Benjamin Britten Songtexte
A Ceremony of Carols : This little Babe
Songs From "Friday Afternoons", op. 7: Cuckoo!
Psalm 150 for voices & orchestra, op. 67
A.M.D.G.: Rosa Mystica
The Birds
Geboren am 22. November 1913, Gestorben am 04. Dezember 1976
Musik mit Oboe
- Phantasy for Oboe, Violin, Viola and Violoncello, op. 2
- Temporal Variations for Oboe and Piano, op. posth.: Theme - Andante rubato (von Rolf Koenen, Hansjörg Schellenberger)
- Temporal Variations for Oboe and Piano, op. posth.: Oration - Lento quasi recitativo (von Rolf Koenen, Hansjörg Schellenberger)
- Temporal Variations for Oboe and Piano, op. posth.: March - Alla marcia (von Rolf Koenen, Hansjörg Schellenberger)
- Temporal Variations for Oboe and Piano, op. posth.: Exercises - Allegro molto e con fuoco (von Rolf Koenen, Hansjörg Schellenberger)
- Temporal Variations for Oboe and Piano, op. posth.: Commination - Adagio con fuoco (von Rolf Koenen, Hansjörg Schellenberger)
- Temporal Variations for Oboe and Piano, op. posth.: Chorale - Molto lento (von Rolf Koenen, Hansjörg Schellenberger)
- Temporal Variations for Oboe and Piano, op. posth.: Waltz - Allegretto rubato (von Rolf Koenen, Hansjörg Schellenberger)
- Temporal Variations for Oboe and Piano, op. posth.: Polka - Tempo di polka - Allegro (von Rolf Koenen, Hansjörg Schellenberger)
- Temporal Variations for Oboe and Piano, op. posth.: Resolution - Maestoso (non troppo lento) (von Rolf Koenen, Hansjörg Schellenberger)
- Suite for Harp Solo, op. 83: I. Overture - Majestic (von Margit-Anna Süß)
- Suite for Harp Solo, op. 83: II. Toccata - Fast and gay (von Margit-Anna Süß)
- Suite for Harp Solo, op. 83: III. Nocturne - Slow and quiet (von Margit-Anna Süß)
- Suite for Harp Solo, op. 83: IV. Fugue - Lively (von Margit-Anna Süß)
- Suite for Harp Solo, op. 83: V. Hymn (St. Denio) - Slow and solemn (von Margit-Anna Süß)
- Two Insect Pieces for Oboe and Piano, op. posth.: The Grasshopper (von Rolf Koenen, Hansjörg Schellenberger)
- Two Insect Pieces for Oboe and Piano, op. posth.: The Wasp (von Rolf Koenen, Hansjörg Schellenberger)
- Six Metamorphoses after Ovid for Oboe Solo, op. 49: Pan - Senza misura (von Hansjörg Schellenberger)
- Six Metamorphoses after Ovid for Oboe Solo, op. 49: Phaeton - Vivace ritmico (von Hansjörg Schellenberger)
- Six Metamorphoses after Ovid for Oboe Solo, op. 49: Niobe - Andante (von Hansjörg Schellenberger)
- Six Metamorphoses after Ovid for Oboe Solo, op. 49: Bacchus - Allegro paesante (von Hansjörg Schellenberger)
- Six Metamorphoses after Ovid for Oboe Solo, op. 49: Narcissus - Lento piacevole (von Hansjörg Schellenberger)
- Six Metamorphoses after Ovid for Oboe Solo, op. 49: Arethusa - Largamente (von Hansjörg Schellenberger)
- Gemini Variations, op. 73: Theme - Maestoso
- Gemini Variations, op. 73: Variation I - Prestissimo scherzando
- Gemini Variations, op. 73: Variation II - Moderato
- Gemini Variations, op. 73: Variation III - Allegro con brio
- Gemini Variations, op. 73: Variation IV - Grazioso
- Gemini Variations, op. 73: Variation V - Canone - Vivace
- Gemini Variations, op. 73: Variation VI - Specchio I - Lento tranquillo
- Gemini Variations, op. 73: Variation VII - Cadenza
- Gemini Variations, op. 73: Variation VIII - Appassionato
- Gemini Variations, op. 73: Variation IX - Fanfara - Allegro
- Gemini Variations, op. 73: Variation X - Marcia - Lo stesso tempo (Allegro)
- Gemini Variations, op. 73: Variation XI - Specchio II - Misterioso
- Gemini Variations, op. 73: Variation XII - Romanza - Andante rubato
- Gemini Variations, op. 73: Fugue - Molto moderato
Four Sea Interludes / Young Person's Guide to the Orchestra / Simple Symphony (Compilation)
- The Young Person's Guide to the Orchestra - Variations on Theme by Purcell, Op. 34 (von Royal Concertgebouw Orchestra, Bernard Haitink)
- Simple Symphony, Op. 4 I. Boisterous Bourrée (von Orpheus Chamber Orchestra)
- Simple Symphony, Op. 4 II Playful Pizzicato (von Orpheus Chamber Orchestra)
- Simple Symphony, Op. 4 III Sentimental Sarabande (von Orpheus Chamber Orchestra)
- Simple Symphony, Op. 4 IV Frolicsome Finale (von Orpheus Chamber Orchestra)
- Soirées Musicales - Ballet Suite, Op. 9 I March (von National Philharmonic Orchestra, Richard Bonynge)
- Soirées Musicales - Ballet Suite, Op. 9 II Canzonetta (von National Philharmonic Orchestra, Richard Bonynge)
- Soirées Musicales - Ballet Suite, Op. 9 III Tirolese (von National Philharmonic Orchestra, Richard Bonynge)
- Soirées Musicales - Ballet Suite, Op. 9 IV Bolero (von National Philharmonic Orchestra, Richard Bonynge)
- Soirées Musicales - Ballet Suite, Op. 9 V Tarantella (von National Philharmonic Orchestra, Richard Bonynge)
- Matinées Musicales - Ballet Suite, Op. 24 I March (von National Philharmonic Orchestra, Richard Bonynge)
- Matinées Musicales - Ballet Suite, Op. 24 II Nocturne (von National Philharmonic Orchestra, Richard Bonynge)
- Matinées Musicales - Ballet Suite, Op. 24 III Waltz (von National Philharmonic Orchestra, Richard Bonynge)
- Matinées Musicales - Ballet Suite, Op. 24 IV Pantomime (von National Philharmonic Orchestra, Richard Bonynge)
- Matinées Musicales - Ballet Suite, Op. 24 V Moto Perpetuo (von National Philharmonic Orchestra, Richard Bonynge)
- Peter Grimes, Op. 33: Four Sea Interludes I Dawn (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Peter Grimes, Op. 33: Four Sea Interludes II Sunday Morning (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Peter Grimes, Op. 33: Four Sea Interludes III Moonlight (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Peter Grimes, Op. 33: Four Sea Interludes IV Storm (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
The Best of Britten
- Hymn to St. Cecilia , Op. 27 (von The Choir of St John’s College, Cambridge, Christopher Robinson)
- Four Sea Interludes, Op. 33a: II. Sunday Morning (von London Symphony Orchestra, Steuart Bedford)
- Four Sea Interludes, Op. 33a: IV. Storm (von London Symphony Orchestra, Steuart Bedford)
- Rejoice in the Lamb, Op. 30: I. Rejoice in God, O ye Tongues (von The Choir of St John’s College, Cambridge, Christopher Robinson)
- Sinfonia da Requiem, Op. 20: I. Lacrymosa
- The Young Person's Guide to the Orchestra, Op. 34: Theme
- The Young Person's Guide to the Orchestra, Op. 34: Fugue (von London Symphony Orchestra, Steuart Bedford)
- Serenade for Tenor, Horn, and Strings, Op. 31: IV. Elegy (von Philip Langridge, Frank Lloyd, English Chamber Orchestra, Steuart Bedford)
- Gloriana, Op. 53a: X. Gloriana Moritura
- Simple Symphony, Op. 4: II. Playful Pizzicato
- Suite on English Folk Tunes, Op. 90: I. Cakes and Ale
- Variations on a Theme of Frank Bridge, Op. 10: Variation 10. Fugue and Finale (von English Chamber Orchestra, Steuart Bedford)
- Cabaret Songs, No. 1: "Tell me the truth about love" (von Della Jones, Steuart Bedford)
- War Requiem, Op. 66: Requiem aeternam
- A Hymn to the Virgin
The Collector's Edition
Sinfonia da Requiem / Four Sea Interludes and Passacaglia from 'Peter Grimes' / The Young Person's Guide to the Orchestra
- Sinfonia da Requiem, for orchestra, Op. 20: 1. Lacrymosa (von Royal Liverpool Philharmonic Orchestra, Libor Pešek)
- Sinfonia da Requiem, for orchestra, Op. 20: 2. Dies irae (von Royal Liverpool Philharmonic Orchestra, Libor Pešek)
- Sinfonia da Requiem, for orchestra, Op. 20: 3. Requiem aeternam (von Royal Liverpool Philharmonic Orchestra, Libor Pešek)
- Sea Interludes (4) from Peter Grimes, for orchestra, Op. 33a: Dawn (von Royal Liverpool Philharmonic Orchestra, Libor Pešek)
- Sea Interludes (4) from Peter Grimes, for orchestra, Op. 33a: Sunday Morning (von Royal Liverpool Philharmonic Orchestra, Libor Pešek)
- Sea Interludes (4) from Peter Grimes, for orchestra, Op. 33a: Moonlight (von Royal Liverpool Philharmonic Orchestra, Libor Pešek)
- Sea Interludes (4) from Peter Grimes, for orchestra, Op. 33a: Passacaglia, for orchestra, Op. 33b (from "Peter Grimes") (von Royal Liverpool Philharmonic Orchestra, Libor Pešek)
- Sea Interludes (4) from Peter Grimes, for orchestra, Op. 33a: Storm (von Royal Liverpool Philharmonic Orchestra, Libor Pešek)
- Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Theme (Allegro maestoso e largamente) (von Royal Liverpool Philharmonic Orchestra, Libor Pešek)
- Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation A: Flutes and piccolo (von Royal Liverpool Philharmonic Orchestra, Libor Pešek)
- Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation B: Oboes (Lento) (von Royal Liverpool Philharmonic Orchestra, Libor Pešek)
- Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation C: Clarinets (Moderato) (von Royal Liverpool Philharmonic Orchestra, Libor Pešek)
- Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation D: Bassoons (Allegro alla marcia) (von Royal Liverpool Philharmonic Orchestra, Libor Pešek)
- Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation E: Violins (Brillante: alla polacca) (von Royal Liverpool Philharmonic Orchestra, Libor Pešek)
- Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation F: Violas (Meno mosso) (von Royal Liverpool Philharmonic Orchestra, Libor Pešek)
- Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation G: Cellos (von Royal Liverpool Philharmonic Orchestra, Libor Pešek)
- Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation H: Double basses (Comminciando lento ma poco accel. al Allegro) (von Royal Liverpool Philharmonic Orchestra, Libor Pešek)
- Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation I: Harp (Maestoso) (von Royal Liverpool Philharmonic Orchestra, Libor Pešek)
- Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation J: Horns (L'istesso tempo) (von Royal Liverpool Philharmonic Orchestra, Libor Pešek)
- Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation K: Trumpets (Vivace) (von Royal Liverpool Philharmonic Orchestra, Libor Pešek)
- Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation L: Trombones and bass tuba (Allegro pomposo) (von Royal Liverpool Philharmonic Orchestra, Libor Pešek)
- Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation M: Percussion (Moderato) (von Royal Liverpool Philharmonic Orchestra, Libor Pešek)
- Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Fugue (Allegro molto) (von Royal Liverpool Philharmonic Orchestra, Libor Pešek)
- Canadian Carnival, for orchestra, Op. 19
- Diversions, for piano, left hand & orchestra, Op. 21: Theme (von Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle)
- Diversions, for piano, left hand & orchestra, Op. 21: Variation 1: Recitative (von Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle)
- Diversions, for piano, left hand & orchestra, Op. 21: Variation 2: Romance (von Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle)
- Diversions, for piano, left hand & orchestra, Op. 21: Variation 3: March (von Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle)
- Diversions, for piano, left hand & orchestra, Op. 21: Variation 4: Arabesque (von Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle)
- Diversions, for piano, left hand & orchestra, Op. 21: Variation 5: Chant (von Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle)
- Diversions, for piano, left hand & orchestra, Op. 21: Variation 6: Nocturne (von Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle)
- Diversions, for piano, left hand & orchestra, Op. 21: Variation 7: Badinerie (von Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle)
- Diversions, for piano, left hand & orchestra, Op. 21: Variation 8: Burlesque (von Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle)
- Diversions, for piano, left hand & orchestra, Op. 21: Variation 9: Toccata 1 - Toccata 2 - Cadenza (von Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle)
- Diversions, for piano, left hand & orchestra, Op. 21: Variation 10: Adagio (von Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle)
- Diversions, for piano, left hand & orchestra, Op. 21: Variation 11: Finale (Tarantella) (von Peter Donohoe, City of Birmingham Symphony Orchestra, Simon Rattle)
- Scottish Ballad, for 2 pianos & orchestra, Op. 26 (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Occasional Overture, for orchestra in C major, Op. 38 (withdrawn) (von City of Birmingham Symphony Orchestra, Simon Rattle)
- An American Overture (von City of Birmingham Symphony Orchestra, Simon Rattle)
- The Building of the House, overture for chorus & orchestra, Op. 79 (von City of Birmingham Symphony Chorus, City of Birmingham Symphony Orchestra, Simon Rattle)
Piano Concerto / Violin Concerto / Young Apollo
- Piano Concerto in D major, Op. 13: 1. Toccata
- Piano Concerto in D major, Op. 13: 2. Waltz
- Piano Concerto in D major, Op. 13: 3. Impromptu
- Piano Concerto in D major, Op. 13: 4. March
- Violin Concerto in D minor, Op. 15: 1. Moderato con moto (von Ida Haendel, Bournemouth Symphony Orchestra, Paavo Berglund)
- Violin Concerto in D minor, Op. 15: 2. Vivace (von Ida Haendel, Bournemouth Symphony Orchestra, Paavo Berglund)
- Violin Concerto in D minor, Op. 15: 3. Passacaglia (Andante lento - Un poco meno mosso) (von Ida Haendel, Bournemouth Symphony Orchestra, Paavo Berglund)
- Young Apollo, for piano, string quartet & strings, Op. 16 (withdrawn by composer)
- Simple Symphony, for string orchestra, Op. 4: 1. Boisterous Bourrée (von Norwegian Chamber Orchestra, Iona Brown)
- Simple Symphony, for string orchestra, Op. 4: 2. Playful Pizzicato (von Norwegian Chamber Orchestra, Iona Brown)
- Simple Symphony, for string orchestra, Op. 4: 3. Sentimental Sarabande (von Norwegian Chamber Orchestra, Iona Brown)
- Simple Symphony, for string orchestra, Op. 4: 4. Frolicsome Finale (von Norwegian Chamber Orchestra, Iona Brown)
- Variations on a Theme by Frank Bridge, for strings, Op. 10: Introduction and Theme (von Det Norske Kammerorkester, Iona Brown)
- Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 1: Adagio (von Det Norske Kammerorkester, Iona Brown)
- Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 2: March (von Det Norske Kammerorkester, Iona Brown)
- Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 3: Romance (von Det Norske Kammerorkester, Iona Brown)
- Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 4: Aria italiana (von Det Norske Kammerorkester, Iona Brown)
- Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 5: Bourrée classique (von Det Norske Kammerorkester, Iona Brown)
- Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 6: Wiener Walzer (von Det Norske Kammerorkester, Iona Brown)
- Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 7: Moto perpetuo (von Det Norske Kammerorkester, Iona Brown)
- Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 8: Funeral March (von Det Norske Kammerorkester, Iona Brown)
- Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 9: Chant (von Det Norske Kammerorkester, Iona Brown)
- Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 10: Fugue and Finale (von Det Norske Kammerorkester, Iona Brown)
- Prelude & Fugue, for 18 strings, Op. 29 (von Norwegian Chamber Orchestra, Iona Brown)
- Lachrymae, reflections on a song of Dowland, for viola & string orchestra, Op. 48a (von Lars Anders Tomter, Norwegian Chamber Orchestra, Iona Brown)
- Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 1. The Tournament
- Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 2. The Lute Song
- Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 3. The Courtly Dances. March
- Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 3. The Courtly Dances. Coranto
- Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 3. The Courtly Dances. Pavane
- Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 3. The Courtly Dances. Morris Dance
- Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 3. The Courtly Dances. Galliard
- Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 3. The Courtly Dances. Lavolta
- Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 4. Gloriana moritura
- Cello Symphony, for cello & orchestra, Op. 68: 1. Allegro maestoso
- Cello Symphony, for cello & orchestra, Op. 68: 2. Presto inquieto
- Cello Symphony, for cello & orchestra, Op. 68: 3. Adagio
- Cello Symphony, for cello & orchestra, Op. 68: Cadenza
- Cello Symphony, for cello & orchestra, Op. 68: 4. Passacaglia (Andante allegro)
- Men of Goodwill , variations on a carol for orchestra (von Minnesota Orchestra, Sir Neville Marriner)
- Sinfonietta, for chamber orchestra, Op. 1: 1. Poco presto ed agitato
- Sinfonietta, for chamber orchestra, Op. 1: 2. Andante lento
- Sinfonietta, for chamber orchestra, Op. 1: 3. Tarantella: Presto vivace
- Russian Funeral, for brass & percussion (von City of Birmingham Symphony Orchestra, Sir Simon Rattle)
- Suite on English folk tunes (A time there was), for orchestra, Op. 90: 1. Cakes and Ale (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Suite on English folk tunes (A time there was), for orchestra, Op. 90: 2. The Bitter Withy (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Suite on English folk tunes (A time there was), for orchestra, Op. 90: 3. Hankin Booby (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Suite on English folk tunes (A time there was), for orchestra, Op. 90: 4. Hunt the Squirrel (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Suite on English folk tunes (A time there was), for orchestra, Op. 90: 5. Lord Melbourne (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Matinées musicales (Rossini Suite No.2), for orchestra, Op. 24: March (von English Chamber Orchestra, Sir Alexander Gibson)
- Matinées musicales (Rossini Suite No.2), for orchestra, Op. 24: Nocturne (von English Chamber Orchestra, Sir Alexander Gibson)
- Matinées musicales (Rossini Suite No.2), for orchestra, Op. 24: Waltz (von English Chamber Orchestra, Sir Alexander Gibson)
- Matinées musicales (Rossini Suite No.2), for orchestra, Op. 24: Pantomime (von English Chamber Orchestra, Sir Alexander Gibson)
- Matinées musicales (Rossini Suite No.2), for orchestra, Op. 24: Moto perpetuo (von English Chamber Orchestra, Sir Alexander Gibson)
- Soirées Musicales (Rossini Suite 1), suite for orchestra, Op. 9: March (von English Chamber Orchestra, Sir Alexander Gibson)
- Soirées Musicales (Rossini Suite 1), suite for orchestra, Op. 9: Canzonetta (von English Chamber Orchestra, Sir Alexander Gibson)
- Soirées Musicales (Rossini Suite 1), suite for orchestra, Op. 9: Tirolese (von English Chamber Orchestra, Sir Alexander Gibson)
- Soirées Musicales (Rossini Suite 1), suite for orchestra, Op. 9: Bolero (von English Chamber Orchestra, Sir Alexander Gibson)
- Soirées Musicales (Rossini Suite 1), suite for orchestra, Op. 9: Tarantella (von English Chamber Orchestra, Sir Alexander Gibson)
- Rossini Suite, for boys' voices & chamber ensemble: 1. Allegro brillante
- Rossini Suite, for boys' voices & chamber ensemble: 2. Allegretto
- Rossini Suite, for boys' voices & chamber ensemble: 3. Allegretto
- Rossini Suite, for boys' voices & chamber ensemble: 4. Bolero (Allegro moderato)
- Rossini Suite, for boys' voices & chamber ensemble: 5. Allegro con brio
The Prince of the Pagodas
- The Prince of the Pagodas, ballet, Op. 57: Act 1. Prelude (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 1. The Fool and the Dwarf
- The Prince of the Pagodas, ballet, Op. 57: Act 1. March and Courtiers' Dance
- The Prince of the Pagodas, ballet, Op. 57: Act 1. Entry of the Pages and the Four Kings
- The Prince of the Pagodas, ballet, Op. 57: Act 1. Variation of the King of the North (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 1. Variation of the King of the East
- The Prince of the Pagodas, ballet, Op. 57: Act 1. Variation of the King of the West (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 1. Variation of the King of the South
- The Prince of the Pagodas, ballet, Op. 57: Act 1. The Kings bow before the Emperor (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 1. Variation of Princess Belle Epine (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 1. Variation of Princess Belle Rose and Pas de Deux
- The Prince of the Pagodas, ballet, Op. 57: Act 1. The Kings and Belle Rose (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 1. Belle Epine and the Four Kings (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 1. The Rage of the Kings (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 1. Entry of the Four Winged Frogs
- The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Introduction: Belle Rose borne in by the Frogs (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Waltz: Clouds, Stars and Moon (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Belle Rose borne in by the Frogs (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Entrée: Sea Horses, Fish Creatures and Waves (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Variation: Sea Horses (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Variation: Fish Creatures
- The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Coda (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Belle Rose borne in by the Frogs (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Pas de deux: Male and Female Flames (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Variation: Male Flame (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Variation: Female Flame (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Coda (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Belle Rose, exhausted, borne in by the Frogs (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 2. Belle Rose in darkness
- The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 2. The Pagodas
- The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 2. The Salamander (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 2. Pas de deux: The Prince and Belle Rose (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 2. Belle Rose hunts for the Prince (von London Sinfonietta, Oliver Knussen)
The Prince of the Pagodas
- The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 1. Empress Belle Epine (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 1. The Old Emperor
- The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 1. Appearance of Belle Rose and the Salamander (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Transformation (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Pas de six: Entrée (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Variation 1: Pas de deux
- The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Variation 2: Girl's Solo (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Variation 3: Boy's Solo (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Pas de trois (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Coda (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Pas de caractère: The Emperor and the Fool (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Pas de deux: Belle Rose and the Prince of the Pagodas (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Variation 4: The Prince (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Variation 5: Belle Rose (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Finale (von London Sinfonietta, Oliver Knussen)
- The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Apotheosis (von London Sinfonietta, Oliver Knussen)
- Rhapsody , for string quartet (von Endellion Quartet)
- Quartettino, for string quartet: 1. Andante - Allegro molto e con fuoco (von Endellion Quartet)
- Quartettino, for string quartet: 2. Poco adagio ma con moto (von Endellion Quartet)
- Quartettino, for string quartet: 3. Allegro molto vivace (von Endellion Quartet)
- Elegy , for solo viola (von Garfield Jackson)
- String Quartet in D major: 1. Allegro maestoso (von Endellion Quartet)
- String Quartet in D major: 2. Lento ed espressivo (von Endellion Quartet)
- String Quartet in D major: 3. Allegro giocoso (von Endellion Quartet)
- Phantasy, for string quintet in F minor (von Endellion Quartet)
- Phantasy Quartet, for oboe & string trio in F minor, Op. 2 (von Endellion Quartet)
- Divertimenti (3), for string quartet: 1. March (von Endellion Quartet)
- Divertimenti (3), for string quartet: 2. Waltz (von Endellion Quartet)
- Divertimenti (3), for string quartet: 3. Burlesque (von Endellion Quartet)
- Alla Marcia, for string quartet (von Endellion Quartet)
- String Quartet No. 1 in D major, Op. 25: 1. Andante sostenuto - Allegro vivo (von Endellion Quartet)
- String Quartet No. 1 in D major, Op. 25: 2. Allegretto con slancio (von Endellion Quartet)
- String Quartet No. 1 in D major, Op. 25: 3. Andante calmo (von Endellion Quartet)
- String Quartet No. 1 in D major, Op. 25: 4. Molto vivace (von Endellion Quartet)
String Quartet No. 2 / String Quartet No. 3
- String Quartet No. 2 in C major, Op. 36: 1. Allegro calmo senza rigore (von Endellion Quartet)
- String Quartet No. 2 in C major, Op. 36: 2. Vivace (von Endellion Quartet)
- String Quartet No. 2 in C major, Op. 36: 3. Chacony (Sostenuto) (von Endellion Quartet)
- String Quartet No. 3, Op. 94: 1. Duets (With moderate movement) (von Endellion Quartet)
- String Quartet No. 3, Op. 94: 2. Ostinato (Very fast) (von Endellion Quartet)
- String Quartet No. 3, Op. 94: 3. Solo (Very calm) (von Endellion Quartet)
- String Quartet No. 3, Op. 94: 4. Burlesque (Fast, con fuoco) (von Endellion Quartet)
- String Quartet No. 3, Op. 94: 5. Recitative and Passacaglia (La Serenissima) (Slow) (von Endellion Quartet)
Cello Suite No. 1 / Cello Suite No. 2 / Cello Suite No. 3
- Suite for solo cello No. 1, Op. 72: Canto primo: Sostenuto e largamente (von Truls Mørk)
- Suite for solo cello No. 1, Op. 72: 2. Fuga: Andante moderato (von Truls Mørk)
- Suite for solo cello No. 1, Op. 72: 2. Lamento: Lento rubato (von Truls Mørk)
- Suite for solo cello No. 1, Op. 72: Canto secondo: Sostenuto (von Truls Mørk)
- Suite for solo cello No. 1, Op. 72: 3. Serenanta: Allegretto (pizzicato) (von Truls Mørk)
- Suite for solo cello No. 1, Op. 72: 4. Marcia: Alla marcia moderato (von Truls Mørk)
- Suite for solo cello No. 1, Op. 72: Canto terzo: Sostenuto (von Truls Mørk)
- Suite for solo cello No. 1, Op. 72: 5. Bordone: Moderato quasi recitative (von Truls Mørk)
- Suite for solo cello No. 1, Op. 72: 6. Moto perpetuo e Canto quarto: Presto (von Truls Mørk)
- Suite for solo cello No. 2, Op. 80: 1. Declamato: Largo (von Truls Mørk)
- Suite for solo cello No. 2, Op. 80: 2. Fuga: Andante (von Truls Mørk)
- Suite for solo cello No. 2, Op. 80: 3. Scherzo: Allegro molto (von Truls Mørk)
- Suite for solo cello No. 2, Op. 80: 4. Andante lento (von Truls Mørk)
- Suite for solo cello No. 2, Op. 80: 5. Ciaccona: Allegro (von Truls Mørk)
- Suite for solo cello No. 3, Op. 87: 1. Introduzione: Lento (von Truls Mørk)
- Suite for solo cello No. 3, Op. 87: 2. Marcia: Allegro (von Truls Mørk)
- Suite for solo cello No. 3, Op. 87: 3. Canto: Con moto (von Truls Mørk)
- Suite for solo cello No. 3, Op. 87: 4. Barcarola: Lento (von Truls Mørk)
- Suite for solo cello No. 3, Op. 87: 5. Dialogo: Allegretto (von Truls Mørk)
- Suite for solo cello No. 3, Op. 87: 6. Fuga: Andante espressivo (von Truls Mørk)
- Suite for solo cello No. 3, Op. 87: 7. Recitativo: Fantastico (von Truls Mørk)
- Suite for solo cello No. 3, Op. 87: 8. Moto perpetuo: Presto (von Truls Mørk)
- Suite for solo cello No. 3, Op. 87: 9. Passacaglia: Lento solenne (von Truls Mørk)
- Holiday Diary, suite for piano, Op. 5: 1. Early morning bathe (von Stephen Hough)
- Holiday Diary, suite for piano, Op. 5: 2. Sailing (von Stephen Hough)
- Holiday Diary, suite for piano, Op. 5: 3. Funfair (von Stephen Hough)
- Holiday Diary, suite for piano, Op. 5: 4. Night (von Stephen Hough)
- Character Pieces (3), for piano: 1. Poco allegro vivace (von Stephen Hough)
- Character Pieces (3), for piano: 2. Poco andante grazioso (von Stephen Hough)
- Character Pieces (3), for piano: 3. Poco presto e molto capriccioso (von Stephen Hough)
- Night Piece (Notturno), for piano (von Stephen Hough)
- Sonatina Romantica, for piano: Moderato (von Stephen Hough)
- Sonatina Romantica, for piano: Nocturne (von Stephen Hough)
- Variations (12), for piano (von Stephen Hough)
- Waltzes (5), for piano: 1. Rather fast and nervous (von Stephen Hough)
- Waltzes (5), for piano: 2. Quick, with wit (von Stephen Hough)
- Waltzes (5), for piano: 3. Dramatic (von Stephen Hough)
- Waltzes (5), for piano: 4. Rhythmic; not fast (von Stephen Hough)
- Waltzes (5), for piano: 5. Variations: Quiet and simple (von Stephen Hough)
- Two Lullabies, for 2 pianos: Lullaby (von Stephen Hough, Ronan O’Hora)
- Two Lullabies, for 2 pianos: Lullaby for a retired Colonel (von Stephen Hough, Ronan O’Hora)
- Pieces (2), for 2 pianos, Op. 23: No. 2 Mazurka elegiaca (von Stephen Hough, Ronan O’Hora)
- Pieces (2), for 2 pianos, Op. 23: Introduction (von Stephen Hough, Ronan O’Hora)
- Pieces (2), for 2 pianos, Op. 23: Rondo alla burlesca (von Stephen Hough, Ronan O’Hora)
- Suite, for violin & piano, Op. 6: Introduction: Andante maestoso
- Suite, for violin & piano, Op. 6: 1. March: Allegro alla marcia
- Suite, for violin & piano, Op. 6: 2. Moto perpetuo: Allegro molto e con fuoco
- Suite, for violin & piano, Op. 6: 3. Lullaby: Lento tranquillo
- Suite, for violin & piano, Op. 6: 4. Waltz: Alla valse: vivace e rubato
- Sonata for cello & piano in C major, Op. 65: 1. Dialogo: Allegro
- Sonata for cello & piano in C major, Op. 65: 2. Scherzo - Pizzicato: Allegretto
- Sonata for cello & piano in C major, Op. 65: 3. Elegia: Lento
- Sonata for cello & piano in C major, Op. 65: 4. Marcia: Energico
- Sonata for cello & piano in C major, Op. 65: 5. Moto perpetuo: Presto
- Metamorphoses (6) after Ovid, for oboe solo, Op. 49: 1. Pan (Senza misura) (von Roy Carter)
- Metamorphoses (6) after Ovid, for oboe solo, Op. 49: 2. Phaeton (Vivace ritmico) (von Roy Carter)
- Metamorphoses (6) after Ovid, for oboe solo, Op. 49: 3. Niobe (Andante) (von Roy Carter)
- Metamorphoses (6) after Ovid, for oboe solo, Op. 49: 4. Bacchus (Allegro pesante) (von Roy Carter)
- Metamorphoses (6) after Ovid, for oboe solo, Op. 49: 5. Narcissus (Lento piacevole) (von Roy Carter)
- Metamorphoses (6) after Ovid, for oboe solo, Op. 49: 6. Arethusa (Largamente) (von Roy Carter)
- Nocturnal after John Dowland, for guitar, Op. 70: 1. Musingly (Meditativo) (von Julian Bream)
- Nocturnal after John Dowland, for guitar, Op. 70: 2. Agitated (Molto agitativo) (von Julian Bream)
- Nocturnal after John Dowland, for guitar, Op. 70: 3. Restless (Inquieto) (von Julian Bream)
- Nocturnal after John Dowland, for guitar, Op. 70: 4. Uneasy (Ansioso) (von Julian Bream)
- Nocturnal after John Dowland, for guitar, Op. 70: 5. March-like (Quasi una marcia) (von Julian Bream)
- Nocturnal after John Dowland, for guitar, Op. 70: 6. Dreaming (Sognanti) (von Julian Bream)
- Nocturnal after John Dowland, for guitar, Op. 70: 7. Gently rocking (Cullante) (von Julian Bream)
- Nocturnal after John Dowland, for guitar, Op. 70: 8. Passacaglia (Misurato) (von Julian Bream)
- Nocturnal after John Dowland, for guitar, Op. 70: 9. Slow and quiet (Tranquillo) (von Julian Bream)
War Requiem (beginning)
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Requiem aeternam. Requiem aeternam dona eis Domine
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Requiem aeternam. What passing bells for these who die as cattle? (von Robert Tear, City of Birmingham Symphony Orchestra, Simon Rattle)
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Requiem aeternam. Kyrie eleison (von City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle)
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Dies irae. Dies irae, dies illa (von City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle)
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Dies irae. Bugles sang, saddening the evening air (von Sir Thomas Allen, City of Birmingham Symphony Orchestra, Simon Rattle)
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Dies irae. Liber scriptus proferetur
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Dies irae. Out there, we've walked quite friendly up to Death
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Dies irae. Recordare Jesu pie (von City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle)
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Dies irae. Be slowly lifted up, thou long black arm (von Sir Thomas Allen, City of Birmingham Symphony Orchestra, Simon Rattle)
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Dies irae. Dies irae, dies illa (von City of Birmingham Symphony Orchestra Chorus, City of Birmingham Symphony Orchestra, Simon Rattle)
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Dies irae. Lacrimosa dies illa
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Dies irae. Move him into the sun . . . Pie Jesu
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Offertorium. Domine Jesu Christe
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Offertorium. So Abram rose, and clave the wood, and went
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Sanctus. Sanctus, sanctus, sanctus
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Sanctus. Benedictus qui venit in nomine Domini
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Sanctus. After the blast of lightning from the East (von Sir Thomas Allen, City of Birmingham Symphony Orchestra, Simon Rattle)
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Agnus Dei
War Requiem (conclusion) / Spring Symphony
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Libera me. Libera me, Domine, de morte aeterna
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Libera me. It seemed that out of battle I escaped
- War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Libera me. Let us sleep now... In paradisum
- Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 1. Introduction (von London Symphony Orchestra, André Previn)
- Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 1. The Merry Cuckoo (von London Symphony Orchestra, André Previn)
- Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 1. Spring, the sweet Spring (von London Symphony Orchestra, André Previn)
- Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 1. The Driving Boy (von London Symphony Orchestra, André Previn)
- Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 1. The Morning Star (von London Symphony Orchestra, André Previn)
- Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 2. Welcome Maids of Honour (von London Symphony Orchestra, André Previn)
- Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 2. Waters above (von London Symphony Orchestra, André Previn)
- Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 2. Out on the lawn I lie abed (von London Symphony Orchestra, André Previn)
- Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 3. When will my May come? (von London Symphony Orchestra, André Previn)
- Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 3. Fair and fair (von London Symphony Orchestra, André Previn)
- Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 3. Sound the flute (von London Symphony Orchestra, André Previn)
- Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 4. Finale: London, to thee I do present (von London Symphony Orchestra, André Previn)
- Hymn to St. Cecilia, for chorus, Op. 27: 1. In a garden shady this holy lady (von Choir of King’s College, Cambridge, Sir David Willcocks)
- Hymn to St. Cecilia, for chorus, Op. 27: 2. I cannot grow (von Choir of King’s College, Cambridge, Sir David Willcocks)
- Hymn to St. Cecilia, for chorus, Op. 27: 3. O ear whose creatures cannot wish to fail
- A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 1. Procession (von Choir of King’s College, Cambridge, Sir David Willcocks)
- A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 2. Wolcum Yole! (von Choir of King’s College, Cambridge, Sir David Willcocks)
- A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 3. There is no rose (von Choir of King’s College, Cambridge, Osian Ellis, Sir David Willcocks)
- A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 4. a. That yongë child (von Choir of King’s College, Cambridge, Sir David Willcocks)
- A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 4. b. Balulalow (von Choir of King’s College, Cambridge, Sir David Willcocks)
- A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 5. As dew in Aprille (von Choir of King’s College, Cambridge, Osian Ellis, Sir David Willcocks)
- A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 6. This little babe (von Choir of King’s College, Cambridge, Sir David Willcocks)
- A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 7. Interlude (Andante pastorale) (von Choir of King’s College, Cambridge, Sir David Willcocks)
- A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 8. In freezing winter night (von Choir of King’s College, Cambridge, Sir David Willcocks)
- A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 9. Spring Carol (von Choir of King’s College, Cambridge, Sir David Willcocks)
- A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 10. Deo gracias! (von Choir of King’s College, Cambridge, Sir David Willcocks)
- A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 11. Recession (von Choir of King’s College, Cambridge, Sir David Willcocks)
- Missa Brevis, for boys' chorus & organ in D major, Op. 63: 1. Kyrie (von Choir of King’s College, Cambridge, Sir David Willcocks)
- Missa Brevis, for boys' chorus & organ in D major, Op. 63: 2. Gloria (von Choir of King’s College, Cambridge, Sir David Willcocks)
- Missa Brevis, for boys' chorus & organ in D major, Op. 63: 3. Sanctus (von Choir of King’s College, Cambridge, Sir David Willcocks)
- Missa Brevis, for boys' chorus & organ in D major, Op. 63: 4. Benedictus (von Choir of King’s College, Cambridge, Sir David Willcocks)
- Missa Brevis, for boys' chorus & organ in D major, Op. 63: 5. Agnus Dei (von Choir of King’s College, Cambridge, Sir David Willcocks)
- Festival Te Deum, for trumpet, chorus & organ, Op. 32 (von Choir of King’s College, Cambridge, James Lancelot, Philip Ledger)
- Rejoice in the Lamb, festival cantata for trumpet, ATB soloists, chorus & organ, Op. 30: Rejoice in God, o ye Tongues
- Rejoice in the Lamb, festival cantata for trumpet, ATB soloists, chorus & organ, Op. 30: For I will consider my Cat Jeoffry
- Rejoice in the Lamb, festival cantata for trumpet, ATB soloists, chorus & organ, Op. 30: For the Mouse is a creature of great personal valour
- Rejoice in the Lamb, festival cantata for trumpet, ATB soloists, chorus & organ, Op. 30: For the flowers are great blessings
- Rejoice in the Lamb, festival cantata for trumpet, ATB soloists, chorus & organ, Op. 30: For I am under the same accusation with My Saviour
- Rejoice in the Lamb, festival cantata for trumpet, ATB soloists, chorus & organ, Op. 30: For H is a spirit and therefore he is God
- Rejoice in the Lamb, festival cantata for trumpet, ATB soloists, chorus & organ, Op. 30: Hallelujah from the heart of God
- Te Deum, for trumpet, chorus & organ in C major (von Choir of King’s College, Cambridge, James Lancelot, Philip Ledger)
- Jubilate Deo, for chorus & organ in C major (von Choir of King’s College, Cambridge, James Lancelot, Philip Ledger)
- A Hymn to the Virgin, for double chorus (von Cambridge Girls Choir, Academy of St Martin in the Fields, Sir David Willcocks)
- Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 1. Introduction
- Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 2. The Birth of Nicolas
- Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 3. Nicolas devotes himself to God
- Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 4. He journeys to Palestine
- Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 5. Nicolas comes to Myra and is chosen Bishop
- Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 6. Nicolas from Prison
- Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 7. Nicolas and the Pickled Boys
- Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 8. His Piety and Marvellous Works
- Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 9. The death of Nicolas
- Hymn to St. Peter, for trumpet, chorus & organ, Op. 56a (von Cambridge Girls Choir, Academy of St Martin in the Fields, Sir David Willcocks)
- Hymn of St. Columba (Regis regum rectissimi), for chorus & organ (von Vasari Singers, Jeremy Backhouse)
- Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91: 1. St Godric's Hymn (von Vasari Singers, Jeremy Backhouse)
- Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91: 2. I mon waxe sod (von Vasari Singers, Jeremy Backhouse)
- Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91: 3. Lenten is come (von Vasari Singers, Jeremy Backhouse)
- Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91: 4. The long night (von Vasari Singers, Jeremy Backhouse)
- Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91: 5. Yif ic of luve can (von Vasari Singers, Jeremy Backhouse)
- Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91: 6. Carol (von Vasari Singers, Jeremy Backhouse)
- Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91: 7. Ye that pasen by (von Vasari Singers, Jeremy Backhouse)
- Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91: 8. A death (von Vasari Singers, Jeremy Backhouse)
- The Little Sweep, children's opera, Op. 45: Scene 1. 1. The Sweep's Song: Sweep! Sweep! (Audience Song 1)
- The Little Sweep, children's opera, Op. 45: Scene 1. 2. Quartet: Sweep this chimney
- The Little Sweep, children's opera, Op. 45: Scene 1. 3. Duet: Now, little white boy!
- The Little Sweep, children's opera, Op. 45: Scene 1. 3a. Hide and Seek: Juliet! Juliet!
- The Little Sweep, children's opera, Op. 45: Scene 1. 4. Shanty: Pull the rope gently
- The Little Sweep, children's opera, Op. 45: Scene 1. 5. Ensemble: Is he wounded?
- The Little Sweep, children's opera, Op. 45: Scene 1. 6. Marching Song: Sooty tracks upon the sheet
- The Little Sweep, children's opera, Op. 45: Scene 1. 7. Trio: Sam! Sam!
- The Little Sweep, children's opera, Op. 45: Scene 1. 8. Aria: Run, poor sweepboy
- The Little Sweep, children's opera, Op. 45: Scene 1. 9. Sammy's Bath: The kettles are singing (Audience Song 2)
- The Little Sweep, children's opera, Op. 45: Scene 2. 10. Ensemble: O why do you weep...
- The Little Sweep, children's opera, Op. 45: Scene 2. 11. Pantomime and
- The Little Sweep, children's opera, Op. 45: Scene 2. 12. Scene: Ah!... Blackguards
- The Little Sweep, children's opera, Op. 45: Scene 2. 13. Finale: Help! Help! She's collapsed!
- The Little Sweep, children's opera, Op. 45: Scene 2. 14. The Night Song: The owl, wide-winging (Audience Song 3)
- The Little Sweep, children's opera, Op. 45: Scene 3. 15. Aria: Soon the coach will carry you away
- The Little Sweep, children's opera, Op. 45: Scene 3. 16. Ensemble: Morning, Sammy
- The Little Sweep, children's opera, Op. 45: Scene 3. 17. Trio and Ensemble: Ready, Alfred?
- The Little Sweep, children's opera, Op. 45: Scene 3. 18. Finale: Coaching Song: The Horses and champing (Audience Song 4)
- A Boy Was Born, choral variations for mixed voices, Op. 3: Theme. A Boy was Born
- A Boy Was Born, choral variations for mixed voices, Op. 3: Variation 1. Lullay, Jesu
- A Boy Was Born, choral variations for mixed voices, Op. 3: Variation 2. Herod
- A Boy Was Born, choral variations for mixed voices, Op. 3: Variation 3. Jesu, as Thou art our Saviour
- A Boy Was Born, choral variations for mixed voices, Op. 3: Variation 4. The Three Kings
- A Boy Was Born, choral variations for mixed voices, Op. 3: Variation 5. In the Bleak Mid-Winter
- A Boy Was Born, choral variations for mixed voices, Op. 3: Variation 6. Noël!
- A Shepherd's Carol, for chorus
Noye's Fludde / A.M.D.G. / The Ballad of Little Musgrave and Lady Barnard
- Noye's Fludde, children's opera, Op. 59: Lord Jesus, think on me
- Noye's Fludde, children's opera, Op. 59: I, God, that all this worlde hath wroughte
- Noye's Fludde, children's opera, Op. 59: O, Lorde, I thanke thee lowde and still
- Noye's Fludde, children's opera, Op. 59: Now in the name of God I will begyne
- Noye's Fludde, children's opera, Op. 59: Wyffe, in this vessel we shall be kepte
- Noye's Fludde, children's opera, Op. 59: Noye, Noye, take thou thy company
- Noye's Fludde, children's opera, Op. 59: Sir! Here are lions, lepardes, in
- Noye's Fludde, children's opera, Op. 59: Wiffe, come in!
- Noye's Fludde, children's opera, Op. 59: It is good for to be still
- Noye's Fludde, children's opera, Op. 59: Eternal Father, strong to save
- Noye's Fludde, children's opera, Op. 59: Now forty dayes are fullie gone
- Noye's Fludde, children's opera, Op. 59: Noye, take they wife anone
- Noye's Fludde, children's opera, Op. 59: Noye, heare I behette thee a heste
- Noye's Fludde, children's opera, Op. 59: The spacious firmament on high
- A. M. D. G. (Ad Majorem Dei Gloriam), for chorus, Op. 17: Heaven-Haven
- A. M. D. G. (Ad Majorem Dei Gloriam), for chorus, Op. 17: O deus, ego amo te
- A. M. D. G. (Ad Majorem Dei Gloriam), for chorus, Op. 17: Rosa Mystica
- A. M. D. G. (Ad Majorem Dei Gloriam), for chorus, Op. 17: The Soldier
- A. M. D. G. (Ad Majorem Dei Gloriam), for chorus, Op. 17: Prayer 2
- A. M. D. G. (Ad Majorem Dei Gloriam), for chorus, Op. 17: God's Grandeur
- A. M. D. G. (Ad Majorem Dei Gloriam), for chorus, Op. 17: Prayer 1
- Ballad of Little Musgrave and Lady Barnard, for male chorus & piano
The Company of Heaven / Ballad of Heroes / Praise We Great Men
- The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 1. 1. Chaos
- The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 1. 2. The Morning Stars
- The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 2. 3. Angels appear to Jacob, Elisha and Mary
- The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 2. 4. Christ, the fair glory
- The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 2. 5. War in Heaven
- The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 3. 6. Heaven is here
- The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 3. 7. A thousand, thousand gleaming fires
- The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 3. 8. Funeral March for a Boy
- The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 3. 9. Whoso dwelleth under the defence of the most High
- The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 3. 10. There came out also at this time
- The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 3. 11. Ye watchers and ye holy ones
- Ballad of Heroes, for high voice, chorus & orchestra, Op. 14: 1. Funeral March (von City of Birmingham Symphony Chorus, City of Birmingham Symphony Orchestra, Simon Rattle)
- Ballad of Heroes, for high voice, chorus & orchestra, Op. 14: 2. Scherzo (von City of Birmingham Symphony Chorus, City of Birmingham Symphony Orchestra, Simon Rattle)
- Ballad of Heroes, for high voice, chorus & orchestra, Op. 14: 3. Recitative and Choral
- Praise We Great Men, for voices, chorus & orchestra: Praise we great men (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Praise We Great Men, for voices, chorus & orchestra: Praise we the just (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Praise We Great Men, for voices, chorus & orchestra: (Coda) (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Les illuminations, song cycle for high voice & strings, Op. 18: 1. Fanfare
- Les illuminations, song cycle for high voice & strings, Op. 18: 2. Villes
- Les illuminations, song cycle for high voice & strings, Op. 18: 3a. Phrase
- Les illuminations, song cycle for high voice & strings, Op. 18: 3b. Antique
- Les illuminations, song cycle for high voice & strings, Op. 18: 4. Royauté
- Les illuminations, song cycle for high voice & strings, Op. 18: 5. Marine
- Les illuminations, song cycle for high voice & strings, Op. 18: 6. Interlude
- Les illuminations, song cycle for high voice & strings, Op. 18: 7. Being Beauteous
- Les illuminations, song cycle for high voice & strings, Op. 18: 8. Parade
- Les illuminations, song cycle for high voice & strings, Op. 18: 9. Départ
- Serenade, for tenor, horn & strings, Op. 31: Prologue (von Barry Tuckwell)
- Serenade, for tenor, horn & strings, Op. 31: 1. Pastoral
- Serenade, for tenor, horn & strings, Op. 31: 2. Nocturne
- Serenade, for tenor, horn & strings, Op. 31: 3. Elegy
- Serenade, for tenor, horn & strings, Op. 31: 4. Dirge
- Serenade, for tenor, horn & strings, Op. 31: 5. Hymn
- Serenade, for tenor, horn & strings, Op. 31: 6. Sonnet
- Serenade, for tenor, horn & strings, Op. 31: Epilogue (von Barry Tuckwell)
- Now sleeps the crimson petal, song for tenor, horn & strings
- Nocturne, for tenor, 7 instruments & strings, Op. 60: On a poet's lips I slept
- Nocturne, for tenor, 7 instruments & strings, Op. 60: Below the thunders of the upper deep
- Nocturne, for tenor, 7 instruments & strings, Op. 60: Encinctured with a twine of leaves
- Nocturne, for tenor, 7 instruments & strings, Op. 60: Midnight's bell goes ting, ting, ting, ting, ting
- Nocturne, for tenor, 7 instruments & strings, Op. 60: But that night when on my bed I lay
- Nocturne, for tenor, 7 instruments & strings, Op. 60: She sleeps on soft, last breaths
- Nocturne, for tenor, 7 instruments & strings, Op. 60: What is more gentle whan a wind in summer?
- Nocturne, for tenor, 7 instruments & strings, Op. 60: When most I wink, then do my eyes best see
- Chansons Françaises (4), for voice & orchestra: 1. Les Nuits de juin (von Jill Gomez, City of Birmingham Symphony Orchestra, Simon Rattle)
- Chansons Françaises (4), for voice & orchestra: 2. Sagesse (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Chansons Françaises (4), for voice & orchestra: 3. L'Enfance (von City of Birmingham Symphony Orchestra, Simon Rattle)
- Chansons Françaises (4), for voice & orchestra: 4. Chanson d'automne (von Jill Gomez, City of Birmingham Symphony Orchestra, Simon Rattle)
- Our Hunting Fathers, song cycle for high voice & orchestra, Op. 8: Prologue (von Elisabeth Söderström, Orchestra of the Welsh National Opera, Richard Armstrong)
- Our Hunting Fathers, song cycle for high voice & orchestra, Op. 8: A. Rats Away! (von Elisabeth Söderström, Orchestra of the Welsh National Opera, Richard Armstrong)
- Our Hunting Fathers, song cycle for high voice & orchestra, Op. 8: B. Messalina (von Elisabeth Söderström, Orchestra of the Welsh National Opera, Richard Armstrong)
- Our Hunting Fathers, song cycle for high voice & orchestra, Op. 8: C. Dance of Death (von Elisabeth Söderström, Orchestra of the Welsh National Opera, Richard Armstrong)
- Our Hunting Fathers, song cycle for high voice & orchestra, Op. 8: Epilogue and Funeral March (von Elisabeth Söderström, Orchestra of the Welsh National Opera, Richard Armstrong)
- Little Sir William, for voice & piano (Folk Songs, Vol. 1) (von Elisabeth Söderström, Orchestra of the Welsh National Opera, Richard Armstrong)
- Come you not from Newcastle?, for voice & piano (Folk Songs, Vol. 3) (von Elisabeth Söderström, Orchestra of the Welsh National Opera, Richard Armstrong)
- The Bonny Earl o' Moray, for voice & piano (Folk Songs, Vol. 1) (von Elisabeth Söderström, Orchestra of the Welsh National Opera, Richard Armstrong)
- Oliver Cromwell, for voice & piano (Folk Songs, Vol. 1) (von Elisabeth Söderström, Orchestra of the Welsh National Opera, Richard Armstrong)
- Phaedra, dramatic cantata for mezzo-soprano, string orchestra, percussion & harpsichord, Op. 93: In May, in brilliant Athens
- Phaedra, dramatic cantata for mezzo-soprano, string orchestra, percussion & harpsichord, Op. 93: O Gods of wrath
- Phaedra, dramatic cantata for mezzo-soprano, string orchestra, percussion & harpsichord, Op. 93: My time's too short, your highness
- La belle est au jardin d'amour, for voice & piano (Folk Songs, Vol. 2) (von Felicity Palmer, Endymion Ensemble, John Whitfield)
- Folksong Arrangements, Vol. II "France", for voice & piano: Eho! Eho! (von Felicity Palmer, Endymion Ensemble, John Whitfield)
- Folksong Arrangements, Vol. II "France", for voice & piano: Fileuse, folksong for voice & piano (Folk Songs, Vol. 2) (von Felicity Palmer, Endymion Ensemble, John Whitfield)
- Folksong Arrangements, Vol. II "France", for voice & piano: Quand j'étais chez mon père, for voice & piano (Folk Songs, Vol. 2) (von Felicity Palmer, Endymion Ensemble, John Whitfield)
- Le roi s'en va-t'en chasse, for voice & piano (Folk Songs, Vol. 2) Le roi s'en va-t'en chasse (von Felicity Palmer, Endymion Ensemble, John Whitfield)
- Sonnets (7) of Michelangelo, for voice & piano, Op. 22: 1. Sì come nella penna (16) (von Peter Pears, Benjamin Britten)
- Sonnets (7) of Michelangelo, for voice & piano, Op. 22: 2. A che più debb'io mai (31) (von Peter Pears, Benjamin Britten)
- Sonnets (7) of Michelangelo, for voice & piano, Op. 22: 3. Veggio co' bei vostri occhi (30) (von Peter Pears, Benjamin Britten)
- Sonnets (7) of Michelangelo, for voice & piano, Op. 22: 4. Tu sa' ch'io so (55) (von Peter Pears, Benjamin Britten)
- Sonnets (7) of Michelangelo, for voice & piano, Op. 22: 5. Rendete a gli occhi miei (38) (von Peter Pears, Benjamin Britten)
- Sonnets (7) of Michelangelo, for voice & piano, Op. 22: 6. S'un casto amor (32) (von Peter Pears, Benjamin Britten)
- Sonnets (7) of Michelangelo, for voice & piano, Op. 22: 7. Spirito ben nato (24) (von Peter Pears, Benjamin Britten)
- The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 1. Oh my blacke soule (von Peter Pears, Benjamin Britten)
- The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 2. Batter my heart (von Peter Pears, Benjamin Britten)
- The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 3. O might those sighes and teares (von Peter Pears, Benjamin Britten)
- The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 4. Oh, to vex me (von Peter Pears, Benjamin Britten)
- The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 5. What if this present (von Peter Pears, Benjamin Britten)
- The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 6. Since she whom I loved (von Peter Pears, Benjamin Britten)
- The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 7. At the round earth's imagined corners (von Peter Pears, Benjamin Britten)
- The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 8. Thou hast made me (von Peter Pears, Benjamin Britten)
- The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 9. Death, be not proud (von Peter Pears, Benjamin Britten)
- On this Island, song cycle for voice & piano, Op. 11: 1. Let the florid music praise! (von Robert Tear, Philip Ledger)
- On this Island, song cycle for voice & piano, Op. 11: 2. Now the leaves are falling fast (von Robert Tear, Philip Ledger)
- On this Island, song cycle for voice & piano, Op. 11: 3. Seascape (von Robert Tear, Philip Ledger)
- On this Island, song cycle for voice & piano, Op. 11: 4. Nocturne (von Robert Tear, Philip Ledger)
- On this Island, song cycle for voice & piano, Op. 11: 5. As it is; plenty (von Robert Tear, Philip Ledger)
- Winter Words, song cycle for tenor & piano, Op. 52: 1. At day-close in November (von Robert Tear, Philip Ledger)
- Winter Words, song cycle for tenor & piano, Op. 52: 2. Midnight on the Great Western (or the Journeying Boy) (von Robert Tear, Philip Ledger)
- Winter Words, song cycle for tenor & piano, Op. 52: 3. Wagtail and Baby (A Satire) (von Robert Tear, Philip Ledger)
- Winter Words, song cycle for tenor & piano, Op. 52: 4. The Little Old Table (von Robert Tear, Philip Ledger)
- Winter Words, song cycle for tenor & piano, Op. 52: 5. The Choirmaster's Burial (or The Tenor Man's Story) (von Robert Tear, Philip Ledger)
- Winter Words, song cycle for tenor & piano, Op. 52: 6. The Proud Songsters (Thrushes, Finches and Nightingales) (von Robert Tear, Philip Ledger)
- Winter Words, song cycle for tenor & piano, Op. 52: 7. At the Railway Station, Upway (or The Convict and Boy with the Violin) (von Robert Tear, Philip Ledger)
- Winter Words, song cycle for tenor & piano, Op. 52: 8. Before Life and After (von Robert Tear, Philip Ledger)
The Five Canticles / Folksong arrangements
- Canticle I: My Beloved Is Mine, for high voice & piano, Op. 40 (von Ian Bostridge, Julius Drake)
- Canticle II: Abraham and Isaac, for alto, tenor & piano, Op. 51
- Canticle III:Still Falls the Rain, for tenor, horn & piano, Op. 55
- Canticle IV: The Journey of the Magi, for countertenor, tenor, baritone & piano, Op. 86
- Canticle V: The Death of St Narcissus, for tenor & harp, Op. 89
- The Plough Boy , folksong for voice & piano (Folk Songs, Vol. 3)
- The Salley Gardens , for voice & piano (Folk Songs, Vol. 1)
- The Foggy, Foggy Dew , for voice & piano (Folk Songs, Vol. 3)
- There's None to Soothe , for voice & piano (Folk Songs, Vol. 3)
- O Waly, Waly , for voice & piano (Folk Songs, Vol. 3)
- The Ash Grove , for voice & piano (Folk Songs, Vol. 1) (von Ian Bostridge, Julius Drake)
- Greensleeves , folk song (von Ian Bostridge, Julius Drake)
- Songs (2) by Thomas Hardy, for voice & piano: The Children and Sir Nameless
- Songs (2) by Thomas Hardy, for voice & piano: If it's ever spring again
- Beware!, early songs (3) for medium voice & piano: 1. Beware!
- Beware!, early songs (3) for medium voice & piano: 2. O that I had ne'er been married
- Beware!, early songs (3) for medium voice & piano: 3. Epitaph: The Clerk
- Not even summer yet, song for high voice & piano
- Songs (2) by W. H. Auden, for voice & piano: To lie flat on the back
- Songs (2) by W. H. Auden, for voice & piano: Night covers up the rigid land
- The Oxen, carol for female chorus & piano
- Dawtie's Devotion, song for voice & piano (discarded from "Who are these Children," Op. 84)
- Tradition, song for voice & piano (discarded from "Who are these Children," Op. 84)
- The Gully, song for voice & piano (discarded from "Who are these Children," Op. 84)
- Tit for Tat, song cycle for voice & piano: 1. A Song of Enchantment
- Tit for Tat, song cycle for voice & piano: 3. Silver
- Tit for Tat, song cycle for voice & piano: 5. Tit for Tat
- Ballads (2), for 2 voices & piano: 1. Mother Comfort
- Ballads (2), for 2 voices & piano: 2. Underneath the Abject Willow
- Folksong Arrangements, Vol. III "British Isles", for voice & piano Sweet Polly Oliver (von Robert Tear, Philip Ledger)
- Folksong Arrangements, Vol. IV "Moore's Irish Melodies", for voice & piano The Minstrel Boy (von Robert Tear, Philip Ledger)
- Folksong Arrangements, Vol. V "British Isles", for voice & piano: The Brisk Young Widow (von Robert Tear, Philip Ledger)
- Folksong Arrangements, Vol. V "British Isles", for voice & piano: Ca' the Yowes (von Robert Tear, Philip Ledger)
- Folksong Arrangements, Vol. V "British Isles", for voice & piano: The Lincolnshire Poacher (von Robert Tear, Philip Ledger)
- Folksong Arrangements, Vol. I "British Isles", for voice & piano: O can ye sew cushions? (von Robert Tear, Philip Ledger)
- Folksong Arrangements, Vol. I "British Isles", for voice & piano: The trees they grow so high (von Robert Tear, Philip Ledger)
- Folksong Arrangements, Vol. V "British Isles", for voice & piano Early one morning (von Sarah Brightman, Geoffrey Parsons)
- Folksong Arrangements, Vol. IV "Moore's Irish Melodies", for voice & piano How sweet the answer (von Sarah Brightman, Geoffrey Parsons)
- Folksong Arrangements, Vol. II "France", for voice & piano Voici le printemps (von Sarah Brightman, Geoffrey Parsons)
- Folksong Arrangements, Vol. IV "Moore's Irish Melodies", for voice & piano: The last rose of Summer (von Sarah Brightman, Geoffrey Parsons)
- Folksong Arrangements, Vol. IV "Moore's Irish Melodies", for voice & piano: Dear Harp of my Country! (von Sarah Brightman, Geoffrey Parsons)
- Folksong Arrangements, Vol. IV "Moore's Irish Melodies", for voice & piano: Oft in the stilly night (von Sarah Brightman, Geoffrey Parsons)
Purcell arrangements / Schubert: Die Forelle / Schumann: Frülingsnacht
- The Queen's Epicedium, for soprano or tenor & piano (Purcell Realization)
- Purcell Realizations from Orpheus Britannicus: Duets (6), for 2 voices & piano: Sound the Trumpet (von Felicity Lott, Ann Murray, Graham Johnson)
- Purcell Realizations from Orpheus Britannicus: Songs (5), for voice & piano: I attempt from love's sickness to fly
- Purcell Realizations from Orpheus Britannicus: Duets (6), for 2 voices & piano: Lost is my quiet for ever
- Purcell Realizations from Orpheus Britannicus: Songs (7), for voice & piano: Fairest Isle
- Purcell Realizations from Orpheus Britannicus: Duets (6), for 2 voices & piano: What can we poor females do?
- Purcell Realizations from Orpheus Britannicus: Songs (7), for voice & piano: I'll sail upon the Dog-star
- Purcell Realizations from Orpheus Britannicus: Songs (7), for voice & piano: Hears not my Phyllis (The Knotting Song), song, Z. 371
- Purcell Realizations from Orpheus Britannicus: Duets (6), for 2 voices & piano: Man is for the woman made
- Purcell Realizations from Orpheus Britannicus: Songs (5), for voice & piano: 1. Let sullen discord smile
- Purcell Realizations from Orpheus Britannicus: Songs (5), for voice & piano: 2. Why should men quarrel
- Purcell Realizations from Orpheus Britannicus: Songs (5), for voice & piano: 3. So when the glittering Queen of Night
- Purcell Realizations from Orpheus Britannicus: Songs (5), for voice & piano: 4. Thou tun'st this world
- Purcell Realizations from Orpheus Britannicus: Songs (5), for voice & piano: 5a. 'tis holiday / 5b. Sound Fame thy brazen trumpet
- Die Forelle ("In einem Bächlein helle"), song for voice & piano, D. 550 (Op. 32)
- Frühlingsnacht ("Uberm Garten durch die Lüfte"), song for voice & piano (Liederkreis), Op. 39/12
Paul Bunyan
- Paul Bunyan, operetta, Op. 17: 1. Introduction
- Paul Bunyan, operetta, Op. 17: 2. Prologue. Since the birth of the earth
- Paul Bunyan, operetta, Op. 17: 2. Prologue. No. No. We do not want life to be slow
- Paul Bunyan, operetta, Op. 17: 2. Prologue. Ooh! Ooh! O how terrible to be as old fashined as a tree
- Paul Bunyan, operetta, Op. 17: 2. Prologue. You are all to leave here
- Paul Bunyan, operetta, Op. 17: 2. Prologue. It isn't very often the conservatives are wrong... / But once in a while the odd thing
- Paul Bunyan, operetta, Op. 17: 2a. First Ballad Interlude: The cold wind blew through the crooked thorn
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 3. Bunyan's Greeting
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 3a. Call of Lumberjacks
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 4. Lumberjack's Chorus: My birthplace was in Sweden
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 4a. Bunyan's Welcome
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 5. Quartet of Swedes: Swedish born and Swedish bred
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 6. Western Union Boy's Song: A telegram from oversea
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 7. Cooks' Duet: Sam for soups. Ben for beans
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 8. Animal Trio: Ah! Miaou! The single creature lives a partial life
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 8a. Bunyan's Goodnight (1)
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 8b. Exit of Lumberjacks: Down the line... Timberr
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 9. The Blues: Gold in the North came the blizzard to say
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 10. Bunyan's Goodnight (2)
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 10a. Second Ballad Interlude: The Spring came and the Summer and Fall
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 11. Food Chorus: Do I look the sort of fellow
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 12. Chorus Accusation: There now look what you have done
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 12a. Slim's Song: In fair days and foul... I come from open spaces
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 13. Bunyan's Return: Look, the Chief is back
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 14. Inkslinger's Song: It was out in the sticks
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 14a. Entrance of Chorus
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 15. Tiny's Entrance
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 15a. Tiny's Song: Ah!... Whether the sun shine upon children playing
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 16. Inkslinger's Regret: All the little brooks of love
- Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 17. Bunyan's Goodnight (3)
Paul Bunyan
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 18. Bunyan's Good Morning
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 18a. Shears' Song: It has always been my dream
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 18b. Bunyan's Warning
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 19. Farmer's Song: The shanty-boy invades the wood
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 19a. Farmers' Exit
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 20. The Mocking of Hel Helson: Heron, heron winging by
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 21. Fido's Sympathy: Why won't you tell me what's the matter?
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 22. Cat's Creed: Let Man the romantic in vision espy
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 23. The Fight: What is it? What's happening?
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 23a. Love Duet: Move, move from the trysting stone
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 23b. Mock Funeral March: Take away the body and lay it on ice
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 23c. Hymn: O great day of discovery!
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 24. Third Ballad Interlude: So Helson smiled and Bunyan smiled
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 2. 25. The Christmas Party. Rah! Another slice of turkey
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 2. 25. The Christmas Party. Dear friends, with your leave
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 2. 25. The Christmas Party. Carry her over the water
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 2. 25. The Christmas Party. Where we are is not very far
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 2. 25. The Christmas Party. A telegram from Hollywood
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 2. 25. The Christmas Party. We always knew that one day you
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 2. 26. Bunyan's Farewell
- Paul Bunyan, operetta, Op. 17: Act 2. Scene 2. 27. Litany: The campfire embers are black and cold
- Paul Bunyan, operetta, Op. 17: Appendix. Overture
- Paul Bunyan, operetta, Op. 17: Appendix. Inkslinger's Love Song
- Paul Bunyan, operetta, Op. 17: Appendix. Lullaby of Dream Shadows
Peter Grimes
- Peter Grimes, opera, Op. 33: Prologue. Peter Grimes!
- Peter Grimes, opera, Op. 33: Prologue. You sailed your boat round the coast
- Peter Grimes, opera, Op. 33: Prologue. Peter Grimes, I here advise you!
- Peter Grimes, opera, Op. 33: Prologue. The truth - the pity
- Peter Grimes, opera, Op. 33: Prologue. Interlude 1: Dawn
- Peter Grimes, opera, Op. 33: Act 1. Scene 1. Oh hang at open doors the net
- Peter Grimes, opera, Op. 33: Act 1. Scene 1. Hi! Give us a hand!
- Peter Grimes, opera, Op. 33: Act 1. Scene 1. I have to go from pub to pub
- Peter Grimes, opera, Op. 33: Act 1. Scene 1. Let her among you without a fault cast the first stone
- Peter Grimes, opera, Op. 33: Act 1. Scene 1. Look! The storm cone!
- Peter Grimes, opera, Op. 33: Act 1. Scene 1. And do you prefer the storm
- Peter Grimes, opera, Op. 33: Act 1. Scene 1. They listen to money
- Peter Grimes, opera, Op. 33: Act 1. Scene 1. What harbour shelters peace
- Peter Grimes, opera, Op. 33: Act 1. Scene 1. Interlude 2: Storm
- Peter Grimes, opera, Op. 33: Act 1. Scene 2. Past time to close!
- Peter Grimes, opera, Op. 33: Act 1. Scene 2. Come on, boy!
- Peter Grimes, opera, Op. 33: Act 1. Scene 2. Have you heard the cliff is down
- Peter Grimes, opera, Op. 33: Act 1. Scene 2. Now the Great Bear and the Pleiades
- Peter Grimes, opera, Op. 33: Act 1. Scene 2. Old Joe has gone fishing
- Peter Grimes, opera, Op. 33: Act 1. Scene 2. The bridge is down
- Peter Grimes, opera, Op. 33: Act 2. Interlude 3: Sunday morning
- Peter Grimes, opera, Op. 33: Act 2. Scene 1. Glitter of waves and glitter of sunlight
- Peter Grimes, opera, Op. 33: Act 2. Scene 1. Child you're not too young to know
- Peter Grimes, opera, Op. 33: Act 2. Scene 1. This unrelenting work
Peter Grimes
- Peter Grimes, opera, Op. 33: Act 2. Scene 1. Fool to let it come to this!
- Peter Grimes, opera, Op. 33: Act 2. Scene 1. People...! No! I will speak!
- Peter Grimes, opera, Op. 33: Act 2. Scene 1. We planned that their lives should have a new start
- Peter Grimes, opera, Op. 33: Act 2. Scene 1. Now is gossip put on trial
- Peter Grimes, opera, Op. 33: Act 2. Scene 1. From the gutter
- Peter Grimes, opera, Op. 33: Act 2. Scene 1. Interlude 4: Passacaglia
- Peter Grimes, opera, Op. 33: Act 2. Scene 2. Go there!
- Peter Grimes, opera, Op. 33: Act 2. Scene 2. In dreams I've built myself some kindlier home
- Peter Grimes, opera, Op. 33: Act 2. Scene 2. Now!... Now!
- Peter Grimes, opera, Op. 33: Act 2. Scene 2. Peter Grimes! Nobody here?
- Peter Grimes, opera, Op. 33: Act 3. Interlude 5: Moonlight
- Peter Grimes, opera, Op. 33: Act 3. Scene 1. Assign your prettiness to me
- Peter Grimes, opera, Op. 33: Act 3. Scene 1. Mr Keene!
- Peter Grimes, opera, Op. 33: Act 3. Scene 1. Come along, Doctor
- Peter Grimes, opera, Op. 33: Act 3. Scene 1. Embroidery in childhood was a luxury of idleness
- Peter Grimes, opera, Op. 33: Act 3. Scene 1. Mr Swallow, Mr Swallow
- Peter Grimes, opera, Op. 33: Act 3. Scene 1. Who holds himself apart lets his pride rise
- Peter Grimes, opera, Op. 33: Act 3. Scene 1. Interlude 6
- Peter Grimes, opera, Op. 33: Act 3. Scene 2. Grimes!
- Peter Grimes, opera, Op. 33: Act 3. Scene 2. Peter, we've come to take you home
- Peter Grimes, opera, Op. 33: Act 3. Scene 2. To those who pass the Borough
The Turn of the Screw
- Turn of the Screw, chamber opera, Op. 54: Prologue
- Turn of the Screw, chamber opera, Op. 54: Act 1. Theme
- Turn of the Screw, chamber opera, Op. 54: Act 1. Scene 1. The Journey
- Turn of the Screw, chamber opera, Op. 54: Act 1. Variation 1
- Turn of the Screw, chamber opera, Op. 54: Act 1. Scene 2. The Welcome
- Turn of the Screw, chamber opera, Op. 54: Act 1. Variation 2
- Turn of the Screw, chamber opera, Op. 54: Act 1. Scene 3. The Letter
- Turn of the Screw, chamber opera, Op. 54: Act 1. Variation 3
- Turn of the Screw, chamber opera, Op. 54: Act 1. Scene 4. The Tower
- Turn of the Screw, chamber opera, Op. 54: Act 1. Variation 4
- Turn of the Screw, chamber opera, Op. 54: Act 1. Scene 5. The Window
- Turn of the Screw, chamber opera, Op. 54: Act 1. Variation 5
- Turn of the Screw, chamber opera, Op. 54: Act 1. Scene 6. The Lesson
- Turn of the Screw, chamber opera, Op. 54: Act 1. Variation 6
- Turn of the Screw, chamber opera, Op. 54: Act 1. Scene 7. The Lake
- Turn of the Screw, chamber opera, Op. 54: Act 1. Variation 7
- Turn of the Screw, chamber opera, Op. 54: Act 1. Scene 8. At Night
The Turn of the Screw
- Turn of the Screw, chamber opera, Op. 54: Act 2. Variation 8
- Turn of the Screw, chamber opera, Op. 54: Act 2. Scene 1. Colliquy and Soliloquy
- Turn of the Screw, chamber opera, Op. 54: Act 2. Variation 9
- Turn of the Screw, chamber opera, Op. 54: Act 2. Scene 2. The Bells
- Turn of the Screw, chamber opera, Op. 54: Act 2. Variation 10
- Turn of the Screw, chamber opera, Op. 54: Act 2. Scene 3. Miss Jessel
- Turn of the Screw, chamber opera, Op. 54: Act 2. Variation 11
- Turn of the Screw, chamber opera, Op. 54: Act 2. Scene 4. The Bedroom
- Turn of the Screw, chamber opera, Op. 54: Act 2. Variation 12
- Turn of the Screw, chamber opera, Op. 54: Act 2. Scene 5. Quint
- Turn of the Screw, chamber opera, Op. 54: Act 2. Variation 13
- Turn of the Screw, chamber opera, Op. 54: Act 2. Scene 6. The Piano
- Turn of the Screw, chamber opera, Op. 54: Act 2. Variation 14
- Turn of the Screw, chamber opera, Op. 54: Act 2. Scene 7. Flora
- Turn of the Screw, chamber opera, Op. 54: Act 2. Variation 15
- Turn of the Screw, chamber opera, Op. 54: Act 2. Scene 8. Miles
A Midsummer Night's Dream
- A Midsummer Night's Dream, opera, Op. 64: Act 1. Introduction: The wood, deepening twilight. Over hill, over dale (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 1. Oberon is passing fell and wrath (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 1. Well, go thy way (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 1. How now my love? (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 1. Be it on lion, bear, or wolf, or bull (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 1. Welcome wanderer... I know a bank (von James Bowman, City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 1. Is all our company here? (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 1. Fair love, you faint with wand'ring in the wood (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 1. Through the forest have I gone (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 1. Stay, though thou kill me, sweet Demetrius (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 1. Come, now a roundel and a fairy song (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 1. You spotted snakes with double tongue (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 1. What thou seest when thou dost wake (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 2. Introduction: The Wood (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 2. Are we all met? (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 2. I see their knavery (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 2. Be kind and courteous to this gentleman (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 2. Hail, mortal, hail! (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: I have a reas'nable good ear in music (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 2. How now, mad spirit? (von City of London Sinfonia, Richard Hickox)
A Midsummer Night's Dream
- A Midsummer Night's Dream, opera, Op. 64: Act 2. Flower of this purple dye (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 2. Puppet? Why, so? (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 2. This is thy negligence (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 2. Up and down, up and down (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 2. On the ground, sleep sound (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 3. Introduction: The wood, early next morning. My gentle Robin, seest thou this sweet sight? (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 3. Helena! Hermia! Demetrius! Lysander! (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 3. When my cue comes, call me (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 3. Have you sent to Bottom's house? (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 3. Theseus' palace. Now, fair Hippolyta (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 3. If we offend, it is with our good will (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 3. Gentles, perchance you wonder at this show (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 3. In this same interlude it doth befall (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 3. O grim-look'd night, O night with hue so black (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 3. O Wall, full often hast thou heard my moans (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 3. You ladies, you whose gentle hearts do fear (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 3. This lanthorn doth the hornèd moon present (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 3. Sweet Moon, I thank thee for thy sunny beams (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 3. Asleep, my love? (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 3. Come, your Bergomask (von City of London Sinfonia, Richard Hickox)
- A Midsummer Night's Dream, opera, Op. 64: Act 3. Now the hungry lion roars (von City of London Sinfonia, Richard Hickox)
The Rape of Lucretia (abridged version)
- The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 1. Rome is now ruled by the Etruscan upstart (von Sir Peter Pears, English Opera Group Chamber Orchestra, Sir Reginald Goodall)
- The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 1. It is an axiom among kings
- The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 1. Here the thirsty evening
- The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 1. Lucretia! Lucretia!
- The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 1. With you two arm in arm again
- The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 1. Interlude: Tarquinius does not wait (von Sir Peter Pears, English Opera Group Chamber Orchestra, Sir Reginald Goodall)
- The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 2. Their spinning wheel unwinds
- The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 2. It is better to desire
- The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 2. The oatmeal slippers of sleep
- The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 2. None of the women move
- The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 1. She sleeps as a rose
- The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 1. Lucretia!... What do you want?
- The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 1. Go, Tarquinius!
- The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 1. Interlude: Here in this scene you see
- The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 2. Oh! What a lovely day!
- The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 2. How hideous! Take them away!
- The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 2. Flowers bring to every year
- The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 2. Too late, Junius
- The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 2. This dead hand lets fall
- The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 2. Is all this suffering and pain
Scenes from Peter Grimes / Folksong arrangements
- Peter Grimes, opera, Op. 33: Act 2. Scene 1. Whatever you say... Let her among you without fault
- Peter Grimes, opera, Op. 33: Act 1. Scene 2. Now the Great Bear and the Pleiades
- Peter Grimes, opera, Op. 33: Act 2. Scene 1. Interlude 3: Sunday Morning
- Peter Grimes, opera, Op. 33: Act 2. Scene 1. Glitter of waves
- Peter Grimes, opera, Op. 33: Act 2. Scene 1. Wherefore, I pray and beseech you
- Peter Grimes, opera, Op. 33: Act 2. Scene 1. O all ye works of the Lord
- Peter Grimes, opera, Op. 33: Act 2. Scene 2. In dreams I've built myself some kindlier home
- Peter Grimes, opera, Op. 33: Act 3. Scene 1. Embroidery in childhood
- Peter Grimes, opera, Op. 33: Interlude 6
- Peter Grimes, opera, Op. 33: Act 3. Scene 2. Grimes!... Steady. There you are
- Folksong Arrangements, Vol. III "British Isles", for voice & piano: The Plough Boy (von Peter Pears, Benjamin Britten)
- Folksong Arrangements, Vol. III "British Isles", for voice & piano: Come you not from Newcastle? (von Peter Pears, Benjamin Britten)
- Folksong Arrangements, Vol. III "British Isles", for voice & piano: The Foggy, Foggy Dew (von Peter Pears, Benjamin Britten)
- Folksong Arrangements, Vol. III "British Isles", for voice & piano: The King is gone a-hunting (von Peter Pears, Benjamin Britten)
- Folksong Arrangements, Vol. III "British Isles", for voice & piano: O Waly, Waly (von Peter Pears, Benjamin Britten)