Benjamin Britten Songtexte
A Ceremony of Carols : This little Babe
Songs From "Friday Afternoons", op. 7: Cuckoo!
Psalm 150 for voices & orchestra, op. 67
A.M.D.G.: Rosa Mystica
The Birds
Geboren am 22. November 1913, Gestorben am 04. Dezember 1976
Simple Symphony, op. 4 / Prelude & Fugue for Eighteen Strings, op. 29 / Violin Concerto, op. 15 (Compilation)
- Simple Symphony, Op. 4: I. Boisterous Bourrée
- Simple Symphony, Op. 4: II. Playful Pizzicato
- Simple Symphony, op. 4: III. Sentimental Saraband
- Simple Symphony, Op. 4: IV. Frolicsome Finale
- Prelude & Fugue for Eighteen Strings, op. 29
- Violin Concerto, op. 15: I. Moderato con moto
- Violin Concerto, op. 15: II. Vivace / III. Passacaglia. Andante lento
Britten Conducts Britten (Compilation)
The Burning Fiery Furnace, Op.77
- The Burning Fiery Furnace: Salus Aeterna
- The Burning Fiery Furnace: Good People, In His Holy Name
- The Burning Fiery Furnace: By The Royal Command
- The Burning Fiery Furnace: Adept In Magic
- The Burning Fiery Furnace: The Waters Of Babylon
- The Burning Fiery Furnace: Sirs, What Is This?
- The Burning Fiery Furnace: We Do Not Lack Enemies
- The Burning Fiery Furnace: By The Royal Decree
- The Burning Fiery Furnace: Procession
- The Burning Fiery Furnace: Merodak! Lord Of Creation!
- The Burning Fiery Furnace: Bring Them Here Before My Majesty
- The Burning Fiery Furnace: O King, Nebuchadnezzar
- The Burning Fiery Furnace: O All Ye Works Of The Lord
- The Burning Fiery Furnace: Shadrach, Meshach, Abednego
- The Burning Fiery Furnace: O Ye Winter And Summer
- The Burning Fiery Furnace: Good People, We Have Shown You
Curlew River, Op.71
- Curlew River, church parable, Op. 71 "Te lucis ante terminum"
- Curlew River, church parable, Op. 71 "I am the ferryman"
- Curlew River, church parable, Op. 71 "I come from the Westland"
- Curlew River, church parable, Op. 71 "But first may I ask you what is that strange noise?"
- Curlew River, church parable, Op. 71 "Clear as a sky without a cloud"
- Curlew River, church parable, Op. 71 "Near the Black Mountains there I dwelt"
- Curlew River, church parable, Op. 71 "A thousand leagues may sunder a mother and her son"
- Curlew River, church parable, Op. 71 "Ignorant man! You refuse a passage to me ..."
- Curlew River, church parable, Op. 71 "I beg your pardon"
- Curlew River, church parable, Op. 71 "Curlew River, smoothly flowing ..."
- Curlew River, church parable, Op. 71 "Today is an important day"
- Curlew River, church parable, Op. 71 "Look! While you were listening to my story ..."
- Curlew River, church parable, Op. 71 "Ferryman, tell me, when did it happen?"
- Curlew River, church parable, Op. 71 "Hoping, I wandered on"
- Curlew River, church parable, Op. 71 "He whose life was full of promise"
- Curlew River, church parable, Op. 71 "The moon has risen"
- Curlew River, church parable, Op. 71 "Go your way in peace, mother"
- Curlew River, church parable, Op. 71 "Good souls, we have shown you..."
The Prodigal Son, Op.81
- The Prodigal Son: Jam Lucis Orto Sidero (All Voices)
- The Prodigal Son: Ah - You People (Tempter)
- The Prodigal Son: The Ceremony
- The Prodigal Son: I Am Father To You All (Father)
- The Prodigal Son: Forgive My Asking You (Tempter)
- The Prodigal Son: Father, May I Speak To You? (Younger Son)
- The Prodigal Son: Take Your Due Portion (Father)
- The Prodigal Son: Go, If You Must Go (Servants)
- The Prodigal Son: Welcome, Welcome, Stranger! (Parasites)
- The Prodigal Son: You Are Tired From A Long Journey (Tempter)
- The Prodigal Son: Nights Are Days (Parasites)
- The Prodigal Son: You Have Gambled And Lost (Tempter)
- The Prodigal Son: Now - I Have Done What I Said (Tempter)
- The Prodigal Son: With Joy I Sowed (Younger Son)
- The Prodigal Son: My Son (Father)
- The Prodigal Son: O Sing Unto The Lord (Servants)
- The Prodigal Son: My Children, You Have Seen (Abbot)
Noye's Fludd, Op.59 / The Golden Vanity, Op.78
- Noye's Fludde, Op. 59: I. Lord Jesus, think on me
- Noye's Fludde, Op. 59: II. I God, that all this worlde hath wroughte
- Noye's Fludde, Op. 59: III. Have done, you men and wemen all
- Noye's Fludde, Op. 59: IV. Now in the name of God I will begyne
- Noye's Fludde, Op. 59: V. Noye, Noye, take thou thy company (von Trevor Anthony, Owen Brannigan, David Pinto, Darien Angadi, Stephen Alexander, Caroline Clack, Marie-Therese Pinto, Eileen O'Donovan, Chorus of Animals, Merlin Channon, English Opera Group Orchestra, Norman Del Mar)
- Noye's Fludde, Op. 59: VI. Wiffe, come in! why standes thou their?
- Noye's Fludde, Op. 59: VII. Ha! Children, me thinkes my botte removes
- Noye's Fludde, Op. 59: VIII. Now forty dayes are fullie gone
- Noye's Fludde, Op. 59: IX. Noye, take thy wife anone
- Noye's Fludde, Op. 59: X. Noye, heare I behette thee a heste
- Noye's Fludde, Op. 59: XI. The spacious firmament on high
- The Golden Vanity, Op. 78: I. There was a ship came from the North Country
- The Golden Vanity, Op. 78: II. Then up spake the cabin-boy
- The Golden Vanity, Op. 78: III. Casting his clothes off, he dived into the sea
- The Golden Vanity, Op. 78: IV. They laid him on the deck
The Little Sweep (Let's Make An Opera), Op.45 / Gemini Variations, Op.73 (Quartet For Two Players) & Children's Crusade, Op.82
- The Little Sweep (Let's make an opera), op. 45: Sweep! Sweep!
- The Little Sweep (Let's make an opera), op. 45: Sweep this chimney
- The Little Sweep (Let's make an opera), op. 45: Now, little white boy!
- The Little Sweep (Let's make an opera), op. 45: Pull the rope gently until he is free!
- The Little Sweep (Let's make an opera), op. 45: Is he wounded?
- The Little Sweep (Let's make an opera), op. 45: Sooty tracks
- The Little Sweep (Let's make an opera), op. 45: Run, poor sweep-boy
- The Little Sweep (Let's make an opera), op. 45: The kettles are singing
- The Little Sweep (Let's make an opera), op. 45: O why do you weep
- The Little Sweep (Let's make an opera), op. 45: Ah!...Blackguards!
- The Little Sweep (Let's make an opera), op. 45: Help! Help! She's collapsed!
- The Little Sweep (Let's make an opera), op. 45: The owl, wide-winging through the sky
- The Little Sweep (Let's make an opera), op. 45: Soon the coach will carry you away
- The Little Sweep (Let's make an opera), op. 45: Morning, Sammy! Lovely weather
- The Little Sweep (Let's make an opera), op. 45: Ready, Alfred?
- The Little Sweep (Let's make an opera), op. 45: Coaching song: The horses are champing
- Gemini Variations, op. 73 (Quartet for Two Players) (von Gabriel Jeney, Zoltán Jeney)
- The Children's Crusade, op. 82
Saint Nicolas, Op.42 / Rejoice In The Lamb, Op.30
- Saint Nicolas: Introduction
- Saint Nicolas: The Birth of Nicolas
- Saint Nicolas: Nicolas Devotes Himself to God
- Saint Nicolas: He journeys to Palestine
- Saint Nicolas: Nicolas Comes to Myra and Is Chosen Bishop
- Saint Nicolas: Nicolas From Prison
- Saint Nicolas: Nicolas and the Pickled Boys
- Saint Nicolas: His Piety and Marvellous Works
- Saint Nicolas: The Death of Nicolas
- Rejoice in the Lamb: Rejoice in God, O ye Tongues
- Rejoice in the Lamb: For I will consider my Cat Jeoffrey
- Rejoice in the Lamb: For the Mouse is a creature of great personal valour
- Rejoice in the Lamb: For the flowers are great blessings
- Rejoice in the Lamb: For I am under the same accusation
- Rejoice in the Lamb: For H is a spirit
A Ceremony Of Carols, Op.28 / A Boy Was Born, Op.3 / Songs From "Friday Afternoon", Op.7 & Psalm 150, Op.67
- A Ceremony of Carols, op. 28: Procession
- A Ceremony of Carols, op. 28: Wolcum Yole!
- A Ceremony of Carols, op. 28: There Is No Rose
- A Ceremony of Carols, op. 28: That Yonge Child
- A Ceremony of Carols, op. 28: Balulalow
- A Ceremony of Carols, op. 28: As Dew in Aprille
- A Ceremony of Carols, op. 28: This Little Babe
- A Ceremony of Carols, op. 28: Interlude
- A Ceremony of Carols, op. 28: In the Freezing Winter Night
- A Ceremony of Carols, op. 28: Spring Carol
- A Ceremony of Carols, op. 28: Deo Gracias - Adam Lay Ibounden
- A Ceremony of Carols, op. 28: Recession
- A Boy Was Born, op. 3: Theme
- A Boy Was Born, op. 3: Variation I: Lullay, Jesu
- A Boy Was Born, op. 3: Variation II: Herod
- A Boy Was Born, op. 3: Variation III: Jesu, as Thou Art Our Saviour
- A Boy Was Born, op. 3: Variation IV: The Three Kings
- A Boy Was Born, op. 3: Variation V: In the Bleak Mid-Winter
- A Boy Was Born, op. 3: Variation VI: Finale - Noel!
- Songs from "Friday Afternoons", op. 7: Begone Dull Care! (von Choir Of Downside School, Purley, Viola Tunnard, Benjamin Britten)
- Songs from "Friday Afternoons", op. 7: A Tragic Story (von Choir Of Downside School, Purley, Viola Tunnard, Benjamin Britten)
- Songs from "Friday Afternoons", op. 7: Cuckoo! (von Choir Of Downside School, Purley, Viola Tunnard, Benjamin Britten)
- Songs from "Friday Afternoons", op. 7: A New Year Carol (von Choir Of Downside School, Purley, Viola Tunnard, Benjamin Britten)
- Songs from "Friday Afternoons", op. 7: I Mun Be Married on Sunday (von Choir Of Downside School, Purley, Viola Tunnard, Benjamin Britten)
- Songs from "Friday Afternoons", op. 7: There Was a Man of Newington (von Choir Of Downside School, Purley, Viola Tunnard, Benjamin Britten)
- Songs from "Friday Afternoons", op. 7: Fishing Song (von Choir Of Downside School, Purley, Viola Tunnard, Benjamin Britten)
- Songs from "Friday Afternoons", op. 7: The Useful Plough (von Choir Of Downside School, Purley, Viola Tunnard, Benjamin Britten)
- Songs from "Friday Afternoons", op. 7: Jazz-Man (von Choir Of Downside School, Purley, Viola Tunnard, Benjamin Britten)
- Songs from "Friday Afternoons", op. 7: There Was a Monkey (von Choir Of Downside School, Purley, Viola Tunnard, Benjamin Britten)
- Songs from "Friday Afternoons", op. 7: Old Abram Brown (von Downside School Choir, Viola Tunnard, Benjamin Britten)
- Psalm 150 (von Boys of Downside School, Purley, Benjamin Britten)
Spring Symphony, Op.44 / Cantata Academica (Carmen Basiliense), Op.62 / Hymn To St. Cecilia, Op.27
- Spring Symphony, op. 44: 1. Introduction: Shine out (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Spring Symphony, op. 44: 2. The merry cuckoo (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Spring Symphony, op. 44: 3. Spring: the sweet Spring (von Jennifer Vyvyan, Norma Procter, Peter Pears, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Spring Symphony, op. 44: 4. The driving boy (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Spring Symphony, op. 44: 5. The morning star (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Spring Symphony, op. 44: 6. Welcome Maids of Honour (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Spring Symphony, op. 44: 7. Waters above! (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Spring Symphony, op. 44: 8. Out on the lawn I lie in bed (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Spring Symphony, op. 44: 9. When will my May come (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Spring Symphony, op. 44: 10. Fair and fair (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Spring Symphony, op. 44: 11. Sound the flute! (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Spring Symphony, op. 44: 12. Finale: London: to thee I do present (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Cantata Academica: (Carmen basiliense), op. 62: I. Bonorum summun omnium / II. Quae bene beateque (von London Symphony Chorus, London Symphony Orchestra, George Malcolm)
- Cantata Academica: (Carmen basiliense), op. 62: III. At huius caelestis... / V. Tum vero Aeneas Sylvius virtus
- Cantata Academica: (Carmen basiliense), op. 62: VI. Et gubernacula. / VII. Ut ad longaeva tempora
- Cantata Academica: (Carmen basiliense), op. 62: VIII. Docendi ac discendi (von London Symphony Chorus, London Symphony Orchestra, George Malcolm)
- Cantata Academica: (Carmen basiliense), op. 62: IX. Rhenana erga omnes. / X. Ut instissime / XI. O cives..
- Cantata Academica: (Carmen basiliense), op. 62: XII. Nos autem cuncti. / XIII. Vigeatque academia libera (von London Symphony Chorus, London Symphony Orchestra, George Malcolm)
- Hymn to St. Cecilia (1942), op. 27: In a garden shady (von London Symphony Chorus, George Malcolm)
- Hymn to St. Cecilia (1942), op. 27: I cannot grow (von London Symphony Chorus, George Malcolm)
- Hymn to St. Cecilia (1942), op. 27: O ear whose creatures (von London Symphony Chorus, George Malcolm)
War Requiem, Op.66
- War Requiem, op. 66: I. Requiem aeternam: Requiem Aeternam
- War Requiem, op. 66: I. Requiem aeternam: What Passing-Bells for These Who Die as Cattle?
- War Requiem, op. 66: II. Dies irae: Dies Irae
- War Requiem, op. 66: II. Dies irae: Bugles Sang
- War Requiem, op. 66: II. Dies irae: Liber Scriptus Proferetur
- War Requiem, op. 66: II. Dies irae: Out There
- War Requiem, op. 66: II. Dies irae: Recordare Jesu Pie
- War Requiem, op. 66: II. Dies irae: Be Slowly Lifted Up
- War Requiem, op. 66: II. Dies irae: Dies Irae
- War Requiem, op. 66: II. Dies irae: Lacrimosa Dies Illa
- War Requiem, op. 66: II. Dies irae: Move Him Into the Sun
- War Requiem, op. 66: III. Domine Jesu Christe
- War Requiem, op. 66: III. So Abram Rose
- War Requiem, op. 66: IV. Sanctus, Sanctus, Sanctus
- War Requiem, op. 66: IV. After the Blast of Lightning
War Requiem, Op.66 / Rehearsing "War Requiem"
- War Requiem, op. 66: V. Agnus dei: One Ever Hangs
- War Requiem, op. 66: VI. Libera me: Libera Me, Domine
- War Requiem, op. 66: VI. Libera me: It Seemed That Out of Battle I Escaped
- War Requiem, op. 66: VI. Libera me: Let Us Sleep Now... In Paradisum
- Rehearsing War Requiem: Requiem Aeternam (rehearsal)
- Rehearsing War Requiem: Dies Irae: Rehearsal of the opening section
- Rehearsing War Requiem: Dies Irae: Discussion in the control room between Britten and Galina Vishnevskaya (via her interpreter), then between John Culshaw and Galina Vishnevskaya
- Rehearsing War Requiem: Dies Irae: Rehearsal of end of movement
- Rehearsing War Requiem: Offertorium (rehearsal)
- Rehearsing War Requiem: Sanctus (rehearsal)
- Rehearsing War Requiem: Sanctus: Discussion in the control room between Britten and Galina Vishnevskaya (via her interpreter)
- Rehearsing War Requiem: Agnus Dei: Discussion in the control room between Britten, Peter Pears and John Culshaw
- Rehearsing War Requiem: Libera Me: Discussion in the control room between Britten and John Culshaw
- Rehearsing War Requiem: Libera Me (rehearsal)
- Rehearsing War Requiem: Libera Me: Rehearsal of closing page
Britten Conducts Britten: Operas I: Albert Herring · Billy Budd · Owen Wingrave · Peter Grimes (Compilation)
Albert Herring, op. 39
- Albert Herring, op. 39: Act I, Scene I. “Flor–ence!… Tell the midwife!” (Lady Billows)
- Albert Herring, op. 39: Act I, Scene I. “Doctor Jessop’s midwife” (Florence) (von Johanna Peters, English Chamber Orchestra, Benjamin Britten)
- Albert Herring, op. 39: Act I, Scene I. “I hope we’re not too early, Florence?” (Miss Wordsworth)
- Albert Herring, op. 39: Act I, Scene I. “Stuffy!” (Lady Billows)
- Albert Herring, op. 39: Act I, Scene I. “Now then! Notebook, Florence!” (Lady Billows) (von Sylvia Fisher, English Chamber Orchestra, Benjamin Britten)
- Albert Herring, op. 39: Act I, Scene I. “The first suggestion on my list” (Vicar)
- Albert Herring, op. 39: Act I, Scene I. “Is this all you can bring?” (Lady Billows)
- Albert Herring, op. 39: Act I, Scene I. “Beggin’ your pardon” (Superintendent Budd)
- Albert Herring, op. 39: Act I, Scene I. “Right! We’ll have him!” (Lady Billows)
- Albert Herring, op. 39: Act I, Scene I. Interlude (von English Chamber Orchestra, Benjamin Britten)
- Albert Herring, op. 39: Act I, Scene II. “Bounce me high” (Kids)
- Albert Herring, op. 39: Act I, Scene II. “Shop! Hi! Albert!” (Sid)
- Albert Herring, op. 39: Act I, Scene II. “Tickling a trout” (Sid)
- Albert Herring, op. 39: Act I, Scene II. “Meet me at a quarter past eight” (Sid)
- Albert Herring, op. 39: Act I, Scene II. “He’s much too busy” (Albert)
- Albert Herring, op. 39: Act I, Scene II. “Good morning, young man” (Florence)
- Albert Herring, op. 39: Act I, Scene II. “We bring great news to you” (Lady Billows)
- Albert Herring, op. 39: Act II, Scene I. “Isn’t he here?” (Florence)
- Albert Herring, op. 39: Act II, Scene I. “For three precious weeks” (Florence)
- Albert Herring, op. 39: Act II, Scene I. “Quickly, quickly, come along!” (Miss Wordsworth)
- Albert Herring, op. 39: Act II, Scene I. “Here they are, dears!” (Miss Wordsworth)
- Albert Herring, op. 39: Act II, Scene I. “My flowers are few” (Harry)
Albert Herring, op. 39
- Albert Herring, op. 39: Act II, Scene I. “I’m full of happiness” (Lady Billows)
- Albert Herring, op. 39: Act II, Scene I. “As representing the local Council” (Mayor)
- Albert Herring, op. 39: Act II, Scene I. “My heart leaps up with joy” (Miss Wordsworth)
- Albert Herring, op. 39: Act II, Scene I. “Er–humph! Er–humph! I’m no great shakes” (Superintendent Budd)
- Albert Herring, op. 39: Act II, Scene I. “Well tried, Albert!” (Vicar)
- Albert Herring, op. 39: Act II, Scene I. Interlude (von English Chamber Orchestra, Benjamin Britten)
- Albert Herring, op. 39: Act II, Scene II. “Albert the Good!” (Albert) (von Peter Pears, English Chamber Orchestra, Benjamin Britten)
- Albert Herring, op. 39: Act II, Scene II. “You oughtn’t to whistle!” (Nancy)
- Albert Herring, op. 39: Act II, Scene II. “Heaven helps those who help themselves!” (Albert)
- Albert Herring, op. 39: Act III. Introduction (von English Chamber Orchestra, Benjamin Britten)
- Albert Herring, op. 39: Act III. “Is she asleep?” (Emmie)
- Albert Herring, op. 39: Act III. “I’m hungry, I’m tired” (Sid)
- Albert Herring, op. 39: Act III. “Give me a decent murder with a corpse!” (Superintendent Budd)
- Albert Herring, op. 39: Act III. “Have you found him?” (Mum)
- Albert Herring, op. 39: Act III. “Fools! Fools! Blundering fools!” (Lady Billows)
- Albert Herring, op. 39: Act III. “In the midst of life is death” (All)
- Albert Herring, op. 39: Act III. “Albert…!” (All)
- Albert Herring, op. 39: Act III. “I’m sorry about that” (Albert)
- Albert Herring, op. 39: Act III. “I can’t remember everything” (Albert)
- Albert Herring, op. 39: Act III. “Albert’s come back to stay” (Nancy, Sid, Emmie, Cis, Harry)
Owen Wingrave, op. 85
- Owen Wingrave, op. 85: Act 1. Prelude (von English Chamber Orchestra, Benjamin Britten)
- Owen Wingrave, op. 85: Act 1. You've got your maps there?
- Owen Wingrave, op. 85: Act 1. At last it's out
- Owen Wingrave, op. 85: Act 1. Your sherry, Mrs. Coyle
- Owen Wingrave, op. 85: Act 1. Oh, how unforeseen
- Owen Wingrave, op. 85: Act 1. Sirrah! How dare you!
- Owen Wingrave, op. 85: Act 1. Coyle, I wish I had not come
- Owen Wingrave, op. 85: Act 1. May God bless the Queen
Owen Wingrave, op. 85
- Owen Wingrave, op. 85: Act 2. There was a boy, a Wingrave born
- Owen Wingrave, op. 85: Act 2. I envy you, this fine old house
- Owen Wingrave, op. 85: Act 2. Paramore shall welcome woe!
- Owen Wingrave, op. 85: Act 2. And with his friend young Lechmere played
- Owen Wingrave, op. 85: Act 2. Now you may save your scornful looks
- Owen Wingrave, op. 85: Act 2. Ah, Owen, what shall I do?
- Owen Wingrave, op. 85: Act 2. Is that you, Coyle?
- Owen Wingrave, op. 85: Act 2. Come in...It's me, Lechmere
- Billy Budd, op. 50: Prologue. "I am an old man" (von Peter Pears, London Symphony Orchestra, Benjamin Britten)
- Billy Budd, op. 50: Act I, Scene I. "Pull, my bantams!"
- Billy Budd, op. 50: Act I, Scene I. "Guard boat! Indomitable!"
- Billy Budd, op. 50: Act I, Scene I. "First man forward!"
- Billy Budd, op. 50: Act I, Scene I. "Your name?"
- Billy Budd, op. 50: Act I, Scene I. "Billy Budd, king of the birds!"
Billy Budd, op. 50
- Billy Budd, op. 50: Act I, Scene I. "I heard, your honour!"
- Billy Budd, op. 50: Act I, Scene I. "Come along kid! Come along!"
- Billy Budd, op. 50: Act I, Scene I. "Christ! the poor chap"
- Billy Budd, op. 50: Act I, Scene I. "What's that? What's those whistles?"
- Billy Budd, op. 50: Act I, Scene I. "Starry Vere we call him"
- Billy Budd, op. 50: Act I, Scene II. "Boy!"
- Billy Budd, op. 50: Act I, Scene II. "Gentlemen, the King!"
- Billy Budd, op. 50: Act I, Scene II. "Ay, at Spithead" (von Peter Pears, London Symphony Orchestra, Benjamin Britten)
- Billy Budd, op. 50: Act I, Scene II. "We are, sir. Claggart is an able one"
- Billy Budd, op. 50: Act I, Scene III. "Blow her away"
- Billy Budd, op. 50: Act I, Scene III. "We're off to Samoa"
- Billy Budd, op. 50: Act I, Scene III. "Hi! You...a...a..."
- Billy Budd, op. 50: Act I, Scene III. "Over the water"
- Billy Budd, op. 50: Act I, Scene III. "Come here. Remember your promise"
- Billy Budd, op. 50: Act I, Scene III. "Billy!... Hist! Billy Budd!"
- Billy Budd, op. 50: Act I, Scene III. "Dansker, old friend, glad to see you"
Billy Budd, op. 50
- Billy Budd, op. 50: Act II, Scene I. "I don't like the look of the mist"
- Billy Budd, op. 50: Act II, Scene I. "With great regret I must disturb your honour"
- Billy Budd, op. 50: Act II, Scene I. "Deck ahoy!"
- Billy Budd, op. 50: Act II, Scene I. "Who'll volunteer to board 'em"
- Billy Budd, op. 50: Act II, Scene I. "There you are again, Master-at-arms"
- Billy Budd, op. 50: Act II, Scene I. "O this cursed mist!"
- Billy Budd, op. 50: Act II, Scene II. "Claggart, John Claggart, beware!"
- Billy Budd, op. 50: Act II, Scene II. "Master-at-arms and foretopman"
- Billy Budd, op. 50: Act II, Scene II. "God o' mercy!"
- Billy Budd, op. 50: Act II, Scene II. "Gentlemen, William Budd here"
- Billy Budd, op. 50: Act II, Scene II. "William Budd, you are accused"
- Billy Budd, op. 50: Act II, Scene II. "Poor fellow, who could save him?"
- Billy Budd, op. 50: Act II, Scene II. "I accept their verdict" (von Peter Pears, London Symphony Orchestra, Benjamin Britten)
- Billy Budd, op. 50: Act II, Scene III. "Look!"
- Billy Budd, op. 50: Act II, Scene III. "Here! Baby!"
- Billy Budd, op. 50: Act II, Scene III. "And farewell to ye, old Rights o' Man!"
- Billy Budd, op. 50: Act II, Scene III. Interlude (von London Symphony Orchestra, Benjamin Britten)
- Billy Budd, op. 50: Act II, Scene IV. "According to the Articles of War"
- Billy Budd, op. 50: Act II, Scene IV. "Down all hands!"
- Billy Budd, op. 50: Epilogue. "We committed his body to the deep." (von Peter Pears, London Symphony Orchestra, Benjamin Britten)
Peter Grimes, op. 33
- Peter Grimes, op. 33: Prologue. "Peter Grimes!" (Hobson)
- Peter Grimes, op. 33: Prologue. "You sailed your boat round the coast" (Swallow)
- Peter Grimes, op. 33: Prologue. "Peter Grimes, I here advise you!" (Swallow)
- Peter Grimes, op. 33: Prologue. "The truth...the pity...and the truth" (Peter)
- Peter Grimes, op. 33: Prologue. Interlude I
- Peter Grimes, op. 33: Act I, Scene I. "Oh! hang at open doors the net, the cork," (Women and Fishermen)
- Peter Grimes, op. 33: Act I, Scene I. "Hi! Give us a hand!" (Peter)
- Peter Grimes, op. 33: Act I, Scene I. "I have to go from pub to pub" (Hobson)
- Peter Grimes, op. 33: Act I, Scene I. "Let her among you without fault cast the first stone" (Ellen)
- Peter Grimes, op. 33: Act I, Scene I. "Look, the storm cone!" (Balstrode)
- Peter Grimes, op. 33: Act I, Scene I. "And do you prefer the storm" (Balstrode)
- Peter Grimes, op. 33: Act I, Scene I. "What harbour shelters peace" (Peter)
- Peter Grimes, op. 33: Act I, Scene II. Interlude II
- Peter Grimes, op. 33: Act I, Scene II. "Past time to close!" (Auntie)
- Peter Grimes, op. 33: Act I, Scene II. "We live and let live" (Balstrode)
- Peter Grimes, op. 33: Act I, Scene II. "Have you heard? The cliff is down" (Keene)
- Peter Grimes, op. 33: Act I, Scene II. "Now the Great Bear and Pleiades" (Peter)
- Peter Grimes, op. 33: Act I, Scene II. "Old Joe has gone fishing" (Keene)
- Peter Grimes, op. 33: Act I, Scene II. "The bridge is down, we half swam over" (Hobson)
- Peter Grimes, op. 33: Act II. Interlude III
- Peter Grimes, op. 33: Act II, Scene I. "Glitter of waves and glitter of sunlight" (Ellen)
- Peter Grimes, op. 33: Act II, Scene I. "Let this be a holiday" (Ellen)
- Peter Grimes, op. 33: Act II, Scene I. "This unrelenting work" (Ellen)
- Peter Grimes, op. 33: Act II, Scene I. "Fool to let it come to this!" (Auntie)
- Peter Grimes, op. 33: Act II, Scene I. "What is it?" (Chorus)
- Peter Grimes, op. 33: Act II, Scene I. "People!... No! I will speak!" (Boles)
Peter Grimes, op. 33
- Peter Grimes, op. 33: Act II, Scene I. "We planned that their lives should have a new start" (Ellen)
- Peter Grimes, op. 33: Act II, Scene I. "Swallow! Shall we go and see Grimes in his hut?" (Rector)
- Peter Grimes, op. 33: Act II, Scene I. "Now is gossip put on trial," (Mrs Sedley, Boles, Rector, Keene, Swallow and Chorus)
- Peter Grimes, op. 33: Act II, Scene I. "From the gutter, why should we trouble at their ribaldries?" (Nieces)
- Peter Grimes, op. 33: Act II, Scene I. Interlude IV, Passacaglia (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Peter Grimes, op. 33: Act II, Scene II. "Go there!" (Peter)
- Peter Grimes, op. 33: Act II, Scene II. "Now!... Now!..." (Boles, Rector, Swallow, Keene and Chorus)
- Peter Grimes, op. 33: Act II, Scene II. "Peter Grimes! Nobody here?" (Rector)
- Peter Grimes, op. 33: Act III. Interlude V (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Peter Grimes, op. 33: Act III, Scene I. "Assign your prettiness to me" (Swallow)
- Peter Grimes, op. 33: Act III, Scene I. "Pah! Ahoy!" (Swallow and Keene)
- Peter Grimes, op. 33: Act III, Scene I. "Come along, Doctor!" (First Burgess)
- Peter Grimes, op. 33: Act III, Scene I. "Embroidery in childhood was a luxury of idleness" (Ellen)
- Peter Grimes, op. 33: Act III, Scene I. "Mister Swallow! Mister Swallow!" (Mrs Sedley)
- Peter Grimes, op. 33: Act III, Scene I. "Who holds himself apart, lets his pride rise" (Chorus)
- Peter Grimes, op. 33: Act III, Scene I. Interlude VI (von Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten)
- Peter Grimes, op. 33: Act III, Scene II. "Grimes! Grimes!" (Chorus)
- Peter Grimes, op. 33: Act III, Scene II. "Peter, we've come to take you home" (Ellen)
- Peter Grimes, op. 33: Act III, Scene II. "To those who pass the Borough" (Chorus)
Choral Music (Compilation)
- Hymn to St. Cecilia, Op. 27: I. In a garden shady this holy lady (von Choir of King’s College, Cambridge, Sir David Willcocks)
- Hymn to St. Cecilia, Op. 27: II. I cannot grow (von Choir of King’s College, Cambridge, Sir David Willcocks)
- Hymn to St. Cecilia, Op. 27: III. O ear whose creatures cannot wish to fall
- A Ceremony of Carols, Op. 28: I. Procession (von Choir of King’s College, Cambridge, Sir David Willcocks)
- A Ceremony of Carols, Op. 28: II. Wolcum Yole! (von Choir of King’s College, Cambridge, Sir David Willcocks)
- A Ceremony of Carols, Op. 28: III. There is no rose (von Choir of King’s College, Cambridge, Osian Ellis, Sir David Willcocks)
- A Ceremony of Carols, Op. 28: IV. (a) That yongë child (von Choir of King’s College, Cambridge, Sir David Willcocks)
- A Ceremony of Carols, Op. 28: IV. (b) Balulalow (von Choir of King’s College, Cambridge, Sir David Willcocks)
- A Ceremony of Carols, Op. 28: V. As dew in Aprille (von Choir of King’s College, Cambridge, Osian Ellis, Sir David Willcocks)
- A Ceremony of Carols, Op. 28: VI. This little babe (von Choir of King’s College, Cambridge, Sir David Willcocks)
- A Ceremony of Carols, Op. 28: VII. Interlude (Andante pastorale) (von Choir of King’s College, Cambridge, Sir David Willcocks)
- A Ceremony of Carols, Op. 28: VIII. In freezing winter night (von Choir of King’s College, Cambridge, Sir David Willcocks)
- A Ceremony of Carols, Op. 28: IX. Spring Carol (von Choir of King’s College, Cambridge, Sir David Willcocks)
- A Ceremony of Carols, Op. 28: X. Deo gracias! (von Choir of King’s College, Cambridge, Sir David Willcocks)
- A Ceremony of Carols, Op. 28: XI. Recession (von Choir of King’s College, Cambridge, Sir David Willcocks)
- Missa brevis in D major, Op. 63: I. Kyrie (von Choir of King’s College, Cambridge, Sir David Willcocks)
- Missa brevis in D major, Op. 63: II. Gloria (von Choir of King’s College, Cambridge, Sir David Willcocks)
- Missa brevis in D major, Op. 63: III. Sanctus (von Choir of King’s College, Cambridge, Sir David Willcocks)
- Missa brevis in D major, Op. 63: IV. Benedictus (von Choir of King’s College, Cambridge, Sir David Willcocks)
- Missa brevis in D major, Op. 63: V. Agnus Dei (von Choir of King’s College, Cambridge, Sir David Willcocks)
- Festival Te Deum, Op. 32 (von Choir of King’s College, Cambridge, James Lancelot, Philip Ledger)
- Rejoice in the Lamb, Op. 30: Rejoice in God, O ye Tongues —
- Rejoice in the Lamb, Op. 30: For I will consider my Cat Jeoffry —
- Rejoice in the Lamb, Op. 30: For the Mouse is a creature of great personal valour —
- Rejoice in the Lamb, Op. 30: For the flowers are great blessings —
- Rejoice in the Lamb, Op. 30: For I am under the same accusation with my Saviour —
- Rejoice in the Lamb, Op. 30: For H is a spirit and therefore he is God —
- Rejoice in the Lamb, Op. 30: Hallelujah from the heart of God
- Te Deum in C major (1934) (von Choir of King’s College, Cambridge, James Lancelot, Philip Ledger)
- Jubliate Deo (1961) (von Choir of King’s College, Cambridge, James Lancelot, Philip Ledger)