bunyan, op. 17, Appendix: Overture
- Paul Bunyan, op. 17, Appendix: Inkslinger's Love Song
- Paul Bunyan, op. 17, Appendix: Lullaby Of Dream Shadows
Peter Grimes, Op.33
- Peter Grimes, op. 33, Prologue: "Peter Grimes!"
- Peter Grimes, op. 33, Prologue: "You sailed your boat"
- Peter Grimes, op. 33, Prologue: "Peter Grimes, I here advise you!"
- Peter Grimes, op. 33, Prologue: "The truth...the pity..."
- Peter Grimes, op. 33, Prologue: Interlude I: On the beach
- Peter Grimes, op. 33, Act 1: "Oh, hang at open doors"
- Peter Grimes, op. 33, Act 1: "Hi! give us a hand"
- Peter Grimes, op. 33, Act 1: "I have to go from pub to pub"
- Peter Grimes, op. 33, Act 1: "Let her among you"
- Peter Grimes, op. 33, Act 1: "Look, the storm cone!"
- Peter Grimes, op. 33, Act 1: "And do you prefer the storm"
- Peter Grimes, op. 33, Act 1: "What harbour shelters peace"
- Peter Grimes, op. 33, Act 1: Interlude II: The Storm
- Peter Grimes, op. 33, Act 1: "Past time to close!"
- Peter Grimes, op. 33, Act 1: "We live and let live"
- Peter Grimes, op. 33, Act 1: "Have you heard?"
- Peter Grimes, op. 33, Act 1: "Now the Great Bear and Pleiades"
- Peter Grimes, op. 33, Act 1: "Old Joe has gone fishing"
- Peter Grimes, op. 33, Act 1: "The bridge is down, we half swam over"
- Peter Grimes, op. 33, Act 2: Interlude III: Sunday morning by the beach
- Peter Grimes, op. 33, Act 2: "Glitter of waves"
- Peter Grimes, op. 33, Act 2: "Let this be a holiday"
- Peter Grimes, op. 33, Act 2: "This unrelenting work"
- Peter Grimes, op. 33, Act 2: "Fool to let it come to this!"
- Peter Grimes, op. 33, Act 2: "What is it?"
- Peter Grimes, op. 33, Act 2: "People!...No! I will speak!"
Peter Grimes, Op.33
- Peter Grimes, op. 33, Act 2: "We planned that their lives"
- Peter Grimes, op. 33, Act 2: "Swallow! Shall we go"
- Peter Grimes, op. 33, Act 2: "Now is gossip put on trial"
- Peter Grimes, op. 33, Act 2: "From the gutter"
- Peter Grimes, op. 33, Act 2: Interlude IV: Passacaglia (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Peter Grimes, op. 33, Act 2: "Go there!"
- Peter Grimes, op. 33, Act 2: "Now!...Now!"
- Peter Grimes, op. 33, Act 2: "Peter Grimes! Nobody here?"
- Peter Grimes, op. 33, Act 3: Interlude V: Evening (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Peter Grimes, op. 33, Act 3: "Assign your prettiness to me"
- Peter Grimes, op. 33, Act 3: "Pah!"
- Peter Grimes, op. 33, Act 3: "Come along, Doctor!"
- Peter Grimes, op. 33, Act 3: "Embroidery in childhood"
- Peter Grimes, op. 33, Act 3: "Mr.Swallow!"
- Peter Grimes, op. 33, Act 3: "Who holds himself apart"
- Peter Grimes, op. 33, Act 3: Interlude VI: Fog (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Peter Grimes, op. 33, Act 3: "Grimes! Grimes!"
- Peter Grimes, op. 33, Act 3: "Peter, we've come to take you home"
- Peter Grimes, op. 33, Act 3: "To those who pass the Borough"
The Rape of Lucretia, Op.37
- The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: Rome is now ruled by the Etruscan upstart (von English Chamber Orchestra, Benjamin Britten)
- The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: It is an axiom among kings (von English Chamber Orchestra, Benjamin Britten)
- The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: Here the thirsty evening (von English Chamber Orchestra, Benjamin Britten)
- The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: Who reaches heaven first (von English Chamber Orchestra, Benjamin Britten)
- The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: Maria was unmasked at a masked ball (von English Chamber Orchestra, Benjamin Britten)
- The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: Collatinus is politically astute (von English Chamber Orchestra, Benjamin Britten)
- The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: There goes a happy man! (von English Chamber Orchestra, Benjamin Britten)
- The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: Tarquinius does not dare (von English Chamber Orchestra, Benjamin Britten)
- The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: My horse! My horse! tarquinius does not wait (von English Chamber Orchestra, Benjamin Britten)
- The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: Their spinning (von English Chamber Orchestra, Benjamin Britten)
- The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: Listen! I heard a knock (von English Chamber Orchestra, Benjamin Britten)
- The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: Time treads upon the hands of women (von English Chamber Orchestra, Benjamin Britten)
- The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: The oatmeal slippers of sleep (von English Chamber Orchestra, Benjamin Britten)
The Rape of Lucretia, Op.37
- The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: The prosperity of the Etruscans (von English Chamber Orchestra, Benjamin Britten)
- The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: She sleeps as a rose (von English Chamber Orchestra, Benjamin Britten)
- The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: Within this frail crucible of light (von English Chamber Orchestra, Benjamin Britten)
- The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: Lucretia!...What do you want? (von English Chamber Orchestra, Benjamin Britten)
- The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: Interlude: Here in this scene (von English Chamber Orchestra, Benjamin Britten)
- The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: Oh! What a lovely day! (von English Chamber Orchestra, Benjamin Britten)
- The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: We'll leave the orchids for Lucretia (von English Chamber Orchestra, Benjamin Britten)
- The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: Flowers bring to every year (von English Chamber Orchestra, Benjamin Britten)
- The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: You were right (von English Chamber Orchestra, Benjamin Britten)
- The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: Lucretia! Lucretia! (von English Chamber Orchestra, Benjamin Britten)
- The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: Last night Tarquinius ravished me (von English Chamber Orchestra, Benjamin Britten)
- The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: This dead hand lets fall (von English Chamber Orchestra, Benjamin Britten)
- The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: Epilogue: Is it all? (von English Chamber Orchestra, Benjamin Britten)
Albert Herring, Op.39
- Albert Herring, op. 39, Act 1: Flor
- Albert Herring, op. 39, Act 1: Doctor Jessop's midwife (von Johanna Peters, English Chamber Orchestra, Benjamin Britten)
- Albert Herring, op. 39, Act 1: I hope we're not too early, Florence?
- Albert Herring, op. 39, Act 1: Stuffy!
- Albert Herring, op. 39, Act 1: Now then! Notebook, Florence! (von Sylvia Fisher, English Chamber Orchestra, Benjamin Britten)
- Albert Herring, op. 39, Act 1: The first suggestion on my list
- Albert Herring, op. 39, Act 1: Is this all you can bring?
- Albert Herring, op. 39, Act 1: Beggin' your pardon
- Albert Herring, op. 39, Act 1: Right! We'll have him!
- Albert Herring, op. 39, Act 1: Interlude (von English Chamber Orchestra, Benjamin Britten)
- Albert Herring, op. 39, Act 1: Bounce me high
- Albert Herring, op. 39, Act 1: Shop! Hi! Albert!
- Albert Herring, op. 39, Act 1: Tickling a trout
- Albert Herring, op. 39, Act 1: Meet me at a quarter past eight
- Albert Herring, op. 39, Act 1: He's much too busy
- Albert Herring, op. 39, Act 1: Good morning, young man
- Albert Herring, op. 39, Act 1: We bring great news to you
- Albert Herring, op. 39, Act 2: Isn't he here?
- Albert Herring, op. 39, Act 2: For three precious weeks
- Albert Herring, op. 39, Act 2: Quickly! Quickly, come along!
- Albert Herring, op. 39, Act 2: Here they are, dears!
- Albert Herring, op. 39, Act 2: My flowers are few
Albert Herring, Op.39
- Albert Herring, op. 39, Act 2: I'm full of happiness
- Albert Herring, op. 39, Act 2: As representing the local Council
- Albert Herring, op. 39, Act 2: My heart leaps up with joy
- Albert Herring, op. 39, Act 2: Er
- Albert Herring, op. 39, Act 2: Well tried, Albert!
- Albert Herring, op. 39, Act 2: Interlude (von English Chamber Orchestra, Benjamin Britten)
- Albert Herring, op. 39, Act 2: Albert the Good! (von Peter Pears, English Chamber Orchestra, Benjamin Britten)
- Albert Herring, op. 39, Act 2: You oughtn't to whistle!
- Albert Herring, op. 39, Act 2: Heaven helps those who help themselves!
- Albert Herring, op. 39, Act 3: Introduction (von English Chamber Orchestra, Benjamin Britten)
- Albert Herring, op. 39, Act 3: Is she asleep?
- Albert Herring, op. 39, Act 3: I'm hungry, I'm tired
- Albert Herring, op. 39, Act 3: Give me a decent murder with a corpse!
- Albert Herring, op. 39, Act 3: Have you found him?
- Albert Herring, op. 39, Act 3: Fools! Fools! Blundering fools!
- Albert Herring, op. 39, Act 3: In the midst of life is death
- Albert Herring, op. 39, Act 3: Albert!
- Albert Herring, op. 39, Act 3: I'm sorry about that
- Albert Herring, op. 39, Act 3: I can't remember everything
- Albert Herring, op. 39, Act 3: Albert's come back to stay
Billy Budd, Op.50
- Billy Budd, op. 50, Act 1: I am an old man who has experienced much (von Peter Pears, London Symphony Orchestra, Benjamin Britten)
- Billy Budd, op. 50, Act 1: Pull, my bantams!
- Billy Budd, op. 50, Act 1: Guard boat! Indomitable!
- Billy Budd, op. 50, Act 1: First man forward!
- Billy Budd, op. 50, Act 1: Your name? Billy Budd, sir
- Billy Budd, op. 50, Act 1: Billy Budd, king of the birds!
- Billy Budd, op. 50, Act 1: I heard, your honour!
- Billy Budd, op. 50, Act 1: Come along kid! Come along!
- Billy Budd, op. 50, Act 1: Christ, the poor chap!
- Billy Budd, op. 50, Act 1: What's that? What's those whistles?
- Billy Budd, op. 50, Act 1: Starry Vere we call him
- Billy Budd, op. 50, Act 1: Boy! My compliments to Mr. Redburn
- Billy Budd, op. 50, Act 1: Gentlemen, the King!
- Billy Budd, op. 50, Act 1: Ay, at Spithead the men may have had their grievances (von Peter Pears, London Symphony Orchestra, Benjamin Britten)
- Billy Budd, op. 50, Act 1: We are, sir. Claggart is an able one
- Billy Budd, op. 50, Act 1: Blow, blow, blow
- Billy Budd, op. 50, Act 1: We're off to Samoa by way of Genoa
- Billy Budd, op. 50, Act 1: Hi! You a... a... a...
- Billy Budd, op. 50, Act 1: Over the water...Handsomely done
- Billy Budd, op. 50, Act 1: Come here. Remember your promise
- Billy Budd, op. 50, Act 1: Billy! Hist! Billy Budd!
- Billy Budd, op. 50, Act 1: Dansker, old friend, glad to see you
Billy Budd, Op.50
- Billy Budd, op. 50, Act 2: I don't like the look of the mist, Mr. Redburn
- Billy Budd, op. 50, Act 2: With great regret I must disturb your honour
- Billy Budd, op. 50, Act 2: Deck ahoy! Enemy sail on starboard bow
- Billy Budd, op. 50, Act 2: Who'll volunteer to board 'em
- Billy Budd, op. 50, Act 2: There you are again, Master
- Billy Budd, op. 50, Act 2: O this cursed mist
- Billy Budd, op. 50, Act 2: Claggart, John Claggart, beware!
- Billy Budd, op. 50, Act 2: Master
- Billy Budd, op. 50, Act 2: God o' mercy! Here, help me!
- Billy Budd, op. 50, Act 2: Gentlemen, William Budd here has killed
- Billy Budd, op. 50, Act 2: William Budd, you are accused by Captain Vere
- Billy Budd, op. 50, Act 2: Poor fellow, who could save him?
- Billy Budd, op. 50, Act 2: I accept their verdict (von Peter Pears, London Symphony Orchestra, Benjamin Britten)
- Billy Budd, op. 50, Act 2: Look! Through the port
- Billy Budd, op. 50, Act 2: Here! Baby! Dansker, old friend
- Billy Budd, op. 50, Act 2: And farewell to ye
- Billy Budd, op. 50, Act 2: Interlude (von London Symphony Orchestra, Benjamin Britten)
- Billy Budd, op. 50, Act 2: According to the articles of War
- Billy Budd, op. 50, Act 2: Down all hands! And see that they do
- Billy Budd, op. 50, Act 2: We committed his body to the deep (von Peter Pears, London Symphony Orchestra, Benjamin Britten)
Gloriana, Op.53
- Gloriana, op. 53, Act 1 Scene 1: I. Prelude
- Gloriana, op. 53, Act 1 Scene 1: II. The Tornament
- Gloriana, op. 53, Act 1 Scene 1: III. Recitative & Fight
- Gloriana, op. 53, Act 1 Scene 1: IV. Entrance of the Queen
- Gloriana, op. 53, Act 1 Scene 1: V. Recitative
- Gloriana, op. 53, Act 1 Scene 1: VI. The two Lords' Explanation
- Gloriana, op. 53, Act 1 Scene 1: VII. Raleigh's Song
- Gloriana, op. 53, Act 1 Scene 1: VIII. Ensemble of Reconciliation
- Gloriana, op. 53, Act 1 Scene 1: IX. Recitative & Final March
- Gloriana, op. 53, Act 1 Scene 2: X. Prelude & Dialogue
- Gloriana, op. 53, Act 1 Scene 2: 1I. The Queen's Song
- Gloriana, op. 53, Act 1 Scene 2: 1II. Cecil's Song of Government
- Gloriana, op. 53, Act 1 Scene 2: 1III. Recitative & Essex's Entry
- Gloriana, op. 53, Act 1 Scene 2: 1IV. First Lute Song
- Gloriana, op. 53, Act 1 Scene 2: 1V. Second Lute Song
- Gloriana, op. 53, Act 1 Scene 2: 1VI. The First Duet for the Queen & Essex
- Gloriana, op. 53, Act 1 Scene 2: 1VII. Soliloquy & Prayer
- Gloriana, op. 53, Act 2 Scene 1: 1VIII. Prelude & Welcome
- Gloriana, op. 53, Act 2 Scene 1: 1IX. The Masque
- Gloriana, op. 53, Act 2 Scene 1: 20. Finale
- Gloriana, op. 53, Act 2 Scene 2: 2I. Prelude & Song
- Gloriana, op. 53, Act 2 Scene 2: 2II. Duet
- Gloriana, op. 53, Act 2 Scene 2: 2III. Double Duet
- Gloriana, op. 53, Act 2 Scene 2: 2IV. Quartet
Gloriana, Op.53
- Gloriana, op. 53, Act 2 Scene 3: 2V. Pavane
- Gloriana, op. 53, Act 2 Scene 3: 2VI. Conversation
- Gloriana, op. 53, Act 2 Scene 3: 2VII. Galliard
- Gloriana, op. 53, Act 2 Scene 3: 2VIII. Conversation & the Queen's Entrance
- Gloriana, op. 53, Act 2 Scene 3: 2IX. Lavolta
- Gloriana, op. 53, Act 2 Scene 3: 30. Conversation
- Gloriana, op. 53, Act 2 Scene 3: 3I. Morris dance
- Gloriana, op. 53, Act 2 Scene 3: 3II. Recitative
- Gloriana, op. 53, Act 2 Scene 3: 3III. The Queen's Burlesque
- Gloriana, op. 53, Act 2 Scene 3: 3IV. Quartet
- Gloriana, op. 53, Act 2 Scene 3: 3V. March
- Gloriana, op. 53, Act 2 Scene 3: 3VI. The Queen's Announcement
- Gloriana, op. 53, Act 2 Scene 3: 3VII. Ensemble
- Gloriana, op. 53, Act 2 Scene 3: 3VIII. Coranto
- Gloriana, op. 53, Act 3 Scene 1: 3IX. Prelude & Chatter
- Gloriana, op. 53, Act 3 Scene 1: 40. Essex's Intrusion
- Gloriana, op. 53, Act 3 Scene 1: 4I. The Second Duet of the Queen & Essex
- Gloriana, op. 53, Act 3 Scene 1: 4II. The Dressing-Table Song
- Gloriana, op. 53, Act 3 Scene 1: 4III. The Entrance of Cecil
- Gloriana, op. 53, Act 3 Scene 1: 4IV. Cecil's Report
- Gloriana, op. 53, Act 3 Scene 1: 4V. Discussion
- Gloriana, op. 53, Act 3 Scene 1: 4VI. The Queen's Decision
- Gloriana, op. 53, Act 3 Scene 2: 4VII. Ballad: Rondo
- Gloriana, op. 53, Act 3 Scene 3: 4VIII. Prelude & Verdict
- Gloriana, op. 53, Act 3 Scene 3: 4IX. Cecil's Warning
- Gloriana, op. 53, Act 3 Scene 3: 50. The Queen's Dilemma
- Gloriana, op. 53, Act 3 Scene 3: 5I. Trio
- Gloriana, op. 53, Act 3 Scene 3: 5II. Lady Essex's Pleading
- Gloriana, op. 53, Act 3 Scene 3: 5III. Penepole Rich's Pleading
- Gloriana, op. 53, Act 3 Scene 3: 5IV. Epilogue
The Turn of the Screw, Op.54
- The Turn of the Screw, op. 54, Act One: Prologue
- The Turn of the Screw, op. 54, Act One: Theme: Scene 1: The Journey
- The Turn of the Screw, op. 54, Act One: Interlude: Variation I: Scene 2: The Welcome
- The Turn of the Screw, op. 54, Act One: Interlude: Variation II: Scene 3: The Letter
- The Turn of the Screw, op. 54, Act One: Interlude: Variation III: Scene 4: The Tower
- The Turn of the Screw, op. 54, Act One: Interlude: Variation IV: Scene 5: The Window
- The Turn of the Screw, op. 54, Act One: Interlude: Variation V: Scene 6: The Lesson
- The Turn of the Screw, op. 54, Act One: Interlude: Variation VI: Scene 7: The Lake
- The Turn of the Screw, op. 54, Act One: Interlude: Variation VII: Scene 8: At Night
The Turn of the Screw, Op.54
- The Turn of the Screw, op. 54, Act Two: Interlude: Variation VIII: Scene 1: Colloquy and So- lioquy
- The Turn of the Screw, op. 54, Act Two: Interlude: Variation IX: Scene 2: The Bells
- The Turn of the Screw, op. 54, Act Two: Interlude: Variation X: Scene 3: Miss Jessel
- The Turn of the Screw, op. 54, Act Two: Interlude: Variation XI: Scene 4: The Bedroom
- The Turn of the Screw, op. 54, Act Two: Interlude: Variation XII: Scene 5: Quint
- The Turn of the Screw, op. 54, Act Two: Interlude: Variation XIII: Scene 6: The Piano
- The Turn of the Screw, op. 54, Act Two: Interlude: Variation XIV: Scene 7: Flora
- The Turn of the Screw, op. 54, Act Two: Interlude: Variation XV: Scene 8: Miles
A Midsummer Night's Dream, Op.64
- A Midsummer Night's Dream, op. 64, Act 1: "Over hill, over dale" (von London Symphony Orchestra, Benjamin Britten)
- A Midsummer Night's Dream, op. 64, Act 1: "Oberon is passing fell and wrath" (von London Symphony Orchestra, Benjamin Britten)
- A Midsummer Night's Dream, op. 64, Act 1: "Well, go thy way" (von London Symphony Orchestra, Benjamin Britten)
- A Midsummer Night's Dream, op. 64, Act 1: "How now my love?" (von London Symphony Orchestra, Benjamin Britten)
- A Midsummer Night's Dream, op. 64, Act 1: "Be it on lion, bear, or wolf, or bull" (von London Symphony Orchestra, Benjamin Britten)
- A Midsummer Night's Dream, op. 64, Act 1: "Welcome wanderer!" (von London Symphony Orchestra, Benjamin Britten)
- A Midsummer Night's Dream, op. 64, Act 1: "Is all our company her?" (von London Symphony Orchestra, Benjamin Britten)
- A Midsummer Night's Dream, op. 64, Act 1: "Fair love, you faint with wand'ring in the wood" (von London Symphony Orchestra, Benjamin Britten)
- A Midsummer Night's Dream, op. 64, Act 1: "Through the forest have I gone" (von London Symphony Orchestra, Benjamin Britten)
- A Midsummer Night's Dream, op. 64, Act 1: "Stay, though thou kill me, sweet Demetrius" (von London Symphony Orchestra, Benjamin Britten)
- A Midsummer Night's Dream, op. 64, Act 1: "Come, now a roundel and a fairy song" (von London Symphony Orchestra, Benjamin Britten)
- A Midsummer Night's Dream, op. 64, Act 1: "You spotted snakes with double tongue" (von London Symphony Orchestra, Benjamin Britten)
- A Midsummer Night's Dream, op. 64, Act 1: "What thou seest when thou dost wake" (von London Symphony Orchestra, Benjamin Britten)
- A Midsummer Night's Dream, op. 64, Act 2: Introduction: The wood (von London Symphony Orchestra, Benjamin Britten)
- A Midsummer Night's Dream, op. 64, Act 2: "Are we all met?" (von London Symphony Orchestra, Benjamin Britten)
- A Midsummer Night's Dream, op. 64, Act 2: "I see their knavery" (von London Symphony Orchestra, Benjamin Britten)
- A Midsummer Night's Dream, op. 64, Act 2: "Be kind and courteous to this gentleman" (von London Symphony Orchestra, Benjamin Britten)
- A Midsummer Night's Dream, op. 64, Act 2: "Hail, mortal, hail!" (von London Symphony Orchestra, Benjamin Britten)
- A Midsummer Night's Dream, op. 64, Act 2: "I have a reas'nable good ear in music" (von London Symphony Orchestra, Benjamin Britten)
- A Midsummer Night's Dream, op. 64, Act 2: "How now, mad spirit?" (von London Symphony Orchestra, Benjamin Britten)
A Midsummer Night's Dream, Op.64
- A Midsummer Night's Dream, op. 64, Act 2: "Flower of this purple dye" (von London Symphony Orchestra, Benjamin Britten)
- A Midsummer Night's Dream, op. 64, Act 2: "Puppet? Why so?" (von London Symphony Orchestra, Benjamin Britten)
- A Midsummer Night's Dream, op. 64, Act 2: "This is thy negligence" (von London Symphony Orchestra, Benjamin Britten)
- A Midsummer Night's Dream, op. 64, Act 2: "Up and down, up and down" (von London Symphony Orchestra, Benjamin Britten)
- A Midsummer Night's Dream, op. 64, Act 2: "On the ground, sleep sound" (von London Symphony Orchestra, Benjamin Britten)
- A Midsummer Night's Dream, op. 64, Act 3: "My gentle Robin, see'st thou this sweet sight?" (von London Symphony Orchestra, Benjamin Britten)
- A Midsummer Night's Dream, op. 64, Act 3: "Helena! Hermi! Demetrius! Lysander!" (von London Symphony Orchestra, Benjamin Britten)
- A Midsummer Night's Dream, op. 64, Act 3: "When my cue comes, call me" (von London Symphony Orchestra, Benjamin Britten)
- A Midsummer Night's Dream, op. 64, Act 3: "Have you sent to Bottom's house?" (von London Symphony Orchestra, Benjamin Britten)
- A Midsummer Night's Dream, op. 64, Act 3: "Now, fair Hippolyta" (von London Symphony Orchestra, Benjamin Britten)
- A Midsummer Night's Dream, op. 64, Act 3: "If we offend, it is with our good will" (von London Symphony Orchestra, Benjamin Britten)
- A Midsummer Night's Dream, op. 64, Act 3: "Gentles, perchance you wonder at this show" (von London Symphony Orchestra, Benjamin Britten)
- A Midsummer Night's Dream, op. 64, Act 3: "In this same interlude it doth befall" (von London Symphony Orchestra, Benjamin Britten)
- A Midsummer Night's Dream, op. 64, Act 3: "O grim-look'd night, O night with hue so black" (von London Symphony Orchestra, Benjamin Britten)
- A Midsummer Night's Dream, op. 64, Act 3: "O wall, full often hast thou heard my moans" (von London Symphony Orchestra, Benjamin Britten)
- A Midsummer Night's Dream, op. 64, Act 3: "You ladies, you whose gentle hearts do fear" (von London Symphony Orchestra, Benjamin Britten)
- A Midsummer Night's Dream, op. 64, Act 3: "This lanthorn doth the horned moon present" (von London Symphony Orchestra, Benjamin Britten)
- A Midsummer Night's Dream, op. 64, Act 3: "Sweet moon, I thank thee for thy sunny beams" (von London Symphony Orchestra, Benjamin Britten)
- A Midsummer Night's Dream, op. 64, Act 3: "Asleep, my love?" (von London Symphony Orchestra, Benjamin Britten)
- A Midsummer Night's Dream, op. 64, Act 3: "Come, your Bergomask" (von London Symphony Orchestra, Benjamin Britten)
- A Midsummer Night's Dream, op. 64, Act 3: "Now the hungry lion roars" (von London Symphony Orchestra, Benjamin Britten)
Owen Wingrave, Op. 85
- Owen Wingrave, op. 85, Act 1: Prelude
- Owen Wingrave, op. 85, Act 1: You've got your maps there?
- Owen Wingrave, op. 85, Act 1: At last it's out
- Owen Wingrave, op. 85, Act 1: Your sherry, Mrs. Coyle
- Owen Wingrave, op. 85, Act 1: Oh, how unforeseen
- Owen Wingrave, op. 85, Act 1: Sirrah! How dare you!
- Owen Wingrave, op. 85, Act 1: Coyle, I wish I had not come
- Owen Wingrave, op. 85, Act 1: May God bless the Queen
Owen Wingrave, Op. 85
- Owen Wingrave, op. 85, Act 2: There was a boy, a Wingrave born
- Owen Wingrave, op. 85, Act 2: I envy you, this fine old house
- Owen Wingrave, op. 85, Act 2: Paramore shall welcome woe!
- Owen Wingrave, op. 85, Act 2: And with his friend young Lechmere played
- Owen Wingrave, op. 85, Act 2: Now you may save your scornful looks
- Owen Wingrave, op. 85, Act 2: Ah, Owen, what shall I do?
- Owen Wingrave, op. 85, Act 2: Is that you, Coyle?
- Owen Wingrave, op. 85, Act 2: Come in...It's me, Lechmere
Death in Venice, Op.88
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: My mind beats on
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: Who's that? A foreigner, a traveller no doubt
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: Hey there, hey there, you!
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: Serenissima...Low-lying clouds, unending grey
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: Overture: Venice
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: Ah, Serenissima!
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: Mysterious gondola
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: We are delighted to greet the signore
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: Was I wrong to come?
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: There is indeed in every artist's nature
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: Children's games: Adziu, Adziu
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: Aou'! Stagando, aou'
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: Naturally, Signore, I understand
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: Here will I stay, here dedicate my days
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: First, the race!
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: The boy, Tadzio, shall inspire me
Death in Venice, Op.88
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: So, it has come to this
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: Guardate, Signore!
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: Do I detect a scent?
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: Careful search now leads me to them
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: This way for the players, Signori
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: Fiorir rose in mezo al giasso
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: One moment, if you please
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: In these last years
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: So it is true
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: Receive the stranger god
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: The empty beach: Do what you will with me
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: Yes! A very wise decision
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: Hurrah for the Piazza
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: Chaos, chaos and sickness
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: The wind still blows from the land
- Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: Interlude: Ah, no!
The Beggar's Opera Realised Britten, Op. 43
- The Beggar's Opera, Realised Britten, op. 43, Prologue: If poverty be a title to poetry
- The Beggar's Opera, Realised Britten, op. 43, Prologue: Overture
- The Beggar's Opera, Realised Britten, op. 43, Act 1: Through all the employments of life
- The Beggar's Opera, Realised Britten, op. 43, Act 1: 'Tis woman seduces all mankind
- The Beggar's Opera, Realised Britten, op. 43, Act 1: Women are bitter bad judges...If any wench Venus' girdle wear
- The Beggar's Opera, Realised Britten, op. 43, Act 1: If Love the virgin's heart invade
- The Beggar's Opera, Realised Britten, op. 43, Act 1: A maid is like the golden ore
- The Beggar's Opera, Realised Britten, op. 43, Act 1: I know as well...Virgins are like the fair flower in its lustre
- The Beggar's Opera, Realised Britten, op. 43, Act 1: Our Polly is a sad slut
- The Beggar's Opera, Realised Britten, op. 43, Act 1: Can love be controll'd by advice
- The Beggar's Opera, Realised Britten, op. 43, Act 1: The girl shows...O Polly, you might have toyed...
- The Beggar's Opera, Realised Britten, op. 43, Act 1: I, like a ship in storms, was tossed
- The Beggar's Opera, Realised Britten, op. 43, Act 1: A fox may steal your hens, sir
- The Beggar's Opera, Realised Britten, op. 43, Act 1: O ponder well...The turtle thus with plaintive cryingbe not severe
- The Beggar's Opera, Realised Britten, op. 43, Act 1: Now I am a wretch indeed...Pretty Polly say
- The Beggar's Opera, Realised Britten, op. 43, Act 1: My heart was so free
- The Beggar's Opera, Realised Britten, op. 43, Act 1: Were I laid on Greenland's coast
- The Beggar's Opera, Realised Britten, op. 43, Act 1: O! what pain it is to part!
- The Beggar's Opera, Realised Britten, op. 43, Act 1: The miser thus a shilling sees
- The Beggar's Opera, Realised Britten, op. 43, Act 1: "And Now Our Scene Changes...Fill Ev'ry Glass"
- The Beggar's Opera, Realised Britten, op. 43, Act 2: Success attend you...Let us take the road
- The Beggar's Opera, Realised Britten, op. 43, Act 2: If the heart of a man is depressed with cares
- The Beggar's Opera, Realised Britten, op. 43, Act 2: Dear Mrs Coaxer, you're welcome...Youth's the season
- The Beggar's Opera, Realised Britten, op. 43, Act 2: It is your own choice...Before the barn door crowing
- The Beggar's Opera, Realised Britten, op. 43, Act 2: But to be sure...The gamesters...At the tree I shall
The Beggar's Opera Realised Britten, Op. 43
- The Beggar's Opera, Realised Britten, op. 43, Act 2: Noble Captain...Man may escape from rope and gun gunwelcome once more
- The Beggar's Opera, Realised Britten, op. 43, Act 2: Thus when a good housewife sees a rat
- The Beggar's Opera, Realised Britten, op. 43, Act 2: It is the pleasure...How cruel are the traitors
- The Beggar's Opera, Realised Britten, op. 43, Act 2: The first time at the looking-glass
- The Beggar's Opera, Realised Britten, op. 43, Act 2: Fortune be with you, Lucy
- The Beggar's Opera, Realised Britten, op. 43, Act 2: When you censure the age
- The Beggar's Opera, Realised Britten, op. 43, Act 2: Is then his fate decreed, sir?
- The Beggar's Opera, Realised Britten, op. 43, Act 2: O Macheath!...Thus when the swallow
- The Beggar's Opera, Realised Britten, op. 43, Act 2: Shall I not claim my own?...How happy could I be...
- The Beggar's Opera, Realised Britten, op. 43, Act 2: Really, Miss Peachum, you expose yourself...Cease...
- The Beggar's Opera, Realised Britten, op. 43, Act 2: Why how now, Madam Flirt?
- The Beggar's Opera, Realised Britten, op. 43, Act 2: No pow'r on earth can e'er divide
- The Beggar's Opera, Realised Britten, op. 43, Act 3: But all scores have a reckoning
- The Beggar's Opera, Realised Britten, op. 43, Act 3: Dear, sir, mention not my education...When young at the bar...
- The Beggar's Opera, Realised Britten, op. 43, Act 3: Ungrateful Macheath!
- The Beggar's Opera, Realised Britten, op. 43, Act 3: Thus gamesters united in friendship
- The Beggar's Opera, Realised Britten, op. 43, Act 3: And Macheath, at liberty and at large...The modes...
- The Beggar's Opera, Realised Britten, op. 43, Act 3: And those two good old friends
- The Beggar's Opera, Realised Britten, op. 43, Act 3: Bring us then more liquor!...What Gudgeons are we...
- The Beggar's Opera, Realised Britten, op. 43, Act 3: In the days of my youth
- The Beggar's Opera, Realised Britten, op. 43, Act 3: Jealousy, rage, love and fear...I'm like a skiff
- The Beggar's Opera, Realised Britten, op. 43, Act 3: A curse attends a woman's love
- The Beggar's Opera, Realised Britten, op. 43, Act 3: But perhaps he hath a heart...Among the men coquets
- The Beggar's Opera, Realised Britten, op. 43, Act 3: Come, sweet lass, let's banish sorrow
- The Beggar's Opera, Realised Britten, op. 43, Act 3: What do I see! Oh! Macheath...Hither, dear husband
- The Beggar's Opera, Realised Britten, op. 43, Act 3: Which way shall I turn me
- The Beggar's Opera, Realised Britten, op. 43, Act 3: Dear, dear father...When my hero in court appears
- The Beggar's Opera, Realised Britten, op. 43, Act 3: Oh sir, if Peachum's heart...When he holds up
- The Beggar's Opera, Realised Britten, op. 43, Act 3: Ourselves, like the great
- The Beggar's Opera, Realised Britten, op. 43, Act 3: We are ready, sir...The charge is prepared
- The Beggar's Opera, Realised Britten, op. 43, Act 3: O cruel, cruel case
- The Beggar's Opera, Realised Britten, op. 43, Act 3: Would I might be hanged!
- The Beggar's Opera, Realised Britten, op. 43, Act 3: Thus I stand like the Turk
Noye's Fludde, Op.59 / The Golden Vanity - A Vaudeville for boys & piano, Op.78
- Noye's Fludde, op. 59, The Chester Miracle Play set to music: Lord Jesus, think on me
- Noye's Fludde, op. 59, The Chester Miracle Play set to music: I God, that all this worlde hath wroughte
- Noye's Fludde, op. 59, The Chester Miracle Play set to music: Have done, you men and wemen all
- Noye's Fludde, op. 59, The Chester Miracle Play set to music: Now in the name of God I will begyne
- Noye's Fludde, op. 59, The Chester Miracle Play set to music: Noye, Noye, take thou thy company
- Noye's Fludde, op. 59, The Chester Miracle Play set to music: Wiffe, come in! why standes thou their?
- Noye's Fludde, op. 59, The Chester Miracle Play set to music: Ha! Children, me thinkes my botte removes
- Noye's Fludde, op. 59, The Chester Miracle Play set to music: Now forty dayes are fullie gone
- Noye's Fludde, op. 59, The Chester Miracle Play set to music: Noye, take thy wife anone
- Noye's Fludde, op. 59, The Chester Miracle Play set to music: Noye, heare I behette thee a heste
- Noye's Fludde, op. 59, The Chester Miracle Play set to music: The spacious firmament on high
- The Golden Vanity: A Vaudeville for boys & piano, op. 78, After the old English ballad: There was a ship came from the North Country
- The Golden Vanity: A Vaudeville for boys & piano, op. 78, After the old English ballad: Then up spake the cabin-boy
- The Golden Vanity: A Vaudeville for boys & piano, op. 78, After the old English ballad: Casting his clothes off, he dived into the sea
- The Golden Vanity: A Vaudeville for boys & piano, op. 78, After the old English ballad: They laid him on the deck
Curlew River, Op.71
- Curlew River, op. 71: "Te lúcis ante términum"
- Curlew River, op. 71: "I am the ferryman"
- Curlew River, op. 71: "I come from the Westland"
- Curlew River, op. 71: "But first may I ask you"
- Curlew River, op. 71: "Clear as a sky without a cloud"
- Curlew River, op. 71: "Near the Black Mountains there I dwelt"
- Curlew River, op. 71: "A thousand leagues may sunder"
- Curlew River, op. 71: "Ignorant man!"
- Curlew River, op. 71: "I beg your pardon, living in this famous place"
- Curlew River, op. 71: "Curlew River, smoothly flowing"
- Curlew River, op. 71: "Today is an important day"
- Curlew River, op. 71: "Look! While you were listening to my story"
- Curlew River, op. 71: "Ferryman, tell me, when did it happen"
- Curlew River, op. 71: "Hoping, I wander'd on"
- Curlew River, op. 71: "He whose life was full of promise"
- Curlew River, op. 71: "The moon has risen"
- Curlew River, op. 71: "Go your way in peace, mother"
- Curlew River, op. 71: "Good souls, we have shown you here"
The Burning Fiery Furnace, Op.77
- The Burning Fiery Furnace, op. 77: Salus aeterna
- The Burning Fiery Furnace, op. 77: Good people, in His holy name
- The Burning Fiery Furnace, op. 77: By the Royal Command
- The Burning Fiery Furnace, op. 77: Adept in magic
- The Burning Fiery Furnace, op. 77: The waters of Babylon
- The Burning Fiery Furnace, op. 77: Sirs, what is this?
- The Burning Fiery Furnace, op. 77: We do not lack enemies
- The Burning Fiery Furnace, op. 77: By the Royal Decree
- The Burning Fiery Furnace, op. 77: Procession
- The Burning Fiery Furnace, op. 77: Merodak! Lord of creation
- The Burning Fiery Furnace, op. 77: Bring them here before my Majesty
- The Burning Fiery Furnace, op. 77: O King, Nebuchadnezzar
- The Burning Fiery Furnace, op. 77: O all ye works of the Lord
- The Burning Fiery Furnace, op. 77: Shadrach, Meshach, Abednego
- The Burning Fiery Furnace, op. 77: O ye Winter and Summer
- The Burning Fiery Furnace, op. 77: Good people, we have shown you here
The Prodigal Son - Third Parable for Church Performance
- The Prodigal Son: Third Parable for Church Performance: Jam lucis orto sidere
- The Prodigal Son: Third Parable for Church Performance: Ah you people
- The Prodigal Son: Third Parable for Church Performance: The ceremony
- The Prodigal Son: Third Parable for Church Performance: I am father to you all
- The Prodigal Son: Third Parable for Church Performance: Forgive my asking you
- The Prodigal Son: Third Parable for Church Performance: Father, may I speak to you?
- The Prodigal Son: Third Parable for Church Performance: Take your due portion
- The Prodigal Son: Third Parable for Church Performance: Go, if you must go
- The Prodigal Son: Third Parable for Church Performance: Welcome, welcome stranger!
- The Prodigal Son: Third Parable for Church Performance: You are tired from a long journey
- The Prodigal Son: Third Parable for Church Performance: Nights are days
- The Prodigal Son: Third Parable for Church Performance: You have gambled and lost
- The Prodigal Son: Third Parable for Church Performance: Now
- The Prodigal Son: Third Parable for Church Performance: With joy I sowed
- The Prodigal Son: Third Parable for Church Performance: My son
- The Prodigal Son: Third Parable for Church Performance: O sing unto the Lord
- The Prodigal Son: Third Parable for Church Performance: My children, you have seen
The Little Sweep (Let's make an opera), Op.45 / The Children's Crusade, Op.82
- The Little Sweep (Let's make an opera), op. 45: Sweep! Sweep!
- The Little Sweep (Let's make an opera), op. 45: Sweep this chimney
- The Little Sweep (Let's make an opera), op. 45: Now, little white boy!
- The Little Sweep (Let's make an opera), op. 45: Pull the rope gently until he is free!
- The Little Sweep (Let's make an opera), op. 45: Is he wounded?
- The Little Sweep (Let's make an opera), op. 45: Sooty tracks
- The Little Sweep (Let's make an opera), op. 45: Run, poor sweep-boy
- The Little Sweep (Let's make an opera), op. 45: The kettles are singing
- The Little Sweep (Let's make an opera), op. 45: O why do you weep
- The Little Sweep (Let's make an opera), op. 45: Ah!...Blackguards!
- The Little Sweep (Let's make an opera), op. 45: Help! Help! She's collapsed!
- The Little Sweep (Let's make an opera), op. 45: The owl, wide-winging through the sky
- The Little Sweep (Let's make an opera), op. 45: Soon the coach will carry you away
- The Little Sweep (Let's make an opera), op. 45: Morning, Sammy! Lovely weather
- The Little Sweep (Let's make an opera), op. 45: Ready, Alfred?
- The Little Sweep (Let's make an opera), op. 45: Coaching song: The horses are champing
- The Children's Crusade, op. 82
The Prince of the Pagodas, Op.57
- The Prince of the Pagodas, op. 57, Act 1: Prelude (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 1: The Fool and the Dwarf (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 1: The Emperor: March (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 1: Gavotte (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 1: The Four Kings (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 1: The King of the North (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 1: The King of the East (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 1: The King of the West (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 1: The King of the South (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 1: Belle Epine (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 1: Belle Rose (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 1: The Kings and Belle Rose (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 1: Triumph of Belle Epine (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 1: Rage of the Kings (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 1: The Four Frogs (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 2 Scene 1: Air (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 2 Scene 1: Water (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 2 Scene 1: Fire (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 2 Scene 2: Belle Rose in Pagoda-Land (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 2 Scene 2: The Pagodas (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 2 Scene 2: The Salamander (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 2 Scene 2: The Prince and Belle Rose (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
The Prince of the Pagodas, Op.57 / Plymouth Town
- The Prince of the Pagodas, op. 57, Act 3 Scene 1: Belle Epine as Empress (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 3 Scene 1: The Old Emperor (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 3 Scene 1: Belle Rose and the Salamander (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 3 Scene 1: Transition (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 3 Scene 2: The Pagoda Palace (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 3 Scene 2: Pas de Six (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 3 Scene 2: Variation 1 (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 3 Scene 2: Variation 2 (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 3 Scene 2: Variation 3 (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 3 Scene 2: Pas de Trois (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 3 Scene 2: Pas de Deux (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 3 Scene 2: Variation 4 (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 3 Scene 2: Variation 5 (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- The Prince of the Pagodas, op. 57, Act 3 Scene 2: Finale (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Plymouth Town
Night Mail / The Tocher (Rossini Suite) / The King's Stamp / Negroes - Music from GPO Film / The Way To The Sea / Telegrams / Peace Of Britain / Men Behind The Meters / Coal Face / When You're Feeling Like Expressing Your Affection
- Night Mail: Title Music
- Night Mail: Percussion Sequence
- Night Mail: End Sequence
- The Tocher (Rossini Suite): I. Allegro Brillante
- The Tocher (Rossini Suite): II. Allegretto
- The Tocher (Rossini Suite): III. Allegretto
- The Tocher (Rossini Suite): IV. Bolero: Allegro Moderato
- The Tocher (Rossini Suite): V. Allegro Con Brio
- The King's Stamp, Part 1: Allegro Molto Alla Marcia
- The King's Stamp, Part 1: Allegro: Opening Door
- The King's Stamp, Part 1: Allegretto: Messenger Boy
- The King's Stamp, Part 1: Lento ma non troppo: Entry To Lithograph Works
- The King's Stamp, Part 1: Allegro Moderato: Stamp Factory: Machine Starts
- The King's Stamp, Part 2: Minuet: Andante Lento
- The King's Stamp, Part 2: Allegretto: Train Sequence
- The King's Stamp, Part 2: Allegretto: Parliament: The Stamp Bill
- The King's Stamp, Part 2: Allegro
- The King's Stamp, Part 2: Allegro Moderato alla Marcia
- Negroes: Music from GPO Film: Allegro appassionato
- Negroes: Music from GPO Film: II. Allegro
- Negroes: Music from GPO Film: III. Allegro ritmico
- Negroes: Music from GPO Film: IV. Andante con moto
- Negroes: Music from GPO Film: "The Slaves Were the Absolute Property Of Their Masters"
- Negroes: Music from GPO Film: V. Andante lento -"The More Advanced Thinkers in Europe"
- Negroes: Music from GPO Film: VI. Andante con molto moto
- Negroes: Music from GPO Film: VII. Allegro ritmico
- The Way To The Sea: Introduction
- The Way To The Sea: Romans
- The Way To The Sea: Alfred
- The Way To The Sea: "There Is, At This Point Of The Haven"
- The Way To The Sea: "The Eighteenth Century"
- The Way To The Sea: "Nelson Has Gone"
- The Way To The Sea: "169 Trains A Week"
- The Way To The Sea: "The Line Waits"
- The Way To The Sea: "Here Is A Harbour"
- The Way To The Sea: "We Seek A Spectacle"
- The Way To The Sea: Allegro molto: alla marcia
- Telegrams
- Peace Of Britain
- Men Behind The Meters: Title Music
- Men Behind The Meters: Andantino: "I Dreamt That I Dwelt in Marble Halls"
- Men Behind The Meters: Allegro Moderato: 1935 Sequence
- Coal Face: I. Andante: "A Sterile Landscape"
- Coal Face: II. "Coal Mining Is the Basic Industry Of Britain"
- Coal Face: III. Andante: "The Chief Coal-Producing Centres"
- Coal Face: IV. "Yorkshire and Lancashire"
- Coal Face: V. Moderato: "The Temp'rature Often Reaches"
- Coal Face: VI. Andante: "The Seven and a Half Hour Shift"
- Coal Face: VII. Ad Libitum Sempre: "One Thirty A.M."
- Coal Face: VIII. Allegro ma non troppo: "In Many Pits"
- Coal Face: IX. Allegro molto: "The Shift Is Finished"
- Coal Face: X. "Making Up Coal Trains"
- Coal Face: 1I. Allegro: "Coal Mining Is the Basic Industry"
- Coal Face: 1II. Andante: "There Are the Miners"
- When You're Feeling Like Expressing Your Affection
Love From A Stranger / Johnson Over Jordan (Suite) / The Rescue Of Penelope
- Love From A Stranger, Love From A tranger: I. Title Music
- Love From A Stranger, Love From A tranger: II. Traffic Music
- Love From A Stranger, Love From A tranger: III. Brighton
- Love From A Stranger, Love From A tranger: IV. Love Music
- Love From A Stranger, Love From A tranger: V. Channel Crossing
- Love From A Stranger, Love From A tranger: VI. End Titles
- Johnson Over Jordan (Suite): Overture (von English Chamber Orchestra, Steuart Bedford)
- Johnson Over Jordan (Suite): Introduction (von English Chamber Orchestra, Steuart Bedford)
- Johnson Over Jordan (Suite): Incinerators' Ballet (von English Chamber Orchestra, Steuart Bedford)
- Johnson Over Jordan (Suite): The Spider and the Fly (von English Chamber Orchestra, Steuart Bedford)
- Johnson Over Jordan (Suite): Approach of Death (von English Chamber Orchestra, Steuart Bedford)
- Johnson Over Jordan (Suite): End Music (von English Chamber Orchestra, Steuart Bedford)
- The Rescue Of Penelope, Part 1: Eight Years Have Passed
- The Rescue Of Penelope, Part 1: Yet Not All Reached Their Homes
- The Rescue Of Penelope, Part 1: Worse Still, The Island
- The Rescue Of Penelope, Part 1: Children Have Died Of Want
- The Rescue Of Penelope, Part 1: Yet Some Trust in An End
- The Rescue Of Penelope, Part 1: Your Prayer Is Answered, Penelope
- The Rescue Of Penelope, Part 1: Long Suffering Odysseus
- The Rescue Of Penelope, Part 1: Listen. The Voices Of The Gods
- The Rescue Of Penelope, Part 2: I, Athene, Rise To The Edge Of Night
- The Rescue Of Penelope, Part 2: When I See The Sorrow Of Mortal Odysseus
- The Rescue Of Penelope, Part 2: How Loud The Spring Sounds All Of A Sudden
- The Rescue Of Penelope, Part 2: Bold: Telemachus, Watch The Shadow On The Wall!
- The Rescue Of Penelope, Part 2: There It Is Before You
- The Rescue Of Penelope, Part 2: Listen, Lords Of Ithaca
- The Rescue Of Penelope, Part 2: Telemachus, Be Swift!
- The Rescue Of Penelope, Part 2: Now There Is Silence
The Company Of Heaven / The Sword In The Stone / Russian Funeral - march for brass and percussion (1936) / / Fanfare: 'The Eagle has Two Heads' / / On The Frontier / This Way To The Tomb
- The Company Of Heaven: I. Chaos
- The Company Of Heaven: II. The Morning Stars
- The Company Of Heaven: III. Angels Appear To Jacob, Elisha and Mary
- The Company Of Heaven: IV. Christ, The Fair Glory
- The Company Of Heaven: V. War in Heaven
- The Company Of Heaven: VI. Heaven Is Here
- The Company Of Heaven: VII. A Thousand, Thousand Gleaming Fires
- The Company Of Heaven: VIII. Funeral March For A Boy
- The Company Of Heaven: IX. Whoso Dwelleth Under The Defence Of The Most High
- The Company Of Heaven: X. There Came Out Also At This Time
- The Company Of Heaven: 1I. Ye Watchers And Ye Holy Ones
- The Sword in The Stone
- Russian Funeral: march for brass and percussion (1936)
- Fanfare: 'The Eagle has Two Heads'
- On The Frontier: The Clock On The Wall (Instrumental Arrangement by Daryl Runswick)
- This Way To The Tomb: Boogie-Woogie (Instrumental Arrangement by Daryl Runswick)
War Requiem, Op.66
- War Requiem, op. 66, Requiem aeternam: Requiem aeternam
- War Requiem, op. 66, Requiem aeternam: What passing bells for these who die as cattle?
- War Requiem, op. 66, Dies Irae: Dies irae
- War Requiem, op. 66, Dies Irae: Bugles sang, saddening the evening air
- War Requiem, op. 66, Dies Irae: Liber scriptus proferetur
- War Requiem, op. 66, Dies Irae: Out there, we've walked quite friendly up to Death
- War Requiem, op. 66, Dies Irae: Recordare Jesu pie
- War Requiem, op. 66, Dies Irae: Be slowly lifted up
- War Requiem, op. 66, Dies Irae: Dies irae
- War Requiem, op. 66, Dies Irae: Lacrimosa dies illa
- War Requiem, op. 66, Offertorium: Move him into the sun
- War Requiem, op. 66, Offertorium: Domine Jesu Christe
- War Requiem, op. 66, Offertorium: So Abraham rose, and clave the wood
- War Requiem, op. 66, Sanctus: Sanctus, sanctus, sanctus
- War Requiem, op. 66, Sanctus: After the blast of lightning from the East
- War Requiem, op. 66, Agnus Dei: One ever hangs where shelled roads part
- War Requiem, op. 66, Libera me: Libera me, Domine
- War Requiem, op. 66, Libera me: It seemed that out of battle I escaped
- War Requiem, op. 66, Libera me: Let us sleep now...In paradisum
Spring Symphony, Op.44 / Cantata Academica, (Carmen basiliense) Op.62 / / Hymn to St. Cecilia (1942), Op.27
- Spring Symphony, op. 44: I. Introduction: Shine out (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Spring Symphony, op. 44: II. The merry cuckoo (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Spring Symphony, op. 44: III. Spring, the sweet Spring (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Spring Symphony, op. 44: IV. The driving boy (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Spring Symphony, op. 44: V. The morning star (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Spring Symphony, op. 44: VI. Welcome Maids of Honour (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Spring Symphony, op. 44: VII. Waters above! (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Spring Symphony, op. 44: VIII. Out on the lawn I lie in bed (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Spring Symphony, op. 44: IX. When will my May come (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Spring Symphony, op. 44: X. Fair and fair (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Spring Symphony, op. 44: 1I. Sound the flute! (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Spring Symphony, op. 44: 1II. Finale: London, to thee I do present (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Cantata Academica, (Carmen basiliense) op. 62: I. Bonorum summun omnium II: Quae bene beateque (von London Symphony Chorus, London Symphony Orchestra, George Malcolm)
- Cantata Academica, (Carmen basiliense) op. 62: III. At huius caelestis...V: Tum vero Aeneas Sylvius virtus
- Cantata Academica, (Carmen basiliense) op. 62: VI: Et gubernacula. VII: Ut ad longaeva tempora
- Cantata Academica, (Carmen basiliense) op. 62: VIII: Docendi ac discendi (von London Symphony Chorus, London Symphony Orchestra, George Malcolm)
- Cantata Academica, (Carmen basiliense) op. 62: IX. Rhenana erga omnes. X: Ut instissime XI: O cives..
- Cantata Academica, (Carmen basiliense) op. 62: XII. Nos autem cuncti. XIII. Vigeatque academia libera (von London Symphony Chorus, London Symphony Orchestra, George Malcolm)
- Hymn to St. Cecilia (1942), op. 27: In a garden shady (von London Symphony Chorus, George Malcolm)
- Hymn to St. Cecilia (1942), op. 27: I cannot grow (von London Symphony Chorus, George Malcolm)
- Hymn to St. Cecilia (1942), op. 27: O ear whose creatures (von London Symphony Chorus, George Malcolm)
Saint Nicolas, Op.42 / 5 Flower Songs, Op. 47 / Cantata Misericordium, Op.69
- Saint Nicolas, op. 42: Introduction
- Saint Nicolas, op. 42: The birth of Nicolas
- Saint Nicolas, op. 42: Nicolas devotes himself to God
- Saint Nicolas, op. 42: He journeys to Palestine
- Saint Nicolas, op. 42: He comes to Myra and is chosen Bishop
- Saint Nicolas, op. 42: Nicolas from prison
- Saint Nicolas, op. 42: Nicolas and the Pickled Boys
- Saint Nicolas, op. 42: His piety and marvellous works
- Saint Nicolas, op. 42: The death of Nicolas
- 5 Flower Songs, op. 47: I. To Daffodils
- 5 Flower Songs, op. 47: II. The Succession of the Four Sweet Months
- 5 Flower Songs, op. 47: III. Marsh Flowers
- 5 Flower Songs, op. 47: IV. The Evening Primrose
- 5 Flower Songs, op. 47: V. Ballad of Green Broom
- Cantata Misericordium, op. 69 (von London Symphony Orchestra, Benjamin Britten)
A boy was born, Op.3 / Corpus Christi Carol / A Wealden Trio - Christmas Song of the Women / The Sycamore Tree / A Shepherd's Carol (1944) / Christ's Nativity - Christmas Suite For Chorus / Ceremony of Carols, Op.28 / The Holly and the Ivy
- A boy was born, op. 3: A Boy Was Born (theme)
- A boy was born, op. 3: Variation 1: Lullay, Jesu
- A boy was born, op. 3: Variation 2: Herod
- A boy was born, op. 3: Variation 3: Jesu As Thou Art Our Saviour
- A boy was born, op. 3: Variation 4: The Three Kings
- A boy was born, op. 3: Variation 5: in the Bleak Mid-Winter
- A boy was born, op. 3: Variation 6: Finale: Noel!
- Corpus Christi Carol
- A Wealden Trio: Christmas Song of the Women
- The Sycamore Tree
- A Shepherd's Carol (1944)
- Christ's Nativity: Christmas Suite For Chorus: Christ's Nativity
- Christ's Nativity: Christmas Suite For Chorus: Sweet Was The Song
- Christ's Nativity: Christmas Suite For Chorus: Preparations
- Christ's Nativity: Christmas Suite For Chorus: New Prince, New Pomp
- Christ's Nativity: Christmas Suite For Chorus: Carol Of King Cnut
- Ceremony of Carols, op. 28: Procession
- Ceremony of Carols, op. 28: Wolcom Yule!
- Ceremony of Carols, op. 28: There is no rose
- Ceremony of Carols, op. 28: That yongë child
- Ceremony of Carols, op. 28: Balulalow
- Ceremony of Carols, op. 28: As dew in Aprille
- Ceremony of Carols, op. 28: This little Babe
- Ceremony of Carols, op. 28: Interlude
- Ceremony of Carols, op. 28: In freezing winter night
- Ceremony of Carols, op. 28: Spring Carol
- Ceremony of Carols, op. 28: Deo Gracias
- Ceremony of Carols, op. 28: Recession
- The Holly and the Ivy: Coll.-sharp, arr. Britten
- Songs From "Friday Afternoons", op. 7: Begone, dull care (von Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten)
- Songs From "Friday Afternoons", op. 7: A tragic story (von Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten)
- Songs From "Friday Afternoons", op. 7: Cuckoo! (von Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten)
- Songs From "Friday Afternoons", op. 7: A New Year carol (von Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten)
- Songs From "Friday Afternoons", op. 7: I mun be married on Sunday (von Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten)
- Songs From "Friday Afternoons", op. 7: There was a man of Newington (von Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten)
- Songs From "Friday Afternoons", op. 7: Fishing song (von Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten)
- Songs From "Friday Afternoons", op. 7: The useful plough (von Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten)
- Songs From "Friday Afternoons", op. 7: Jazz-man (von Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten)
- Songs From "Friday Afternoons", op. 7: There was a monkey (von Choir of Downside School, Purley, Viola Tunnard, Benjamin Britten)
- Songs From "Friday Afternoons", op. 7: Old Abram Brown (von Downside School Choir, Viola Tunnard, Benjamin Britten)
- Songs From "Friday Afternoons", op. 7: Ee-Oh! (Anon) (von Gernot Fuhrmann, Wiener Sängerknaben, Andrei Gavrilov, Jaume Miranda)
- Psalm 150 for voices & orchestra, op. 67 (von Boys of Downside School, Purley, Benjamin Britten)
- Three Two-Part Songs (1932): I. The Ride-by-Nights
- Three Two-Part Songs (1932): 2 The Rainbow
- Three Two-Part Songs (1932): III. The Ship Of Rio
- 2 Two-Part Songs: I. I Lov'd a Lass (von The Elizabethan Singers of London, Wilfrid Parry, Louis Halsey)
- 2 Two-Part Songs: II. Lift Boy (von The Elizabethan Singers of London, Wilfrid Parry, Louis Halsey)
- The Birds (von John Hahessy, Benjamin Britten)
- A Hymn to the Virgin (von Choir of St John’s College, Cambridge, George Guest)
- Jubilate Deo in E-flat (von Truro Cathedral Choir, Luke Bond)
- Te Deum in C (1934) (von Choir of King’s College, Cambridge, Rory Phillips, James Lancelot)
- Advance Democracy (von The Sixteen, Harry Christophers)
- Deus in Adjutorium Meum (Psalm 70) (von Choir of Trinity College, Cambridge)
- AMDG: Heaven-Haven (von London Sinfonietta Chorus)
- AMDG: O deus, ego amo te (von London Sinfonietta Chorus)
- AMDG: Rosa Mystica (von London Sinfonietta Chorus)
- AMDG: The Soldier (von London Sinfonietta Chorus)
- AMDG: Prayer II (von London Sinfonietta Chorus)
- AMDG: God's Grandeur (von London Sinfonietta Chorus)
- AMDG: Prayer I (von London Sinfonietta Chorus)
- Rejoice in the Lamb, op. 30: Rejoice in God, O ye Tongues
- Rejoice in the Lamb, op. 30: For I will consider my cat Jeoffrey
- Rejoice in the Lamb, op. 30: For the mouse is a creature of great personal valour
- Rejoice in the Lamb, op. 30: For the flowers are great blessings
- Rejoice in the Lamb, op. 30: For I am under the same accusation
- Rejoice in the Lamb, op. 30: For H is a spirit
- The ballad of little Musgrave and Lady Barnard
- Chorale (after an old French carol)
- Festival Te Deum, op. 32 (1944)
- A Wedding Anthem, op. 46
- A Hymn to St. Peter op. 56a (von Choir of St John’s College, Cambridge, George Guest)
- Antiphon, op. 56b
- Missa brevis, op. 63: I. Kyrie eleison (von Choir of St John’s College, Cambridge, Brian Runnett, George Guest)
- Missa brevis, op. 63: II. Gloria in excelsis Deo (von Choir of St John’s College, Cambridge, Brian Runnett, George Guest)
- Missa brevis, op. 63: III. Sanctus...Benedictus
- Missa brevis, op. 63: IV. Agnus Dei (von Choir of St John’s College, Cambridge, Brian Runnett, George Guest)
- Jubilate Deo in C (1961)
- Venite Exultemus Domino
- A Hymn of St. Columba, 'Regis regum rectissimi'
- God Save The Queen: Arr. Benjamin Britten
- Voices For Today
- Sacred and Profane: Eight Medieval Lyrics, op. 91: I. St. Godric's Hymn (von The Wilbye Consort)
- Sacred and Profane: Eight Medieval Lyrics, op. 91: II. I Mon Waxe Wod (von The Wilbye Consort)
- Sacred and Profane: Eight Medieval Lyrics, op. 91: III. Lenten is come (von The Wilbye Consort)
- Sacred and Profane: Eight Medieval Lyrics, op. 91: IV. The Long Night (von The Wilbye Consort)
- Sacred and Profane: Eight Medieval Lyrics, op. 91: V. Yif Ic of Luve Can (von The Wilbye Consort)
- Sacred and Profane: Eight Medieval Lyrics, op. 91: VI. Carol (von The Wilbye Consort)
- Sacred and Profane: Eight Medieval Lyrics, op. 91: VII. Ye that Pasen By (von The Wilbye Consort)
- Sacred and Profane: Eight Medieval Lyrics, op. 91: VIII. A Death (von The Wilbye Consort)
- Welcome Ode, op. 95
- Praise We Great Men: "Praise We Great Men"
- Praise We Great Men: "Praise We The Just"
- Praise We Great Men: Coda
- Quatre Chansons Françaises: I. Les Nuits de Juin
- Quatre Chansons Françaises: II. Sagesse
- Quatre Chansons Françaises: III. L'Enfance
- Quatre Chansons Françaises: IV. Chanson d'Automne
- Now Sleeps the Crimson Petal
- Our Hunting Fathers, op. 8: I. Prologue (von Elisabeth Söderström, Orchestra of the Welsh National Opera, Richard Armstrong)
- Our Hunting Fathers, op. 8: II. Rats Away! (von Elisabeth Söderström, Orchestra of the Welsh National Opera, Richard Armstrong)
- Our Hunting Fathers, op. 8: III. Messalina (von Elisabeth Söderström, Orchestra of the Welsh National Opera, Richard Armstrong)
- Our Hunting Fathers, op. 8: IV. Dance Of Death (Hawking For The Partridge) (von Elisabeth Söderström, Orchestra of the Welsh National Opera, Richard Armstrong)
- Our Hunting Fathers, op. 8: V. Epilogue & Funeral March (von Elisabeth Söderström, Orchestra of the Welsh National Opera, Richard Armstrong)
- Ballad Of Heroes, op. 14: I. Funeral March
- Ballad Of Heroes, op. 14: II. Scherzo
- Ballad Of Heroes, op. 14: III. Recitative & Choral
- Serenade for tenor, horn & strings, op. 31: Prologue (von Barry Tuckwell)
- Serenade for tenor, horn & strings, op. 31: Pastoral: The Day's Grown Old (von Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten)
- Serenade for tenor, horn & strings, op. 31: Nocturne: The Splendour Falls on Castle Walls (von Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten)
- Serenade for tenor, horn & strings, op. 31: Elegy: O Rose, Thou Art Sick (von Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten)
- Serenade for tenor, horn & strings, op. 31: Dirge: This Ae Night (von Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten)
- Serenade for tenor, horn & strings, op. 31: Hymn: Queen and Huntress Chaste and Fair (von Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten)
- Serenade for tenor, horn & strings, op. 31: Sonnet: O Soft Embalmer of the Still Midnight (von Peter Pears, Barry Tuckwell, London Symphony Orchestra, Benjamin Britten)
- Serenade for tenor, horn & strings, op. 31: Epilogue (von Barry Tuckwell)
- Les Illuminations, op. 18: I. Fanfare (von Peter Pears, English Chamber Orchestra, Benjamin Britten)
- Les Illuminations, op. 18: II. Villes (von Peter Pears, English Chamber Orchestra, Benjamin Britten)
- Les Illuminations, op. 18: IIIa. Phrase (von Peter Pears, English Chamber Orchestra, Benjamin Britten)
- Les Illuminations, op. 18: IIIb. Antique (von Peter Pears, English Chamber Orchestra, Benjamin Britten)
- Les Illuminations, op. 18: IV. Royauté (von Peter Pears, English Chamber Orchestra, Benjamin Britten)
- Les Illuminations, op. 18: V. Marine (von Peter Pears, English Chamber Orchestra, Benjamin Britten)
- Les Illuminations, op. 18: VI. Interlude (von Peter Pears, English Chamber Orchestra, Benjamin Britten)
- Les Illuminations, op. 18: VII. Being beauteous (von Peter Pears, English Chamber Orchestra, Benjamin Britten)
- Les Illuminations, op. 18: VIII. Parade (von Peter Pears, English Chamber Orchestra, Benjamin Britten)
- Les Illuminations, op. 18: IX. Départ (von Peter Pears, English Chamber Orchestra, Benjamin Britten)
- Les Illuminations, op. 18: Phrase
- Les Illuminations, op. 18: Aube
- Les Illuminations, op. 18: A Une Raison
- Nocturne, op. 60: I. "On A Poet's Lips I Slept"
- Nocturne, op. 60: II. "Below The Thunders Of The Upper Deep"
- Nocturne, op. 60: III. "Encintured With A Twine Of Leaves"
- Nocturne, op. 60: IV. "Midnight's Bell Goes Ting, Ting, Ting"
- Nocturne, op. 60: V. "But That Night When On My Bed I Lay"
- Nocturne, op. 60: VI. "She Sleeps On Soft, Last Breaths"
- Nocturne, op. 60: VII. "What Is More Gentle Than A Wind in Summer?"
- Nocturne, op. 60: VIII. "When Most I Wink, Then Do Mine Eyes Best See"
- Phaedra, op. 93: In May, in brilliant Athens
- Phaedra, op. 93: Oh Gods of wrath
- Phaedra, op. 93: My time's too short, your highness
- Canticle I, My beloved is mine op. 40 (von Peter Pears, Benjamin Britten)
- Canticle II, Abraham and Isaac, op. 51
- Canticle III, Still falls the rain, op. 55
- Canticle IV: Journey of the Magi , op. 86
- Canticle V: The Death of Saint Narcissus , op. 89: Words by T.S. Eliot (von Peter Pears, Osian Ellis)
- A Birthday Hansel, op. 89 (von Peter Pears, Osian Ellis)
- Sweeter than roses: Ed. Britten (von James Bowman, Benjamin Britten)
- The Heart Of The Matter: I. Prologue: Fanfare: Song: "Where Are the Seeds Of Universal Fire"
- The Heart Of The Matter: II. Reading: "The Earth Of My Heart Was Broken: Fanfare
- The Heart Of The Matter: III. Song: "We Are the Darkness"
- The Heart Of The Matter: IV. Reading: "In Such a Heat Of the Earth"
- The Heart Of The Matter: V. Canticle III: "Still Falls the Rain"
- The Heart Of The Matter: VI. Reading: "I See Christ's Wounds Weep in the Rose On the Wall"
- The Heart Of The Matter: VII. Epilogue: Fanfare: Song: "So, Out Of the Dark"
- Tit For Tat: I. A song of enchantment
- Tit For Tat: II. Autumn
- Tit For Tat: III. Silver
- Tit For Tat: IV. Vigil
- Tit For Tat: V. Tit for tat
- On this island, op. 11: I. Let the Florid Music Praise!
- On this island, op. 11: II. Now the Leaves Are Falling Fast
- On this island, op. 11: III. Seascape
- On this island, op. 11: IV. Nocturne
- On this island, op. 11: V. As It Is, Plenty
- Four Cabaret Songs: Calypso
- Four Cabaret Songs: O Tell Me the Truth About Love
- Four Cabaret Songs: Johnny
- Four Cabaret Songs: Funeral Blues
- Seven Sonnets of Michelangelo, op. 22: Sonetto XVI
- Seven Sonnets of Michelangelo, op. 22: Sonetto XXXI
- Seven Sonnets of Michelangelo, op. 22: Sonetto XXX
- Seven Sonnets of Michelangelo, op. 22: Sonetto LV
- Seven Sonnets of Michelangelo, op. 22: Sonetto XXXVIII
- Seven Sonnets of Michelangelo, op. 22: Sonetto XXXII
- Seven Sonnets of Michelangelo, op. 22: Sonetto XXIV
- The Holy Sonnets of John Donne, op. 35: I. Oh, my blacke Soule!
- The Holy Sonnets of John Donne, op. 35: II. Batter my heart
- The Holy Sonnets of John Donne, op. 35: III. Oh might those sighes and teares
- The Holy Sonnets of John Donne, op. 35: IV. Oh, to vex me
- The Holy Sonnets of John Donne, op. 35: V. What if this present
- The Holy Sonnets of John Donne, op. 35: VI. Since she whom I loved
- The Holy Sonnets of John Donne, op. 35: VII. At the round earth's imagined corners
- The Holy Sonnets of John Donne, op. 35: VIII. Thou hast made me
- The Holy Sonnets of John Donne, op. 35: IX. Death, be not proud
- A Charm of Lullabies, op. 41: I. Cradle Song (von Pamela Bowden, Peter Gellhorn)
- A Charm of Lullabies, op. 41: II. The Highland Bales (von Pamela Bowden, Peter Gellhorn)
- A Charm of Lullabies, op. 41: III. Sephestia's Lullaby (von Pamela Bowden, Peter Gellhorn)
- A Charm of Lullabies, op. 41: IV. A Charm (von Pamela Bowden, Peter Gellhorn)
- A Charm of Lullabies, op. 41: V. The Nurse's Song (von Pamela Bowden, Peter Gellhorn)
- Winter Words, op. 52: At day-close in November
- Winter Words, op. 52: Midnight on the Great Western
- Winter Words, op. 52: Wagtail and baby
- Winter Words, op. 52: The little old table
- Winter Words, op. 52: The choirmaster's burial
- Winter Words, op. 52: Proud songsters
- Winter Words, op. 52: At the railway station, Upway
- Winter Words, op. 52: Before life and after
- If It's Ever Spring Again
- The Children and Sir Nameless
- Songs From The Chinese, op. 58: I. The Big Chariot
- Songs From The Chinese, op. 58: II. The Old Lute
- Songs From The Chinese, op. 58: III. The Autumn Wind
- Songs From The Chinese, op. 58: IV. The Herd-Boy
- Songs From The Chinese, op. 58: V. Depression
- Songs From The Chinese, op. 58: VI. Dance Song
- 6 Hölderlin Fragments, op. 61: I. Menschenbeifall
- 6 Hölderlin Fragments, op. 61: II. Die Heimat
- 6 Hölderlin Fragments, op. 61: III. Sokrates und Alcibiades
- 6 Hölderlin Fragments, op. 61: IV. Die Jugend
- 6 Hölderlin Fragments, op. 61: V. Hälfte des Lebens
- 6 Hölderlin Fragments, op. 61: VI. Die Linien des Lebens
- Songs & Proverbs of William Blake, op. 74: The Pride of the Peacock...London
- Songs & Proverbs of William Blake, op. 74: Prisons are built...The Chimney Sweeper
- Songs & Proverbs of William Blake, op. 74: The Bird anest...A Poison Tree
- Songs & Proverbs of William Blake, op. 74: Think in the morning...The Tyger
- Songs & Proverbs of William Blake, op. 74: The Tygers of wrath...The Fly
- Songs & Proverbs of William Blake, op. 74: The hours of folly...Ah, Sun Flower
- Songs & Proverbs of William Blake, op. 74: To see a world...Every night and every morn
- The Poet's Echo, op. 76: I. Echo ("Ekho") (von Galina Vishnevskaya, Mstislav Rostropovich)
- The Poet's Echo, op. 76: II. My Heart ("Ya dumal, serdtse pozabilo") (von Galina Vishnevskaya, Mstislav Rostropovich)
- The Poet's Echo, op. 76: III. Angel ("Angel") (von Galina Vishnevskaya, Mstislav Rostropovich)
- The Poet's Echo, op. 76: IV. The Nightingale and the Rose ("Solovyei i roza") (von Galina Vishnevskaya, Mstislav Rostropovich)
- The Poet's Echo, op. 76: V. Epigram (Epigramma) (von Galina Vishnevskaya, Mstislav Rostropovich)
- The Poet's Echo, op. 76: VI. Lines Written During a Sleepless Night ("Stikhi sochinyonniye nochyu vo vremya bessonnitsi") (von Galina Vishnevskaya, Mstislav Rostropovich)
- Who Are These Children?, op. 84: I. A Riddle (The Earth)
- Who Are These Children?, op. 84: II. A Laddie's Sang
- Who Are These Children?, op. 84: III. Nightmare
- Who Are These Children?, op. 84: IV. Black Day
- Who Are These Children?, op. 84: V. Bed-time
- Who Are These Children?, op. 84: VI. Slaughter
- Who Are These Children?, op. 84: VII. Riddle (The Child You Were)
- Who Are These Children?, op. 84: VIII. The Larky Lad
- Who Are These Children?, op. 84: IX. Who are these children?
- Who Are These Children?, op. 84: X. Supper
- Who Are These Children?, op. 84: 1I. The Children
- Who Are These Children?, op. 84: 1II. The Auld Aik
- Dawtie's Devotion
- The Gully
- Tradition
- Beware!
- O That I Had Ne'er Been Married
- Epitaph: The Clerk
- Of A' the Airts the Wind Can Blaw
- A Dirge
- Prithee
- The Joy Of Grief
- Virtue in Deeds Not Words
- From "Lucy"
- Dans les Bois
- Lilian
- Diaphenia
- The Owl
- Witches' Song
- O Why Did E're My Thought Aspire
- Chamber Music V
- Song: Take O Take Those Lips Away
- Two Ballads For Two Voices & Piano: I. Mother Comfort
- Two Ballads For Two Voices & Piano: II. Underneath the Abject Willow
- A Poison Tree
- Not Even Summer Yet
- The Red Cockatoo
- Fish in The Unruffled Lakes, Fish In The Unruffled Lake: To Lie-flat On the Back
- Fish in The Unruffled Lakes, Fish In The Unruffled Lake: Night Covers Up the Rigid Land
- Fish in The Unruffled Lakes, Fish In The Unruffled Lake: The Sun Shines Down
- Fish in The Unruffled Lakes, Fish In The Unruffled Lake: Fish In the Unruffled Lakes
- Fish in The Unruffled Lakes, Fish In The Unruffled Lake: What's In Your Mind?
- Fish in The Unruffled Lakes, Fish In The Unruffled Lake: Underneath the Abject Willow
- Wild With Passion
- If Thou Wilt Ease Thine Heart
- Cradle Song ("Sleep, My Darling, Sleep")
- Birthday Song For Erwin
- Um Mitternacht
- The Bitter Withy
- King Herod and the Cock
- Fancie
- The oxen
- May
- The Twelve Apostles
- The Foggy Foggy Dew: Arr. Benjamin Britten
- Sally in Our Alley
- Tom Bowling: Arr. Britten
- The Lincolnshire Poacher
- A Brisk Young Widow: Arr. Britten
- O Waly Waly
- Sweet Polly Oliver
- Early One Morning: Arr. Benjamin Britten
- The Bonny Earl o'Moray: arr. Benjamin Britten
- The Ash Grove
- Come You Not From Newcastle
- Le Roi S En Va-T En Chasse
- La Belle est au jardin d'amour
- The Minstrel Boy
- How Sweet The Answer
- The Last Rose Of Summer
- Avenging and Bright
- Oft in The Stilly Night
- The Miller Of Dee
- Ca The Yowes
- The Plough Boy
- The Sally Gardens: Arr. Britten
- Little Sir William: Arr. Britten
- Oliver Cromwell
- Heigh Ho! Heigh Ho!: Trans. Rogers, Arr. Britten
- There's None To Soothe: Arr. Britten
- Il est quelqu'un sur terre: Arr. Britten
- Folk Song Arrangemens (British Isles): O can ye sew cushions?
- The Trees They Grow So High: arr. Britten
- Voici le Printemps
- Fileuse
- Quand j'étais chez mon pere
- I Will Give My Love An Apple
- The Sailor-Boy
- Master Kilby
- The Soldier and The Sailor
- The Shooting Of His Dear
- Bonny At Morn
- Greensleeves
- I Wonder As I Wander
- The Crocodile
- Pray Goody
- At The Mid Hour Of Night
- Dear Harp Of My Country! (Kate Tyrrel)
- O The Sight Entrancing
- Sail On, Sail On
- Rich And Rare
- La Noel Passée
- Eho! Eho!
- The Holly And The Ivy
- Soldier, Won't You Marry Me?
- The Deaf Woman's Courtship
- The Stream in The Valley
- Unidentified Folk Song Setting
- Lord! I Married Me a Wife
- She's Like The Swallow
- Lemady
- Bugeilio'r Gwenith Gwyn ("I Was Lonely and Forlorn")
- Dafyd Y Garreg Wen (David Of The White Rock)
- The False Knight Upon The Road
- Bird Scarer's Song
- Sinfonietta, op. 1: I. Poco presto ed agitato
- Sinfonietta, op. 1: II. Variations, Andante lento
- Sinfonietta, op. 1: III. Tarantella, Presto vivace
- Simple Symphony, op. 4: I. Boisterous Bourrée
- Simple Symphony, op. 4: II. Playful Pizzicato
- Simple Symphony, op. 4: III. Sentimental Saraband
- Simple Symphony, op. 4: IV. Frolicsome Finale
- Variations on a theme of Frank Bridge, op. 10: I. Introduction & Theme
- Variations on a theme of Frank Bridge, op. 10: II. Adagio
- Variations on a theme of Frank Bridge, op. 10: III. March
- Variations on a theme of Frank Bridge, op. 10: IV. Romance
- Variations on a theme of Frank Bridge, op. 10: V. Aria Italiana
- Variations on a theme of Frank Bridge, op. 10: VI. Bourrée Classique
- Variations on a theme of Frank Bridge, op. 10: VII. Wiener Waltzer
- Variations on a theme of Frank Bridge, op. 10: VIII. Moto Perpetuo
- Variations on a theme of Frank Bridge, op. 10: IX. Funeral March
- Variations on a theme of Frank Bridge, op. 10: X. Chant
- Variations on a theme of Frank Bridge, op. 10: 1I. Fugue & Finale
- Soirées musicales, op. 9: I. March
- Soirées musicales, op. 9: II. Canzonetta
- Soirées musicales, op. 9: III. Tirolese
- Soirées musicales, op. 9: IV. Bolero
- Soirées musicales, op. 9: V. Tarantella
- Matinées musicales, op. 24: I. March
- Matinées musicales, op. 24: II. Nocturne
- Matinées musicales, op. 24: III. Waltz
- Matinées musicales, op. 24: IV. Pantomime
- Matinées musicales, op. 24: V. Moto Perpetuo
- Rondo Concertante (1930): I. Allegro Molto
- Rondo Concertante (1930): II. Lento
- Untitled Fragment (1930) for Strings
- Two Portraits For String Orchestra: I. D. Layton: Poco Presto
- Two Portraits For String Orchestra: II. E.B.B.: Poco Lento
- Double Concerto For Violin, Viola & Orchestra: I. Allegro Ma Non Troppo
- Double Concerto For Violin, Viola & Orchestra: II. Rhapsody. Poco Lento
- Double Concerto For Violin, Viola & Orchestra: III. Allegro Scherzando. Allegro Non Troppo
- Movements For a Clarinet Concerto (c1942): 1.
- Movements For a Clarinet Concerto (c1942): 2.
- Movements For a Clarinet Concerto (c1942): 3.
- Piano Concerto, op. 13: I. Toccata
- Piano Concerto, op. 13: II. Waltz
- Piano Concerto, op. 13: III. Impromptu
- Piano Concerto, op. 13: IV. March
- Violin Concerto, op. 15: I. Moderato con moto
- Violin Concerto, op. 15: II. Vivace
- Violin Concerto, op. 15: III. Passacaglia; Andante lento
- Mont Juic: Suite of Catalan Dances, op. 12: I. Lament: Andante Moderato
- Mont Juic: Suite of Catalan Dances, op. 12: II. Allegro Molto
- Young Apollo, op. 16
- Canadian Carnival, op. 19
- Sinfonia da Requiem, op. 20: Lacrymosa
- Sinfonia da Requiem, op. 20: Dies Irae
- Sinfonia da Requiem, op. 20: Requiem aeternam
- Diversions for piano (left hand) & orchestra, op. 21: Theme
- Diversions for piano (left hand) & orchestra, op. 21: Variation I: Recitative
- Diversions for piano (left hand) & orchestra, op. 21: Variation II: Romance
- Diversions for piano (left hand) & orchestra, op. 21: Variation III: March
- Diversions for piano (left hand) & orchestra, op. 21: Variation IV: Arabesque
- Diversions for piano (left hand) & orchestra, op. 21: Variation V: Chant
- Diversions for piano (left hand) & orchestra, op. 21: Variation VI: Nocturne
- Diversions for piano (left hand) & orchestra, op. 21: Variation VII: Badinerie
- Diversions for piano (left hand) & orchestra, op. 21: Variation VIII: Burlesque
- Diversions for piano (left hand) & orchestra, op. 21: Variation IXa -Toccata I
- Diversions for piano (left hand) & orchestra, op. 21: Variation IXb: Toccata II
- Diversions for piano (left hand) & orchestra, op. 21: Variation X: Adagio
- Diversions for piano (left hand) & orchestra, op. 21: Variation XI: Tarantella
- Scottish Ballad, op. 26, for two pianos and orchestra
- An American Overture, op. 27
- Prelude and Fugue for 18-part string orchestra, op. 29
- The Young Person's Guide to the Orchestra, op.34, without spoken text: Theme: Allegro maestoso e largamente
- The Young Person's Guide to the Orchestra, op.34, without spoken text: Variation A: Flutes & Piccolo: Presto
- The Young Person's Guide to the Orchestra, op.34, without spoken text: Variation B: Oboes: Lento
- The Young Person's Guide to the Orchestra, op.34, without spoken text: Variation C: Clarinets: Moderato
- The Young Person's Guide to the Orchestra, op.34, without spoken text: Variation D: Bassoons: Allegro alla marcia
- The Young Person's Guide to the Orchestra, op.34, without spoken text: Variation E: Violins: Brillante
- The Young Person's Guide to the Orchestra, op.34, without spoken text: Variation F: Violas: Meno mosso
- The Young Person's Guide to the Orchestra, op.34, without spoken text: Variation G: Cellos
- The Young Person's Guide to the Orchestra, op.34, without spoken text: Variation H: Double Basses: Cominciando lento ma poco a poco accelerando
- The Young Person's Guide to the Orchestra, op.34, without spoken text: Variation I: Harp: Maestoso
- The Young Person's Guide to the Orchestra, op.34, without spoken text: Variation J: Horns: L'istesso tempo
- The Young Person's Guide to the Orchestra, op.34, without spoken text: Variation K: Trumpets: Vivace
- The Young Person's Guide to the Orchestra, op.34, without spoken text: Variation L: Trombones & Bass Tuba: Allegro pomposo
- The Young Person's Guide to the Orchestra, op.34, without spoken text: Variation M: Percussion: Moderato
- The Young Person's Guide to the Orchestra, op.34, without spoken text: Fugue: Allegro molto
- Men Of Goodwill: Variations On A Christmas Carol
- Sellinger's Round: variations for keyboard, Variations on an Elizabethan Theme: Variation 4
- Occasional Overture, op. 38
- Symphony For Cello And Orchestra, op. 68: Allegro maestoso
- Symphony For Cello And Orchestra, op. 68: Presto inquieto
- Symphony For Cello And Orchestra, op. 68: Adagio
- Symphony For Cello And Orchestra, op. 68: Passacaglia
- In Memoriam Dennis Brain (c1958), In Memorium Dennis Brain (c1958): Introduction
- In Memoriam Dennis Brain (c1958), In Memorium Dennis Brain (c1958): Allegro
- The Building Of The House: Overture, op. 79
- Suite On English Folk Tunes: "A Time There Was...", op. 90: I. Cakes And Ale
- Suite On English Folk Tunes: "A Time There Was...", op. 90: II. The Bitter Withy
- Suite On English Folk Tunes: "A Time There Was...", op. 90: III. Hankin Booby
- Suite On English Folk Tunes: "A Time There Was...", op. 90: IV. Hunt The Squirrel
- Suite On English Folk Tunes: "A Time There Was...", op. 90: V. Lord Melbourne
- Lachrymae, op. 48a (Reflections On A Song Of John Dowland)
- Reflection (1930)
- Elegy
- Lachrymae, op. 48 (Reflections on a song of Dowland)
- Suite, op. 6 for Violin & Piano: Introduction: Andante Maestoso
- Suite, op. 6 for Violin & Piano: I. March: Allegro alla Marcia
- Suite, op. 6 for Violin & Piano: II. Moto Perpetuo: Allegro Molto e Con Fuoco
- Suite, op. 6 for Violin & Piano: III. Lullaby: Lento Tranquillo
- Suite, op. 6 for Violin & Piano: IV. Waltz: Alla Valse: Vivace e Rubato
- Reveille (1937)
- 2 Insect Pieces: I. The Grasshopper (von Heinz Holliger, András Schiff)
- 2 Insect Pieces: II. The Wasp (von Heinz Holliger, András Schiff)
- Temporal Variations (von Heinz Holliger, András Schiff)
- 6 Metamorphoses after Ovid, op. 49: I. Pan (von Janet Craxton)
- 6 Metamorphoses after Ovid, op. 49: II. Phaeton (von Janet Craxton)
- 6 Metamorphoses after Ovid, op. 49: III. Niobe (von Janet Craxton)
- 6 Metamorphoses after Ovid, op. 49: IV. Bacchus (von Janet Craxton)
- 6 Metamorphoses after Ovid, op. 49: V. Narcissus (von Janet Craxton)
- 6 Metamorphoses after Ovid, op. 49: VI. Arethusa (von Janet Craxton)
- Suite For Cello no. 1, op. 72: I. Canto primo (sostenuto e largamente) (von Mstislav Rostropovich)
- Suite For Cello no. 1, op. 72: Fuga: Andante moderato (von Mstislav Rostropovich)
- Suite For Cello no. 1, op. 72: Lamento: Lento rubato (von Mstislav Rostropovich)
- Suite For Cello no. 1, op. 72: II. Canto secondo (Sostenuto) (von Mstislav Rostropovich)
- Suite For Cello no. 1, op. 72: Serenata: Allegretto: pizzicato (von Mstislav Rostropovich)
- Suite For Cello no. 1, op. 72: Marcia: Alla marcia moderato (von Mstislav Rostropovich)
- Suite For Cello no. 1, op. 72: III. Canto terzo (Sostenuto) (von Mstislav Rostropovich)
- Suite For Cello no. 1, op. 72: Bordone: Moderato quasi recitativo (von Mstislav Rostropovich)
- Suite For Cello no. 1, op. 72: Moto perpetuo e canto quarto: Presto (von Mstislav Rostropovich)
- Suite For Cello no. 2, op. 80: Declamato: Largo (von Mstislav Rostropovich)
- Suite For Cello no. 2, op. 80: Fuga: Andante (von Mstislav Rostropovich)
- Suite For Cello no. 2, op. 80: Scherzo: Allegro molto (von Mstislav Rostropovich)
- Suite For Cello no. 2, op. 80: Andante lento (von Mstislav Rostropovich)
- Suite For Cello no. 2, op. 80: Ciaconna: Allegro (von Mstislav Rostropovich)
- Sonata in C For Cello And Piano op. 65: I. Dialogo (von Mstislav Rostropovich, Benjamin Britten)
- Sonata in C For Cello And Piano op. 65: II. Scherzo: pizzicato (von Mstislav Rostropovich, Benjamin Britten)
- Sonata in C For Cello And Piano op. 65: III. Elegia (von Mstislav Rostropovich, Benjamin Britten)
- Sonata in C For Cello And Piano op. 65: IV. Marcia (von Mstislav Rostropovich, Benjamin Britten)
- Sonata in C For Cello And Piano op. 65: V. Moto perpetuo (von Mstislav Rostropovich, Benjamin Britten)
- Third Suite for Cello, op. 87: I. Introduzione: Lento (von Robert Cohen)
- Third Suite for Cello, op. 87: II. Marcia: Allegro (von Robert Cohen)
- Third Suite for Cello, op. 87: III. Canto: Con moto (von Robert Cohen)
- Third Suite for Cello, op. 87: IV. Barcarola: Lento (von Robert Cohen)
- Third Suite for Cello, op. 87: V. Dialogo: Allegretto (von Robert Cohen)
- Third Suite for Cello, op. 87: VI. Fuga: Andante espressivo (von Robert Cohen)
- Third Suite for Cello, op. 87: VII. Recitativo: Fantastico (von Robert Cohen)
- Third Suite for Cello, op. 87: VIII. Moto perpetuo: Presto (von Robert Cohen)
- Third Suite for Cello, op. 87: IX. Passacaglia: Lento solenne (von Robert Cohen)
- Nocturnal after John Dowland, op. 70: I. Musingly (Meditativo) (von Eduardo Fernández)
- Nocturnal after John Dowland, op. 70: II. Agitated (Molto agitativo) (von Eduardo Fernández)
- Nocturnal after John Dowland, op. 70: III. Restless (Inquieto) (von Eduardo Fernández)
- Nocturnal after John Dowland, op. 70: IV. Uneasy (Ansioso) (von Eduardo Fernández)
- Nocturnal after John Dowland, op. 70: V. March-like (Quasi una marcia) (von Eduardo Fernández)
- Nocturnal after John Dowland, op. 70: VI. Dreaming (Sognanti) (von Eduardo Fernández)
- Nocturnal after John Dowland, op. 70: VII. Gently Rocking (Cullante) (von Eduardo Fernández)
- Nocturnal after John Dowland, op. 70: VIII. Passacaglia (Misurato) (von Eduardo Fernández)
- Nocturnal after John Dowland, op. 70: IX. Slow and Quiet (Tranquillo) (von Eduardo Fernández)
- Suite for harp, op. 83: I. Overture (von Osian Ellis)
- Suite for harp, op. 83: II. Toccata (von Osian Ellis)
- Suite for harp, op. 83: III. Nocturne (von Osian Ellis)
- Suite for harp, op. 83: IV. Fugue (von Osian Ellis)
- Suite for harp, op. 83: V. Hymn (von Osian Ellis)
- String Quartet no. 3, op. 94: I. Duets (von Amadeus Quartet)
- String Quartet no. 3, op. 94: II. Ostinato (von Amadeus Quartet)
- String Quartet no. 3, op. 94: III. Solo (von Amadeus Quartet)
- String Quartet no. 3, op. 94: IV. Burlesque (von Amadeus Quartet)
- String Quartet no. 3, op. 94: V. Recitative & Passacaglia (von Amadeus Quartet)
- Tema "Sacher" for Cello Solo Lento maestoso: Largament (von Alisa Weilerstein)
- String Quartet in F (1928): I. Allegro vivace e con brio (von Utrecht String Quartet)
- String Quartet in F (1928): II. Andante (von Utrecht String Quartet)
- String Quartet in F (1928): III. Allegro vivace (von Utrecht String Quartet)
- String Quartet in F (1928): IV. Allegro molto (von Utrecht String Quartet)
- Miniature Suite (1929): I. Novelette (von Emperor Quartet)
- Miniature Suite (1929): II. Menuetto (von Emperor Quartet)
- Miniature Suite (1929): III. Romanza (von Emperor Quartet)
- Miniature Suite (1929): IV. Gavotte (von Emperor Quartet)
- Rhapsody (1929) for String Quartet (von Endellion Quartet)
- Quartettino (1930): I. Andante: Allegro Molto e Con Fuoco (von Endellion Quartet)
- Quartettino (1930): II. Poco Adagio Ma Con Moto (von Endellion Quartet)
- Quartettino (1930): III. Allegro Molto Vivace (von Endellion Quartet)
- Phantasy in F minor (1932) for String Quintet
- Alla Marcia for String Quartet (von Endellion Quartet)
- Three Divertimenti for String Quartet: I. March: Allegro Maestoso (von Endellion Quartet)
- Three Divertimenti for String Quartet: II. Waltz: Allegretto (von Endellion Quartet)
- Three Divertimenti for String Quartet: III. Burlesque: Presto (von Endellion Quartet)
- String Quartet in D major (1931): I. Allegro maestoso (von Gabrieli String Quartet)
- String Quartet in D major (1931): II. Lento ed espressivo (von Gabrieli String Quartet)
- String Quartet in D major (1931): III. Allegro giocoso (von Gabrieli String Quartet)
- String Quartet no. 1 in D, op. 25: I. Andante sostenuto (von Allegri String Quartet)
- String Quartet no. 1 in D, op. 25: II. Allegretto con slancio (von Allegri String Quartet)
- String Quartet no. 1 in D, op. 25: III. Andante calmo (von Allegri String Quartet)
- String Quartet no. 1 in D, op. 25: IV. Molto vivace (von Allegri String Quartet)
- String Quartet no. 2 in C, op. 36: I. Allegro calmo senza rigore (von Amadeus Quartet)
- String Quartet no. 2 in C, op. 36: II. Vivace (von Amadeus Quartet)
- String Quartet no. 2 in C, op. 36: III. Chacony: Sostenuto (von Amadeus Quartet)
- Phantasy, (Quartet for Oboe, violin, viola and cello)
- Alpine Suite for Recorder Trio: I. Arrival At Zermatt
- Alpine Suite for Recorder Trio: II. Swiss Clock (Romance)
- Alpine Suite for Recorder Trio: III. Nursery Slopes
- Alpine Suite for Recorder Trio: IV. Alpine Scene
- Alpine Suite for Recorder Trio: V. Moto Perpetuo: Down the Piste
- Alpine Suite for Recorder Trio: VI. Farewell to Zermatt
- Scherzo for Recorder Quartet (1954)
- Timpani Piece For Jimmy
- Fanfare for St. Edmundsbury (1959) for three trumpets
- Voluntary on "Tallis' Lamentations" (c 1940) (von Timothy Bond)
- Prelude On "They Walk Alone" (1938) (von Timothy Bond)
- Village Organist's Piece (c 1940) (von Timothy Bond)
- Prelude & Fugue on a theme of Vittoria (von Simon Preston)
- Gemini Variations (Quartet for 2 players), op. 73: Theme (von Gabriel Jeney, Zoltán Jeney)
- Gemini Variations (Quartet for 2 players), op. 73: Variations 1-12 (von Gabriel Jeney, Zoltán Jeney)
- Gemini Variations (Quartet for 2 players), op. 73: Fugue (von Gabriel Jeney, Zoltán Jeney)
- Introduction And Rondo Alla Burlesca Opus 23 no. 1 (von Bracha Eden, Alexander Tamir)
- Mazurka Elegiaca Opus 23 no. 2 (von Bracha Eden, Alexander Tamir)
- Five Waltzes (1923-5): I. Rather Fast and Nervous (von Stephen Hough)
- Five Waltzes (1923-5): II. Quick, With Wit (von Stephen Hough)
- Five Waltzes (1923-5): III. Dramatic (von Stephen Hough)
- Five Waltzes (1923-5): IV. Rhythmic, Not Fast (von Stephen Hough)
- Five Waltzes (1923-5): V. Variations: Quiet and Simple (von Stephen Hough)
- A Little Idyll (von Anthony Goldstone)
- Three Character Pieces (1930): I. John (Poco Allegro Vivace) (von Stephen Hough)
- Three Character Pieces (1930): II. Daphne (Poco Andante Grazioso) (von Stephen Hough)
- Three Character Pieces (1930): III. Michael (Poco Presto e Molto Capriccioso) (von Stephen Hough)
- Twelve Variations On A Theme (1931) (von Stephen Hough)
- Two Lullabies For Piano Duo (1936): I. Lullaby (von Stephen Hough, Ronan O’Hora)
- Two Lullabies For Piano Duo (1936): II. Lullaby For A Retired Colonel (von Stephen Hough, Ronan O’Hora)
- Holiday Diary, op. 5: I. Early Morning Bathe (von Stephen Hough)
- Holiday Diary, op. 5: II. Sailing (von Stephen Hough)
- Holiday Diary, op. 5: III. Fun-fair (von Stephen Hough)
- Holiday Diary, op. 5: IV. Night (von Stephen Hough)
- Sonatina Romantica (1940), Sonatina Romantica: Moderato (von Stephen Hough)
- Sonatina Romantica (1940), Sonatina Romantica: Nocturne (von Stephen Hough)
- Night Piece (Notturno) (von Stephen Hough)
- Variations For Piano Solo (1965): I. Like an Improvisation (von Rolf Hind)
- Variations For Piano Solo (1965): 2. (von Rolf Hind)
- Variations For Piano Solo (1965): III. Quick and Light (von Rolf Hind)
- Variations For Piano Solo (1965): 4. (von Rolf Hind)
- Variations For Piano Solo (1965): V. Quietly (von Rolf Hind)
- Variations For Piano Solo (1965): VI. Quick (von Rolf Hind)
- Musicians Discuss Benjamin Britten
- Musicians Discuss Benjamin Britten
- Musicians Discuss Benjamin Britten
- Musicians Discuss Benjamin Britten
- Musicians Discuss Benjamin Britten
- Musicians Discuss Benjamin Britten
- Musicians Discuss Benjamin Britten
- Musicians Discuss Benjamin Britten
- War Requiem, Op. 66: Requiem Aeternam
- War Requiem, op. 66: Dies Irae
- War Requiem, op. 66: Dies Irae
- War Requiem, op. 66: Dies Irae
- War Requiem, op. 66: Offertorium
- War Requiem, Op. 66: Sanctus
- War Requiem, Op. 66: Sanctus
- War Requiem, op. 66: Agnus Dei
- War Requiem, Op. 66: Libera me
- War Requiem, Op. 66: Libera me
- War Requiem, Op. 66: Libera me
- Serenade for tenor, horn & strings, op. 31: Prologue (von Dennis Brain)
- Serenade for tenor, horn & strings, op. 31: Pastoral: The Day's Grown Old (von Peter Pears, Dennis Brain, The Boyd Neel Orchestra, Benjamin Britten)
- Serenade for tenor, horn & strings, op. 31: Nocturne: The Splendour Falls on Castle Walls (von Peter Pears, Dennis Brain, The Boyd Neel Orchestra, Benjamin Britten)
- Serenade for tenor, horn & strings, op. 31: Elegy: O Rose, Thou Art Sick (von Peter Pears, Dennis Brain, The Boyd Neel Orchestra, Benjamin Britten)
- Serenade for tenor, horn & strings, op. 31: Dirge: This Ae Night (von Peter Pears, Dennis Brain, The Boyd Neel Orchestra, Benjamin Britten)
- Serenade for tenor, horn & strings, op. 31: Hymn: Queen and Huntress Chaste and Fair (von Peter Pears, Dennis Brain, The Boyd Neel Orchestra, Benjamin Britten)
- Serenade for tenor, horn & strings, op. 31: Sonnet: O Soft Embalmer of the Still Midnight (von Peter Pears, Dennis Brain, The Boyd Neel Orchestra, Benjamin Britten)
- Serenade for tenor, horn & strings, op. 31: Epilogue (von Dennis Brain)
- Introduction and Rondo alla burlesca, op. 23, no. 1
- Mazurka elegiaca, op. 23, no. 2
- Sinfonia da Requiem, op. 20: Lacrymosa
- Sinfonia da Requiem, op. 20: Dies Irae
- Sinfonia da Requiem, op. 20: Requiem aeternam
- Four Sea Interludes from "Peter Grimes", op. 33a: I. Dawn (von Concertgebouw Orchestra of Amsterdam, Eduard van Beinum)
- Four Sea Interludes from "Peter Grimes", op. 33a: II. Sunday Morning (von Concertgebouw Orchestra of Amsterdam, Eduard van Beinum)
- Four Sea Interludes from "Peter Grimes", op. 33a: III. Moonlight (von Concertgebouw Orchestra of Amsterdam, Eduard van Beinum)
- Four Sea Interludes from "Peter Grimes", op. 33a: IV. Storm (von Concertgebouw Orchestra of Amsterdam, Eduard van Beinum)
- Passacaglia, from "Peter Grimes", op. 33b (von Concertgebouw Orchestra of Amsterdam, Eduard van Beinum)
Canticle II, Abraham and Isaac, Op.51 / Songs From "Friday Afternoons", Op.7 / On this island, Op.11 / Four Cabaret Songs / Sweet Was The Song / Missa brevis, Op.63 / Piano Concerto, Op.13 / Our Hunting Fathers, Op.8
- Canticle II, Abraham and Isaac, op. 51
- Songs From "Friday Afternoons", op. 7: I mun be married on Sunday (von John Hahessy, Benjamin Britten)
- Songs From "Friday Afternoons", op. 7: Cuckoo!
- Songs From "Friday Afternoons", op. 7: Fishing song (von John Hahessy, Benjamin Britten)
- Songs From "Friday Afternoons", op. 7: There was a monkey (von John Hahessy, Benjamin Britten)
- Songs From "Friday Afternoons", op. 7: A New Year carol (von John Hahessy, Benjamin Britten)
- On this island, op. 11: I. Let the Florid Music Praise! (von Peter Pears, Benjamin Britten)
- Four Cabaret Songs: Funeral Blues (von Peter Pears, Benjamin Britten)
- Four Cabaret Songs: O Tell Me the Truth About Love (von Peter Pears, Benjamin Britten)
- Sweet Was The Song (von The Wilbye Consort)
- Missa brevis, op. 63: I. Kyrie eleison (von Westminster Cathedral Choir, George Malcolm)
- Missa brevis, op. 63: II. Gloria in excelsis Deo (von Westminster Cathedral Choir, George Malcolm)
- Missa brevis, op. 63: III. Sanctus...Benedictus (von Westminster Cathedral Choir, George Malcolm)
- Missa brevis, op. 63: IV. Agnus Dei (von Westminster Cathedral Choir, George Malcolm)
- Piano Concerto, op. 13, 1938 Version: III. Recitative & Aria (original 3rd movement) (von Joanna MacGregor, English Chamber Orchestra, Steuart Bedford)
- Our Hunting Fathers, op. 8: I. Prologue (von Peter Pears, London Symphony Orchestra, Benjamin Britten)
- Our Hunting Fathers, op. 8: II. Rats Away! (von Peter Pears, London Symphony Orchestra, Benjamin Britten)
- Our Hunting Fathers, op. 8: III. Messalina (von Peter Pears, London Symphony Orchestra, Benjamin Britten)
- Our Hunting Fathers, op. 8: IV. Dance Of Death (Hawking For The Partridge) (von Peter Pears, London Symphony Orchestra, Benjamin Britten)
- Our Hunting Fathers, op. 8: V. Epilogue & Funeral March (von Peter Pears, London Symphony Orchestra, Benjamin Britten)
The 1967 Recording Of "The Burning Fiery Furnace"
- The Burning Fiery Furnace, op. 77: Procession
- The 1967 Recording Of "The Burning Fiery Furnace": II. The Opening Procession
- The Burning Fiery Furnace, op. 77: By the Royal Command
- The Burning Fiery Furnace, op. 77: Great King Of Babylon!
- The 1967 Recording Of "The Burning Fiery Furnace": V. The Village Speaks
- The Burning Fiery Furnace, op. 77: The Stars Are Against Me!
- The Burning Fiery Furnace, op. 77: Procession
- The 1967 Recording Of "The Burning Fiery Furnace": VIII. James Blades & The Percussion
- The 1967 Recording Of "The Burning Fiery Furnace": IX. The Instrumental Procession Re-Take & James Blades Re-Visited
- The 1967 Recording Of "The Burning Fiery Furnace": X. The God Of Gold
- The 1967 Recording Of "The Burning Fiery Furnace": 1I. Culshaw Reflects On Recording Techniques
- The 1967 Recording Of "The Burning Fiery Furnace": 1II. The Burning Fiery Furnace & The Angel
- The 1967 Recording Of "The Burning Fiery Furnace": 1III. End Credits