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Reinhard Goebel, Musica Antiqua Köln Songtexte

Complete Recordings on Archiv Produktion (Compilation)

Songtexte von Reinhard Goebel, Musica Antiqua Köln - Complete Recordings on Archiv Produktion

J. S. Bach: Brandenburg Concertos nos. 1-5

  1. Brandenburg Concerto no. 1 in F major, BWV 1046: 1. [Allegro] (von Musica Antiqua Köln, Reinhard Goebel)
  2. Brandenburg Concerto no. 1 in F major, BWV 1046: 2. Adagio (von Musica Antiqua Köln, Reinhard Goebel)
  3. Brandenburg Concerto no. 1 in F major, BWV 1046: 3. Allegro (von Musica Antiqua Köln, Reinhard Goebel)
  4. Brandenburg Concerto no. 1 in F major, BWV 1046: 4. Menuet / 5. Trio / 6. Polonaise / 7. Trio (von Musica Antiqua Köln, Reinhard Goebel)
  5. Brandenburg Concerto no. 2 in F major, BWV 1047: 1. [Allegro] (von Musica Antiqua Köln, Reinhard Goebel)
  6. Brandenburg Concerto no. 2 in F major, BWV 1047: 2. Andante (von Musica Antiqua Köln, Reinhard Goebel)
  7. Brandenburg Concerto no. 2 in F major, BWV 1047: 3. Allegro assai (von Musica Antiqua Köln, Reinhard Goebel)
  8. Brandenburg Concerto no. 3 in G major, BWV 1048: 1. [Allegro] / 2. Adagio (von Musica Antiqua Köln, Reinhard Goebel)
  9. Brandenburg Concerto no. 3 in G major, BWV 1048: 3. Allegro (von Musica Antiqua Köln, Reinhard Goebel)
  10. Brandenburg Concerto no. 4 in G major, BWV 1049: 1. Allegro (von Musica Antiqua Köln, Reinhard Goebel)
  11. Brandenburg Concerto no. 4 in G major, BWV 1049: 2. Andante (von Musica Antiqua Köln, Reinhard Goebel)
  12. Brandenburg Concerto no. 4 in G major, BWV 1049: 3. Presto (von Musica Antiqua Köln, Reinhard Goebel)
  13. Brandenburg Concerto no. 5 in D major, BWV 1050: 2. Affettuoso

J. S. Bach: Brandenburg Concerto no. 6 / Orchestral Suites (Overtures) nos. 1 & 2 / Concerto for Flute, Violin & Harpsichord

  1. Brandenburg Concerto no. 6 in B-flat major, BWV 1051: 1. [no tempo indication] (von Musica Antiqua Köln, Reinhard Goebel)
  2. Brandenburg Concerto no. 6 in B-flat major, BWV 1051: 2. Adagio ma non tanto (von Musica Antiqua Köln, Reinhard Goebel)
  3. Brandenburg Concerto no. 6 in B-flat major, BWV 1051: 3. Allegro (von Musica Antiqua Köln, Reinhard Goebel)
  4. Concerto for Flute, Violin, Harpsichord, Strings and Basso continuo in A minor, BWV 1044: 1. Allegro
  5. Concerto for Flute, Violin, Harpsichord, Strings and Basso continuo in A minor, BWV 1044: 2. Adagio ma non tanto e dolce
  6. Concerto for Flute, Violin, Harpsichord, Strings and Basso continuo in A minor, BWV 1044: 3. Tempo di allabreve
  7. Orchestral Suite (Overture) no. 1 in C major, BWV 1066: 1. Ouverture (von Musica Antiqua Köln, Reinhard Goebel)
  8. Orchestral Suite (Overture) no. 1 in C major, BWV 1066: 2. Courante (von Musica Antiqua Köln, Reinhard Goebel)
  9. Orchestral Suite (Overture) no. 1 in C major, BWV 1066: 3. Gavotte I alternativement / 4. Gavotte II (von Musica Antiqua Köln, Reinhard Goebel)
  10. Orchestral Suite (Overture) no. 1 in C major, BWV 1066: 5. Forlane (von Musica Antiqua Köln, Reinhard Goebel)
  11. Orchestral Suite (Overture) no. 1 in C major, BWV 1066: 6. Menuett I alternativement / 7. Menuett II (von Musica Antiqua Köln, Reinhard Goebel)
  12. Orchestral Suite (Overture) no. 1 in C major, BWV 1066: 8. Bourrée I alternativement / 9. Bourrée II (von Musica Antiqua Köln, Reinhard Goebel)
  13. Orchestral Suite (Overture) no. 1 in C major, BWV 1066: 10. Passepied I alternativement / 11. Passepied II (von Musica Antiqua Köln, Reinhard Goebel)

J. S. Bach: Orchestral Suites (Overtures) nos. 3 & 4 / Orchestral Suite, BWV 1070

  1. Orchestral Suite (Overture) no. 3 in D major, BWV 1068: 1. Ouverture - Vite (von Musica Antiqua Köln, Reinhard Goebel)
  2. Orchestral Suite (Overture) no. 3 in D major, BWV 1068: 3. Gavotte I alternativement / 4. [Gavotte] II (von Musica Antiqua Köln, Reinhard Goebel)
  3. Orchestral Suite (Overture) no. 3 in D major, BWV 1068: 5. Bourrée (von Musica Antiqua Köln, Reinhard Goebel)
  4. Orchestral Suite (Overture) no. 3 in D major, BWV 1068: 6. Gigue (von Musica Antiqua Köln, Reinhard Goebel)
  5. Orchestral Suite (Overture) no. 4 in D major, BWV 1069: 1. Ouverture (von Musica Antiqua Köln, Reinhard Goebel)
  6. Orchestral Suite (Overture) no. 4 in D major, BWV 1069: 2. Bourrée I alternativement / 3. Bourrée II (von Musica Antiqua Köln, Reinhard Goebel)
  7. Orchestral Suite (Overture) no. 4 in D major, BWV 1069: 4. Gavotte (von Musica Antiqua Köln, Reinhard Goebel)
  8. Orchestral Suite (Overture) no. 4 in D major, BWV 1069: 5. Menuet I alternativement / 6. Menuet II (von Musica Antiqua Köln, Reinhard Goebel)
  9. Orchestral Suite (Overture) no. 4 in D major, BWV 1069: 7. Réjouissance (von Musica Antiqua Köln, Reinhard Goebel)
  10. Orchestral Suite in G minor, BWV 1070 (App. B, not attributed to Bach): 1. Ouverture. Larghetto - Un poco allegro (von Musica Antiqua Köln, Reinhard Goebel)
  11. Orchestral Suite in G minor, BWV 1070 (App. B, not attributed to Bach): 2. Torneo [Allegretto] (von Musica Antiqua Köln, Reinhard Goebel)
  12. Orchestral Suite in G minor, BWV 1070 (App. B, not attributed to Bach): 3. Aria. Adagio (von Musica Antiqua Köln, Reinhard Goebel)
  13. Orchestral Suite in G minor, BWV 1070 (App. B, not attributed to Bach): 4. Menuetto alternativo - Trio (von Musica Antiqua Köln, Reinhard Goebel)
  14. Orchestral Suite in G minor, BWV 1070 (App. B, not attributed to Bach): 5. Capriccio [Vivace] (von Musica Antiqua Köln, Reinhard Goebel)

J. S. Bach: Musikalisches Opfer

  1. Musikalisches Opfer, BWV 1079: Regis Iussu Cantio Et Reliqua Canonica Arte Resoluta: 1. Ricercar a 3 (von Musica Antiqua Köln, Reinhard Goebel)
  2. Musikalisches Opfer, BWV 1079: Thematis Regii Elaborationes Canonicae: 4a. Canon 1, a 2 cancrizans (von Musica Antiqua Köln, Reinhard Goebel)
  3. Musikalisches Opfer, BWV 1079: Thematis Regii Elaborationes Canonicae: 4b. Canon 2, a 2 Violini in unisono (von Musica Antiqua Köln, Reinhard Goebel)
  4. Musikalisches Opfer, BWV 1079: Thematis Regii Elaborationes Canonicae: 4c. Canon 3, a 2, per Motum contrarium (von Musica Antiqua Köln, Reinhard Goebel)
  5. Musikalisches Opfer, BWV 1079: Thematis Regii Elaborationes Canonicae: 4d. Canon 4, a 2, Per Augmentationem, contrario Motu (von Musica Antiqua Köln, Reinhard Goebel)
  6. Musikalisches Opfer, BWV 1079: Thematis Regii Elaborationes Canonicae: 4e. Canon 5, a 2 per Tonos (von Musica Antiqua Köln, Reinhard Goebel)
  7. Musikalisches Opfer, BWV 1079: Thematis Regii Elaborationes Canonicae: 4f. Fuga canonica in Epidiapente (von Musica Antiqua Köln, Reinhard Goebel)
  8. Musikalisches Opfer, BWV 1079: Thematis Regii Elaborationes Canonicae: 4g. Canon perpetuus super Thema Regium (von Musica Antiqua Köln, Reinhard Goebel)
  9. Musikalisches Opfer, BWV 1079: Thematis Regii Elaborationes Canonicae: 4h. Canon perpetuus (von Musica Antiqua Köln, Reinhard Goebel)
  10. Musikalisches Opfer, BWV 1079: Quaerendo invenietis: 4i. Canon a 2 (von Musica Antiqua Köln, Reinhard Goebel)
  11. Musikalisches Opfer, BWV 1079: Quaerendo invenietis: 4k. Canon a 4 (von Musica Antiqua Köln, Reinhard Goebel)
  12. Musikalisches Opfer, BWV 1079: 3. Sonata sopr' Il Soggetto Reale a Traversa, Violino e Continuo: 1. Largo
  13. Musikalisches Opfer, BWV 1079: 3. Sonata sopr' Il Soggetto Reale a Traversa, Violino e Continuo: 2. Allegro
  14. Musikalisches Opfer, BWV 1079: 3. Sonata sopr' Il Soggetto Reale a Traversa, Violino e Continuo: 3. Andante (von Musica Antiqua Köln, Reinhard Goebel)
  15. Musikalisches Opfer, BWV 1079: 3. Sonata sopr' Il Soggetto Reale a Traversa, Violino e Continuo: 4. Allegro (von Musica Antiqua Köln, Reinhard Goebel)
  16. Musikalisches Opfer, BWV 1079: 2. Ricercar a 6 (von Musica Antiqua Köln, Reinhard Goebel)

J. S. Bach: Die Kunst der Fuge (I)

  1. Die Kunst der Fuge, BWV 1080: Contrapunctus 1 (von Musica Antiqua Köln, Reinhard Goebel)
  2. Die Kunst der Fuge, BWV 1080: Contrapunctus 2 (von Musica Antiqua Köln, Reinhard Goebel)
  3. Die Kunst der Fuge, BWV 1080: Contrapunctus 3 (von Musica Antiqua Köln, Reinhard Goebel)
  4. Die Kunst der Fuge, BWV 1080: Contrapunctus 4 (von Musica Antiqua Köln, Reinhard Goebel)
  5. Die Kunst der Fuge, BWV 1080: Canon alla Ottava (von Musica Antiqua Köln, Reinhard Goebel)
  6. Die Kunst der Fuge, BWV 1080: Contrapunctus 5 (von Musica Antiqua Köln, Reinhard Goebel)
  7. Die Kunst der Fuge, BWV 1080: Contrapunctus 6, a 4, in Stylo Francese (von Musica Antiqua Köln, Reinhard Goebel)
  8. Die Kunst der Fuge, BWV 1080: Contrapunctus 7, a 4, per Augmentationem et Diminutionem (von Musica Antiqua Köln, Reinhard Goebel)
  9. Die Kunst der Fuge, BWV 1080: Canon alla Decima in Contrapunto alla Terza (von Musica Antiqua Köln, Reinhard Goebel)
  10. Die Kunst der Fuge, BWV 1080: Contrapunctus 9, a 4, alla Duodecima (von Musica Antiqua Köln, Reinhard Goebel)
  11. Die Kunst der Fuge, BWV 1080: Contrapunctus 10, a 4, alla Decima (von Musica Antiqua Köln, Reinhard Goebel)
  12. Die Kunst der Fuge, BWV 1080: Contrapunctus 8, a 3 (von Musica Antiqua Köln, Reinhard Goebel)
  13. Die Kunst der Fuge, BWV 1080: Contrapunctus 11, a 4 (von Musica Antiqua Köln, Reinhard Goebel)
  14. Die Kunst der Fuge, BWV 1080: Canon alla Duodecima in Contrapunto alla Quinta (von Musica Antiqua Köln, Reinhard Goebel)

J. S. Bach: Die Kunst der Fuge (II) / Canone

  1. Die Kunst der Fuge, BWV 1080: Contrapunctus 12, a 4: a. Rectus (von Musica Antiqua Köln, Reinhard Goebel)
  2. Die Kunst der Fuge, BWV 1080: Contrapunctus 12, a 4: b. Inversus (von Musica Antiqua Köln, Reinhard Goebel)
  3. Die Kunst der Fuge, BWV 1080: Contrapunctus 13, a 3: a. Rectus (von Musica Antiqua Köln, Reinhard Goebel)
  4. Die Kunst der Fuge, BWV 1080: Contrapunctus 13, a 3: b. Inversus (von Musica Antiqua Köln, Reinhard Goebel)
  5. Die Kunst der Fuge, BWV 1080: Fuga a 2 Clav. (von Musica Antiqua Köln, Reinhard Goebel)
  6. Die Kunst der Fuge, BWV 1080: Alio modo. Fuga a 2 Clav. (von Musica Antiqua Köln, Reinhard Goebel)
  7. Die Kunst der Fuge, BWV 1080: Canon per Augmentationem in contrario Motu (von Musica Antiqua Köln, Reinhard Goebel)
  8. Die Kunst der Fuge, BWV 1080: Fuga a 3 Soggetti (Contrapunctus 14) (von Musica Antiqua Köln, Reinhard Goebel)
  9. Canon Trias Harmonica, a 8, BWV 1072 (von Musica Antiqua Köln, Reinhard Goebel)
  10. Canon a 4 perpetuus, BWV 1073 (von Musica Antiqua Köln, Reinhard Goebel)
  11. Canon a 4, BWV 1074 (von Musica Antiqua Köln, Reinhard Goebel)
  12. Canon a 2, perpetuus, BWV 1075 (von Musica Antiqua Köln, Reinhard Goebel)
  13. Canon triplex, a 6, BWV 1076 (von Musica Antiqua Köln, Reinhard Goebel)
  14. Canone doppio sopr'il Soggetto, a 4, BWV 1077 (von Musica Antiqua Köln, Reinhard Goebel)
  15. Canon Concordia discors, a 2, BWV 1086 (von Musica Antiqua Köln, Reinhard Goebel)
  16. Canon super Fa Mi, a 7, post Tempus Musicum, BWV 1078 (von Musica Antiqua Köln, Reinhard Goebel)
  17. 14 Canons on the First Eight Notes of the Aria Ground from the Goldberg Variations, BWV 1087: 1. Canon simplex (von Musica Antiqua Köln, Reinhard Goebel)
  18. 14 Canons on the First Eight Notes of the Aria Ground from the Goldberg Variations, BWV 1087: 2. All'rovescio (von Musica Antiqua Köln, Reinhard Goebel)
  19. 14 Canons on the First Eight Notes of the Aria Ground from the Goldberg Variations, BWV 1087: 3. Beede vorigen Canones zugleich. Motu recto e contrario (von Musica Antiqua Köln, Reinhard Goebel)
  20. 14 Canons on the First Eight Notes of the Aria Ground from the Goldberg Variations, BWV 1087: 4. Motu contrario e recto (von Musica Antiqua Köln, Reinhard Goebel)
  21. 14 Canons on the First Eight Notes of the Aria Ground from the Goldberg Variations, BWV 1087: 5. Canon duplex, a 4 (von Musica Antiqua Köln, Reinhard Goebel)
  22. 14 Canons on the First Eight Notes of the Aria Ground from the Goldberg Variations, BWV 1087: 6. Canon simplex, a 3 (von Musica Antiqua Köln, Reinhard Goebel)
  23. 14 Canons on the First Eight Notes of the Aria Ground from the Goldberg Variations, BWV 1087: 7. Idem, a 3 (von Musica Antiqua Köln, Reinhard Goebel)
  24. 14 Canons on the First Eight Notes of the Aria Ground from the Goldberg Variations, BWV 1087: 8. Canon simplex, a 3 (von Musica Antiqua Köln, Reinhard Goebel)
  25. 14 Canons on the First Eight Notes of the Aria Ground from the Goldberg Variations, BWV 1087: 9. Canon in unisono, a 3 (von Musica Antiqua Köln, Reinhard Goebel)
  26. 14 Canons on the First Eight Notes of the Aria Ground from the Goldberg Variations, BWV 1087: 10a. Alio modo, a 2 / 10b. Evolutio (von Musica Antiqua Köln, Reinhard Goebel)
  27. 14 Canons on the First Eight Notes of the Aria Ground from the Goldberg Variations, BWV 1087: 11. Canon duplex, a 5 (von Musica Antiqua Köln, Reinhard Goebel)
  28. 14 Canons on the First Eight Notes of the Aria Ground from the Goldberg Variations, BWV 1087: 12. Canon duplex, a 5 (von Musica Antiqua Köln, Reinhard Goebel)
  29. 14 Canons on the First Eight Notes of the Aria Ground from the Goldberg Variations, BWV 1087: 13. Canon triplex, a 6 (von Musica Antiqua Köln, Reinhard Goebel)
  30. 14 Canons on the First Eight Notes of the Aria Ground from the Goldberg Variations, BWV 1087: 14. Canon a 4 (von Musica Antiqua Köln, Reinhard Goebel)

J. S. Bach: Trio Sonatas

  1. Trio Sonata in G major, BWV 1038: 1. Largo
  2. Trio Sonata in G major, BWV 1038: 2. Vivace
  3. Trio Sonata in G major, BWV 1038: 3. Adagio
  4. Trio Sonata in G major, BWV 1038: 4. Presto
  5. Trio Sonata in C major, BWV 1037 (App. D): 1. Adagio
  6. Trio Sonata in C major, BWV 1037 (App. D): 2. Alla breve
  7. Trio Sonata in C major, BWV 1037 (App. D): 3. Largo
  8. Trio Sonata in C major, BWV 1037 (App. D): 4. Gigue. Presto
  9. Trio Sonata in G major, BWV 1039: 1. Adagio
  10. Trio Sonata in G major, BWV 1039: 2. Allegro ma non presto
  11. Trio Sonata in G major, BWV 1039: 3. Adagio e piano
  12. Trio Sonata in G major, BWV 1039: 4. Presto
  13. Trio Sonata in D minor, BWV 1036 (App. D): 1. Adagio (von Hendrik Bouman, Reinhard Goebel, Jaap ter Linden)
  14. Trio Sonata in D minor, BWV 1036 (App. D): 2. Allegro (von Hendrik Bouman, Reinhard Goebel, Jaap ter Linden)
  15. Trio Sonata in D minor, BWV 1036 (App. D): 3. Largo (von Hendrik Bouman, Reinhard Goebel, Jaap ter Linden)
  16. Trio Sonata in D minor, BWV 1036 (App. D): 4. Vivace (von Hendrik Bouman, Reinhard Goebel, Jaap ter Linden)

J. S. Bach: Violin Sonatas nos. 1-5

  1. Sonata for Violin and Harpsichord no. 1 in B minor, BWV 1014: 1. Adagio (von Reinhard Goebel, Robert Hill)
  2. Sonata for Violin and Harpsichord no. 1 in B minor, BWV 1014: 2. Allegro (von Reinhard Goebel, Robert Hill)
  3. Sonata for Violin and Harpsichord no. 1 in B minor, BWV 1014: 3. Andante (von Reinhard Goebel, Robert Hill)
  4. Sonata for Violin and Harpsichord no. 1 in B minor, BWV 1014: 4. Allegro (von Reinhard Goebel, Robert Hill)
  5. Sonata for Violin and Harpsichord no. 2 in A major, BWV 1015: 1. [no tempo indication] (von Reinhard Goebel, Robert Hill)
  6. Sonata for Violin and Harpsichord no. 2 in A major, BWV 1015: 2. Allegro assai (von Reinhard Goebel, Robert Hill)
  7. Sonata for Violin and Harpsichord no. 2 in A major, BWV 1015: 3. Andante un poco (von Reinhard Goebel, Robert Hill)
  8. Sonata for Violin and Harpsichord no. 2 in A major, BWV 1015: 4. Presto (von Reinhard Goebel, Robert Hill)
  9. Sonata for Violin and Harpsichord no. 3 in E major, BWV 1016: 1. Adagio (von Reinhard Goebel, Robert Hill)
  10. Sonata for Violin and Harpsichord no. 3 in E major, BWV 1016: 2. Allegro (von Reinhard Goebel, Robert Hill)
  11. Sonata for Violin and Harpsichord no. 3 in E major, BWV 1016: 3. Adagio ma non tanto (von Reinhard Goebel, Robert Hill)
  12. Sonata for Violin and Harpsichord no. 3 in E major, BWV 1016: 4. Allegro (von Reinhard Goebel, Robert Hill)
  13. Sonata for Violin and Harpsichord no. 4 in C minor, BWV 1017: 1. Siciliano. Largo (von Reinhard Goebel, Robert Hill)
  14. Sonata for Violin and Harpsichord no. 4 in C minor, BWV 1017: 2. Allegro (von Reinhard Goebel, Robert Hill)
  15. Sonata for Violin and Harpsichord no. 4 in C minor, BWV 1017: 3. Adagio ma non tanto (von Reinhard Goebel, Robert Hill)
  16. Sonata for Violin and Harpsichord no. 4 in C minor, BWV 1017: 4. Allegro assai (von Reinhard Goebel, Robert Hill)
  17. Sonata for Violin and Harpsichord no. 5 in F minor, BWV 1018: 1. Largo (von Reinhard Goebel, Robert Hill)
  18. Sonata for Violin and Harpsichord no. 5 in F minor, BWV 1018: 2. Allegro (von Reinhard Goebel, Robert Hill)
  19. Sonata for Violin and Harpsichord no. 5 in F minor, BWV 1018: 3. Adagio (von Reinhard Goebel, Robert Hill)
  20. Sonata for Violin and Harpsichord no. 5 in F minor, BWV 1018: 4. Vivace (von Reinhard Goebel, Robert Hill)

Violin Sonata no. 6 / Violin Sonatas, Fugue & Suite

  1. Sonata for Violin and Harpsichord no. 6 in G major, BWV 1019: 1. Allegro (von Reinhard Goebel, Robert Hill)
  2. Sonata for Violin and Harpsichord no. 6 in G major, BWV 1019: 2. Largo (von Reinhard Goebel, Robert Hill)
  3. Sonata for Violin and Harpsichord no. 6 in G major, BWV 1019: 3. Allegro (von Reinhard Goebel, Robert Hill)
  4. Sonata for Violin and Harpsichord no. 6 in G major, BWV 1019: 4. Adagio (von Reinhard Goebel, Robert Hill)
  5. Sonata for Violin and Harpsichord no. 6 in G major, BWV 1019: 5. Allegro (von Reinhard Goebel, Robert Hill)
  6. Sonata for Violin and Harpsichord in G minor, BWV 1020 (Anh. III 184): 1. [Allegro] (von Reinhard Goebel, Robert Hill)
  7. Sonata for Violin and Harpsichord in G minor, BWV 1020 (Anh. III 184): 2. Adagio (von Reinhard Goebel, Robert Hill)
  8. Sonata for Violin and Harpsichord in G minor, BWV 1020 (Anh. III 184): 3. Allegro (von Reinhard Goebel, Robert Hill)
  9. Sonata for Violin and Harpsichord in F major, BWV 1022 (App. B): 1. [no tempo indication] (von Reinhard Goebel, Robert Hill)
  10. Sonata for Violin and Harpsichord in F major, BWV 1022 (App. B): 2. Allegro ee presto (von Reinhard Goebel, Robert Hill)
  11. Sonata for Violin and Harpsichord in F major, BWV 1022 (App. B): 3. Adagio (von Reinhard Goebel, Robert Hill)
  12. Sonata for Violin and Harpsichord in F major, BWV 1022 (App. B): 4. Presto (von Reinhard Goebel, Robert Hill)
  13. Fugue for Violin and Basso continuo in G minor, BWV 1026 (von Reinhard Goebel, Robert Hill)
  14. Suite for Violin and Harpsichord in A major, BWV 1025: 1. Fantasia (von Reinhard Goebel, Robert Hill)
  15. Suite for Violin and Harpsichord in A major, BWV 1025: 2. Courante (von Reinhard Goebel, Robert Hill)
  16. Suite for Violin and Harpsichord in A major, BWV 1025: 3. Entrée (von Reinhard Goebel, Robert Hill)
  17. Suite for Violin and Harpsichord in A major, BWV 1025: 4. Rondeau (von Reinhard Goebel, Robert Hill)
  18. Suite for Violin and Harpsichord in A major, BWV 1025: 5. Sarabande (von Reinhard Goebel, Robert Hill)
  19. Suite for Violin and Harpsichord in A major, BWV 1025: 6. Menuett (von Reinhard Goebel, Robert Hill)
  20. Suite for Violin and Harpsichord in A major, BWV 1025: 7. Allegro (von Reinhard Goebel, Robert Hill)
  21. Sonata for Violin and Basso continuo in G major, BWV 1021: 1. Adagio (von Hendrik Bouman, Reinhard Goebel, Jaap ter Linden)
  22. Sonata for Violin and Basso continuo in G major, BWV 1021: 2. Vivace (von Hendrik Bouman, Reinhard Goebel, Jaap ter Linden)
  23. Sonata for Violin and Basso continuo in G major, BWV 1021: 3. Largo (von Hendrik Bouman, Reinhard Goebel, Jaap ter Linden)
  24. Sonata for Violin and Basso continuo in G major, BWV 1021: 4. Presto (von Hendrik Bouman, Reinhard Goebel, Jaap ter Linden)

Violin Sonata no. 6 / Violin Sonatas, Fugue & Suite

  1. Sonata for Violin and Basso continuo in E minor, BWV 1023: 1. [no tempo indication] / 2. Adagio ma non tanto (von Hendrik Bouman, Reinhard Goebel, Jaap ter Linden)
  2. Sonata for Violin and Basso continuo in E minor, BWV 1023: 3. Allemanda (von Hendrik Bouman, Reinhard Goebel, Jaap ter Linden)
  3. Sonata for Violin and Basso continuo in E minor, BWV 1023: 4. Gigue (von Hendrik Bouman, Reinhard Goebel, Jaap ter Linden)
  4. Sonata for Violin and Basso continuo in C minor, BWV 1024 (App. B): 1. Adagio (von Hendrik Bouman, Reinhard Goebel, Jaap ter Linden)
  5. Sonata for Violin and Basso continuo in C minor, BWV 1024 (App. B): 2. Presto (von Hendrik Bouman, Reinhard Goebel, Jaap ter Linden)
  6. Sonata for Violin and Basso continuo in C minor, BWV 1024 (App. B): 3. Affettuoso (von Hendrik Bouman, Reinhard Goebel, Jaap ter Linden)
  7. Sonata for Violin and Basso continuo in C minor, BWV 1024 (App. B): 4. Vivace (von Hendrik Bouman, Reinhard Goebel, Jaap ter Linden)
  8. [Sonata] for Violin and Basso continuo in A major, BWV Anh. 153: 1. Allegro (von Hendrik Bouman, Reinhard Goebel, Jaap ter Linden)
  9. [Sonata] for Violin and Basso continuo in A major, BWV Anh. 153: 2. [Largo] (von Hendrik Bouman, Reinhard Goebel, Jaap ter Linden)
  10. [Sonata] for Violin and Basso continuo in A major, BWV Anh. 153: 3. [Allegro assai] (von Hendrik Bouman, Reinhard Goebel, Jaap ter Linden)
  11. [Sonata] for Violin and Basso continuo in A major, BWV Anh. 153: 4. [Adagio] (von Hendrik Bouman, Reinhard Goebel, Jaap ter Linden)
  12. [Sonata] for Violin and Basso continuo in A major, BWV Anh. 153: 5. [Allegro] (von Hendrik Bouman, Reinhard Goebel, Jaap ter Linden)
  13. Sonata for Harpsichord and Viola da gamba no. 1 in G major, BWV 1027: 1. Adagio
  14. Sonata for Harpsichord and Viola da gamba no. 1 in G major, BWV 1027: 2. Allegro ma non tanto
  15. Sonata for Harpsichord and Viola da gamba no. 1 in G major, BWV 1027: 3. Andante
  16. Sonata for Harpsichord and Viola da gamba no. 1 in G major, BWV 1027: 4. Allegro moderato
  17. Sonata for Harpsichord and Viola da gamba no. 2 in D major, BWV 1028: 1. Adagio
  18. Sonata for Harpsichord and Viola da gamba no. 2 in D major, BWV 1028: 2. Allegro
  19. Sonata for Harpsichord and Viola da gamba no. 2 in D major, BWV 1028: 3. Andante
  20. Sonata for Harpsichord and Viola da gamba no. 2 in D major, BWV 1028: 4. Allegro

J. S. Bach: Violin Sonatas / Gamba Sonatas nos. 1 & 2

  1. Sonata for Harpsichord and Viola da gamba no. 3 in G minor, BWV 1029: 1. Vivace
  2. Sonata for Harpsichord and Viola da gamba no. 3 in G minor, BWV 1029: 2. Adagio
  3. Sonata for Harpsichord and Viola da gamba no. 3 in G minor, BWV 1029: 3. Allegro
  4. Sonata for Violin and Harpsichord in G major, BWV 1029a: 1. Presto (von Reinhard Goebel, Robert Hill)
  5. Sonata for Violin and Harpsichord in G major, BWV 1029a: 2. Largo (von Reinhard Goebel, Robert Hill)
  6. Sonata for Violin and Harpsichord in G major, BWV 1029a: 3. Cantabile, ma un poco adagio (von Reinhard Goebel, Robert Hill)
  7. Sonata for Violin and Harpsichord in G major, BWV 1029a: 4. Adagio (von Reinhard Goebel, Robert Hill)
  8. Sonata for Violin and Harpsichord in G major, BWV 1029a: 5. Presto (von Reinhard Goebel, Robert Hill)
  9. Sonata for Flute and Basso continuo in C major, BWV 1033: 1. Andante - Presto
  10. Sonata for Flute and Basso continuo in C major, BWV 1033: 2. Allegro
  11. Sonata for Flute and Basso continuo in C major, BWV 1033: 3. Adagio
  12. Sonata for Flute and Basso continuo in C major, BWV 1033: 4. Menuetto I - Menuetto II
  13. Sonata for Flute and Basso continuo in E minor, BWV 1034: 1. Adagio ma non tanto
  14. Sonata for Flute and Basso continuo in E minor, BWV 1034: 2. Allegro
  15. Sonata for Flute and Basso continuo in E minor, BWV 1034: 3. Andante
  16. Sonata for Flute and Basso continuo in E minor, BWV 1034: 4. Allegro
  17. Sonata for Flute and Basso continuo in E major, BWV 1035: 1. Adagio ma non tanto
  18. Sonata for Flute and Basso continuo in E major, BWV 1035: 2. Allegro
  19. Sonata for Flute and Basso continuo in E major, BWV 1035: 3. Siciliano
  20. Sonata for Flute and Basso continuo in E major, BWV 1035: 4. Allegro assai

J. S. Bach: Gamba Sonata no. 3 / Violin Sonata, BWV 1019a / Flute Sonatas

  1. Partita for Solo Flute in A minor, BWV 1013: 1. Allemande (von Wilbert Hazelzet)
  2. Partita for Solo Flute in A minor, BWV 1013: 2. Corrente (von Wilbert Hazelzet)
  3. Partita for Solo Flute in A minor, BWV 1013: 3. Sarabande (von Wilbert Hazelzet)
  4. Partita for Solo Flute in A minor, BWV 1013: 4. Bourrée anglaise (von Wilbert Hazelzet)
  5. Sonata for Harpsichord and Flute in B minor, BWV 1030: 1. Andante
  6. Sonata for Harpsichord and Flute in B minor, BWV 1030: 2. Largo e dolce
  7. Sonata for Harpsichord and Flute in B minor, BWV 1030: 3. Presto - [Allegro]
  8. Sonata for Harpsichord and Flute in E-flat major, BWV 1031: 1. Allegro moderato
  9. Sonata for Harpsichord and Flute in E-flat major, BWV 1031: 2. Siciliano
  10. Sonata for Harpsichord and Flute in E-flat major, BWV 1031: 3. Allegro
  11. Sonata for Harpsichord and Flute in A major, BWV 1032: 1. Vivace
  12. Sonata for Harpsichord and Flute in A major, BWV 1032: 2. Largo e dolce
  13. Sonata for Harpsichord and Flute in A major, BWV 1032: 3. Allegro

J. S. Bach: Secular Cantatas (I)

  1. “Vereinigte Zwietracht der wechselnden Saiten”, BWV 207: March (from the later version BWV 207a) (von Musica Antiqua Köln, Reinhard Goebel)
  2. “Vereinigte Zwietracht der wechselnden Saiten”, BWV 207: 1. Chorus: “Vereinigte Zwietracht der wechselnden Saiten”
  3. “Vereinigte Zwietracht der wechselnden Saiten”, BWV 207: 2. Recitative: “Wen treibt ein edler Trieb”
  4. “Vereinigte Zwietracht der wechselnden Saiten”, BWV 207: 3. Aria: “Zieht euren Fuß nur nicht zurücke”
  5. “Vereinigte Zwietracht der wechselnden Saiten”, BWV 207: 4. Recitative: “Dem nur allein soll meine Wohnung offen sein”
  6. “Vereinigte Zwietracht der wechselnden Saiten”, BWV 207: 5. Aria (Duet): “Den soll mein Lorbeer schützend decken”
  7. “Vereinigte Zwietracht der wechselnden Saiten”, BWV 207: 5a. Ritornello (von Musica Antiqua Köln, Reinhard Goebel)
  8. “Vereinigte Zwietracht der wechselnden Saiten”, BWV 207: 6. Recitative: “Es ist kein leeres Wort”
  9. “Vereinigte Zwietracht der wechselnden Saiten”, BWV 207: 7. Aria: “Ätzet dieses Angedenken”
  10. “Vereinigte Zwietracht der wechselnden Saiten”, BWV 207: 8. Recitative: “Ihr Schläfrigen, herbei”
  11. “Vereinigte Zwietracht der wechselnden Saiten”, BWV 207: 9. Chorus: “Korte lebe, Korte blühe”
  12. “Schleicht, spielende Wellen, und murmelt gelinde”, BWV 206: 1. Chorus: “Schleicht, spielende Wellen, und murmelt gelinde”
  13. “Schleicht, spielende Wellen, und murmelt gelinde”, BWV 206: 2. Recitative: “O glückliche Veränderung!”
  14. “Schleicht, spielende Wellen, und murmelt gelinde”, BWV 206: 3. Aria: “Schleuß des Janustempels Türen”
  15. “Schleicht, spielende Wellen, und murmelt gelinde”, BWV 206: 4. Recitative & Arioso: “So recht, beglückter Weichselstrom”
  16. “Schleicht, spielende Wellen, und murmelt gelinde”, BWV 206: 5. Aria: “Jede Woge meiner Wellen”
  17. “Schleicht, spielende Wellen, und murmelt gelinde”, BWV 206: 6. Recitative: “Ich nehm zugleich an deiner Freude teil”
  18. “Schleicht, spielende Wellen, und murmelt gelinde”, BWV 206: 7. Aria: “Reis von Habsburgs hohem Stamme”
  19. “Schleicht, spielende Wellen, und murmelt gelinde”, BWV 206: 8. Recitative: “Verzeiht, bemooste Häupter starker Ströme”
  20. “Schleicht, spielende Wellen, und murmelt gelinde”, BWV 206: 9. Aria: “Hört doch! Der sanften Flöten Chor”
  21. “Schleicht, spielende Wellen, und murmelt gelinde”, BWV 206: 10. Recitative: “Ich muss, ich will gehorsam sein”
  22. “Schleicht, spielende Wellen, und murmelt gelinde”, BWV 206: 11. Chorus: “Die himmlische Vorsicht der ewigen Güte”

J. S. Bach: Secular Cantatas (II)

  1. “Geschwinde, ihr wirbelnden Winde”, BWV 201: 1. Chorus: “Geschwinde, ihr wirbelnden Winde”
  2. “Geschwinde, ihr wirbelnden Winde”, BWV 201: 2. Recitative: “Und du bist doch so unverschämt und frei”
  3. “Geschwinde, ihr wirbelnden Winde”, BWV 201: 3. Aria: “Patron, das macht der Wind”
  4. “Geschwinde, ihr wirbelnden Winde”, BWV 201: 4. Recitative: “Was braucht ihr euch zu zanken”
  5. “Geschwinde, ihr wirbelnden Winde”, BWV 201: 5. Aria: “Mit Verlangen drück ich deine zarten Wangen”
  6. “Geschwinde, ihr wirbelnden Winde”, BWV 201: 6. Recitative: “Pan, rücke deine Kehle nun”
  7. “Geschwinde, ihr wirbelnden Winde”, BWV 201: 7. Aria: “Zu Tanze, zu Sprunge, so wackelt das Herz”
  8. “Geschwinde, ihr wirbelnden Winde”, BWV 201: 8. Recitative: “Nunmehro Richter her!”
  9. “Geschwinde, ihr wirbelnden Winde”, BWV 201: 9. Aria: “ Phoebus, deine Melodei hat die Anmut selbst”
  10. “Geschwinde, ihr wirbelnden Winde”, BWV 201: 10. Recitative: “Komm, Midas, sage du nun an”
  11. “Geschwinde, ihr wirbelnden Winde”, BWV 201: 11. Aria: “Pan ist Meister, lasst ihn gehn”
  12. “Geschwinde, ihr wirbelnden Winde”, BWV 201: 12. Recitative: “Wie, Midas, bist du toll”
  13. “Geschwinde, ihr wirbelnden Winde”, BWV 201: 13. Aria: “Aufgeblasne Hitze, aber wenig Grütze”
  14. “Geschwinde, ihr wirbelnden Winde”, BWV 201: 14. Recitative: “Du guter Midas, geh nun hin”
  15. “Geschwinde, ihr wirbelnden Winde”, BWV 201: 15. Chorus: “Labt das Herz, ihr holden Saiten”
  16. “Schwingt freudig euch empor”, BWV 36c: 1. [Chorus:] “Schwingt freudig euch empor”
  17. “Schwingt freudig euch empor”, BWV 36c: 2. Recitative: “Ein Herz, in zärtlichem Empfinden”
  18. “Schwingt freudig euch empor”, BWV 36c: 3. Aria: “Die Liebe führt mit sanften Schritten”
  19. “Schwingt freudig euch empor”, BWV 36c: 4. Recitative: “Du bist es ja, o hochverdienter Mann”
  20. “Schwingt freudig euch empor”, BWV 36c: 5. Aria: “Der Tag, der dich vordem gebar”
  21. “Schwingt freudig euch empor”, BWV 36c: 6. Recitative: “Nur dieses Einz'ge sorgen wir”
  22. “Schwingt freudig euch empor”, BWV 36c: 7. Aria: “Auch mit gedämpften, schwachen Stimmen”
  23. “Schwingt freudig euch empor”, BWV 36c: 8. Recitative: “Bei solchen freudenvollen Stunden”
  24. “Schwingt freudig euch empor”, BWV 36c: 9. Chorus & Recitative: “Wie die Jahre sich verneuen”
  25. Quodlibet, BWV 524 (Fragment)

J. S. Bach: Wedding Cantatas

  1. “O holder Tag, erwünschte Zeit”, BWV 210: 1. Recitative: “O holder Tag, erwünschte Zeit”
  2. “O holder Tag, erwünschte Zeit”, BWV 210: 2. Aria: “Spielet, ihr beseelten Lieder”
  3. “O holder Tag, erwünschte Zeit”, BWV 210: 3. Recitative: “Doch, haltet ein”
  4. “O holder Tag, erwünschte Zeit”, BWV 210: 4. Aria: “Ruhet hie, matte Töne”
  5. “O holder Tag, erwünschte Zeit”, BWV 210: 5. Recitative: “Si glaubt man denn, dass die Musik verführe”
  6. “O holder Tag, erwünschte Zeit”, BWV 210: 6. Aria: “Schweigt, ihr Flöten, schweigt, ihr Töne”
  7. “O holder Tag, erwünschte Zeit”, BWV 210: 7. Recitative: “Was Luft? Was Grab?”
  8. “O holder Tag, erwünschte Zeit”, BWV 210: 8. Aria: “Großer Gönner, dein Vergnügen”
  9. “O holder Tag, erwünschte Zeit”, BWV 210: 9. Recitative: “Hochteurer Mann, so fahre ferner fort”
  10. “O holder Tag, erwünschte Zeit”, BWV 210: 10. Aria: “Seid beglückt, edle beide”
  11. “Weichet nur, betrübte Schatten”, BWV 202: 1. Adagio - Andante - Adagio da capo: “Weichet nur, betrübte Schatten”
  12. “Weichet nur, betrübte Schatten”, BWV 202: 2. Recitative: “Die Welt wird wieder neu”
  13. “Weichet nur, betrübte Schatten”, BWV 202: 3. Aria: “Phoebus eilt mit schnellen Pferden”
  14. “Weichet nur, betrübte Schatten”, BWV 202: 4. Recitative: “Drum sucht auch Amor sein Vergnügen”
  15. “Weichet nur, betrübte Schatten”, BWV 202: 5. Aria: “Wenn die Frühlingslüfte streichen”
  16. “Weichet nur, betrübte Schatten”, BWV 202: 6. Recitative: “Und dieses ist das Glücke”
  17. “Weichet nur, betrübte Schatten”, BWV 202: 7. Aria: “Sich üben im Lieben”
  18. “Weichet nur, betrübte Schatten”, BWV 202: 8. Recitative: “So sei das Band der keuschen Liebe”
  19. “Weichet nur, betrübte Schatten”, BWV 202: 9. Aria (Gavotte): “Sehet in Zufriedenheit”
  20. “Jauchzet Gott in allen Landen”, BWV 51: 1. Aria: “Jauchzet Gott in allen Landen”
  21. “Jauchzet Gott in allen Landen”, BWV 51: 2. Recitative: “Wir beten zu dem Tempel an”
  22. “Jauchzet Gott in allen Landen”, BWV 51: 3. Aria: “Höchster, mache deine Güte”
  23. “Jauchzet Gott in allen Landen”, BWV 51: 4. Chorale: “Sei Lob und Preis mit Ehren” -
  24. “Jauchzet Gott in allen Landen”, BWV 51: “Alleluja”

C. P. E. Bach, W. F. Bach: Concertos for 2 Harpsichords

  1. Concerto for 2 Harpsichords and Orchestra in F major, Wq. 46: 1. Allegro
  2. Concerto for 2 Harpsichords and Orchestra in F major, Wq. 46: 2. Largo e con sordino
  3. Concerto for 2 Harpsichords and Orchestra in F major, Wq. 46: 3. Allegro assai
  4. Sonata for 2 Harpsichords in F major, F 10 (BWV Anh. 188): 1. [Allegro moderato]
  5. Sonata for 2 Harpsichords in F major, F 10 (BWV Anh. 188): 2. Andante
  6. Sonata for 2 Harpsichords in F major, F 10 (BWV Anh. 188): 3. Presto
  7. Concerto for 2 Harpsichords and Orchestra in E-flat major, F 46: 1. Un poco allegro
  8. Concerto for 2 Harpsichords and Orchestra in E-flat major, F 46: 2. Cantabile senza accompagnamento
  9. Concerto for 2 Harpsichords and Orchestra in E-flat major, F 46: 3. Vivace

Bachiana: Music by the Bach Family

Bachiana: Double Concertos

Cantatas by the Bach Family Before Johan Sebastian (I)

  1. “Ach, bleib bei uns, Herr Jesu Christ”
  2. “Auf, lasst uns den Herren loben”
  3. “Es ist ein großer Gewinn”
  4. “Liebster Jesu, hör mein Fiehen”
  5. “Ach, wie sehnlich wart' ich der Zeit”
  6. “Siehe, wie fein und lieblich”
  7. “Meine Freundin, du bist schön”

Cantatas by the Bach Family Before Johan Sebastian (II)

  1. “Es erhub sich ein Streit”
  2. “Ach, dass ich Wassers g'nug hätte”
  3. “Herr, wende dich und sei mir gnädig”
  4. “Wie bist du denn, o Gott, in Zorn auf mich entbrannt”
  5. “Die Furcht des Herren”
  6. “Ich danke dir, Gott”

Lamento: Arias and Cantatas by the Bach Family

Biber: Mensa sonora / Sonata representativa

  1. Mensa sonara: Pars I in D major. 1. Sonata. Grave - Allegro (von Musica Antiqua Köln)
  2. Mensa sonara: Pars I in D major. 2. Allamanda (von Musica Antiqua Köln)
  3. Mensa sonara: Pars I in D major. 3. Courante (von Musica Antiqua Köln)
  4. Mensa sonara: Pars I in D major. 4. Sarabanda (von Musica Antiqua Köln)
  5. Mensa sonara: Pars I in D major. 5. Gavotte (von Musica Antiqua Köln)
  6. Mensa sonara: Pars I in D major. 6. Gigue - Sonatina. Adagio (von Musica Antiqua Köln)
  7. Mensa sonara: Pars II in F major. 1. Intrada. Alla breve (von Musica Antiqua Köln)
  8. Mensa sonara: Pars II in F major. 2. Balletto. Alla breve (von Musica Antiqua Köln)
  9. Mensa sonara: Pars II in F major. 3. Sarabanda (von Musica Antiqua Köln)
  10. Mensa sonara: Pars II in F major. 4. Balletto. Alla breve (von Musica Antiqua Köln)
  11. Mensa sonara: Pars II in F major. 5. Sarabanda (von Musica Antiqua Köln)
  12. Mensa sonara: Pars II in F major. 6. Balletto. Alla breve (von Musica Antiqua Köln)
  13. Mensa sonara: Pars III in A minor. 1. Gagliarda. Allegro (von Musica Antiqua Köln)
  14. Mensa sonara: Pars III in A minor. 2. Sarabanda (von Musica Antiqua Köln)
  15. Mensa sonara: Pars III in A minor. 3. Aria (von Musica Antiqua Köln)
  16. Mensa sonara: Pars III in A minor. 4. Ciacona (von Musica Antiqua Köln)
  17. Mensa sonara: Pars III in A minor. 5. Sonatina (von Musica Antiqua Köln)
  18. Mensa sonara: Sonata violino solo representativa in A major. 1. Sonata. Allegro (von Musica Antiqua Köln)
  19. Mensa sonara: Sonata violino solo representativa in A major. 2. Die Nachtigall (von Musica Antiqua Köln)
  20. Mensa sonara: Sonata violino solo representativa in A major. 3. Cucu (von Musica Antiqua Köln)
  21. Mensa sonara: Sonata violino solo representativa in A major. 4. Der Frosch - Adagio (von Musica Antiqua Köln)
  22. Mensa sonara: Sonata violino solo representativa in A major. 5. Allegro. Die Henne und der Hahn - Presto (von Musica Antiqua Köln)
  23. Mensa sonara: Sonata violino solo representativa in A major. 6. Adagio. Die Wachtel (von Musica Antiqua Köln)
  24. Mensa sonara: Sonata violino solo representativa in A major. 7. Die Katz (von Musica Antiqua Köln)
  25. Mensa sonara: Sonata violino solo representativa in A major. 8. Musketier-Marsch (von Musica Antiqua Köln)
  26. Mensa sonara: Sonata violino solo representativa in A major. 9. Allemande (von Musica Antiqua Köln)
  27. Mensa sonara: Pars IV in B-flat major. 1. Sonata. Grave - Allegro - Adagio (von Musica Antiqua Köln)
  28. Mensa sonara: Pars IV in B-flat major. 2. Allamanda (von Musica Antiqua Köln)
  29. Mensa sonara: Pars IV in B-flat major. 3. Courante (von Musica Antiqua Köln)
  30. Mensa sonara: Pars IV in B-flat major. 4. Balletto (von Musica Antiqua Köln)
  31. Mensa sonara: Pars IV in B-flat major. 5. Sarabanda (von Musica Antiqua Köln)
  32. Mensa sonara: Pars IV in B-flat major. 6. Gigue. Presto (von Musica Antiqua Köln)
  33. Mensa sonara: Pars IV in B-flat major. 7. Sonatina. Adagio (von Musica Antiqua Köln)
  34. Mensa sonara: Pars V in E major. 1. Intrada. Allegro (von Musica Antiqua Köln)
  35. Mensa sonara: Pars V in E major. 2. Balletto (von Musica Antiqua Köln)
  36. Mensa sonara: Pars V in E major. 3. Trezza (von Musica Antiqua Köln)
  37. Mensa sonara: Pars V in E major. 4. Gigue (von Musica Antiqua Köln)
  38. Mensa sonara: Pars V in E major. 5. Gavotte. Alla breve (von Musica Antiqua Köln)
  39. Mensa sonara: Pars V in E major. 6. Gigue (von Musica Antiqua Köln)
  40. Mensa sonara: Pars V in E major. 7. Retirada (von Musica Antiqua Köln)
  41. Mensa sonara: Pars VI in G minor. 1. Sonata. Adagio - Presto (von Musica Antiqua Köln)
  42. Mensa sonara: Pars VI in G minor. 2. Aria (von Musica Antiqua Köln)
  43. Mensa sonara: Pars VI in G minor. 3. Canario. Presto (von Musica Antiqua Köln)
  44. Mensa sonara: Pars VI in G minor. 4. Amener (von Musica Antiqua Köln)
  45. Mensa sonara: Pars VI in G minor. 5. Trezza (von Musica Antiqua Köln)
  46. Mensa sonara: Pars VI in G minor. 6. Ciacona (von Musica Antiqua Köln)
  47. Mensa sonara: Pars VI in G minor. 7. Sonatina. Adagio - Presto (von Musica Antiqua Köln)

Biber: Harmonia artificiosa (I)

  1. Harmonia artificiosa-arioso: diversi mode accordata: Partia I in D minor for 2 Violins and Basso continuo. 1. Sonata. Adagio - Presto - Adagio (von Musica Antiqua Köln, Reinhard Goebel)
  2. Harmonia artificiosa-arioso: diversi mode accordata: Partia I in D minor for 2 Violins and Basso continuo. 2. Allamande (von Musica Antiqua Köln, Reinhard Goebel)
  3. Harmonia artificiosa-arioso: diversi mode accordata: Partia I in D minor for 2 Violins and Basso continuo. 3. Gigue - Variatio I/II (von Musica Antiqua Köln, Reinhard Goebel)
  4. Harmonia artificiosa-arioso: diversi mode accordata: Partia I in D minor for 2 Violins and Basso continuo. 4. Aria (von Musica Antiqua Köln, Reinhard Goebel)
  5. Harmonia artificiosa-arioso: diversi mode accordata: Partia I in D minor for 2 Violins and Basso continuo. 5. Sarabande - Variatio I/II - Finale. Presto (von Musica Antiqua Köln, Reinhard Goebel)
  6. Harmonia artificiosa-arioso: diversi mode accordata: Partia II in B minor for 2 Violini piccoli and Basso continuo. 1. Praeludium (von Musica Antiqua Köln, Reinhard Goebel)
  7. Harmonia artificiosa-arioso: diversi mode accordata: Partia II in B minor for 2 Violini piccoli and Basso continuo. 2. Allamande - Variatio (von Musica Antiqua Köln, Reinhard Goebel)
  8. Harmonia artificiosa-arioso: diversi mode accordata: Partia II in B minor for 2 Violini piccoli and Basso continuo. 3. Balletto. Allegro (von Musica Antiqua Köln, Reinhard Goebel)
  9. Harmonia artificiosa-arioso: diversi mode accordata: Partia II in B minor for 2 Violini piccoli and Basso continuo. 4. Aria. Presto (von Musica Antiqua Köln, Reinhard Goebel)
  10. Harmonia artificiosa-arioso: diversi mode accordata: Partia II in B minor for 2 Violini piccoli and Basso continuo. 5. Gigue. Presto (von Musica Antiqua Köln, Reinhard Goebel)
  11. Harmonia artificiosa-arioso: diversi mode accordata: Partia III in A major for 2 Violins and Basso continuo. 1. Praeludium. Allegro (von Musica Antiqua Köln, Reinhard Goebel)
  12. Harmonia artificiosa-arioso: diversi mode accordata: Partia III in A major for 2 Violins and Basso continuo. 2. Allamanda (von Musica Antiqua Köln, Reinhard Goebel)
  13. Harmonia artificiosa-arioso: diversi mode accordata: Partia III in A major for 2 Violins and Basso continuo. 3. Amener. Presto (von Musica Antiqua Köln, Reinhard Goebel)
  14. Harmonia artificiosa-arioso: diversi mode accordata: Partia III in A major for 2 Violins and Basso continuo. 4. Balletto (von Musica Antiqua Köln, Reinhard Goebel)
  15. Harmonia artificiosa-arioso: diversi mode accordata: Partia III in A major for 2 Violins and Basso continuo. 5. Gigue (von Musica Antiqua Köln, Reinhard Goebel)
  16. Harmonia artificiosa-arioso: diversi mode accordata: Partia III in A major for 2 Violins and Basso continuo. 6. Ciacona (Canon in unisono) (von Musica Antiqua Köln, Reinhard Goebel)
  17. Harmonia artificiosa-arioso: diversi mode accordata: Partia IV in E-flat major for Violin, Viola and Basso continuo. 1. Sonata. Adagio - Allegro - Adagio (von Musica Antiqua Köln, Reinhard Goebel)
  18. Harmonia artificiosa-arioso: diversi mode accordata: Partia IV in E-flat major for Violin, Viola and Basso continuo. 2. Allamande (von Musica Antiqua Köln, Reinhard Goebel)
  19. Harmonia artificiosa-arioso: diversi mode accordata: Partia IV in E-flat major for Violin, Viola and Basso continuo. 3. Trezza. Presto (von Musica Antiqua Köln, Reinhard Goebel)
  20. Harmonia artificiosa-arioso: diversi mode accordata: Partia IV in E-flat major for Violin, Viola and Basso continuo. 4. Aria (von Musica Antiqua Köln, Reinhard Goebel)
  21. Harmonia artificiosa-arioso: diversi mode accordata: Partia IV in E-flat major for Violin, Viola and Basso continuo. 5. Canario (von Musica Antiqua Köln, Reinhard Goebel)
  22. Harmonia artificiosa-arioso: diversi mode accordata: Partia IV in E-flat major for Violin, Viola and Basso continuo. 6. Gigue. Presto (von Musica Antiqua Köln, Reinhard Goebel)
  23. Harmonia artificiosa-arioso: diversi mode accordata: Partia IV in E-flat major for Violin, Viola and Basso continuo. 7. Polichinello. Presto (von Musica Antiqua Köln, Reinhard Goebel)

Biber: Harmonia artificiosa (II)

  1. Harmonia artificiosa-arioso: diversi mode accordata: Partia V in G minor for 2 Violins and Basso continuo. 1. Intrada. Alla breve (von Musica Antiqua Köln, Reinhard Goebel)
  2. Harmonia artificiosa-arioso: diversi mode accordata: Partia V in G minor for 2 Violins and Basso continuo. 2. Aria. Adagio (von Musica Antiqua Köln, Reinhard Goebel)
  3. Harmonia artificiosa-arioso: diversi mode accordata: Partia V in G minor for 2 Violins and Basso continuo. 3. Balletto. Presto (von Musica Antiqua Köln, Reinhard Goebel)
  4. Harmonia artificiosa-arioso: diversi mode accordata: Partia V in G minor for 2 Violins and Basso continuo. 4. Gigue (von Musica Antiqua Köln, Reinhard Goebel)
  5. Harmonia artificiosa-arioso: diversi mode accordata: Partia V in G minor for 2 Violins and Basso continuo. 5. Passacaglia [Adagio] - Allegro - Adagio (von Musica Antiqua Köln, Reinhard Goebel)
  6. Harmonia artificiosa-arioso: diversi mode accordata: Partia VI in D major 2 Violins aand Basso continuo: 1. Praeludium. Adagio - Allegro (von Musica Antiqua Köln, Reinhard Goebel)
  7. Harmonia artificiosa-arioso: diversi mode accordata: Partia VI in D major 2 Violins aand Basso continuo: 2. Aria - Variatio I-XIII (von Musica Antiqua Köln, Reinhard Goebel)
  8. Harmonia artificiosa-arioso: diversi mode accordata: Partia VI in D major 2 Violins aand Basso continuo: 3. Finale. Adagio - Allegro (von Musica Antiqua Köln, Reinhard Goebel)
  9. Harmonia artificiosa-arioso: diversi mode accordata: Partia VII in C minor for 2 Viole d'amore and Basso continuo: 1. Praeludium. Grave - Presto (von Musica Antiqua Köln, Reinhard Goebel)
  10. Harmonia artificiosa-arioso: diversi mode accordata: Partia VII in C minor for 2 Viole d'amore and Basso continuo: 2. Allamande (von Musica Antiqua Köln, Reinhard Goebel)
  11. Harmonia artificiosa-arioso: diversi mode accordata: Partia VII in C minor for 2 Viole d'amore and Basso continuo: 3. Sarabande (von Musica Antiqua Köln, Reinhard Goebel)
  12. Harmonia artificiosa-arioso: diversi mode accordata: Partia VII in C minor for 2 Viole d'amore and Basso continuo: 4. Gigue. Presto (von Musica Antiqua Köln, Reinhard Goebel)
  13. Harmonia artificiosa-arioso: diversi mode accordata: Partia VII in C minor for 2 Viole d'amore and Basso continuo: 5. Aria (von Musica Antiqua Köln, Reinhard Goebel)
  14. Harmonia artificiosa-arioso: diversi mode accordata: Partia VII in C minor for 2 Viole d'amore and Basso continuo: 6. Trezza (von Musica Antiqua Köln, Reinhard Goebel)
  15. Harmonia artificiosa-arioso: diversi mode accordata: Partia VII in C minor for 2 Viole d'amore and Basso continuo: 7. Arietta variata (von Musica Antiqua Köln, Reinhard Goebel)

Biber: Rosenkranz Sonatas (I)

  1. 15 Sonaten über Mysterien des Rosenkranzes für Violine und Basso continuo: Die fünf freudenhaften Mysterien. Sonata I: Die Verkündigung d-Moll: Praeludium - Variatio - Aria allegro - Variatio - Adagio - Finale (von Musica Antiqua Köln, Reinhard Goebel)
  2. 15 Sonaten über Mysterien des Rosenkranzes für Violine und Basso continuo: Die fünf freudenhaften Mysterien. Sonata II: Mariä Besuch bei Elisabeth A-Dur: Sonata - Presto - Allemande - Presto (von Musica Antiqua Köln, Reinhard Goebel)
  3. 15 Sonaten über Mysterien des Rosenkranzes für Violine und Basso continuo: Die fünf freudenhaften Mysterien. Sonata III: Christi Geburt h-Moll: Sonata - Presto - Adagio - Courante - Double - Adagio (von Musica Antiqua Köln, Reinhard Goebel)
  4. 15 Sonaten über Mysterien des Rosenkranzes für Violine und Basso continuo: Die fünf freudenhaften Mysterien. Sonata IV: Christi Darstellung im Tempel d-Moll: Ciacona (with 12 Variations) (von Musica Antiqua Köln, Reinhard Goebel)
  5. 15 Sonaten über Mysterien des Rosenkranzes für Violine und Basso continuo: Die fünf freudenhaften Mysterien. Sonata V: Der zwölfjährige Jesus im Tempel A-Dur: Praeludium - Presto - Allemande - Gigue - Sarabande - Double (von Musica Antiqua Köln, Reinhard Goebel)
  6. 15 Sonaten über Mysterien des Rosenkranzes für Violine und Basso continuo: Die fünf schmerzhaften Mysterien. Sonata VI: Christi Leiden am Ölberg c-Moll: Lamento - Adagio - Presto - Adagio I-III (von Musica Antiqua Köln, Reinhard Goebel)
  7. 15 Sonaten über Mysterien des Rosenkranzes für Violine und Basso continuo: Die fünf schmerzhaften Mysterien. Sonata VII: Die Geißelung F-Dur: Allemande - Variatio - Sarabande - Variatio (von Musica Antiqua Köln, Reinhard Goebel)
  8. 15 Sonaten über Mysterien des Rosenkranzes für Violine und Basso continuo: Die fünf schmerzhaften Mysterien. Sonata VIII: Due Dornenkrönung B-Dur: Sonata. Adagio - Presto - Gigue - Double I. Presto - Double II (von Musica Antiqua Köln, Reinhard Goebel)

Biber: Rosenkranz Sonatas (II) / Passacaglia

  1. 15 Sonaten über Mysterien des Rosenkranzes für Violine und Basso continuo: Die fünf schmerzhaften Mysterien. Sonata IX: Die Kreuztragung a-Moll: Sonata - Courante - Double - Finale (von Musica Antiqua Köln, Reinhard Goebel)
  2. 15 Sonaten über Mysterien des Rosenkranzes für Violine und Basso continuo: Die fünf schmerzhaften Mysterien. Sonata X: Die Kreuzigung g-Moll: Praeludium - Aria (with 5 Variations) (von Musica Antiqua Köln, Reinhard Goebel)
  3. 15 Sonaten über Mysterien des Rosenkranzes für Violine und Basso continuo: Die fünf glorreichen Mysterien. Sonata XI: Die Auferstehung G-Dur: Sonata - Adagio (von Musica Antiqua Köln, Reinhard Goebel)
  4. 15 Sonaten über Mysterien des Rosenkranzes für Violine und Basso continuo: Die fünf glorreichen Mysterien. Sonata XII: Christi Himmelfahrt C-Dur: Intrada - Aria Tubicinum - Allemande - Courante - Double (von Musica Antiqua Köln, Reinhard Goebel)
  5. 15 Sonaten über Mysterien des Rosenkranzes für Violine und Basso continuo: Die fünf glorreichen Mysterien. Sonata XIII: Ausgießung des Helligen Geistes d-Moll: Sonata - Gavotte - Gigue - Sarabande (von Musica Antiqua Köln, Reinhard Goebel)
  6. 15 Sonaten über Mysterien des Rosenkranzes für Violine und Basso continuo: Die fünf glorreichen Mysterien. Sonata XIV: Mariä Himmelfahrt D-Dur: [Sonata] - Grave - Adagio - Aria I - Aria II - Gigue (von Musica Antiqua Köln, Reinhard Goebel)
  7. 15 Sonaten über Mysterien des Rosenkranzes für Violine und Basso continuo: Die fünf glorreichen Mysterien. Sonata XV: Die Krönung der Jungfrau Maria C-Dur: Sonata - Aria (with 3 Variations) - Canzone - Sarabande (von Musica Antiqua Köln, Reinhard Goebel)
  8. Passacaglia for Solo Violin in G minor: [no tempo indication] - Adagio - Allegro - Adagio (von Reinhard Goebel)

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